More Beatles Vinyl On The Way?

The Wogblog Beatle page is reporting that there are to be four more Beatle vinyl re-issues before Christmas.

These have all previously been seen on vinyl, but as they’re currently out of print there’ll be a re-launch of the following albums:The Beatles-LoveBeatles Number 1 LPThe Beatles-1962_1966The Beatles 1967-1970

Love (original vinyl release – 2007); “1” (original vinyl release – 2000); The Beatles/1962-1966 (original vinyl release 1973); and The Beatles/1967-1970 (original vinyl release also 1973) are due out again in November for the Christmas market, the exact date(s) are still not known.

What with the Mono Box Set, Lennon’s Shaved Fish, McCartney’s forthcoming Venus and Mars and Wings at the Speed of Sound Archive Series on vinyl, they keep on dreaming up more ways for us to buy titles we already own many times over. But who can resist?

Makes this cartoon we were sent recently even more true!Beatles Cartoon

Two More Apple Vinyl Re-Issues for the Collection

In our last post we featured a new series of books being prepared called A is for Apple, a history of the Beatles’ Apple Corps company. Volume 1 in the series will be released in the first half of next year.

Apple Corps was established not only to release the Beatles own records but also to promote new talent – to build a stable of newer and undiscovered artists. In the late 1960s and early 1970s they signed and released a series of albums and singles by a wide range of performers.

In 2010 Apple re-issued a selection of those artists on CD.

But well before that (between 1991 and 1996) they had a similar re-issue program under way – releasing on CD and vinyl a selection of the artists signed to Apple. There were 23 titles in all, re-issued in five main phases over the course of five years.

We’ve slowly been collecting examples of these re-issues on vinyl – the reason being that most of them (but not all) came with unique, additional discs on the Apple label containing bonus material, previously unreleased tracks, etc.

You can see some examples of these here (e.g. Jackie Lomax’s Is This What You Want?; The Ivey’s Maybe Tomorrow; Badfinger’s No Dice and Straight Up; and Billy Preston’s Encouraging Words), and also here (Badfinger’s Magic Christian Music). 

We’ve just added two more to the collection. They are John Tavener’s The Whale, and Billy Preston’s That’s the Way God Planned It.

The Whale frontThe Whale rear

The Whale was re-issued on vinyl in June, 1992. Like the original 1970 release it comes in a beautiful gatefold cover which opens to reveal a fantastic painting (click image to see a larger version):The Whale gatefoldThe Whale does not come with any bonus material and so it is a single LP disc. The labels look like this:

The Whale Label AThe Whale label B

Unlike the original release though this 1992 re-issue comes with an inner sleeve containing an article about the recording and how a modern classical composer like Tavener came to be signed to Apple. It is by Andy Davis (from Record Collector magazine). On the other side is some detail about the re-issue:

The Whale inner aThe Whale inner b

Our other recent find was a copy of Billy Preston’s That’s The Way God Planned It, which was reissued on vinyl in 1991: Preston God coverPreston God rear

Unlike the original 1969 release this one comes in a gatefold cover. That’s so that the cover can hold a second vinyl record with the three bonus tracks (click image to see a larger version of the gatefold image below). As you can see, That’s The Way God Planned It was produced by George HarrisonPreston God gatefoldPreston God Side 1

Preston God Side 2Preston God Bonus APreston God Bonus B

Note that while the bonus tracks come on a 12″ disc, it plays at 45 rpm.

The hunt for other vinyl examples in this 1990s Apple re-issue series continues!

A is for Apple – New Book On The Way

Our interest was sparked by a recent post on Wogblog about a new series of books (still in preparation – Part 1 is being readied for publication in 2015) called A is for Apple.

This looks to become the first comprehensive study of Apple Corps, the company which the Beatles set up to handle not only their own recorded releases, films, publishing and the like, but also to build a stable of new and established artists, a fashion label and retail outlet, an electronics division, a music publishing company, and a film production company.

A is for Apple is the brainchild of two authors: German Axel Korinth, and Dutchman Ed Dieckmann who have issued a general call-out for more information about all aspects of Apple and its operations, especially photographs, documents, memorabilia, etc.

If you have any items of interest you can contact them at: research@aisforapplebook.com, or via their website, where you can also pre-order the book, view some early sample pages, etc.

Specifically, Axel and Ed need help with good quality images for a couple of records. A is for Apple won’t be a straight discography but rather a cross between a discography and a narrative. Ed Dieckmann has already compiled a fascinating Apple Records discography on the excellent www.applerecords.nl, but a book like this goes well beyond releases just on the Apple label. This is because Apple Music and Apple Publishing were the rights holders to a wide range of songs, published by all sorts of artists on all sorts of labels. Here’s a typical example – it’s a song from 1968 called “Dear Delilah” by a London-based band called Grapefruit. They were on the RCA-Victor label, but as you can see (on the left side of the label below) their song was administered by Apple Publishing Ltd – a company owned by the Beatles. This is the British pressing (click the image to enlarge):$_57Below is a list of records that the authors of A is for Apple are urgently seeking out to include in their first volume. Of every record mentioned the authors have at least one image, but it’s their aim to show all aspects of a certain record release. In other words they need scans of both sides of labels, the back and front cover and – if available – of any inserts (like those found in Japanese records, for example). If you can help in any way, please do!

Argentina:
Grapefruit: Dear Delilah b/w The Dead Boot (RCA Victor 31A-1251)
Grapefruit: Elevator b/w Yes (RCA Victor 31A-1298)
Soundtrack: Candy (ABC Records ABCS-OC-9)

Australia:
Jigsaw: Mr Job b/w A Great Idea (MGM 33)
Paul McCartney: The Family Way (Decca SKLA-4847) – the original 1967 release, not the reissue!
Zoot: You Better Get Going Now b/w Three Jolly Little Dwarfs (Columbia DO-8438)

Brazil:
Black Dyke Mills Band: Thingumybob b/w Yellow Submarine (Apple 4)

Chile:
Grapefruit: Elevator b/w Yes (RCA Victor 94-0586)

France:
Grapefruit: C’Mon Marianna b/w Ain’t It Good (RCA Victor 49.914)
Grapefruit: Someday Soon b/w Theme For Twiggy (Stateside 2C 006-90029)
New Inspiration: I See No Reason Why b/w Grey Hair Wrinkled Skin (Disc’Az AZ SG 53)
New Inspiration: All My Life b/w Happy Charly Madman (Disc’Az AZ 10 428)
The Web: Hatton Mill Morning b/w Conscience (Deram 17.020)

Germany:
Denis Couldry: James In The Basement b/w I Am Nearly There (Decca DL 25328) white label demo

Greece:
Jackie Lomax: Sour Milk Sea b/w The Eagle Laughs At You (Apple 3)

Italy:
Byrds: Child Of The Universe b/w I Wasn’t Born To Follow (CBS 4834)

Japan:
Black Dyke Mills Band: Thingumybob b/w Yellow Submarine (Apple AR-2169)
Byrds: Child Of The Universe (CBS A-82077)
Grapefruit: Elevator EP (Victor SCP-1361)
Grapefruit: Round Going Round b/w This Little Man (Stateside Dunhill HR-2276)
Grapefruit: C’Mon Marianne b/w Theme For Twiggy (Toshiba Dunhill HR-2193)
Dave Grusin: Candy (ABC Hit 1812S)
Jackie Lomax: Sour Milk Sea b/w The Eagle Laughs At You (Apple AR-2168)
Steppenwolf: Rock Me b/w Magic Carpet Ride (Stateside HR-2635)

Portugal:
Grapefruit: Round Going Round b/w This Little Man (Stateside PSS 101)

Spain:
Grapefruit: Someday Soon b/w Theme For Twiggy (Stateside EMI SSL 414)
New Inspiration: All My Life b/w Happy Charly Madman (Decca MO 682)

Turkey:
The Web: Harold Dubbleyew b/w Monday To Friday (Deram 6903)

UK:
New Inspiration: All My Life b/w The Memory (Parlophone R 5772) regular and A-label demo
Paul Revere & The Raiders: Goin’ To Memphis (CBS S 63265) Stereo pressing only!

Uruguay:
Grapefruit: Round Going Round b/w This Little Man (Odeon 20020)

USA:
Soundtrack: Candy (Capitol Record Club ST-91712)
Soundtrack: Candy 8 track (release number as yet unknown)

Ultimately A is for Apple will consist of four volumes in all. It is a huge undertaking. The first instalment (covering the years 1966-1968) is due for publication in the first half of 2015. Each volume of the fully illustrated book will be limited to 500 copies.

Another Edition of “New” Is On The Way

Paul McCartney has confirmed that his 2013 album New will be reissued (again) on CD and DVD.

This time around it’ll be as a special three disc collector’s set on October 28, exactly 12 months on from its original release date.

This ‘new’ edition of New will be a 2CD+DVD set. It comes in hardback book packaging. The first CD repeats the deluxe edition of 2013 with 14 tracks plus the ‘hidden’ track “Scared”.

The second audio disc will contain “Struggle” – previously a Japanese-only bonus track – plus two brand new previously unreleased tracks from the album sessions: “Hell To Pay” and “Demons Dance”. Four live tracks from McCartney’s Tokyo Dome gig in 2013 complete this CD.

The final disc is a DVD that is effectively an expanded version of the video disc that came as part of the 2014 Japan Tour Edition of New (although it doesn’t include everything from it) which was issued in the Far East earlier this year. Like that, this DVD includes the ‘Something New’ documentary (47 minutes) and the “Queenie Eye” video. New to this collector’s edition are the videos for “Save Us”, “Appreciate” and “Early Days” along with various ‘making of’ clips. Curiously the ‘lyric video’ for the New single which was on the Japanese Tour Edition appears to be absent here.

A significant section on this new DVD is devoted to Paul’s various ‘pop up’ promo appearances on both sides of the Atlantic, including London and New York, as well as live spots at the iHeartRadio Music Festival in Las Vegas and two concerts in one day at BBC’s Maida Vale Studios. The total running time of this DVD amounts to nearly two hours.

The New Collector’s Edition will be released on October 28, 2014. Looks like it will have all blue cover:New 2014 Deluxe Ed

Here, There and Everywhere – Geoff Emerick

We recently purchased a nice, used hardback copy of Geoff Emerick’s fantastic Beatle book Here, There and Everywhere – My Life Recording the Music of the Beatles.

Not having read it before it’s currently our favourite, especially given the release in the last week of the The Beatles In Mono vinyl LPs as a boxed set (and also as individual albums).Here, There 1 Here, There 2Geoff Emerick was George Martin’s right-hand man in the control room at EMI’s Abbey Road studios in London. At the age of 15 (on just his second day at EMI) he was present – as an assistant recording engineer – when a scruffy-looking quartet from Liverpool came in for their very first studio session. Emerick progressed from that recording (“Love Me Do” in 1962), to being directly involved with the majority of the band’s classic albums. He confirms on a number of occasions in his book that a lot more time was spent getting the mono mixes correct as compared to the time taken over stereo.

With his ability to interpret the sounds that John, Paul, George and Ringo had in their heads as they worked at getting their songs down on tape, Emerick made a huge contribution to their records. He wanted as much as they did to experiment – to take the recording process into new and un-charted waters. Here, There and Everywhere takes us into the famous Studio’s One and Two at Abbey Road as history was literally being made.

Amongst other things we read about the antiquated attitudes, policies and equipment at EMI Records during the 1960s. Given their strict and old-fashioned rules it’s incredible that the greatness of the Beatles was ever captured at all. EMI management back in the day seemed stuck in the 1940s and 50s. As an organisation it frequently stood in the way of creativity rather than fostering it. It was Geoff Emerick who was willing to go out on a limb and flaunt the studio rules at Abbey Road to capture the sounds we have today.

One of the other big surprises in the book is Emerick’s low opinion of George Harrison. There are frequent mentions of how stand-offish and surly Emerick found him to be, not to mention that he regarded George as a pretty lacklustre lead guitarist….

Here, There and Everywhere was published way back in 2006, but it is highly recommended if you are at all interested in the Beatles and their music. The copy we have is a signed copy. It’s not dedicated to us because this one is second-hand – but that doesn’t matter. There is the signature of Geoff Emerick (and his co-author Howard Massey), a man who had a significant impact on the Beatles legacy.

We wouldn’t have the Beatle canon without him.Here, There 3

George Harrison – Living in the Material World – 1973 Pressing Plant Footage

Check out this great YouTube promotional video posted on the George Harrison official YouTube page.Living in the Material World footageThe footage – shot in 1973 on 16mm film – was taken both at the EMI pressing plant in Hayes Middlesex in the UK (the black & white film), and in the USA at Capitol Records (colour film).

It shows the packaging and testing of the original vinyl pressings of George Harrison’s Living in the Material World LP – back when vinyl was king!

The album has been newly remastered for the forthcoming The Years 1968-1975 CD box set – to be released on September 22.

McCartney’s “Destiny” Credits and Closing Theme Song

Paul McCartney’s work on Destiny, the long-awaited new blockbuster in the video game world, made its public debut when the game hit store shelves for the first time earlier this week:McCartney Destiny-Hope credits

As you can see in the screen grab above, there are two main McCartney contributions. There’s his joint composing credit (with Martin O’Donnell) for the instrumental passages used throughout the game called “Music of the Spheres”, and there’s a new song recorded specifically for the game which is played across the extensive closing credits – much like those at the end of a movie. That song is called “Hope”. Produced by Giles Martin, and utilising members of McCartney’s current touring band, the song was recorded in Abbey Road and at Sir Paul’s own Hog Hill Mill studio in East Sussex, England:

It has been confirmed on McCartney’s official site that “Hope” is to be released as a single, but no date has been announced yet.