Tag Archives: Music

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Back before Christmas you might recall us running a story about Yoko Ono and Sean Ono Lennon sending out another batch of rare, specially cut acetates to a select group of 50 charities. You can read about that here.

Well, one of the charities has been in touch to let us know how they are using their acetate to raise much needed funds to promote the cause of peace. Here’s their press release:

Limited-edition John Lennon and Yoko Ono ‘Give Peace a Chance’ vinyl acetate available in prize draw to fight extreme poverty

International humanitarian organisation Concern Worldwide is running a prize draw for the exclusive vinyl acetate, newly released in 2023 and hand-cut at Abbey Road Studios. It is one of 50 that has been gifted by Yoko Ono and Sean Lennon to charities that support peace.  

Funds raised from the prize draw will go directly towards Concern’s work across 26 countries to end hunger and extreme poverty.  

“It’s amazing to be able to offer our supporters the chance to win such an exclusive item, with such an important and unique history, and we’re grateful to Sean and Yoko for including us,” says Lucy Voakes, Fundraising Innovation Manager at Concern.  

“The prize draw will raise vital funds at a time when nearly 300 million people around the world need humanitarian assistance and protection, due to conflicts, climate emergencies and other economic factors.” 

Concern delivers life-changing interventions in some of the world’s poorest and most vulnerable communities, including emergency response, health and nutrition, livelihoods and education.  

The record bears a machine-printed signature from Yoko Ono and is a collector’s item. It also includes the B-Side ‘Remember Love.’  

‘Give Peace a Chance’ was first produced fifty-five years ago in June 1969, during John Lennon and Yoko Ono’s “bed-in for peace” in Montréal, Canada.  ‘Give Peace a Chance’ quickly became the anthem for the anti-war movement at the time.  

To enter the prize draw, visit the charity’s crowdfunder page. Tickets are £5 for a single entry. To enter the draw for free, submit your entry via post. Visit the crowdfunder page for more information: https://www.crowdfunder.co.uk/p/give-peace-a-chance-vinyl  

So, that means we know where limited edition acetate number 14 of 50 was sent, and how they intend to use it to help fight poverty.

But what of the other 49? We know where they’ve gone (scroll down the News page on the official John Lennon site to see the full list of charities), but what are they actually doing with them?

As we did for the 50 acetates that the Lennon estate sent out to record stores previously, we decided to have a look around the web to try to find out.

However, it’s proving a much more difficult task this time around because not many of the charities have (yet) openly publicised their intentions. Here’s our very short list to date:

14/50 as we know is Concern Worldwide. They are selling raffle tickets for a prize draw (as per the details above). This closes on May 31. More info can be found at www.crowdfunder.co.uk/p/give-peace-a-chance-vinyl. Here’s their disc:

45/50 War Child UK. They are holding a timed online auction 24 April – 16 May called Spring Clean for War Child. Lots of other rock and pop culture memorabilia is available to bid on, but you’ll need to register. Details on the acetate they were sent – it is Lot 59 – is available here. As of the date of publication the current bid is £500, and there are 13 bidders:

Unknown disc number. Refugees International. They have already held an online auction and it ended on April 30. The winning bid for the limited edition acetate was $500. See: refugeesinternational.afrogs.org/#/view/942515 for more.

Unknown disc number. Beyond Conflict UK. Details of just how they intend to raise funds are unknown at present. They have posted online that they will disclose details “in the new year”. So we guess it is a case of ‘watch this space’. beyond-conflict.co.uk/mediahub/blog/john-lennon-donates-rare-give-peace-a-chance-record-to-bc/

And that is it!

We’ve been able to track down just 4 of the 50 acetates!

If you know where any of the others have ended up, and what the plan is on how to use them, please let us know!

McCartney & Wings – One Hand Clapping Live Studio Sessions from 1974 Newly Mixed

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Seems someone at Universal Music Canada hit the “Publish” button a little early on a press release about a hitherto unknown June release from Paul McCartney. It reads:

The wait is over: With the June 14 release of One Hand Clapping, one of the most bootlegged live albums in musical history will finally receive a proper release. In August 1974, when Band on the Run was enjoying a seven-week consecutive #1 stint at the top of the UK album charts, Paul McCartney and Wings headed to Abbey Road Studios for the filming of a video documentary and possible live studio album – One Hand Clapping. Despite overwhelming demand for newly recorded material from the biggest band in the world at that time, One Hand Clapping was never officially released.

Filmed and recorded over four days and directed by David Litchfield, the release of One Hand Clapping is a historic moment for Paul McCartney fans. Over the years, various parts of One Hand Clapping have been bootlegged with varying degrees of success. Some of the material has also appeared on official McCartney releases. However, the June 14 release, which features the original artwork designed for the project, including a TV sales brochure for the unreleased film at the time, is the first time the audio for the film—plus several additional songs recorded off-camera–have been officially issued.

You can read the full release here.

One Hand Clapping will be released in multiple formats on June 14, including an online-only 2LP + 7” package that will include a vinyl single of previously unreleased solo performances recorded on the final day of the sessions in the backyard of Abbey Road studios. These include the unreleased track “Blackpool,” a cover of The Beatles’ “Blackbird,” a Wings B-side “Country Dreamer,” and cover versions of Eddie Cochran’s “Twenty Flight Rock” (the first song Paul played to John Lennon when they met in 1957) and Buddy Holly’s “Peggy Sue” and “I’m Gonna Love You Too.”

ONE HAND CLAPPING FORMATS

2LP + 7”

Disc 1

SIDE ONE

One Hand Clapping* 02:15

Jet* 03:59

Soily* 03:55

C Moon/Little Woman Love* 03:19

Maybe I’m Amazed* 04:52

My Love* 04:15

SIDE TWO

Bluebird* 03:27

Let’s Love* 01:09

All of You* 02:04

I’ll Give You a Ring* 02:03

Band on the Run* 05:20

Live and Let Die* 03:26

Nineteen Hundred and Eighty Five* 05:50

Baby Face* 01:56

Disc 2

SIDE ONE

Let Me Roll It** 04:28

Blue Moon of Kentucky 03:05

Power Cut 01:33

Love My Baby 01:13

Let It Be 01:02

The Long and Winding Road/Lady Madonna 02:10

SIDE TWO

Junior’s Farm 04:17

Sally G 03:28

Tomorrow 02:12

Go Now 03:35

Wild Life 04:30

Hi, Hi, Hi 03:57

Disc 3 (7”)

SIDE ONE

Blackpool 01:43

Blackbird 02:27

Country Dreamer** 02:17

SIDE TWO

Twenty Flight Rock 02:08

Peggy Sue 01:24

I’m Gonna Love You Too 01:10

2CD

Disc 1

One Hand Clapping* 02:15

Jet* 03:59

Soily* 03:55

C Moon/Little Woman Love* 03:19

Maybe I’m Amazed* 04:52

My Love* 04:15

Bluebird* 03:27

Let’s Love* 01:09

All of You* 02:04

I’ll Give You a Ring* 02:03

Band on the Run* 05:20

Live and Let Die* 03:26

Nineteen Hundred and Eighty Five* 05:50

Baby Face* 01:56

Disc 2

Let Me Roll It** 04:28

Blue Moon of Kentucky 03:05

Power Cut 01:33

Love My Baby 01:13

Let It Be 01:02

The Long and Winding Road/Lady Madonna 02:10

Junior’s Farm 04:17

Sally G 03:28

Tomorrow 02:12

Go Now 03:35

Wild Life 04:30

Hi, Hi, Hi 03:57

* Previously released 2010 Band on the Run Archive Collection DVD

** Previously released as bonus audio on Archive Collection releases

One Hand Clapping will also be available to stream in Dolby Atmos with a mix by Giles Martin and Steve Orchard.

Sgt. Pepper Label Anomaly

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The subtitle of this blog is “Adventures in Collecting Beatles Music” and so we often get people inquiring about rare (or not-so-rare) pressings that they’ve come across out in the wild.

Like this one earlier this week from a reader named D-Wizz who is based in Brisbane, Australia:

I refer to the attached photos which are both sides of the same record. I note that the font used for each label is different. Side 2 looks like a 1960s style while Side 1 has an early 70s font. I cannot find an example of this on any Beatles related site, so I wonder is it a rarity, a mis-pressing, or something else? Does it make this copy any more valuable?

Thanks for your attention and assistance.

Regards, etc.

We love a challenge like this and delved into doing a little research. This is right at the heart of the adventures in collecting Beatles music! Here’s what we wrote back with:

Thanks for your email, and for sending through actual photos of the labels. This makes identification so much easier!

We’ve consulted the book An Overview of Australian Beatles Records by Jaesen Jones, which is a fantastic resource, plus his comprehensive website I Am The Platypus – The Beatles Australian Records Labelography – also very helpful in identifying Aussie Beatle pressings and variations. For what you need to know you should look at this page for the Sgt. Pepper’s label variations, and this page for further info on Australian label variations generally (click on the “Orange 1-Box” tab at the top).

What you have here is obviously a pressing of Sgt. Pepper’s that came out around October 1978 when EMI Australia was right in the middle of transitioning from one label design to another.

You’ve correctly identified that your Side 2 label is older – and in fact it is. It was the orange Parlophone label in use on Australian pressings of Sgt. Pepper’s from 1969-1978. It is known as the Orange 1-Box Style A, and has the word STEREO written large at the top. 

Then, in October 1978, EMI changed that label to what is called the Orange 1-Box Style B. This still has the word STEREO, but now in a much smaller font and set to the right of the spindle hole above the catalogue number. This is your Side 1 label.

We’d guess that when they were pressing your copy it must have been right on the change-over date between the two variations in October 1978. They obviously had some of the older style Side 2 labels left over (Orange 1-Box Style A) and where just using them up. However, for Side 1 they’d obviously started using the new-look Orange 1-Box Style B labels. 

(FYI there was a further orange label variation that was introduced from early 1979 called Orange 1-Box Style C that was used up to 1981. This had no mention of the word “Stereo” on it at all).

So, is your copy rare and more valuable? Well, it is interesting! 

Jaeson Jones includes in his book a ‘Guide to Rarity’ and, on a scale of 1-10 (where 1 is very common, and 10 is very rare), he lists the Sgt. Pepper’s Orange 1-Box Style A as a 5, and the Orange 1-Box Style B as a 3. Both therefore are reasonably common I’m afraid – but at least yours is different and it has a bit of a story behind it! I dunno, maybe we’d rate it as a 6?

Hope this helps,

beatlesblogger.com

Paul McCartney’s Lost Höfner Bass

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Unless you’ve been living under a rock you are probably aware by now that Paul’s 1961 Höfner 500/1 bass guitar, which was stolen in 1972, has been….

In September last year we reported on a concerted new effort to trace the missing instrument – and it seems that the case has well and truly been solved. In fact, the bass is already back in the hands of its original owner – Paul McCartney.

Check out this short statement on the official McCartney site, plus The Lost Bass Breaking News page for more.

The instrument is a little worse for wear but, according to an expert from Höfner called in to examine it, it shouldn’t be all that difficult to once again get it going again.

One of the most informative articles about what state it is in and the intriguing back story as to where the bass has been all this time is in the Dutch music magazine, De Bassist. They interviewed Höfner expert Nick Wass about finding The Lost Bass. Their article is well worth a read!

Congratulations on a Grammy Win, and Good Luck for the Oscars

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The Beatles have won a Grammy in the 66th annual awards.

It was for Best Music Video for the song ‘I’m Only Sleeping’ – the film clip made to promote last year’s re-issue of the Revolver album.

The award went to Em Cooper, video director, and Jonathan Clyde, Sophie Hilton, Sue Loughlin and Laura Thomas, video producers.

Artist and director Em Cooper explored the space between dreaming and wakefulness, working on an animation rostrum on sheets of celluloid. She painted every frame individually in oil-paint, a labourious process which took many months.

(Interestingly Revolver won an award for Best Album Cover in 1966. That honour went to Klaus Voormann. And the Song of the Year Grammy in 1966 went to John Lennon and Paul McCartney for ‘Michelle’. McCartney also won the Best Contemporary Solo Vocal Performance, Male or Female, for ‘Eleanor Rigby’.)

Also in the hunt for awards recognition is another short animated film with Beatle connections – this time for Sean Ono Lennon and War Is Over!, a film inspired by the music of John and Yoko.

War Is Over! is nominated in the 96th Oscars, to be announced on Sunday, March 10. You can view the trailer here:

Set in an alternate WWI reality where a senseless war rages on, two soldiers on opposite sides of the conflict play a joyful game of chess. A heroic carrier pigeon delivers the soldiers’ chess moves over the battlefield as the fighting escalates. Neither soldier knows his opponent as the game and the war builds to its climatic final move. Whoever wins the game, one thing is for certain: there are no winners in war.

The eleven-minute short animated film is made by the animation company ElectroLeague. Its anti-war story is by Sean Ono Lennon and Dave Mullins, and it features original music composed by Thomas Newman plus the song ‘Happy Xmas (War Is Over)’. The film is directed by Dave Mullins and produced by Brad Booker. It is executive produced by Yoko Ono and Sean Ono Lennon, and is created as a production of Lenono Music, ElectroLeague, WetaFX and Epic Games.

Here’s a longer taste of what to expect:

And check out this filmmakers’ panel discussion about the Oscar-nominated War Is Over!

It features writer/director Dave Mullins, producer Brad Booker, executive producer Sean Ono Lennon, and composer Thomas Newman. They’re in conversation with executive producer Karen Dufilho:

‘Living The Beatles Legend’ – Out Now

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Very much looking forward to reading and reviewing Kenneth Womack’s latest – an authorised biography of the Beatles’ ever-present minder, Mal Evans.

If you live in the USA the book is published by Harper Collins and is called Living The Beatles Legend – The Untold Story of Mal Evans. It comes with this cover:

If you’re in the UK it is also published by Harper Collins, but has a slightly different title Living The Beatles Legend – On The Road With The Fab Four The Mal Evans Story, and comes in this cover variation:

In Australia it looks like we’ll be getting the UK edition.

The New York Times has a review headline which neatly sums up exactly what this book is about:

The publisher’s press release has a bit more:

The first full-length biography of Mal Evans, the Beatles’ beloved roadie, assistant, confidant and friend. A towering figure in horn-rimmed glasses, Malcolm ‘Mal’ Evans was an invaluable member of the Beatles’ inner circle. Serving as their long-time roadie, personal assistant and protector, he was a sometime lyricist, occasional performer and regular fixer at the height of the group’s fame and beyond.

But Mal’s dedication to his beloved ‘boys’ and his own desire for stardom took its toll, leading to the dissolution of his marriage and his untimely death in January, 1976.

Until now, Mal’s extraordinary life has remained shrouded in mystery. Drawing on hundreds of exclusive interviews and with full access to Mal’s unpublished archives – including his personal diaries, manuscripts and memorabilia – renowned Beatles scholar Kenneth Womack paints the first complete portrait of this complicated figure at the heart of the Beatles’ story.

Living the Beatles Legend is a fascinating but ultimately tragic tale about life at the edges of superstardom. 

The book is out now.

See also: A Beatle Book Bonanza; Womack’s impressive biography of George Martin Part One and Part Two; and The Beatles Encyclopaedia: Everything Fab Four.

Comparing John’s Demo to the Final Track

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This is a well put together analysis of how the original demo tape of ‘Now and Then’ compares to the finished Beatles ‘Now and Then’ just released:

Take It Away Podcast Moves Into New Phase

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One of the podcasts we’ve really enjoyed in the last few years has been Take It Away – The Complete Paul McCartney Archive Podcast.

Back in 2016 the knowledgeable hosts, Ryan Brady and Chris Mercer, set themselves the task of discussing, in detail, every single solo McCartney release. And they succeeded!

However, in November 2020 Ryan was tragically killed in a car accident. He was just 34 years old.

Understandably, the podcast went into a hiatus. How do you go on when one very talented half of the team has been taken away?

Well, the podcast is now re-emerging – as Take It Away: The Complete Solo Beatles Archive Podcast. Chris Mercer is joined by a new co-host and fellow Beatle nut, Paul Kaminski. Together they plan to expand the original brief to take in the solo careers of all four Beatles.

If you’re interested in The Beatles, Wings, or Paul McCartney the solo artist, then this could be the podcast for you.

The all-new Take It Away begins with a dive into the music of George Harrison. The first episode, ‘Beatle George’ (part one of two) is out now at your favourite podcast aggregator.

Chris and Paul write: “In this preamble to the next phase of the podcast, we’ll explore the origins of Harrison’s songwriting, musicianship and legacy, as the “quiet one” fights for his place amongst both his band mates and his musical contemporaries alike. We’ll chronicle every single (official) George Harrison Beatles songwriting contribution from the band’s beginnings up through 1967 in this first installment — an extensive deep dive you will not want to miss! Now, without further ado: take it away, George…”

Worth checking out.

Oh, and while we’re talking podcasts, just a reminder that the first two episodes in the brand new Paul McCartney and Paul Muldoon outing, A Life In Lyrics, will now be available for download from October 4. (Seems they missed the originally advertised September 20 release date for some unknown reason).

Search for Paul’s Missing Höfner Bass Steps Up a Notch

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Over the weekend a dedicated new project to once and for all try to locate one of the most sought-after musical instruments of all time was launched.

It’s called The Lost Bass Project and it has been set up to find Paul McCartney’s lost 1961 Höfner bass guitar.

This is the bass McCartney played at the Top Ten Club in Hamburg in 1961, at the Cavern in Liverpool, and on those first Abbey Road recordings. This is the bass you hear on ‘Love Me Do’, ‘She Loves You’, and ‘Twist and Shout’. The bass that powered Beatlemania – and shaped the sound of the modern world.

But in late January 1969, when The Beatles were in London recording the ‘Get Back/Let It Be’ sessions, the 1961 Höfner 500/1 Violin Bass disappeared. It has not been seen since.

The Lost Bass Project is a global search dedicated to tracing the bass – and solving the greatest mystery in the history of rock and roll.

This morning on the Australian Broadcasting Corporation’s national Breakfast Show Scott Jones, one of the team behind The Lost Bass Project, said that already – just two days in from the launch – they’re getting information that will help lead them to the famous missing instrument. He’s speaking here to host, Patricia Karvelas:

To find out more visit the project’s comprehensive website. There you’ll find all the information you need to learn the story of the ’61 Höfner, keep up with the latest developments in the search, but most importantly how you can make a contribution if you think you might have another piece in the jigsaw puzzle that might help solve the case. Also, check out the official Höfner site.

The idea here is not to find it to make money. The idea is to finally get it back to it’s rightful owner.

New Ringo Starr EP – “Rewind Forward”

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If you’ve been following any of the forums you’ll be aware that speculation has been rife over the last month or so about new Beatle or Beatle-related releases. Now Ringo Starr has emerged as the first to announce a new release for the Summer.

His record – another EP in what is quickly becoming a series – is called Rewind Forward. It contains four new songs – one of which is written, produced and played on by Paul McCartney.

Rewind Forward is available to pre-order on the official Ringo Starr Store website from today ahead of its release on October 13, 2023.

It is available on digital, cassette, CD, and on 10” black vinyl.

Also, the title track ‘Rewind Forward’ will be available to stream or purchase everywhere this Friday August 25, 2023.

The EP features four new songs:
1. Shadows On The Wall
2. Feeling The Sunlight
3. Rewind Forward
4. Miss Jean

Paul McCartney wrote ‘Feeling The Sunlight’. He also produced and, according to rumours, sings and plays four instruments on the track. So, it’ll be interesting to hear that one.

As to the ongoing speculation about a new Beatle release…..

In 2021 Ringo’s EP Change The World preceded the release of the super deluxe edition of Let It Be in 2021, and his last EP (simply called EP3) preceded Revolver last year. So, theoretically, are we all clear now for a big Beatles announcement?