This is nice…
Remember our 2015 Record Store Day failure to secure a copy of Paul McCartney’s limited edition The Family Way soundtrack vinyl reissue?
This Record Store Day edition is reportedly limited to 5000 copies worldwide. The small print at the bottom of the rear cover says:
180 gram Vinyl – Limited Collector’s Edition Reissue Produced by Cary E. Mansfield and Chip Madinger • Mastered for vinyl by Steve Massie for Steve Massie Productions • Prepared for release in the U.S.A. by Tom Moulton. This release 2015 CANAL+IMAGE UK Ltd., under licence to Varèse Sarabande Records, LLC • ©1967 CANAL+IMAGE UK Ltd. • Package design ©2015 Varèse Sarabande Records, LLC. Originally released as Decca [U.K.] album LK.4847, 1967 •….etc.”
It is on the Verèse Sarabande label and these have the company logo in green and yellow on Side 1, but the colours are reversed on Side 2:
This release joins the CD re-issue (from 2011 – also on the Varèse Sarabande label and which includes a bonus track not reproduced on this 2015 vinyl release).
Also in our collection is the original Australian edition on the Decca label (we detailed this in May 2011):
The new John Lennon 8 LP box set (due in stores early next month) will all be pressed at a state-of-the-art German factory in the town of Robel in Germany.
Optimal Media are a large and experienced outfit which has impressive high-volume CD replication and vinyl pressing facilities as well as the ability to print and assemble the high quality LP covers, inner sleeves and custom boxes in which they are presented for back-catalogue (and new) collections of music.
Optimal is the same place that the Beatles Remastered Stereo box set was manufactured back in 2012. Their site (and the finished product) demonstrates that they do impressive work at a high quality.
They pressed the 40th anniversary vinyl box set edition of John Lennon’s “Imagine” LP – a limited edition two-disc set released for Record Store Day in 2011.
Our copy of the Beatles in Mono vinyl box set also originated at the same Optimal factory. All the printing and pressing of the box set was done there and like the Stereo Box, this was a large and complex project to pull off. It has to be said the quality and attention to detail is absolutely first-rate. The cardboard used for the covers is thick, and the 180g vinyl feels chunky and solid in your hands.
For a further discussion on the origin of recent Beatle vinyl releases see: Where “Made in the EU” Vinyl Might Be Pressed
Stumbled upon this on the weekend:
And here’s the 2010 advertisement released when the remastered CD sets came out:
Both reminded me of the recently re-issued vinyl now on the Universal Music label…..
On the eve of a major new retrospective exhibition of her art, Vogue magazine has published an interesting article about the importance of Yoko Ono as an artist in the 1960’s.
Beginning today at the Museum of Modern Art in New York is an exhibition entitled “Yoko Ono: One Woman Show, 1960-1971″.
Of course any discussion about Ono inevitably comes around to her relationship with John Lennon and the Beatles. As Vogue says about this exhibition: “….even though John Lennon is visible and mentioned, it is gently done. On these gallery walls, we see him less as a Beatle and more as a fellow artist.”
And: “If you grew up with the Beatles, it can be difficult to like Yoko Ono. People like to accuse her of turning Lennon into a humorless hippie, the two of them tweaked out on too much acid, calling for peace. They like to point out that he stopped making music to be a dad, while Ono pursued her career as an artist. Lennon loved her—their chemistry is unmistakable—but this alone didn’t get his fans to love her, too. We like our idols unattached, even if they’re unavailable.”
See also Vogue’s article In Praise of Yoko Ono’s Inimitable Style
You’ll notice that the Illy coffee company is a sponsor of the MOMA exhibition. As part of that Yoko Ono has produced seven, limited edition espresso coffee cups as part of the company’s Art Collection series by famous artists. You can learn more about these here.
Well, it’s been quite a while since we had a Beatles With Records post. In between time quite a number of new photographs have been found and submitted by keen Beatles Blog readers – especially Billy Shears, Lammert, and Andrey.
It’s going to be a reasonably big one. So, where to begin? Probably roughly chronologically would be best, starting with Dick Rowe, the Decca A&R man credited (wrongly as it turns out) with rejecting the Beatles at their audition for Decca Records in January, 1962:
Some of the albums on his wall include A Taste of Tijuana by The Mexicans:
But here’s the band that Decca missed out on:
It is a very youthful looking group on the front cover of the pop magazine Teen Screen. Notice the big “scoop”: WHY THE BEATLES ARE BREAKING UP!…..
You can see a slightly larger and clearer image of that front cover photo in The Beatles with Records Part Two.
And here is the band out promoting that same album:The Beatles were soon to star in their first full-length movie A Hard Day’s Night, and from that film comes these screenshots of one of their co-stars, Wilfrid Bramble. Bramble played Paul McCartney’s grandfather, “a clean old man” who none-the-less is taking a rather keen interest in this very sexy record cover:
George Shearing’s White Satin LP came out in 1960….
In previous posts we’ve had photographs of various members of the band actually playing records. Here’s another, this time George with an unidentified stack of 45’s:
The Beatles were big in France, and there were unique covers produced in that country for their LPs, EPs and singles. Here they are stuck in a lift and signing a copy of the French EP Eight Days a Week:
The Eight Days a Week EP (from 1965) above also featured in The Beatles With Records Part Five.
Onto the Beatles solo now and another interesting photo. This one was taken at John and Yoko’s historic “Bed-In For Peace” in Amsterdam on 30 March, 1969. The weird thing in the photograph is that you can see the image that later (in May, 1969) will become the cover of Unfinished Music No.2: Life with the Lions:
Sticking with John Lennon and his album Rock ‘n’ Roll from 1975. It has a brilliant cover image taken way back in the Beatles Hamburg days by this man, photographer Jürgen Vollmer:
Jumping ahead now to the year 1990, and a charity album called Nobody’s Child: Romanian Angel Appeal. This compilation contained two Beatle-related tracks. One is by the Traveling Wilburys (“Nobody’s Child”), and the other a duet by Paul Simon and George Harrison of the Simon composition “Homeward Bound”. It was recorded during a performance on Saturday Night Live in 1976. George and his wife Olivia got behind publicising the release and here are two different photographs of them holding copies of the vinyl edition:
Next a 1992 launch party for Ringo Starr’s Time Takes Time CD. Ringo does’t look all that pleased about the lady thrusting a Russian pressing of the Beatles LP Help! into his hands for him to sign….
(Turns out that lady is the famous TV sex therapist Dr. Ruth Westheimer. Quite a few readers have contacted us and identified her – so thanks).
You can read all about the many variations for the Russia-only LP Dr Ruth has here.
And lastly here’s Paul McCartney holding a copy of the CD booklet for his 2006 classical music release, Ecce Cor Meum (Behold My Heart) [see also The Beatles With Records Part Seventeen]:
If you are interested in seeing more of the Beatles With Records check out the past twenty six instalments. More soon!
Our CD copy of Ringo’s Postcards From Paradise has finally arrived. Apparently Australia Post has recently installed new automated machines which sort packages – and they are not going well…..
It has cost A$500 million to install the new system, but since then over 20% of parcels are being delivered to the wrong address! I’m blaming this on the length of time it took this little CD to get from Canada to my front door…..
It’s actually a pretty good listen with some really catchy hooks, clever lyrics and musical ideas. Here’s Ringo himself with a YouTube update:
Here’s the link to that cover story in Rolling Stone magazine that he mentions. And here Ringo is interviewed about the recording of the album:
And finally an album review from the April edition of Rolling Stone which gives Postcards three stars:
It’s been more than 50 years since Ringo Starr declared himself a fan of Beethoven — “especially his poems.” But all that time, he’s reigned as one of rock & roll’s most beloved sages. Postcards From Paradise, his 18th solo effort, is a masterful summary of Ringo-ness: his cheer, his cheek, his wisdom. He gets a little help from old friends like Joe Walsh and Todd Rundgren — no Kanye or Rihanna on this track list — and builds the title tune out of Beat-les quips: “It’s like I said the night before/I’ll love you when I’m 64.” Best of all is “Rory and the Hurricanes,” celebrating his pre-Beatles band — the one that made Ringo a star in Liverpool when the other three Fabs were nobodies. ♦♦♦
And you can read an interview with Postcards From Paradise recording engineer Bruce Sugar at Beatles Examiner.