Beatles Collecting – The Nice Things People Do

Sometimes you don’t go looking for Beatle records. Sometimes, Beatle records come looking for you. That was my experience about three weeks ago when an old friend asked me if I was still interested in collecting the Beatles because she had a couple of records and would I like them?

Well, yes of course I would! Always open to donations. She dropped them in a couple of days later, and you’d have to say it’s a mixed bag of goodies….

The first one wasn’t even the Beatles. It was Wings. Well, not even Wings really, just an obscure band called P.K. and the Sound Explosion doing covers of Wings:PK Wings frontPK Wings rear

I think there are only two saving graces about this one. One is the daggy cover design featuring a (poorly) stylised version of the official Wings logo of the time. This is what the real thing looks like: Wings logo2

The other saving grace is that this copy is still sealed in protective plastic and is in mint condition. This is a US copy that came out on the Pickwick Records budget label back in 1977. It is so bad, it’s good! (P.K. and his group have also done a Disco Christmas LP, the Beach Boys Songbook, a Paul Williams Songbook, and the Bee Gees Songbook).

Next came three of the real thing, some it has to be said in better shape than others. For instance this very well-used example of the Australian-only cover of Beatles For Sale:Beatles For Sale FrontBeatles For Sale Rear

You’d have to say this is a copy that has had a good life. I’m not sure about you, but it has so much patina of age that I’m tempted to keep it just because it looks so pre-loved and lived-in. There was one other intriguing thing. When I took out the vinyl it’s the mono pressing, but not the Australian version. Here’s what I got:

BFS UK LabelThis is what it should look like:BFS Aust Label-tiff

Clearly the original Aussie pressing has been played to death and someone, over the course of the long history of this particular copy of the album, has sought out another to replace it – that being the UK mono we see above….

There was another Australia-only cover in the four records my friend donated. It’s the 1972 release The Essential Beatles on the Apple label. This is a “best of” compilation and as its catalogue number suggests (TVSS 8), it was associated with a TV advertising campaign by EMI in Australia:Essential Beatles frontEssential Beatles rearEssential label

This copy of The Essential Beatles has a well-used cover but the vinyl inside is actually in pretty good shape.

Finally a double LP of the soundtrack to the documentary movie Imagine John Lennon:Imagine FrontImagine rear

This is a gatefold album of twenty-one Beatles and Lennon songs. It is in what I would describe as good (G) to very good (VG) condition. The Internet Movie Database says of the film: This “biography” evolves around the nearly 240 hours of film and videotape fortuitously taken by Lennon of his life. The archive footage is transformed into a fascinating life story of one of the most complex and fascinating men of the modern music era….Includes some very personal and insightful footage, never before made available to the public.

The gatefold has some nice photos:

Imagine GF1 Imagine GF2

This is the Australian pressing, on the black and silver Parlophone label:

Imagine labelSo, some varied, interesting and unusual donations from a friend. Sometimes you don’t have to go looking too far. Beatle records just come to you.

Record Store Day 2013

PrintA late addition to Record Store Day for 2013 will be a Ringo Starr Singles Box, three 45″ singles accurately reproduced in their original picture sleeves in an Apple Records lift-top box. It will come with a Record Store Day spindle adapter.

The singles will be Photograph b/w Down And Out; It Don’t Come Easy b/w Early 1970 and (It’s All Down to) Goodnight Vienna b/w Oo-Wee. There will be just 5000 copies released.

The 3×7″ lift-top lid box sounds very similar to the Beatles singles box from Black Friday 2011 (an alternate Record Store Day limited edition release)

Also this year on Record Store Day Paul McCartney will release a Maybe I’m Amazed 12-inch single with mono and stereo versions of the song in varying durations.  This is a pre-cursor to the next instalment in his McCartney Archives release series which will be Wings Over America, due later in the year (probably June by all accounts) featuring a multi-disc CD/DVD box set, “deluxe” and “standard” edition CD’s, plus vinyl.

This live version of Maybe I’m Amazed was originally serviced as a radio-only promotional 12-inch vinyl single back in 1976, also to herald the release of Wings Over America.

maybe

The Beatles Australian 20th Anniversary Singles Collection

It’s funny how Beatles records can end up wandering the earth. I just brought this thirty-four disc box set of Australian singles from a guy in France. It was made here in Australia – and now it has returned home after a long journey and a long time away…

It’s the 1982 release The Beatles Australian 20th Anniversary Singles Collection. They are all housed in a maroon coloured carboard box:

Beatles34 box1

As you can see, mine has been quite faded on the front and sides from exposure to the sun. It has the catalogue number AB34 stamped on the side:

Beatles34 box2

Here’s the rear of the box showing the deeper maroon colour which is closer to how it would have originally looked:

Beatles34 box3

The original box colour is more like this one:

Beatles34 BOX

Inside there are 34 singles, plus a six-page insert with the details of each single:

Beatles34 booklet1Beatles34 booklet3Beatles34 Booklet4Beatles34 booklet5

Despite the slightly beat-up outer box (it is faded, has a sticker mark on the front, and had some split seams on the lid – which I have repaired) the singles inside are in VG to EX condition. Each single comes in a unique (but quite flimsy) paper picture sleeve, and each one features different photographs (both front and rear) taken during the Beatles 1964 tour of Australia and New Zealand. I won’t show all thirty four (!) but here are just three favourites, front and back:

Beatles34 Please1Beatles34 Please2Beatles34 Komm1Beatles34 Komm2Beatles34 Ob-La1Beatles34 Ob-La2

To see the complete set of covers visit the wonderful beatlesaustralia.com and click on each catalogue number to view the cover plus the labels.

Each single in my box set is on the black and silver Parlophone label, except for two (Ob-La-Di, Ob-La-Da/While My Guitar Gently Weeps and The Ballad of John and Yoko/Old Brown Shoe), which are on the Apple label – green on one side and cut on the other:

Beatles 34 ParloBeatles34 Apple1Beatles34 Apple2

However, I notice on the beatlesaustralia.com site that all the singles they show, including the two I have on Apple (A8693 and A8793), are on the black and silver Parlophone label. An interesting variation….

Beatles34 BOX2

Ravi Shankar – Beatles Friend – Died Today Aged 92

The opening lines of George Harrison’s “Bangladesh” song from 1971 are: “My friend came to me with sadness in his eyes, he told me that he wanted help, before his country dies…..”.

That friend was Ravi Shankar – Indian sitar virtuoso and legendary musician who has died today – aged 92.

A statement on the musician’s website says he passed away in San Diego, near his Southern California home. His foundation issued a statement saying that he suffered upper respiratory and heart problems and had undergone heart-valve replacement surgery last week.

Indian Prime Minister Manmohan Singh also confirmed his death and called Shankar a “national treasure”.

pandit_ravi_shankar

Labelled “the godfather of world music” by George Harrison, Shankar helped millions of classical, jazz and rock lovers (including me) discover the centuries-old traditions of Indian music. He became a teacher, mentor and father figure to Harrison and greatly influenced the Beatles music, from composition through to their fascination with India and it’s culture.

His discography is understandably extensive, spanning a recording career of well over 55 years. Ravi Shankar was briefly signed to the Beatles Apple Records label and released two albums. The first was a soundtrack album to a film about his music and life called Raga (1971), with the album of music from the film produced by George Harrison:

And then in 1973 came a double LP called In Concert 1972with sarod player extraordinaire Ali Akbar Khan:

Ravi-Shankar-In-Concert-1972--139925

George Harrison of course famously called upon his friend Shankar in 1971 to open the fundraising Concert for Bangladesh in 1971, and then released a live film and a triple LP called The Concert for Bangladesh with the whole of the first side of Disc One dedicated to a performance by Ravi Shankar. This was also released on Apple Records:

The_Concert_For_Bangla_Desh

Following the demise of Apple in the seventies, George Harrison continued his association with Shankar, releasing two LP’s on his Dark Horse label. The first was  Shankar Family and Friends (1974):

Family and Friends

Shankar Family and Friends was followed on Dark Horse Records in 1976 by Ravi Shankar’s Music Festival From India:

RaviShankar'sMusicFestivalFromIndia_album_cover

George Harrison also compiled and produced a 1996 box set called Ravi – In Celebration (for the EMI subsidiary label, Angel Records). A single CD of highlights was also released:

In Celebration

And in 1997 (also on the Angle label) came Chants of India, which was again produced by George Harrison:

Chants

It was no surprise then, when in 2002 a tribute concert was held in honour of the late Beatle, that the music of Ravi Shankar would feature prominently. He was present for the show and a Shankar composition “Arpan” (Sanskrit for ‘to give’), was specially written for the occasion:

ConcertGeorgeCover

All the Dark Horse Harrison/Shankar collaborations, plus Chants of India, came out in a lavish box set simply called Collaborations in November 2010:

collaborations_01

In recent years Ravi Shankar’s own record label EastMeetsWest Music has been steadily working through his back-catalogue and re-releasing his life’s work on CD, DVD, and digitally.

Amazing Pixelated Beatles Album Covers

OK. These are a bit old now (2003), but this is the first time I’ve seen them. So here goes.

For those of us who feel we know the Beatles album catalogue like it is part of our DNA it is always interesting to have that challenged from time to time.

The visual nature of collecting has always intrigued me. How you can know so many of the variations of album covers and album art. Looking at and handling these all the time I guess means they become ingrained in your subconscious memory. That’s why I was intrigued to see these examples of the catalogue stripped right back to the basics by British artist Jonathan Lewis.

It’s Beatle album cover inspired pixel work. I recommend taking a few steps back (or squinting) to really see how amazing these painting are.

You can see all the collection in an online book called “The Pixles” (after “The Beatles (White Album”)….but these are five of my favourites:

Please Please Me

The Pixles Please Please Me l

ppm

For Sale

The Pixles Beatles for Sale l

for sale

Sgt Pepper

The Pixles Sgt Pepper l

sgtpepper

Magical Mystery Tour

The Pixles Magical Mystery Tour l

The-Magical-Mystery-Tour

And last, but not least, Abbey Road

The Pixles Abbey Road l

Abbey-Road-Cover-Beatles-cover-05

Label Variations Part Eight – Lennon’s “Imagine” Single

Last post I wrote about a couple of unusual garage sale finds.  One was a vinyl copy of John Lennon’s 1971 single “Imagine” – but on the much less common Parlophone label in New Zealand.

When researching the post I had a good trawl around the internet to see if I could find a similar copy.  I couldn’t.

However I did find a huge number of other interesting label variations. I guess that’s not surprising given the fact that this song has become an iconic John Lennon  composition. Here are just some of them, starting with the rare New Zealand pressing I found:

Looking around the web I could not find anything about this release – so if you know more details please get in touch. The more common New Zealand pressing, though still quite collectable in my view, would be on the green Apple label:

Of course Lennon releases in Australia also came out on the Apple label, and I own probably the most common original Australian release of “Imagine”. It looks like this:

Searching through Google Images I actually stumbled across a picture of what would have been the original Apple acetate pressing of the song:

 These acetates were test pressings, done in-house at Apple so that the engineers and John Lennon could take them away and have a listen to the mix and to the quality of the pressing before saying “yes” to printing so many hundreds of thousands of copies…Those big first press runs would have been in the United Kingdom – which used a green Apple.  Here’s an early promo copy sent out to radio stations, followed by the legitimate single released to the public :


And in the United States – which used a plain white Apple label favoured by John Lennon at the time:

Of course other countries quickly followed, including places like Germany:

And the Netherlands:

Such was the fame of this song there were also pressings from unusual countries like Venezuela:

From Mexico:

And from Brazil:

Brazil also released the song on a plain white label – but a variation on the white Apple issued the USA:

In the US the song was so popular it kept getting re-issued on a variety of Capitol labels:

And this purple Capitol example:

Meanwhile back in the UK the single was being re-issued countless times as well. Here are two later examples on the Parlophone label:

Friend Andrey in Russia has sent another two examples. The first is a mono single from France:

And a slightly different image of the white label above from Brazil (different font on the year of issue):

There are no doubt many more examples given the worldwide love of this one song. If you have any other label variations you would like to share please email them through to beatlesblogger@gmail.com

Two Small But Unusual Garage Sale Finds

There are times at garage or yard sales when you are on the hunt for Beatles vinyl that the pickings can be pretty slim.

This was the case last weekend. After visiting quite a few, and with the prospect of going home empty-handed, I struck two very unusual and potentially rare items at the very last house I visited. Sitting in a box of old 45′s I found two New Zealand pressings. They’re both collectable – with this one probably being the most rare:

As you can see, it’s a copy of John Lennon’s “Imagine” – but on the NZ Parlophone label:

I must admit, despite seeing quite a few copies of this single in my time, I’ve never seen in on the black and yellow Parlophone label before.  Next post I’ll put up some of the great variety of label variations of “Imagine” from around the world.

Sitting with the John Lennon was another New Zealand single – a copy of the Beatles ”Hey Jude” b/w “Revolution”. Unusually, it was in a UK cardboard outer sleeve:

These covers were produced for the UK Beatles box set “The Beatles Collection” containing all 25 British single releases. However, inside this one there was a New Zealand Parlophone pressing of the single – again on the yellow and black Parlophone label:

In “The Beatles Collection” box set this single looks like this:

So, the copy I found is quite strange. I’m not sure if New Zealand EMI ever produced a version of this box set where they sourced the British packaging but inserted locally pressed vinyl. In some countries that sometimes happened. If so, my single has become separated from the rest of the collection at some stage….

These are the other versions of  the “Hey Jude” single in my collection. The record was released in that period just when Apple Records had first been created and so some copies in Australia also came out on the Beatles’ old label, Parlophone:

It was also released here on a standard Apple:

And here’s an example of some weird typography being used in the song title on a later Australian Apple pressing:

Finally an example of the original UK Apple version:

So, when garage sale hunting seems fruitless sometimes its worth going to just one more house….

Mary Hopkin – Australian Vinyl

Last weekend I was visiting a cool Sydney second-hand record store called Revolve Records and Relics. As you can see if you click here, its a full-on searching experience when you walk inside…I was actually there on the hunt for an Australian pressing of the John Lennon/Plastic Ono Band LP to send to Andrey, a Russian collector and reader of this blog.

Anyway, I didn’t turn one up for him (yet), but I did find an LP for myself that I’ve been searching for now for about ten years or so. It’s an original Australian pressing on Apple Records of the Mary Hopkin compilation “The Best of Mary Hopkin”:

You might know this record as “Those Were the Days”. In the UK and the USA that’s what it was called when released back in 1972. It has the same Apple Records catalogue number here as the UK issue – SAPCOR 23 (in the US this was SW3395) – and the same 11 tracks and running order:

There’s a bit of a backstory for me regarding this LP. I did spy a copy of it once at a garage sale about 10-15 years ago. I was just about to reach for it when another person at the garage sale spotted it first and grabbed it. It must genuinely be one of the Apple rarities as I’ve never seen another copy of it since!

So, thanks to Andrey, I have one more item ticked off in the quest to own every Apple LP on vinyl.

Label Variations Part Seven – Abbey Road (More….)

Since I posted Label Variations Part Six – Abbey Road  I’ve had a few people sending in some further great examples from their own collections.

So, its time to share these now.

First comes from Jerry Woods who wrote:  ”Saw your blog featuring various record labels (I LOVE this stuff!!) and noticed that you didn’t have a MONO version of Abbey Road on display, so I thought I would share. Although, not a true mono mix (they never “officially” did one – and this LP sounds identical from start to finish to the Stereo version when the Stereo version is folded down to Mono) this is kind of an interesting oddity – but only a fold down to Mono from Stereo.”

Here are the labels – the record comes from Brazil:

Another nice one sent in was from a reader in New Zealand and it’s really quite unusual. It is “Abbey Road” on an orange Apple label – very similar (but not quite) to the orange labels used for George Harrison’sAll Things Must Pass“:

Of course there were lots of green Apples from other countries. Nice examples here from France, Italy and a green vinyl pressing of the album from the UK:

There were a few from the US that were missed first time around. They include a couple of purple Capitol labels with two variations (one with spelling mistakes):

There were a couple of other US pressings. The orange Capitol, and also the collectable Mobile Fidelity Audiophile pressing:

Finally, a couple of pressings of “Abbey Road” on a black and silver Parlophone label. This first one is from the UK:

While this other one, sent in by Andrey in Russia, is much more unusual. It is a rare UAR (Egypt?) label for “Abbey Road”:

(except for a couple, click on labels to see larger versions)

Ah, collecting….the variations sometimes seem endless. Thanks to everyone who emailed more labels.

You can see Label Variations Parts OneTwoThreeFour, and Five and Six, plus the Beatles “Love” variations here and here.

There’s a post on the variations of the McCartney/Fireman “Electric Arguments” release; McCartney’s Twin Freaks LP and singles; as well as his recent “Kisses On The Bottom” CD’s and LP. There is also a post on some George Harrison “All Things Must Pass” label variations.

Beatles Vinyl Remasters – New Promo Video

Thanks to Beatles Blog  reader scub75 for sending in the link to a brand new promo video for the soon-to-be released Beatles vinyl remasters. He says:

“Finally they’ve released the video of the vinyl remasters. This was posted on the official YouTube page of Norway EMI. I cannot wait for the release date to have my box set!”

If you look closely it confirms a lot of new details – including that the record labels will be accurate to the original time at which they would have been released, and that the book will be quite lavish with special printing techniques used.

For more see the official Beatles site.  It all comes out on November 12.