Well, we saw Eight Days A Week: The Touring Years at a screening in Sydney, Australia last night – and it truly does live up to expectations.
The tale of the Beatles touring years is well-told in a (mostly) chronological order with some strong thematic elements sprinkled throughout. Great existing concert footage (remastered and with the sound remixed) sits comfortably alongside newly uncovered footage from fans taken at the time. There are also new interviews with Paul and Ringo (interspersed with archival interviews with John and George), and many observers, key players and fans including Richard Lester, Neil Aspinall, Sigourney Weaver, Elvis Costello, Larry Kane, and Whoopi Goldberg to name just a few. The addition of 30 minutes of pure, infectious performance from the Shea Stadium concert (as an added cinema-only bonus experience) was simply cream on the top.
Enough from me though. Here are some immediate post-movie thoughts from a big Australian Beatle collector and fan, Bruce Hamlin. Bruce runs The Beatles Records Information Service:
In a word: Fab, FAB, fab, etc.
So lets get it straight – this is not a movie of their concerts. Ron Howard has broken the Beatles career into 2 parts that are often quoted in magazines. The Touring Years (that go up to Candlestick Park or just after) and the rest, which is obviously The Studio Years.The end result of the touring stopping was Sgt Pepper’s Lonely Hearts Club Band. So that’s actually where this movie finishes (basically).
And what do we get for our money? Some nice and recent interviews with Paul and Ringo. Some very nice sound bites from George and John. There are lots of clips of live songs. Most, unfortunately, have small voice-overs that do tend to detract from them but the audio for the live stuff is great so it tends to make you forget the voice-overs.
Lots of clips from concerts that I havn’t seen before. And believe me, I do have lots in my own collection. Lots of relevant American (especially) newsreel footage of fans, press conferences, interviews with the boys and fans and some other talking heads. Instead of the usual musicians talking about how seeing the boys on Ed Sullivan made them pick up guitars and form bands, this time we get more of a female perspective [especially] how the American girls were affected by The Beatles. So that was an interesting difference to the usual.
It does go back to Hamburg and Liverpool, so it does start at the beginning and yes, we do get “Some Other Guy” from the Cavern. For Australians there was a few seconds of Adelaide footage, and maybe a blink’s worth of a Melbourne street scene! Hong Kong, Canada, Sweden, Germany, France, Spain, Italy but no really good concert footage from any of them.
The story linked together pretty well. I did really enjoy the movie. And I will be going to it again, especially as it’s only running for one week here.
Shea Stadium was tacked on at the end as a separate entity. Great to see it on the big screen. Some tech wizardry on some of the close ups, being brought up REAL close to the point of the picture distorting a bit. While we didn’t get the voiceovers that were in the released version, we also didn’t get the support acts and as with the original, they have played pretty loosely with the audio. BUT it still sounds great in the theatre with the great sound system.
All in all, like I said FAB! I really enjoyed it as a Beatles fan. I tried not to dissect it too much, just sat back and really enjoyed the movie.
As it’s only around for a few more days – get off your bums and go and see it NOW.
It will probably be on DVD by Christmas, but the big screen experience is the best way to catch it. My only real complaint was that it didn’t run for 30 hours !!!! That way we would really have got ALL the concert footage from everywhere. Thank you to StudioCanal and Event Theatres.
Bruce was correct about the DVD and Blu-ray being out in time for Christmas.
StudioCanal has just announced a November 21 release date for the UK, and November 18 in the USA. There will be 2-disc special edition, and single-disc standard editions in both DVD and Blu-ray formats:
Special Edition Content and Features:
* Blu-ray/DVD 1 – Feature presentation
* Blu-ray/DVD 2 – Bonus Material (approx. 100 minutes of extras, highlighted below)
* 64 page booklet with an introduction from director Ron Howard, essay by music journalist and author Jon Savage and rare photos from The Beatles’ private archive
* Words & Music (24 mins) – John, Paul, George & Ringo reflect on songwriting and the influence of music from their parents’ generation, Lennon/McCartney writing for other artists, The Beatles as individual musicians, and the band as innovators. Also featuring Howard Goodall, Peter Asher, Simon Schama and Elvis Costello. The interviews with Paul and Ringo are previously unseen.
* Early Clues To A New Direction (18 mins) – A special feature touching on The Beatles as a collective, the importance of humour, the impact of women on their early lives and songwriting, and the band as a musical movement. Featuring John, Paul, George & Ringo, along with Paul Greengrass, Stephen Stark, Peter Asher, Malcolm Gladwell, Sigourney Weaver, Whoopi Goldberg, Richard Curtis, Elvis Costello and Simon Schama. Again the interviews with Paul and Ringo are unseen.
* Liverpool (11 mins) – The early days in Liverpool of the late 1950’s and early 1960’s are brought vividly to life by those who worked closely with them at that time including fan club secretary Freda Kelly, Allan Williams an early manager, and Leslie Woodhead multi-award winning documentary film director.
* The Beatles in Concert (12 mins) – Five great but rarely seen full length performances of The Beatles live in concert – Twist and Shout, She Loves You, Can’t Buy Me Love, You Can’t Do That and Help!
Additional Standard Bonus Features (on both Special and Standard editions):
* Three Beatles’ Fans
* Ronnie Spector and The Beatles
* Shooting A Hard Day’s Night
* The Beatles in Australia
* Recollections of Shea Stadium
* The Beatles in Japan
* An alternative opening for the film
Sadly, there’s no Shea Stadium concert included. That would have been a nice bonus, but it looks like to could have possibly become part of a rights battle. That concert film footage is owned by a different company. Perhaps Shea will be released separately at some stage down the track. We can only hope.