Just got a copy today of George Harrison – Behind The Locked Door by Graeme Thomson and am taking it away on holiday this week to read. Looking forward to it immensely: Here’s a review from the Chicago Tribune.
Since we published information on the Limited Edition version of Paul McCartney’s Wingspan – Hits and History CD collection last week, our friend Andrey in Russia has provided information about three more unusual and collectable versions.
(click on any of the images to see larger versions)
And both come with an additional booklet (written in Japanese and English). However, in one version this booklet is incorporated inside the slipcase (its white spine can be seen below), while the other version has the added booklet outside the slipcase (orange spine in the image below):
(click on any of the images to see larger versions)
The other main differences between these two releases are detailed further here (and in all pictures Version 1 is above, and Version 2 is below):
1) JAPANESE Version 1:
– the “hands” image on the front of the slipcase is printed (i.e. not holographic)
– slipcase in made in Japan
– additional booklet is inside the slip case
– The obi strip on the left hand side is a regular sized obi (i.e. small)
2) JAPANESE Version 2:
– the “hands” image on the front is the holographic image
– slipcase is made in the EU/UK – the additional Japanese/English booklet is outside the slip case
– the obi is large – it wraps right around and covers the entire rear of the outer slipcase
Another thing to note is that in Japan Wingspan – Hits and History contains an additional track to the rest of the world. It’s the song ‘Eat At Home’ and this can be found as track 19 on CD 1. (EU and US versions only have 18 songs on this disc).
When we were in the United States a while back we managed to pick up a nice copy of the standard edition of McCartney’s Wingspan – Hits and History two-CD retrospective compilation from 2001.
It was originally issued in a jewel case with an outer cardboard slipcase with a holographic front cover. Getting copies of this in good condition is difficult because the slipcase is often missing or damaged.
Then I learned that there was also a Limited Edition version of Wingspan – Hits and History released as well. It has the same two discs and running order of songs, but is packaged in a hard-back book that fits inside a similar but slightly larger outer slipcase, also with the hologram “hands” image on the front.
It’s the same 22-page booklet inside. However, it is produced specifically for this set as it’s in a larger format to the standard CD booklet:
The standard CD set in the UK has the barcode number 7243 5 32876 2 7, while this limited edition set was made in the USA and has the catalogue number 7243 5 32943 2 8. It caries the Capitol and MPL logos on the cover and on the CDs.
This set also had this sticker on the outside (which the previous owner very kindly kept and placed inside the book):
Well, we saw Eight Days A Week: The Touring Years at a screening in Sydney, Australia last night – and it truly does live up to expectations.
The tale of the Beatles touring years is well-told in a (mostly) chronological order with some strong thematic elements sprinkled throughout. Great existing concert footage (remastered and with the sound remixed) sits comfortably alongside newly uncovered footage from fans taken at the time. There are also new interviews with Paul and Ringo (interspersed with archival interviews with John and George), and many observers, key players and fans including Richard Lester, Neil Aspinall, Sigourney Weaver, Elvis Costello, Larry Kane, and Whoopi Goldberg to name just a few. The addition of 30 minutes of pure, infectious performance from the Shea Stadium concert (as an added cinema-only bonus experience) was simply cream on the top.
Enough from me though. Here are some immediate post-movie thoughts from a big Australian Beatle collector and fan, Bruce Hamlin. Bruce runs The Beatles Records Information Service:
In a word: Fab, FAB, fab, etc.
So lets get it straight – this is not a movie of their concerts. Ron Howard has broken the Beatles career into 2 parts that are often quoted in magazines. The Touring Years (that go up to Candlestick Park or just after) and the rest, which is obviously The Studio Years.The end result of the touring stopping was Sgt Pepper’s Lonely Hearts Club Band. So that’s actually where this movie finishes (basically).
And what do we get for our money? Some nice and recent interviews with Paul and Ringo. Some very nice sound bites from George and John. There are lots of clips of live songs. Most, unfortunately, have small voice-overs that do tend to detract from them but the audio for the live stuff is great so it tends to make you forget the voice-overs.
Lots of clips from concerts that I havn’t seen before. And believe me, I do have lots in my own collection. Lots of relevant American (especially) newsreel footage of fans, press conferences, interviews with the boys and fans and some other talking heads. Instead of the usual musicians talking about how seeing the boys on Ed Sullivan made them pick up guitars and form bands, this time we get more of a female perspective [especially] how the American girls were affected by The Beatles. So that was an interesting difference to the usual.
It does go back to Hamburg and Liverpool, so it does start at the beginning and yes, we do get “Some Other Guy” from the Cavern. For Australians there was a few seconds of Adelaide footage, and maybe a blink’s worth of a Melbourne street scene! Hong Kong, Canada, Sweden, Germany, France, Spain, Italy but no really good concert footage from any of them.
The story linked together pretty well. I did really enjoy the movie. And I will be going to it again, especially as it’s only running for one week here.
Shea Stadium was tacked on at the end as a separate entity. Great to see it on the big screen. Some tech wizardry on some of the close ups, being brought up REAL close to the point of the picture distorting a bit. While we didn’t get the voiceovers that were in the released version, we also didn’t get the support acts and as with the original, they have played pretty loosely with the audio. BUT it still sounds great in the theatre with the great sound system.
All in all, like I said FAB! I really enjoyed it as a Beatles fan. I tried not to dissect it too much, just sat back and really enjoyed the movie.
As it’s only around for a few more days – get off your bums and go and see it NOW.
It will probably be on DVD by Christmas, but the big screen experience is the best way to catch it. My only real complaint was that it didn’t run for 30 hours !!!! That way we would really have got ALL the concert footage from everywhere. Thank you to StudioCanal and Event Theatres.
Bruce was correct about the DVD and Blu-ray being out in time for Christmas.
StudioCanal has just announced a November 21 release date for the UK, and November 18 in the USA. There will be 2-disc special edition, and single-disc standard editions in both DVD and Blu-ray formats:
Special Edition Content and Features:
* Blu-ray/DVD 1 – Feature presentation
* Blu-ray/DVD 2 – Bonus Material (approx. 100 minutes of extras, highlighted below)
* 64 page booklet with an introduction from director Ron Howard, essay by music journalist and author Jon Savage and rare photos from The Beatles’ private archive
* Words & Music (24 mins) – John, Paul, George & Ringo reflect on songwriting and the influence of music from their parents’ generation, Lennon/McCartney writing for other artists, The Beatles as individual musicians, and the band as innovators. Also featuring Howard Goodall, Peter Asher, Simon Schama and Elvis Costello. The interviews with Paul and Ringo are previously unseen.
* Early Clues To A New Direction (18 mins) – A special feature touching on The Beatles as a collective, the importance of humour, the impact of women on their early lives and songwriting, and the band as a musical movement. Featuring John, Paul, George & Ringo, along with Paul Greengrass, Stephen Stark, Peter Asher, Malcolm Gladwell, Sigourney Weaver, Whoopi Goldberg, Richard Curtis, Elvis Costello and Simon Schama. Again the interviews with Paul and Ringo are unseen.
* Liverpool (11 mins) – The early days in Liverpool of the late 1950’s and early 1960’s are brought vividly to life by those who worked closely with them at that time including fan club secretary Freda Kelly, Allan Williams an early manager, and Leslie Woodhead multi-award winning documentary film director.
* The Beatles in Concert (12 mins) – Five great but rarely seen full length performances of The Beatles live in concert – Twist and Shout, She Loves You, Can’t Buy Me Love, You Can’t Do That and Help!
Additional Standard Bonus Features (on both Special and Standard editions):
* Three Beatles’ Fans
* Ronnie Spector and The Beatles
* Shooting A Hard Day’s Night
* The Beatles in Australia
* Recollections of Shea Stadium
* The Beatles in Japan
* An alternative opening for the film
Sadly, there’s no Shea Stadium concert included. That would have been a nice bonus, but it looks like to could have possibly become part of a rights battle. That concert film footage is owned by a different company. Perhaps Shea will be released separately at some stage down the track. We can only hope.
On the day of the official launch of the new Beatle documentary film Eight Days A Week: The Touring Years, excitement is building.
This is the front page of the regular weekend lift-out in my local paper, The Sydney Morning Herald, today:
Even The Big Issue, a great magazine that’s sold on the street in Australia to assist homeless, marginalised and disadvantaged people, has been getting Beatle-happy:
We’re off to the Sydney premiere this evening and really looking forward to seeing what director Ron Howard has done. Reports so far suggest his film hits just the right note as far as satisfying die-hard Beatle fans as well as those new to the band.
Here’s a replay of Paul McCartney, Ringo Starr and film director, Ron Howard, at Abbey Road studios answering fan questions on yesterday’s Facebook Live session.
The big surprise is that two days out from its premiere, neither Paul nor Ringo have seen the film yet!
A fairly unique and unusual box set came into the collection this week.
We’ve written before about a UK singles box set we have called The Beatles Collection. It was released by EMI back in 1978 and contains twenty-five Beatle singles. These were housed in a textured black flip-top box that looks like this:
However, the copy of The Beatles Collection you can see below was officially released by EMI only in New Zealand:
This set, which dates from 1979, includes the same twenty-five top-selling Beatle singles as the UK version. They are also housed in a black and gold-embossed box. It’s not a flip-top box like in the UK, but a heavier, lidded one made of much thicker cardboard:
All the green, white and black paper sleeves inside (including the “Sgt Pepper’s Lonely Hearts Club Band” picture sleeve), weren’t printed locally. They’ve been imported by EMI from the UK and so are identical to the earlier UK release, with “Made in Great Britain” stamped on the front:
As you can see from the label for “Love Me Do” above, some of the singles have the original UK catalogue numbers, but some (like “Hey Jude” below) have unique New Zealand numbers – with an “NZP” prefix:All except “Hey Jude” and “Sgt Pepper” are exclusive New Zealand pressings, made only for this box set. They weren’t sold separately. The “Hey Jude” and “Sgt Pepper” singles were apparently sold separately, but not in the picture sleeves you see here. All the labels are black and yellow Parlophone labels.
For a full set of scans and some more information about this New Zealand pressing go to the great 45cat site. It’s got more information and images.
The New Zealand Beatles Collection (1979) is a Parlophone box set with 25 x 45rpm records comprising all the Beatles’ singles 1962-1978:
1. Love Me Do / P.S. I Love You
2. Please Please Me / Ask Me Why
3. From Me To You / Thank You Girl
4. She Loves You / I’ll Get You
5. I Want To Hold Your Hand / This Boy
6. Can’t Buy Me Love / You Can’t Do That
7. A Hard Day’s Night / Things We Said Today
8. I Feel Fine / She’s A Woman
9. Ticket To Ride / Yes It Is
10. Help / I’m Down
11. We Can Work It Out / Day Tripper
12. Paperback Writer / Rain
13. Yellow Submarine / Eleanor Rigby
14. Strawberry Fields Forever / Penny Lane
15. All You Need Is Love / Baby You’re A Rich Man
16. Hello Goodbye / I Am The Walrus
17. Lady Madonna / The Inner Light
18. Hey Jude /Revolution
19. Get Back / Don’t Let Me Down
20. The Ballad Of John And Yoko / Old Brown Shoe
21. Something / Come Together
22. Let It Be / You Know My Name (Look Up The Number)
23. Yesterday / I Should Have Known Better
24. Back In The USSR / Twist And Shout
25. Sgt. Pepper’s Lonely Hearts Club Band / With a Little Help From My Friends / A Day In The Life
From “Love Me Do” to “A Hard Day’s Night” the UK picture sleeves used in this set have this image on the rear:
And from “Hey Jude” to “Back in the USSR” this image is used: