There was a big car boot sale just around the corner from us this last weekend, and we were able to find quite a few nice additions to the collection. One vendor just had boxes and boxes of CD’s, 7″ vinyl 45’s and 12″ LP’s on their stall – and so quite a bit of our Saturday morning was spent trawling….
It was time well spent though as it turned up a few gems.
First up was a Australian vinyl single taken from the John Lennon and Yoko Ono album Double Fantasy. ‘Watching the Wheels’ was the third single from this LP (the first two were ‘(Just Like) Starting Over’ and ‘Woman’). We didn’t have a copy of ‘Watching the Wheels” so this was a good find.
Next was another 7″ single we didn’t have - Badfinger’s ‘Come and Get It’ on the Apple label. It dates from 1969 and is a Paul McCartney composition written for the band, and it makes an appearance on the soundtrack for the film The Magic Christian, starring Peter Sellers and Ringo Starr. This is an Australian pressing. There’s a lot of writing on the label – but still…..
Further hunting through the boxes revealed another Apple single – this time from George Harrison. It’s an Australian copy of ‘My Sweet Lord’ b/w ‘Isn’t It A Pity’. In Australia this was a double A side as both titles have green Apple labels:
Our good luck continued in the multiple boxes at this car boot sale. Next out were two singles – a US copy of McCartney’s ‘Coming Up’, and ‘Say Say Say’ with Michael Jackson – both on the Columbia label, then a division of CBS. In the late 70’s/early 80’s McCartney was briefly (six years) on the Columbia label for his releases in America. He’d temporarily turned his back on Capitol Records, enticed by one of the most lucrative recording contracts around at the time, a deal which included as a sweetener the ownership of Frank Music, a CBS owned publishing company consisting (amongst other things) of Frank Loesser’s songs (think of the Broadway musical Guys and Dolls, etc.). Frank Music is now of course folded into McCartney’s highly successful MPL Music Publishing business.
The two singles we found came out on the Parlophone label in Australia, so it’s good to have these US versions:
The final 45 we discovered was Billy J. Kramer’s ‘From a Window’ – which sadly is kind of beat up, but worth having because it is a song from 1964 written specifically for Kramer (and his band the Dakotas) by John Lennon and Paul McCartney:
The last purchase of the day was a bit of a find. It’s Jools Holland’s 2001 CD Small World Big Band, which is an important one to have in the collection because it contains George Harrison singing and playing on his last ever recording. George passed away just two months after this recording. He does a song called ‘Horse to the Water’, co-composed with his son Dhani.
Holland’s CD is sub-titled “….his Rhythm and Blues Orchestra and friends”, that’s because for each track he invites various stars to join him for a track each. These include the likes of Sting; Paul Weller; Dr John; Mark Knopfler; Van Morrison; Steve Winwood; and Eric Clapton, amongst many others. To quote two of the poignant reviewers on Amazon:
“For me, the big reason to buy this CD was the George Harrison contribution, ‘Horse to the Water’. It is a GREAT song, and a brilliant Harrison song at that. George sounds weak, and I am not sure if Clapton has stepped in on some of the guitar parts, but what a brilliant and fun piece of music, worthy to be held in the highest esteem among its author’s ouvre. IT is reason enough to buy the CD.”
And this one:
“I purchased this CD for one reason. I had seen the DVD Concert for George and loved it. Among the best offerings on the DVD was the Sam Brown/Jools Holland rendition of ‘Horse to the Water’ by George. Except for the words, I would never have guessed that it was a Harrison song. It was too R&B. So I was curious to see how he handled it. Well, he does not have the powerhouse voice of Sam Brown, but I was in fact really surprised at how well he did, helped greatly by the superb backup band. I would not have recognised his voice. I am sure his throat cancer was behind that.”
There’s a small picture of George in the booklet: