Tag Archives: Yoko Ono

The Beatles With Records – Part Two

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Since my earlier post about the Beatles being photographed actually holding the things they sold so many of – LP and single records – a few more photos have come to light. This first one is a very early publicity shot of the band with a copy of their very first album for Parlophone Records – from 1963 “Please Please Me“:

Trawling the web I came across a great photo of an obviously happy Ringo Starr with a pile of LPs and singles:

Here you can clearly see Ringo holding the Motown Record “Little Stevie Wonder – The 12 Year Old Genius” (from 1963):

He’s also got a copy of The Shirelles “Foolish Little Girl“, which again dates from 1963 leading to the conclusion that this photograph was taken in that year. The record is lying down, just near Ringo’s left hand:

And on top of that LP are a couple of 45 rpm singles. Its impossible to make out the title of the one we can see, but you can clearly make out the distinctive red and white label of Top Rank records. I wonder if it’s also The Shirelles? In Britain they were released on Top Rank – so it could very possibly be a copy of  “Baby Its You“, a song the Shirelles recorded in 1961 and which the Beatles themselves covered on “Please Please Me“:

I’ve also found  a photograph of Ringo with wife Maureen. They’re sitting at home in a flat they rented for some time in London’s Montague Square. Behind Ringo you can see on the shelf quite a large collection of LP’s, and if I’m nor mistaken Maureen is sitting on what, for the times, would have been quite a sophisticated “radiogram” or record player:

Here’s another of Ringo, once again with Maureen, clutching a copy of the Beatles “Yellow Submarine” LP:

I had a  a photo sent to me after the earlier blog post. It’s Paul with a copy of 1965’s “Rubber Soul“:

George Harrison features on the web photographed with records, some with easily identifiable discs and some not. This one is pretty easy to see. Its a lucky fan getting an autographed copy of “Help“:

Here’s George again, this time a shot taken in what looks to be the Apple offices. It’s him holding a copy of his second solo outing “Electronic Sound“, released on the Zapple label:

You can clearly see the rear artwork for the LP in the photo above. Below is a shot of the back cover of the LP:

And here’s another one of George again signing albums, but this time its very difficult to see just what they are:

In 1970 John and Yoko posed for some photographs to publicise their new records. John had “John Lennon/Plastic Ono Band”, and Yoko had “Yoko Ono/Plastic Ono Band”. Both titles, on Apple Records, were released simultaneously. The front covers were almost identical, but the rear artwork of Yoko’s album showed her as a young girl, while John’s showed him as a young boy:

In the photo is also “The Wedding Album” box set, which came out in 1969. The photo below is taken at the same session:

As I said, the front cover artwork of these two LP’s is difficult to tell apart. “John Lennon/Plastic Ono Band” has John leaning against Yoko:

While “Yoko Ono/Plastic Ono Band” has Yoko leaning against John:

Very subtle.

Finally, a photograph of Beatles’ manager Brian Epstein. He’s holding a copy of the controversial 1966 US Capitol Records release “Yesterday and Today“. This is the famous “Butcher Cover” LP. Maybe he’s contemplating the new photograph that Capitol was forced to paste over all the original issues of the album:

This is the more acceptable “trunk” cover shot that Capitol put on over the top of the original artwork:

And this is what it replaced:

The interesting thing about the Epstein photograph is that what he is holding appears to be an early mock-up of the replacement artwork. If you look closely there is no song list at the top and the font for the words “Yesterday and Today” is different to that used on the final version. Interesting.

Don’t forget, if you have any other photographs of the Beatles actually listening to or holding singles or LP’s you can send them to me at:  beatlesblogger@gmail.com

You can see the other parts in “The Beatles with Records” series here:  Parts 1, 3, 4, 5 , 6, 7 , 8, 9 , 10 , 11, 12, 13, 14, 15, 16 and 17.

Lennon Legend Book

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After a long time searching, I’ve finally got hold of a second-hand copy of Lennon Legend – An Illustrated Life of John Lennon, a book by James Henke (and designer Katie LeClerq) which first came out back in 2003. This is one of those books that you can literally delve in and out of at will because as well as lots of text and photos about the life and times of John Lennon it also has a broad selection of replica memorabilia scattered throughout its pages. These are tucked away in little holders and pockets. For example hand-written lyric sheets like this one for ‘In My Life’ from the Rubber Soul album of 1965:

In this regard, this book is very similar to Treasures of the Beatles, which we wrote about here. However, this book is of higher quality in it’s attention to detail.

Lennon Legend traces John’s life from the early days in Liverpool and has reproductions of a little school magazine he produced (called “The Daily Howl” from 1950) and a Christmas, 1955 report card from Quarry Bank High School when Lennon was aged 15 years and 2 months old:

You may be able to make out above that in English J. W.Lennon is “….capable of good work and has done quite well”, in Geography “…he is undoubtedly trying harder in his new form. Hope he keeps it up”, but in French John’s results are disappointing: “He is so fond of obtaining a cheap laugh in class that he has little time left for serious contribution.”  John’s headmaster notes (in red) “The best report he has had for a long time. I hope this means that he has turned over a new leaf.”

As the Beatles become better known the memorabilia in the book reflects their journey. There’s a little Cavern Club membership booklet from 1964, which contains this advice to patrons: “IMPORTANT Handbags, coats, shoes, hats, umbrellas etc. must NOT be left lying around the Club UNDER SEATS, in the toilets….or anywhere where you cannot look after them. Your property is your responsibility. USE THE CLOAKROOMS!“:

You get a set of miniature movie posters for A Hard Day’s Night, and a replica of an original ticket to the film’s Royal World Premiere at the London Pavilion:

Moving on to when John and Yoko were in the thick of their peace campaign (combined with art “events”), on one page of the book in a small pocket there’s a small card tag (below). In July, 1968 one of these was attached to a helium-filled balloon (and there were 365 of them), and released into the skies over London to promote John’s first art exhibition called You Are Here:

In a similar vein is a replica sheet – a typed Declaration from 1973 (note the date of April 1st) of the establishment by John and Yoko of an imaginary country called Nutopia:

Along with the Declaration you get a miniature Nutopian national flag – which is simply an all-white piece of cloth with no colours or emblems…

Lennon Legend also comes with a CD containing 60 minutes of interviews and music. Here’s one of the interviews. John is on radio station WNEW on September 28, 1974. (WNEW was an AM station located in New York, but changed its call sign to WBBR in 1992). In this extract he’s talking about the Beatles:

The CD also contains a live version of the song ‘Imagine’, recorded on the long-running US daytime TV talk show hosted by Mike Douglas. John and Yoko co-hosted the show for a week in February 1972. You can listen to that version of ‘Imagine’ here:

The book takes the Lennon history up to Double Fantasy, and of course his tragic murder.

This is just a small taste of the content inside. Lennon Legend – An Illustrated Life of John Lennon by James Henke comes in a hard cardboard slipcase and was published by Chronicle Books in 2003.

See also: “Treasures of the Beatles” here and here.

Tittenhurst Park

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Stumbled upon an interesting article on the BBC website about John Lennon’s former home Tittenhurst Park near Ascot, Berkshire in England. It reminded me how much it has formed a part of the imagery surrounding record covers in my collection, and probably in yours. These albums, along with videos and publicity shots taken at Tittenhurst, have gone into the collective consciousness. Fans will know of this mansion house because although Lennon and Yoko Ono only lived there for around two years it featured in many a photo session, song video and documentary about John Lennon and the Beatles. There were in fact a huge number of photographs taken there – probably the most famous being the front and rear cover images for the Beatles best-of album known variously as The Beatles Again/Hey Jude (released in 1970 in the USA), and as Hey Jude (released in 1979 in the UK): This image, also taken at the house, was used for the rear cover: The next most famous images from Tittenhurst Park (which by the way is on London Road at a place called Sunningdale – one blogger has dedicated an entire blog to the house) came about when Lennon recorded his Imagine album there in 1971. When the song ‘Imagine’ was released as a single it was accompanied by this now legendary video which begins with John and Yoko walking through the fog-filled extensive grounds of Tittenhurst, and ends in an all-white main room inside the house:

There’s also a fantastic scene from Gimme Some Truth, the documentary on the making of the Imagine album, where John talks to a young man who turns up at the house and invites him in for breakfast. And of course the cover photograph for Plastic Ono Band (1970) was also taken in the grounds of the manor – beside the man-made lake the Lennon’s had constructed on the property:

There’s a fairly comprehensive article about Tittenhurst Park in Wikipedia. John subsequently sold the property to Ringo Starr. Lennon biographer Philip Norman wrote:

“Ringo had…recently bought Tittenhurst Park, in the same obliging spirit that a Liverpool pal might take over some old banger of a car. John hated the thought that his rolling parklands and lake had gone forever, and drew comfort from Ringo’s promise that a bedroom would always be kept for him there.” (“John Lennon – The Life”. Harper Collins, 2008)

Sadly the events of 1980 meant that was no longer a requirement. The house and grounds were again sold in 1988 to present owner, Sheikh Zayed bin Sultan Al Nahyan, President of the United Arab Emitrates and ruler of Abu Dhabi. On Friday, August 22, 1969 the Beatles final photo session as a band was at Tittenhurst. The dream was over.

(See also “John Lennon’s Rolls Royce“, and the Kenwood site which goes into great detail about the house Lennon owned prior to purchasing Tittenhurst Park)

Yoko Ono – “Fly”

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You might be wondering why I’ve just purchased a 40 year-old vinyl copy of the 2LP set “Fly” by Yoko Ono….

I’ve pretty much always liked the Beatles, and have had a variety of their records in my collection for over 40 years now. What really got me started on collecting seriously though (and this is about fifteen years ago now) was a fascination with their Apple Records label and an attempt to learn all I could about company and to get vinyl copies of all the artists they signed to that label over the years it was active and under the band’s direct influence.

That has meant hunting down discs as diverse as British modern classical composer John Tavener (“The Whale” and “Celtic Requiem”); The Modern Jazz Quartet (“Space” and “Under the Jasmine Tree”); Billy Preston (“Encouraging Words” and “That’s the Way God Planned It”), as well as the soundtracks of obscure films like “Cometogether” and “El Topo“.

The hunt is still continuing and as Yoko Ono was on Apple Records her work has been part of the process for me. But until now I didn’t have a copy of her 1971 double LP Apple release called “Fly”.

Continue reading →

The Lost Lennon Tapes – Rolling Stone Magazine

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We’re a bit slow down here so pardon if you’ve got this info already – but the latest (February) Australian edition of Rolling Stone magazine has just hit news stands.

Don’t know if they waited  intentionally to release this into the Christmas/New Year holiday market here, or there was something more pressing to put on the front cover Down Under a few weeks ago. This content was seen in the US back in early December . It was timed to coincide with the anniversary of John Lennon’s death. Here’s the Australian cover:

As you can see, the feature article is the final print interview with Lennon, conducted by journalist and writer Jonathon Cott:

On December 5, 1980, three days before he was murdered, John Lennon sat down with Rolling Stone‘s Jonathan Cott for a nine-hour interview. Select excerpts from the interview ran in Rolling Stone‘s tribute to John Lennon the following month — but Cott never transcribed all of the tapes. For 30 years they sat in the back of his closet.

So, much of this content is seeing the light of day for the very first time, accompanied by some terrific photographs by Annie Leibovitz, Rolling Stone magazine chief photographer at the time. One of the most interesting, spread over two pages, is the Lennon’s at home in their Dakota apartment kitchen:

Its a great photo – one I’d not seen before and so homely and domestic. Clearly many of the photographs by Annie Leibovitz from this day’s shoot at the Dakota  have now been seen in many iterations, including the LP and CD cover for “The John Lennon Collection”, a best-of released in 1989:

The Rolling Stone “Last Interview” is accompanied by a lengthy piece called “John’s Last Days” written by Yoko Ono in London. It’s dated October 18th, 2010, and in it she says that one day during the recording of “Double Fantasy” they had some time to spare, and had some retail therapy:

“After being in the dark studio for ages, the outside made us squint. It was like spring! A beautiful, beautiful day. The sky was shining blue. We felt like two kids skipping class. John decided we would go into Saks Fifth Avenue. He went through a few counters and stopped at the glasses: “We should get one for you.” He picked a pair out – large black wraparound shades – and put them on me….”You should wear these all the time.” I thought that was silly and wanted to laugh, but stopped short. He was gazing. “Why?” I asked with my eyes. He just took my hand and we walked quickly toward the exit. It was time to get back to the studio. I immediately forgot the incident totally. Later, those were the glasses I used to face the world.”

I’m guessing that these are those same glasses – by Porsche Design – which Yoko was seen wearing in public frequently in the years after John’s murder. This is a cover from a 1981 edition of Rolling Stone. If you look closely you can see that she is also  wearing the same necklace that John is wearing in the “The John Lennon Collection” CD cover shot:

Rolling Stone have uploaded four audio extracts from the Jonathan Cott “Last Interview” here, and you can download an 18 minute podcast here. Also in this latest edition of the magazine Yoko Ono lists her ten best John Lennon songs.

John Lennon – Double Fantasy (Stripped Down)

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At long last my copy of the John Lennon and Yoko Ono “Double Fantasy – Stripped Down” two CD set has arrived.

I know, it was released way back in October as part of the Lennon 70th birth-date celebrations, along with the big Lennon “Signature” box set, the “Gimme Some Truth” 4 CD box set, and the two versions of the “best of” John Lennon compilations called “Power to the People – The Hits”.

The lengthy delay for me in getting “Double Fantasy – Stripped Down” was caused by a bad Ebayer who disappeared off the face of the earth after taking my (and many other peoples) money. After waiting weeks the item just didn’t turn up, and he didn’t reply to emails. Fortunately I’d paid  using PayPal and after lodging a refund claim with them I got my money back. I must say here that it was all very efficiently done by PayPal – so I’d recommend using them as a way to pay for anything you order on Ebay as it comes with this sort of buyer protection.

After quite a few weeks that dispute was solved and I placed another Ebay order – this time with a store in the US. I particularly wanted a US copy of “Stripped Down” to go with all the US versions of Lennon’s other titles contained in the “Signature” box set. They sent it surface mail or something and it also took a while to get here – but this time at least it has finally arrived.

You’ve probably gathered by now that I’m quite interested in the packaging, small print text, and the images used for the covers of LPs and CDs. (If you are too, you might like a page called “Sleevage” that specialises in album music, art and design of all types).

Clearly, this late in the day, this CD cover isn’t new to you. Its been out since October and everyone has come to terms with the fact that both the front and rear covers are cleverly based on sketches of the original LP’s black-and-white shots of John and Yoko taken back in 1980. I think its a nice touch that they asked Sean Lennon to do this. Yoko says in the booklet liner notes (quote):

“And thank you Sean, after many days of hesitation, you finally did the drawings for the front and back covers…for your dad and your mom. All sorts of memory of that time came back to you, you said.. I know how hard it must have been. This is a thank you from me and your dad.”

One other piece of information that caught my attention reading the small print in the cover notes was that two of the photographs used on the inside panels of the cover are actually significant. This shot of John and Yoko leaving the Dakota building was taken on their  way to the Hit Factory studios in New York on August 4, 1980, for the first day of recording for what would become the “Double Fantasy” album:

From inside the gatefold cover: John and Yoko leave the Dakota for the studio and the very first day of recording "Double Fantasy" - August 4, 1980

And this photo on another panel of the gatefold for “Stripped Down” was taken on 44th Street, New York on December 6, 1980 – the last day of recording:

Another image from the packaging: John and Yoko on 44th Street on the very last day of recording "Double Fantasy"

Its not the first time that photo of the pair leaving the Dakota Building has been used. It appeared as the picture sleeve for the US release of one of the three singles taken from the original “Double Fantasy” LP – the song called “Watching the Wheels”:

The same Dakota photograph was used for the vinyl single "Watching the Wheels", released on 27 March, 1981

Interestingly, when you purchase the Lennon “Signature Box“, which reissues all his original solo albums, you get “Double Fantasy” remastered in its original form – a single disc with the 1980 cover art and without the “Stripped Down”  version as an additional CD:

In the booklet for this edition of “Double Fantasy” you get a different short essay by Paul Du Noyer, but it has all the same photographs as those used in the booklet for the “Stripped Down” booklet.

Also, I’m not sure that you can purchase this single disc 2010 remastered version of “Double Fantasy” as a stand-alone item. I had a quick look around on the web and couldn’t find it for sale anywhere and so I think it may only be available by getting the “Signature” box. If anyone has any info on that one please let us know.

 

Give Me A Chance – New Book

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When Canadian Gail Renard was sixteen she had a life-changing experience. She lived in Montreal and in 1969 John Lennon and Yoko Ono came to town to stage their “Bed-In” protest for peace.

“Give Me A Chance” is a new book out now and in it Gail Renard tells her story of meeting John and Yoko and spending eight amazing days with them as their guest and helper in room 1742 of the Queen Elizabeth Hotel, Montreal.

She babysits Yoko’s five-year-old daughter Kyoko, and she sits in on John and Yoko holding court as the press and the rich and famous make a beeline to their  bedside to interview them, to argue, to pay homage, and to hear about spreading the word of peace throughout the world. I really liked the book. While not full of revealing facts, its easy to read and has a genuine sense of fun and adventure. Gail writes in an endearing naive style and we get to experience the “Bed-In” for peace up close but very much through the eyes of a sixteen year-old girl. How did she get to spend eight days with the Lennon’s? We learn that when she called her mother to get permission there was a very awkward moment:

“Put John on the phone,” she demanded. I recognized her inquisitor’s voice and was mortified. “Oh Mum, you can’t!” I knew she could and she would, and that I didn’t have a choice….so I reluctantly handed the phone over to John. I tried not to cringe as Mum carefully spelt out her conditions to him. There was to be no funny business – no sex or drugs around her innocent daughter. As if that wasn’t enough, Mum also said that I could help at the Bed-In during the day but I’d have to be back at home by my bedtime every night. To my amazement, John agreed…

With permission from her mother out of the way Gail gets to sit in and sing as part of the rowdy chorus in the now historic recording of “Give Peace A Chance”. Every label for the song has the words “Recorded in Room 1742 Hotel La Reine Elizabeth, Montreal…”:

Afterwards, John gave her his hand-written lyrics for the song . These were written out with a black magic-marker pen on a big white cardboard square. These became the cue sheet for the crowd in the bedroom during the recording of the song in Suite 1742.

In 2008, Gail sold the “Give Peace A Chance” lyrics at a Christies auction for £350,000.  She says “Thank you, John. And thanks for not throwing them out, Mother!” She’s since been back to the room where it all happened over eight days in 1969 and writes about that visit here.

In many ways the book “Give Me A Chance” is very like an earlier book about a similar transformational experience with the Lennon’s – this time for a fourteen year-old boy named Jerry Levitan – who snuck into their Toronto hotel room and attended the Toronto version of the “Bed-In” for peace. He wrote a book about his experiences called “I Met the Walrus“.

Thank you to Beatles collector Bruce Hamlin for sending me a copy of this book. It’s richly illustrated with photographs and memorabilia and is a great little read!

Three Copies of “Q” Magazine

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I needed to visit Australia’s national capital Canberra for work the other day and ended up staying overnight. That meant driving back to Sydney on a Saturday morning and so I had time to call into the large-ish New South Wales country town of Goulburn, which is just off the freeway on the way home.

Goulburn, I had discovered on a previous trip, has a very large second-hand book and record shop just off the main street called The Argyle Book Emporium. When I say big I’m talking an extensive old rambling period building with room after room literally filled floor-to-ceiling with books. One room at the rear is devoted to music. There’s a small selection of music-related books and magazines, and boxes and boxes of records and CDs. Its a bit frustrating as these boxes are just randomly grouped together. They’re not split out into Male Vocal, Female Vocal or Groups for example. Not even 50s, 60s ,70s and 80’s. Just everything mixed in together – making finding anything of interest a needle-in-a-haystack affair….

I didn’t have a lot of time and so I gave the LPs just a cursory flip through. I looked at a couple of boxes at the front which were easy to get to and didn’t find anything. What was more interesting was a very large pile of “Q” and “Rolling Stone” magazines. A collector had obviously off-loaded a lot of past editions that were no longer wanted. The “Rolling Stone” magazines had been pretty well picked over. Nothing really of interest to the avid Beatles collector. However, in the “Q” magazine pile I found these three editions: 

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The first dates way back to June 1987 – a time when we were all celebrating the 20th Anniversary of “Sgt Peppers”. Inside there are ten pages of photos and text:

Sadly, there was a “Sgt Pepper Part II” article that was due to be published in the following month’s magazine. It wasn’t on the pile of mags I found in Goulburn….oh well.

The next “Q” magazine I found featured an extensive article about Paul McCartney from July 1989. The headline on the front cover screams: He sings! He plays! He writes his own songs! For  PAUL McCARTNEY OPPORTUNITY KNOCKS! * Now available for live work! *.  Inside there’s a nine-page article about Paul. It begins: “He never expected to be doing this when he was 46 – “We thought 25 was the end of the line” – but Paul McCartney has stoutly refused to give up his day job. Engaged in rustic rehearsals for his first British tour in 10 years, and with a fresh solo album on offer [“Flowers In The Dirt”], he’s preparing once again to be public property. With mixed feelings…”. In the article there’s reference to the number of times McCartney makes reference to his father, Jim McCartney….”a Liverpool cotton broker and part-time musician who brought Paul up after his mother’s death (when McCartney was 14), and who died himself in 1976. One song on McCartney’s new album “Flowers In The Dirt”, is called “Put It There”, after a favourite phrase of his Dad’s”.

Finally, the “Q” magazine with that awesome David Bailey portrait of Paul and John on the cover. It comes from August 1999. Its a pretty simple premise on the part of “Q”. As the century draws to a close why not run a reader poll asking who are the 100 greatest stars of the 20th Century. According to “Q” readers back then the top ten are (were):

10. Michael Stipe; 9. Liam Gallagher; 8. Noel Gallagher; 7.Madonna; 6. David Bowie; 5. Elvis Presley; 4. Bob Dylan; 3. Kurt Cobain; 2. Paul McCartney; and and number one the runaway winner (according to “Q” by a long way)…..John Lennon.

It is kind of fitting to look back and read a magazine like this (from 1999) in this year (2010) when Lennon would have turned 70, don’t you think? Kind of cements the fact that his presence could in fact be enduring. That now, a further eleven years down the track, his music is still around and he’s still held in very high regard by many. There’s an additional article right at the end of the poll headed: “John Would Have Been Proud”. It says: “Yoko Ono, the keeper of the Lennon flame and the Lennon vat of money, telephoned Q as soon as she heard about the readers’ tsunami-sixed endorsement of her late husband’s transcendental magic and generation-straddling stature….”. That article is illustrated with this beautiful photograph:

Enough said.

(see also “Nine Copies of Rolling Stone”)

John Lennon – Gimme Some Truth Box

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This is the next installment of close-up, detailed photos of the current John Lennon re-issue program. We’ve already had a look at the “Signature” box set containing freshly remastered editions of all the original studio albums, plus two CDs of singles, home recordings and outtakes.

Now its the turn of the other box set issued as part of the program called “Gimme Some Truth”. First thing to say is that it is much smaller that the “Signature” box set (although that’s not saying much as the “Signature” set is huge). Its really just a slipcase kind of affair, designed to hold four CDs in cardboard sleeves plus a book. The other thing to say is that there’s nothing new here audio-wise for the avid collector. These are compilations completely made up of previously released tracks – most of which have been re-issued in a variety of forms many, many times…

The front and rear photos on the box are of John and Yoko in New York, only they’ve been superimposed on a drawing of New York Harbour (as imagined by John Lennon). It was taken by Scottish photographer Iain Macmillan, best known for his photo for the cover of “Abbey Road”:

"Gimme Some Truth" - front cover

And the rear:

"Gimme Some Truth" - rear cover

Here’s a shot from the same photo session with Iain Macmillan:

Inside the box are four themed CDs that gather John Lennon’s songs into categories. The first is “Working Class Hero”:

This photo is taken by Bob Gruen, a long-time friend and frequent photographer of Lennon who has taken some of his most iconic shots, including the images for the “Walls and Bridges” album, and he did the photograph used on the recent biography of John by Philip Norman. There are 18 tracks on this CD and they include “Power to the People”, “Steel and Glass” and “Give Peace a Chance”.

The second CD is called “Woman”, and gathers together love songs and songs specifically about the women in Lennon’s life:

This image is by Lilo Raymond, and is a photograph from the same sessions as the one used for the front cover of the 1983 posthumous LP release called “Heart Play – Unfinished Dialogue” which contained conversations with John and Yoko recorded in 1980:

The “Woman” CD also contains 18 songs, such as “Mother”, “Hold On” and “Jealous Guy”.  The third CD is “Borrowed Time”:

Got to be one of the saddest photos of John, don’t you think? So much potential there and a baby boy he won’t get the chance to see grow up….. Songs include “Nobody Told Me”, Watching the Wheels”, and of course “Borrowed Time”. The image was taken by Nishi Saimaru, who’s 1990 book “The John Lennon Family Album” features intimate family photographs taken over a three year period with the Lennon’s in New York, Miami, Hong Kong, and Tokyo. She also took the cover photo for that other four CD box set released in 1990, simply called “Lennon“.

The fourth and final disc collects Lennon covering tracks from his youth – early rock’n’roll standards plus a couple of other more contemporary rockers.

This is one of a series of famous images taken by Jurgen Vollmer of a young John Lennon in a Hamburg doorway. Vollmer, Astrid Kirchherr and Klaus Voormann met the Beatles in Germany in the early 60’s. Later, John was to write: “… Vollmer was the first photographer to capture the beauty and the spirit of The Beatles…We tried very hard to find someone with his touch after we returned from Hamburg, Germany…nobody could…The photographs…speak for themselves.” One of his photos from the same session was used on the cover of the 1975 album “Rock ‘N’ Roll”:

The “Gimme Some Truth” box also contains a 24-page book featuring an article (“Truth In All It’s Forms – The Songs of John Lennon”) by Anthony DeCurtis. DeCurtis also wrote the essay for the “Signature” box. It is illustrated with additional photographs, Lennon drawings and hand-written lyrics.

The front and rear covers of the book feature a Lennon drawing with his face morphing into Yoko Ono’s, and vice versa:

The final inclusion in the box is a business card-sized piece of cardboard with the word “Online” on one side and instructions and a PIN code for you to access the John Lennon Universe on the web on the other.

I’m not sure, but I think this card and PIN get you access to less comprehensive content in the “Universe” to that of the “Signature” box one. If anyone confirm that let me know.

See also the John Lennon “Signature Box” revealed, and the Paul McCartney Deluxe “Band on the Run” CD and vinyl sets.

John Lennon – Signature Box

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Well, our copy of the new John Lennon “Signature Box” has finally arrived safely in the post, thanks to Amazon, all the way from America.

You’ll no doubt see lots and lots of small photos of the exterior and YouTube “un-boxing” videos, so I thought I’d scan in some extreme close ups of what’s inside to give you an idea of the contents from that perspective.

As you know (and any Google Image search will reveal) the exterior of the “Signature Box” and it’s main parts look like this:

You can see above that it is really a box-within-a-box as the entire exterior (which has the word “Lennon” in sky blue lettering on top, and a Lennon signature embossed in white on the front) slides up and off to reveal an inner box. What you first see at the very top of that box are three items: the first is a 60-page, hard-cover book with simply the word “Yes” deeply embossed in blue on the front cover:

There is a deep blue ribbon underneath this book to help you lift it out of the box neatly (those of you with the Beatles Remastered Stereo boxes will have seen something similar used in that box to help you lift out the CDs). This book contains a lengthy essay called “John Lennon – The Life and Afterlife” by Anthony DeCurtis. It is illustrated lavishly with photographs, drawings and hand-written lyrics. Also with the book at the top of the box is a four-page cardboard fold-out sheet with this on the front:

On one side are three separate messages about John Lennon and his legacy from Yoko Ono, Julian Lennon and Sean Lennon, all signed August 9th, 2010. On the other side are four words: Give Peace A Chance. The final item you find at the top of the box is a business card-sized piece of cardboard with the word “Online” on one side and instructions and a PIN code for you to access the John Lennon Universe on the web on the other.

(If you don’t have a PIN code you can still have a snoop around the “Universe” – only with a lot of the functionality disabled).

Once you have lifted these three items out you can see the CD’s tucked away vertically inside underneath the book. They’re held in place by a piece of white soft foam with finger cut-outs so that you can get the CDs out a little more easily:

All the CDs are housed in redesigned cardboard gate-fold covers, utilizing the original artwork but in the now-familiar style of all the newly remastered Beatles CD covers. (Incidentally, the new Paul McCartney archive re-issues [starting with “Band on the Run” next month] will also have this new look). The re-issued and remastered CDs now all have booklets with sleeve notes (by Paul Du Noyer), lyrics and additional photographs.  The only thing here that’s new music content-wise are two CDs housed together in a unique, plain white gate-fold cover. One of them contains six singles which are not on the albums:

The other contains 13 tracks which are previously unreleased studio outtakes or home recordings:

Then, at the bottom of the box is a slide-out drawer (its got a small blue ribbon tab so you can pull it out). It contains a white, hard covered folder with John Lennon’s signature embossed in white on the front. The drawer also has a long blue ribbon under the folder to assist you in lifting it out. Inside is a John Lennon 70th Birthday art print on high quality paper:

This tasteful art theme is continued on two sides of the inner box, with a further Lennon drawing appearing on the left-hand side:

And again on the right-hand side:

I hope this has given you a different perspective on the contents. Clearly a lot of thought has gone into the packaging to try to make it hang together artistically in both design and colours. The strongest motifs are clouds, blue sky, and plain white). Its a MUCH bigger box than you’d expect – in fact the nine CDs inside look quite small by the time you get to them. There is a lot of packaging around them. It is significantly larger than the John Lennon  “Anthology” four-CD set and book that came out in 1998 (and which has some very similar design elements).

The Second Disc has written a comprehensive review of the “Signature Box”.

Next post will be a similar close-up, in-depth look at the new 4 CD “Gimme Some Truth” package.

See also the Paul McCartney Deluxe CD set, and the two disc vinyl.