Rare McCartney Acetate Fetches US$23,639

‘It’s For You’, the previously unknown acetate demo Paul McCartney gave to the late Cilla Black to help shape her recording of the Lennon/McCartney penned song back in 1964, has sold at auction in England for £18,000 (that’s about US$23,639 or AUS$31,229).

‘It’s For You’, which was never recorded by the Beatles, was given to Black who had a hit with it in Great Britain. It made the UK Official Charts’ Top 10 at No. 7 and was one of seven Top 10 hits she had in the UK between 1964 and 1966.

The disc was discovered last month by relatives who’d found it tucked away as part of Black’s personal effects while sorting through her estate. Wisely they took it to the The Beatles Shop in Liverpool for evaluation by owner Stephen Bailey, who immediately recognised it as a long-lost treasure. Bailey confirmed a report by the BBC that Paul McCartney had made a copy of the song for his archive before it was sold at the auction.

The auction was conducted in Liverpool last Saturday. Here’s the online catalogue.

 

Giles Martin on Live at the Hollywood Bowl

Bob Boilen at the NPR show All Songs Considered has interviewed producer Giles Martin about how he and the engineers at Abbey Road studios cleaned up the newly-found tapes of The Beatles at the Hollywood Bowl, due out on September 9.Beatles Hollywood

Martin clearly sent over some additional recordings for the program to use during the interview and these give us some more indications of what to expect. During the conversation there’s a comparison between the 1977 vinyl release of ‘She Loves You’ directly alongside the 2016 version, and then a lengthy extract of how ‘Ticket to Ride’ now sounds.

The new versions of ‘Twist and Shout’ and ‘A Hard Day’s Night’ are now available for purchase on iTunes. ‘A Hard Day’s Night’ is also up on Vevo in full as a stream on the All Songs Considered page.Beatles Hollywood 1Beatles Hollywood 2

And don’t forget, there’s another interview with producer Giles Martin (covering similar ground – and more) by the boys at the Fab 4 Free 4 All podcast.

Radha Krsna Temple – 1993 Vinyl Re-issue

Many people will know of the Fresh Form Apple box set of CD’s which includes most of the artists once signed to the Beatles’ Apple Records label. It came out in December, 2010 and gathered together sixteen original albums on CD, plus a “Best Of” CD collection of Apple singles, and a double CD of rarities from Badfinger, Mary Hopkin and Jackie Lomax.

But fewer will know that this wasn’t the first time that Apple attempted to do this.

Over a number of years (between 1991 and 1996) Apple slowly re-issued some twenty-two titles from its back-catalogue, not only on CD but also on vinyl, and included in many instances a wide range of bonus material.

These releases were done in a number of “phases”, and you can read all about this 1990s re-issue program here.

Over the years we’ve been steadily trying to add to our collection all the vinyl releases from that 1990s re-issue program – and just last week we acquired one more:

Radha1

This is the UK Apple Records with the original catalogue number SAPCOR 18, The Radha Krsna Temple by The Radha Krsna Temple London. It was re-issued in 1993. Here’s the rear cover:Radha2

That this is a re-issue is immediately identified by the barcode you can see in the upper right-hand corner – something that just didn’t exist when this LP first came out in 1971. The album was produced by George Harrison.

Another distinguishing feature is that this release has additional liner notes written by long-time Beatle friend, confidante and publicist Derek Taylor. These begin inside the gatefold cover (alongside descriptions of what each track is about, and information about Krsna consciousness from the original release) and they tell the story of how Apple Records and the Krsna movement got together:Radha5

Taylor’s liner notes conclude on the inner bag which holds the record:Radha4

Here’s the other side of that inner bag:Radha3

And the 1993 re-issue Apple labels:Radha6

Radha7

This particular release doesn’t have any bonus material and so is a single LP release that is true to the original.

The striking cover is designed by the English art director and album cover designer John Kosh. If his name looks familiar, that’s because you’ve probably seen it on a number of record covers from a wide variety of artists. Kosh was a bit of a favourite at Apple and was responsible for the design of Abbey Road and Let It Be LP covers along with numerous solo projects by John Lennon and Ringo Starr.

The Radha Krsna Temple was included in the 2010 box set Fresh From Apple.

For a couple more of the 1990’s vinyl reissues see John Taverner The Whale, Billy Preston That’s The Way God Planned It, and Badfinger Magic Christian Music.

Paul McCartney Back with Capitol Records Again

Paul McCartney has just announced that he’s signed a worldwide recording agreement with his old label, Capitol Records.

The deal encompasses McCartney’s entire body of post-Beatles work, from his 1970 McCartney album, through his decade with Wings, to the dozens of solo and collaborative works and is a welcome home to the label where he began his career.

“This is genuinely exciting for me,” McCartney said. “Not only was Capitol my first U.S. record label, but the first record I ever bought was Gene Vincent’s ‘Be-Bop-A-Lula’ on the Capitol label.”

McCartney is currently working on a new studio album, while a comprehensive plan for the artist’s catalogue is being conceived by Capitol and Universal Music Enterprises (UMe) – in conjunction with the artist and his management team – and will be implemented beginning July 2017**. The catalogue moves to Capitol/UMe from the Concord Music Group, Paul’s previous label partner.

Capitol Music Group (CMG) Chairman and CEO, Steve Barnett said “Paul McCartney’s association with Capitol has long defined so much of our historic legacy, and all of us here are extremely proud and honored that he has chosen to come back home. Paul’s indelible contributions to our culture are second to none, and his constant evolution as an artist and performer continues to inspire and enrich the lives of countless millions of people. We are overjoyed that Paul will be creating new music for years to come, and that Capitol will be helping to present it to the world.”

Paul McCartney High in the cloud recording session

** Just what this means will be interesting for collectors and fans. We’re in the middle of a huge McCartney Archive re-issue program in conjunction with Concord Records. So, what happens to that is one question that comes immediately to mind. Hopefully we’re not looking at starting over with an entirely new back-catalogue release program…..

Splinter – The Place I Love

One of our favourite places in Sydney to crate dig is Revolve Records and Relics, and it has come up with another Beatle-related treasure for the collection.

Splinter was one of the first bands signed to George Harrison’s Dark Horse record label in 1974, and The Place I Love was their debut album:Splinter coverSplinter rear coverThey were a two man band hailing from the town of South Shields in England. Bill Elliott and Bob Purvis wrote all their own material, were produced by George Harrison, and were joined on this album by Harrison (on guitar, mandolin, bass, harmonium and percussion and using the pseudonyms Hari Georgeson, P. Roducer and Jai Raj Harisein), as well as the likes of Klaus Voormann (bass), Billy Preston (organ), Jim Keltner (drums) and Gary Wright (piano).

The album was recorded at Harrison’s Friar Park home studio.

This is an Australian pressing. The cover is a gatefold, graced with a sepia-toned historic street scene of The London Hotel, taken in the late 1800’s in Splinter’s home town of South Shields.  Splinter gatefold

Here’s the LP’s ever-stylish Dark Horse label:Splinter label

There’s also a single sheet insert with the song lyrics printed on each side:

Splinter insert

And an inner bag made of heavy paper and stamped with the Dark Horse logo to hold the record:Splinter inner

Splinter’s Bill Elliot has another strong Beatle connection. John Lennon had earlier invited him to perform the song ‘God Save Us‘ with The Elastic Oz Band. Released as a 7″ single on Apple Records in the US in 1971. This was a protest song in support of the underground publication Oz magazine, then embroiled in the famous Oz obscenity court case.God Save Us