New Book: The Beatles Recording Reference Manual – Volume 2

As author, recording engineer and musician Jerry Hammack says in the introduction to his book: “If you have read Volume 1 of The Beatles Recording Reference Manual, you will understand that the goal of these books is a straightforward one; to document the creation of The Beatles’ catalogue of recorded work – from first take to final remix. Nothing more, nothing less.”

Now comes the next installment in his impressive series, The Beatles Recording Reference Manual – Volume 2: ‘Help!’ through ‘Revolver’ (1965-1966).

Hammack’s intention here is to fill in the gaps between Mark Lewisohn’s The Complete Beatles Recording Sessions, Andy Babuik’s Beatles Gear, and Recording The Beatles by Kevin Ryan and Brian Kehew. It’s also about how the band’s recording processes evolved as they became more experienced recording artists, as recording technology developed, and as the resources available to them expanded.

Jerry has spent nearly ten years now carefully de-constructing each Beatle recording. He does this by listening to out-takes, bootlegs, and original stems containing isolated solos and vocals (which can be unlocked in the video game RockBand). He pores over studio logs to see exactly where the recording took place, who the engineer was, even what tape machines were being used. Then there’s studio film footage and still photography that can also yield up valuable evidence. These things can all give hints as to how each song must have been created. The information can then be logically worked through to make a near-as-can-be definitive picture of what we now hear on the final mixes. Bear in mind that in arriving at his conclusions Hammack cross referenced some 5,500 tracks!

These reference manuals serve as a terrific listening companion to use as you sit in front of your speakers, or have your headphones on. With them at hand you can clearly identify what is going on with any given track. There are both text explanations and simple diagrams detailing what occurred in the studio as each track became the final mixes we have today, and sometimes these contain fascinating new information. I mean, who knew John Lennon played drums on the George Harrison composition ‘I Need You’ from Help!?

As in Volume 1 there are numerous appendices at the back of the book covering release versions, gear and instruments used, and more.

Gotta say too, just in passing, that the cover image for Volume 2 is super cool!

Jerry Hammack has created a website to support the book series, and you can purchase his book through Amazon.

Additionally, the fab Something About the Beatles podcast, hosted by Robert Rodriguez (with Ben Rowling), recently interviewed author Jerry Hammack. It comes in two parts. Have a listen to both Part One and Part Two. Well worth it.

Looking ahead, Volume 3 will cover off Sgt. Pepper’s Lonely Hearts Club Band and Magical Mystery Tour, and then the final book in the series, Volume 4, will take in the LPs The Beatles (aka The White Album, through to Abbey Road (1968-1970). The plan is to release each at  about 6-monthly intervals.

If you are a “gear nerd” or you just want to get the absolute detail, song-by-song, on how each Beatle track was recorded, the instruments and technology used, and who played what, these books are a must.

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Strange/Unusual Find of the Month

It’s not every day that you walk into your local second-hand record store and find an almost mint copy of The Beatles’ 1967 EP Magical Mystery Tour, but that’s what happened last week.

Dropped into Audiomania in the Sydney suburb of Manly Vale and as we were quietly browsing the LP section we looked up to a shelf just near the “New Arrivals” bin, and this is what we spied:

This is a UK pressing, and we’re pretty sure it is an original from 1967, making it just over 50 years old. For it’s age this example is in exceptionally good condition, both the laminated gatefold sleeve, and the two EP records it contains.

This is the mono UK pressing. You can tell that from the catalogue number MMT-1 which is printed on the upper right of rear cover (and of course the word MONO is also there!). Stereo pressings have an SMMT catalogue number:

The labels also carry the MMT catalogue number. As you can see below this pressing came with a solid centre. There are also examples with a push-out centre. The labels have the “Sold in the U.K. subject to resale price conditions…” text:

Don’t know if you can see it, but the Side 1 label (on either side of the spindle hole) has two raised letters, a K and a T. Not sure if this is significant, or helps identify the pressing date. We think it has something to do with a tax code for the record.

The inner 24-page booklet is also in excellent condition:

It also comes with the 4-page blue lyric sheet pages still intact in the centre. This also helps identify it as being an original pressing. The paper sleeves holding the records are white though, and have a wave-cut top. I think originally the discs may have come in black paper sleeves? If anyone knows please contact us, or leave a comment.

(As usual, click on the images to see larger versions)

So, this was too good an item to pass over. We have Australian mono and stereo pressings of the Magical Mystery Tour double EP, plus a nice French pressing (with a story attached), but a UK pressing in almost pristine condition was our find of the month.

The really sad news is that the Audiomania store will soon be no more. The owner let us know that they will be closing their doors because the site in which they operate has been purchased and its buildings demolished. All the tenants have to get out. They hope to continue online, but it’s just not the same as being there to flip through record bins of used LPs and singles in person…..

The Beatles in India

Something of a Beatles and India theme has emerged in 2018, with this year marking the 50th anniversary of the time the band spent six weeks in an ashram in Rishikesh learning about Transcendental Meditation (TM), and along the way writing a prolific amount of fabulous songs.

Last week the George Harrison estate announced the creation of a new record label to mine the rich Harrison archives and re-issue many of George’s musical projects with Indian artists. His visits to that country changed his life and his art forever.

Prior to that announcement there was the release in February of a beautiful book (in three different editions) called The Beatles in India

These books are to be followed up with a documentary film bearing the same name later this year.

There’s also another book called Across the Universe: The Beatles in India by Ajoy Bose:

And a further book, Maharishi and Me – Seeking Enlightenment with The Beatles’ Guru, by Susan Shumsky:Let’s look at each of these releases in some more detail.

The Beatles in India. The books. These are a photographic record of the time a 23 year-old Canadian, Paul Saltzman, traveled to India in search of himself. To his great surprise he discovered that The Beatles were also in India, studying at the same ashram in Rishikesh. Saltzman spent a magical week with them, learning meditation and hanging out with John, Paul, George and Ringo. Fifty years later, the photos he took at the time are being published once again* in a book called The Beatles in India. It is available in three versions: as a standard hardback (see cover image above); as a special limited edition (signed and numbered and only 1968 copies produced): 

And in a larger format super deluxe edition (signed and numbered and only 350 copies produced):

* It should be noted that is is not the first time that Saltzman has published these photographs. He first released them along with his memories in a book called The Beatles in Rishikesh, published by Viking Studio in 2000. So, what you get here isn’t totally new information.

The Beatles in India. The film. This is a documentary also being made by Paul Saltzman, who is now an Emmy Award-winning Toronto-based director-producer of over 300 film and television productions. As we already know from his books, in 1968 he learned meditation at the Maharishi’s ashram in India, an experience that changed his life. There, he photographed The Beatles, Jane Asher, Cynthia Lennon, Pattie Boyd Harrison, Maureen Starkey, Mia Farrow, Donovan, Mal Evans and Mike Love. The film will detail “….Saltzman’s return journey to India, The Beatles stay and the songs they composed at the ashram, as well as meditation as it applies to creativity, the divine inner journey and the healing power of love and music.” No release date has yet been announced. You can read the press release for this one here.

Across the Universe: The Beatles in India. “What we do know is that their stay in Rishikesh resulted in an astonishing creative burst of song-writing – the most prolific in their entire career.”

Ajoy Bose was a teenage fan when The Beatles visited India. His book is an in-depth celebration of what it meant, especially the creative impact their stay had on the band: “I believe that the real reason why they managed to write so many songs in India was because it was the first time since they became the Beatles they were allowed to be individuals and not just a band that needed to perform or record in the studios.”

“So a sabbatical did change the Beatles, at least temporarily, and particularly the songs they wrote in the ashram, because these were all individual pieces and were not created with an album in mind. That is why the ‘White Album’, which contains most of these songs, is considered so unique in the Beatles discography,” says Bose.

Amazon has a ‘Look Inside‘ link for more, and you can read a lovely review of the book here.

Maharishi and Me – Seeking Enlightenment with The Beatles’ Guru. Author Susan Shumsky lived and studied in the Maharishi’s ashrams for 22 years, and she served on his personal staff for seven of those years. Many books have been written about the guru, and (as we’ve seen above) about the time The Beatles travelled to India, but this is the only one to offer an insider’s view of what it was really like to live in Rishikesh. Yes, it includes chapters about the time that John, Paul, George and Ringo came to learn at the feet of the Maharishi Mahesh Yogi. But this book is about much more than that.

Shumsky says that it’s “….a way of sharing a few glimpses into my spiritual journey, and hopefully will help you make your own spiritual connection.” There’s a lot more information here about TM, what it actually is, and it’s impact not only on The Beatles but on people seeking spiritual enlightenment across the west.

Shumsky has some very good detail about how The Beatles found out about the Maharishi, how they first got into TM in London and Wales, and how as a result of a Beatle connection the rest of the world found out about TM too. She also writes in detail, across a number of chapters, about the India visit in early 1968. Here we discover what the day-to-day life and activities for the band would have been like.

On the way to the ashram, George Harrison told a reporter, “A lot of people think we’ve gone of our heads. Well, they can think that—or anything they like. We’ve discovered a new way of living.” But, as we know, it all ended badly, with The Beatles leaving the ashram disillusioned – especially with the Maharishi. Shumsky has a theory as to why this occurred, and devotes a chapter to the falling out. It makes for interesting reading.

If you’d like to get a taste of Susan’s story there’s also a ‘Look Inside‘ link on the Amazon site. Marharishi and Me is published by Skyhorse Publishing.

An Interesting and Informative McCartney Podcast

Just in the past week we’ve come across another Beatle-related podcast that we’d have no hesitation in recommending.

Take It Away – The Complete Paul McCartney Archive Podcast is produced by Ryan Brady and Chris Mercer, two fans (from Los Angeles and Chicago) who really know their stuff.

The aim is to examine in detail every single Paul McCartney release, from 1970 to the present day. Episode 0 is a brief introduction to what it is they want to achieve and what the show is all about. You can hear it on their website, or just have a listen here:

This podcast series not only contains a wealth of information, it has really high production values as well as the guys deftly mix in short extracts of the songs they’re knowledgeably deconstructing. These illustrative flourishes really bring alive the discussion and help you to hear exactly what it is they are talking about. They’ll often contrast and compare demo versions with the finished product and, where it will help, they’ll include short interview extracts with McCartney and other spoken word content.

Mercer and Brady are working their way through McCartney’s recorded output chronologically. They’re currently into Season 3, and up to 1993’s Off The Ground. Occasionally they’ll also feature an interview with key players in the McCartney solo story – like Laurence Juber and Denny Laine.

The Take It Away podcast. Very much worth checking out.

George Harrison Estate Launches New Record Label

The estate of George Harrison has just announced a new record label which will be dedicated to re-issuing some of the Indian classical and World music that George so dearly loved.

The label, called HariSongs, is kicking off by making two titles available to stream or download: In Concert 1972, featuring virtuoso’s Ravi Shankar and Ali Akbar Khan recorded live at New York’s Philharmonic Hall; and Chants of India, another Ravi Shankar project dating back to 1997. So far there is no talk of any physical product being made available, but there is a brand-spanking and comprehensive new website to go along with the new label.

In Concert 1972 was originally released on the Beatles’ Apple Records label in 1973, and was mixed and edited by George Harrison (with Zakir Hussain and Phil McDonald).

Chants of India, produced by George Harrison, was originally released in 1997 on the Angel Records label (formerly a classical music division of EMI). It was recorded in Madras, India, and at Harrison’s Friar Park home at Henley-on-Thames in the UK.

Both titles are recently out-of-print, and have never before been available via streaming platforms. In Concert 1972 is also available in Hi-Res 96/24 and 192/24 formats.

You can read the full details of George’s dedication to and delight in Indian classical music, plus the new record label and releases in the press release issued by the George Harrison Estate here.

Brilliant New Beatle Book – Visualizing The Beatles

They say there are four basic types of learners: those who like to listen (auditory); those who like to take notes and read (reading/writing); those who like to be hands-on (kinaesthetic); and those who prefer to see the information in order to visualise the relationships between ideas (visual).

Well, if you fall into the visual camp, then you’re going to love this new Beatle book because on each of its 276 pages it packs a huge amount of data told in a truly unique way: using fantastic infographics.

Even if you’re not a “visual” person you’ll love this book for the breadth of the information it contains, and the fun, innovative way it tells the Beatle story anew. There’s really nothing else like it on the market:

The book is called Visualizing The Beatles – A Complete Graphic History of the World’s Favorite Band. Not only does it mange to squeeze three US spellings into it’s title, it crams a truly amazing amount of facts, figures, maps, history, stories and information between it’s covers – all told using infographics. Because of this the book forces you to think about the band we all know so well in very different ways, often bringing new understanding to how four young musicians from Liverpool had such an impact on the world.

Authors John Pring and Rob Thomas organise their information in a fairly standard fashion – each album in the order it was released, starting with Please Please Me and ending with Let It Be – but the way they go about deconstructing each has a unique telling. As they say in their introductory note: “It is by no means a definitive history of The Beatles. Instead, it is an attempt to create something beautiful, vibrant, and original from the data their music left behind. It is an attempt to present the facts in a way you haven’t seen them before, so you can spot, in an instant, the patterns, anomalies and changes.”

There are infographic pages for each LP detailing (amongst many other things):

  • An album overview
  • A song lyrics “word map”
  • Composer
  • What keys the songs were in
  • Instruments used
  • Album design details
  • Track lengths + original work v. covers
  • Who took lead vocals?
  • Success of the album – and any singles released

By way of example, here are a couple of pages. The first visually represents the many instruments used – and who played what – on Abbey Road, released in September, 1969:

As usual, click on these images to see larger versions. This next page covers off songwriting duties for the 1967 album Magical Mystery Tour

And this page shows the song titles – and the musical keys for each – on Rubber Soul from 1965:

Slowly, as you flip through the book, these images build to reveal a unique way of looking at the band’s output. Additionally, there are pages graphically representing things like all their US releases and the chart positions each achieved; a Beatle filmography; there are timelines detailing what else was happening in the world at the time of each album release; what the Beatles were wearing and their hairstyles through each phase of their career; where each album was recorded; tour maps; and key places of interest in the cities they lived in and visited, and much, much more.

One particularly interesting map page shows the city of Liverpool with flags dotted across it marking where the band lived in relation to each other; the locations of places like Strawberry Field and Penny Lane; schools and key performance venues from the early days. It is simple, but instantly gives a whole new context by visually representing basic facts from the Beatle story in a brand new way.

Visualizing The Beatles by John Pring and Rob Thomas is published by Dey Street Books. It goes on sale in the USA on May 1st. [FYI the book was originally published as Visualising the Beatles in the UK in 2016].

You will definitely learn things you didn’t know about the Beatles. Highly recommended.

Vale Bruce Hamlin – Australian Beatle Collector

Some very sad news has come through that the well-known and respected Australian Beatle expert Bruce Hamlin has passed away.

Bruce ran the The Beatles Records Information Service, and he issued regular and comprehensive updates to his many email newsletter subscribers – right up until the last.

In 1981 Bruce wrote a compendium, the first of its kind for this country. It details the Beatles’ released catalogue in Australia. Called simply The Beatles Records in Australia, his book pulled together their complete discography to that date. It was self-published and limited to just 450 copies, but it stands as a unique record for collectors.

Bruce was also a supporter and regular at the many record fairs in the greater Sydney area, always there with a Beatle-themed stall and always willing to chat and share his considerable knowledge of the Beatles and their solo releases. 

Like me Bruce lived on the north side of the city and I would regularly bump into him at local garage or yard sales. Like me too he was always on the lookout for second-hand treasures, and to be honest my heart would sink if I saw that Bruce had arrived before me at a sale as I knew it would have been well picked over and that he would have found anything worth finding there! We’d still stop and have a chat and pass the time of day though. We’d talk about the latest Beatle news, and then be on our way.

The local representatives at EMI would often utilise Bruce’s expert knowledge and his extensive record collection, not only for sound but also vision. They’d come to him for advice and in 1983 he helped compile a unique Australian LP release called The Number Ones. It contained 23 Beatle songs (including three songs on a special bonus EP) that made it to the number one position on the Australian charts.

EMI Australia would also sometimes ask Bruce to appear in local promotional videos – like this one from May last year for the 50th Anniversary Edition release of Sgt. Pepper’s Lonely Hearts Club Band. Looking back at the video again it’s clear that Bruce had not been well. However, in his regular newsletters he never overtly came out and said that he was in a life and death battle. On the contrary, he always appeared eternally optimistic. Take this email from as recently as January 15 this year where he lists all the significant Australian Beatle release anniversary dates for 2018, and is looking forward with enthusiasm to likely new releases and reissues:

Well here we are at the beginning of another Beatles year..

First up, our Australian 50th anniversary of releases in 1968:

8 Feb – GEPO 70044 Norwegian Wood (EP)

22 Feb  – PCSO 7533 The Beatles Greatest Hits Vol 1 – after 20 months, finally in stereo!!

14 Mar – MMT 1 Magical Mystery Tour (EP)

14 Mar – SMMT 1 Magical Mystery Tour (EP in stereo)

29 Mar – A 8293 Lady Madonna/The Inner Light

16 May – PMCO 7016 A Collection Of Beatles Oldies – held over for a year

16 May – PCSO 7016 A Collection Of Beatles Oldies – and in stereo

4 July – GEPO 80045 Penny Lane (EP)  (the last of the original ep’s)

20 Sept – A 8493 Hey Jude/Revolution

26 Sept – APPLE 8526 Those Were The Days/Turn Turn Turn – Mary Hopkin

10 Oct – APPLE 8537 Sour Milk Sea/The Eagle Laughs At You – Jackie Lomax

4 Dec – PMCO 7067-8 The Beatles (the double white album)

4 Dec – PCSO 7067-8 The Beatles (double White in stereo)

So that’s 13 reasons to party down in 2018. Especially for those of us who were around then.

For those not around here are some 40th Anniversaries to celebrate – 1978:

9 Jan – 2001 751 Sneaking Sally Through The Ally/Tango All Night – Ringo

23 Mar – A 11687 With A Little Luck/Backwards Traveller-Cuff Link – Wings

3 Apr – PAS 10012 London Town – Wings

29 May – 2310 599 Bad Boy – Ringo

19 Jun – A 11746 I’ve Had Enough/Deliver Your Children – Wings

21 Aug – A 11787 London Town/I’m Carrying – Wings

28 Aug A 12000 Sgt. Pepper’s Lonely Hearts Club Band/With A Little Help From My Friends/Within You, Without You

9 Oct – 2001 787 Lipstick Traces/Bad Boy – Ringo

29 Nov – BC 13 The Beatles Collection (13 lps in imported box)

29 Nov – PSLP 261 Rarities – included in the above box set.

4 Dec – P 256 Wings Greatest – Wings

Another 11 parties to be had.

So what can we expect in 2018 ?? I very much doubt we will get another Beatle to tour our country.

Ringo’s 2 most popular albums are due for the 180g treatment on 26 January, Ringo and Goodnight Vienna. So that will really kick the year off.

There should be another new album from Paul probably mid year. Supposedly with a TRUMP comment included on it.

Another Archive Series box set – maybe Red Rose Speedway – it’s overdue.

After the Christmas singles box set just released, expect the album for next Christmas, the American version for America and the UK version for the rest of the world, so you have to buy it twice. If we are lucky the CD release will wait until 2019 and again with the 2 different covers. Double dipping into our pockets yet again.

3 more of Yoko’s early albums, on white vinyl, black vinyl and CD, all nicely remastered by Sean.

John’s Imagine album is due for the ‘Archive’ style treatment, I wonder if they will do a good a job as Vigotone did with 5 CD’s worth of unreleased material!!

Expect Sean to have several more side projects popping up and Dhani probably will have at least one new release in 2018.

Now that Paul’s current world tour is almost over, perhaps a live album and DVD!

And it’s still only mid January.

Hurstville Record Fair on 14 February.

Cheers till next time,

Bruce

I think you can detect above an essence of optimism in that newsletter, a continuing energy and love of the band that he’d followed so closely since his early teens and for all his adult life.

I was very saddened to hear the news of Bruce’s passing and my condolences go out to his family for their loss. Bruce will be missed. His energy, enthusiasm and knowledge about the band he loved so dearly was extraordinary.