We’ve been intrigued to read in the small print on the back of each of the most recent Beatle CD and vinyl releases a reference to a company called Calderstone Productions Limited. It has not been on releases prior to Universal Music taking over EMI, and so we began to wonder about what it is – and started doing some snooping.
You can see a reference to Calderstone on the Beatles’ On Air – Live at the BBC Volume 2, and also on the re-issued version of Live at the BBC:
At first it looked like it might be a company set up just to deal with the copyright and publishing issues around all the BBC recordings used on those discs, but now Calderstone Productions has also appeared in the small print on the bottom of the CD box set The Beatles U.S. Albums released last month:
(Click on the images above to see larger versions)
Going back further, a bit more snooping shows there’s also reference to Calderstone on iTunes for the digital download of Let It Be… Naked. The iTunes site says:
Would this make Let It Be…Naked the first official Beatles release since Universal got hold of EMI? Calderstone Productions is registered in the UK and was previously known as Beatles Holdco Limited. This was changed to Calderstone on 29 November, 2012.
Calderstone’s Company Secretary is registered as a Mrs Abolanle Abioye (age 53 and also Secretary to Universal Music Publishing), and the Directors are listed as Mr Adam Barker (45 years old and a company director on at least fifteen other companies), and Mr David Sharpe (a 46 year-old Irishman, also listed as a director of at least another 15 companies, also mostly music-related).
The registered address for the company is 364-366 Kensington High Street, London W14 8NS, which not surprisingly is the same address as Universal Music UK. Google maps shows that their front door looks like this:
Calderstone lists a share capital of just £1 English pound – although this site says the company has a combined assets value of £7,954,000.
Interestingly there are strong Liverpool links to the name Calderstone. There’s a park there called Calderstones Park. And Calderstones School is located opposite the park on Harthill Road in the Liverpool suburb of Allerton. The school was founded in 1921 as Quarry Bank High School, whose most famous student was one John Lennon….
Coincidence?
Great bit of detective work. Thanks. 🙂
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Calderstone Productions represents Beatles HoldCo.
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Glad to know I’m not the only one reading the label copy on the cds. I was wondering what the deal was with Calderstone as well
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I love to read the small print!
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Plus, Calderstones Park is located between two sites made famous by the Beatles, Penny Lane and Strawberry Fields. 😉
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Had trouble with a number of vinyl re-mastered editions. A large number of the cuts had great music quality but the voices were faded as if an echo chamber. This occurs on most of the new vinyl LPs but not the Cds. Anyone else notice this?
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Liverpool Council are wanting to build on John’s beloved Calderstones Park. Please support our campaign and help stop it happening.
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Thanks for the heads-up Christine.
It does look like this historic Liverpool site is under threat. Check out these articles:
http://www.liverpoolecho.co.uk/news/liverpool-news/row-over-council-plans-develop-11754966
http://www.liverpoolecho.co.uk/news/liverpool-news/protests-planned-over-controversial-redrow-12594762
http://www.liverpoolecho.co.uk/news/liverpool-news/d-day-controversial-harthill-housing-12601299
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Someone at Calderstone?UMG did not do their homework right re this limited edition release of Strawberry Fields/Penny Lane with new and first time UK 7″ stereo mixes. in copying the original UK EMI-Parlophone labels (yet changing the rim text including made in the EU the matrix is now incorrect and wrong and to any Beatle fan a joke (after all EMI means every mistake imaginable) that mistake here is massive and should never have happened or been allowed.
In EMI’s methodology and matrix mastering an ‘X’ denotes a mono mix and ‘Y’ a stereo mix as this single is now stereo why is the old mono matrix printed 7XCE it should be 7YCE simple and easy. Sack those that don’t know how to do their jobs.
This error is worse in a way than the wrong tapes sent to Optimal Germany for ‘Love Me Do’
A2 instead of A1 Andy White over Ringo and the wrong catalogue number belonging to Matt Monroe!
Some people at Calderstone do not know their XYZ !
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Sooner all publishing is out of the Sony/ATV grasp the better unless Sony/ATV are going to release all the Beatles back catalogue in DSD on SACD and/or download the by all means carry on
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I first looked into this after seeing it at the end of “The Making of Sgt. Pepper” on the DVD inside my new copy of the Sgt. Pepper Super Deluxe Edition” (2017). My purpose was to discover if the Beatles got the rights to the portions of their music back which had been held by Michael Jackson. (LOL). Does anyone know the answer?
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As Parlophone is now owned by WMG, Why does the current Vinyl issue of Sgt Pepper carry the familiar (1967) EMI/Parlophone logo
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Now that is a really good question! I can only assume that when EMI was split up into its various parts, with artists and labels being negotiated for, divested, etc. there were all sorts of deals done around the licencing of trademarks and images associated with back-catalogue. The rights to manufacture and distribute The Beatle canon of work went to Universal, so with that they must have been given specific permissions to reproduce the Parlophone trademark on covers and labels when creating accurate reproductions of previously released Beatle material. This would seem to be the case because there is no mention of licencing agreements with Warner Music given on the labels or in the small print anywhere. In other words, Universal don’t seem to have to pay Warner Music a per-use fee for that right. In contrast, the use of the Apple label is certainly a trademark that the Beatles company Apple gives exclusive permission to Universal to use – and you can see this specifically mentioned in the small print on all printed materials associated with each album (or single) where the Apple label appears, or there is content that Apple owns or has an interest in (e.g. music, photographs, etc). I think the Wikipedia entry about Parlophone (see: https://en.wikipedia.org/wiki/Parlophone ) kind of spells this out. For example this sentence: “On 28 September 2012, regulators officially approved Universal Music Group’s planned acquisition of Parlophone’s parent group EMI for £1.2 billion, subject to conditions imposed by the European Commission requiring that UMG sell off a number of labels, including Parlophone itself (aside from the Beatles’ catalogue, which was kept by UMG and moved to Universal’s newly formed Calderstone Productions)” Hope this helps. I find this stuff kind of fascinating – it’s the actual music business, or the business of music. If anyone else has any thoughts or knowledge please feel free to weigh in!
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Good work, my friend! This is indeed fascinating stuff. I am also rather intrigued by UMG’s use of the Parlophone name and logo on Pepper.
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If you’re referring to the label on the disc, I read that it’s merely used to replicate that of the original release and any mention of “Parlophone” its purely for artwork reproduction purposes
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So would Calderstone be responsible for the poorly printed CD on the re-release of the White album ? I paid $130 for the box set which included a Blue Ray disc. Had to them by a blue ray player, but it turns out 3 of the CD were not printed to a sufficient quality standard to play on a blue ray and they either skip or just don’t play at all.
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Hi Ray,
Calderstone engage Universal Music to manufacture and distribute physical product, so pressing issues like those you cite more rightly go back to Universal. It is so frustrating when you get issues like what you had. Sometimes Blu-rays seem to be very picky about the machines they will or won’t play on.
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Thank you for getting back to me and pointing me in the right direction. I really have never had this happen before and am so dissapointed that the first time has to do with this Beatles set that was supposed to be top of the line quality. Have they not made enough money on the Lads to have to go cheap on the pressing and distribution ?
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The best thing to do (depending on where you purchased your set) is to take it back and ask for a replacement. Any good retailer would have an arrangement whereby they can send back faulty product to the record company (i.e. to Universal Music). Another thing would be to ask someone you know who also has a Blu-ray player to try it on their machine and see if they can get it to play? It may be just your particular player that doesn’t like the discs you have. I know this is all a hassle and shouldn’t be something you have to deal with – but you deserve to have what you paid for!
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Very honoured to say that our family home since 1966 is almost exactly equidistant between Penny Lane and Strawberry Field on Menlove, and very near Quarry Bank, as we still call it.
As kids we once saw the band drive past us and wave, en route to Speke Airport. The Calder stones are neolithic, and the city’s oldest monument of any kind at around 4,000BC
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