Official details are slowly emerging about the new album from Ringo Starr.
What’s My Name is due to hit record stores on October 25th.
Official details are slowly emerging about the new album from Ringo Starr.
What’s My Name is due to hit record stores on October 25th.
A recent post featured some Apple and Beatle-related 45 singles found on a recent crate digging trip to Melbourne. Here are the LPs found during that same trip.
In the early 1980s in Australia and New Zealand the Polydor label issued a series called Rock Legends. Included were a range of artists as diverse as Jimi Hendrix, The Easybeats, The Velvet Underground, Maggie Bell, The Allman Brothers, Thunderclap Newman and Roger Daltry – to name a few.
Polydor Records has long held the rights to the earliest of all Beatle studio recordings. Made while they were as yet unknowns in Germany in 1961, the band was enlisted to back Tony Sheridan, a singer they’d fallen in with while playing the clubs in Hamburg. At the Sheridan sessions they got to record a couple of cover songs themselves, and those tapes have been a goldmine for Polydor ever since. The label could therefore include in its Rock Legends series many years later a coveted Beatle title. It is of course a record that has seen many an iteration around the world, but this version of it is unique to the Australia/New Zealand market.
What we have here though is a little bit different again – it is a re-issue of a re-issue. Once the Polydor Rock Legends albums had run their course the budget Australian music publishers, the Rainbow Music Group, somehow acquired the rights and put out the Beatle recordings one more time on their own Rainbow label. It has the very same cover art (front and rear) as the Polydor release, just the labels are different:
Rainbow seems to have picked up a few other Polydor artists over the years because in 1976 they released Ringo Starr’s Rotogravure album too.
Quite coincidentally we also stumbled across a nice Japanese pressing of the very same material – but this time on Polydor. It has the exact same track listing and running order as the Rainbow release above, but on the original Polydor label and in a thick cardboard gatefold cover, with an insert:Here’s the gatefold:And the insert, front and back:
Sadly the OBI is missing, but otherwise this record is in great shape.
For some time now we’ve been on the lookout for a couple of early Beatle albums on the Capitol label with cover artwork unique to the Canadian market. There are three main titles that qualify: Twist and Shout, Long Tall Sally, and this one – Beatlemania!
Of course this one isn’t a first pressing (it originally came out in 1963 on the Capitol ‘Rainbow’ label). The purple Capitol label dates this example to around 1978. It was pretty hard to resist though as it is in near mint condition. If you’re interested in Canadian pressings have a look at The Capitol 6000 website which is terrific.
Finally, a record that we’ve wanted to have in the collection for some time – and quite surprisingly discovered what is probably a more rare Australian pressing:
This is the film soundtrack to The Magic Christian, starring Peter Sellers and Ringo Starr. The movie was released in 1969 and featured songs by Apple recording artists Badfinger, one of which (‘Come and Get It’) was written and produced by one Paul McCartney.
(As usual click on the images to see larger versions)
For some reason or other our Ringo Starr collection has grown exponentially over the last couple of weeks….
For a long time we’ve had an Australian pressing of his 1976 outing, Ringo’s Rotogravure:
Below is the rear cover of the Australian pressing. US readers will note that the track listing for Side Two is five tracks instead of six. That’s because it is missing the short song, ‘Spooky Weirdness’: ‘Spooky Weirdness’ is however listed on the inner bag liner notes:
So anyway, we were picking around the bins at a favourite local second hand store when we randomly came across some variations of this LP.
First up was the aforementioned US pressing. It has the exact same front cover image, but there are few details on the rear cover that differ to the Australian: Note the Atlantic logo bottom left (above); a pink box at the bottom for the record company details/place of manufacture; and ‘Spooky Weirdness’ is listed on the track list for Side Two. The label is the famous green and red Atlantic Records too: Then, further into the bin, we noticed two more distinctly different pressings of this same title. First was a fairly rare budget edition that only ever came out in Australia. It was in really good condition and is on the now defunct Rainbow label. (You can find it listed on page 27 of this document):
The gatefold sleeve inside is printed in a much lighter blue to the original Australian and US releases:Because it’s a budget release there is no inner bag with the lyrics, but it is on a Rainbow Records label:Sitting just behind the Rainbow re-issue was an original New Zealand pressing of Rotogravure. Again, it has the exact same front cover image to the Australian and US pressings. Only the rear is a little different: And the labels (also on Polydor) mention “Made in New Zealand” – its in the small print at top left:
Lastly, a Canadian pressing of Ringo’s Bad Boy LP (from 1978) popped up in the bins as well.
So, not one – but four additions from the Ringo Starr back catalogue end up in our collection.
As usual, click on any of the images above to see larger versions.
More adventures in collecting Beatle records soon.
Well, we saw Eight Days A Week: The Touring Years at a screening in Sydney, Australia last night – and it truly does live up to expectations.
The tale of the Beatles touring years is well-told in a (mostly) chronological order with some strong thematic elements sprinkled throughout. Great existing concert footage (remastered and with the sound remixed) sits comfortably alongside newly uncovered footage from fans taken at the time. There are also new interviews with Paul and Ringo (interspersed with archival interviews with John and George), and many observers, key players and fans including Richard Lester, Neil Aspinall, Sigourney Weaver, Elvis Costello, Larry Kane, and Whoopi Goldberg to name just a few. The addition of 30 minutes of pure, infectious performance from the Shea Stadium concert (as an added cinema-only bonus experience) was simply cream on the top.
Enough from me though. Here are some immediate post-movie thoughts from a big Australian Beatle collector and fan, Bruce Hamlin. Bruce runs The Beatles Records Information Service:
In a word: Fab, FAB, fab, etc.
So lets get it straight – this is not a movie of their concerts. Ron Howard has broken the Beatles career into 2 parts that are often quoted in magazines. The Touring Years (that go up to Candlestick Park or just after) and the rest, which is obviously The Studio Years.The end result of the touring stopping was Sgt Pepper’s Lonely Hearts Club Band. So that’s actually where this movie finishes (basically).
And what do we get for our money? Some nice and recent interviews with Paul and Ringo. Some very nice sound bites from George and John. There are lots of clips of live songs. Most, unfortunately, have small voice-overs that do tend to detract from them but the audio for the live stuff is great so it tends to make you forget the voice-overs.
Lots of clips from concerts that I havn’t seen before. And believe me, I do have lots in my own collection. Lots of relevant American (especially) newsreel footage of fans, press conferences, interviews with the boys and fans and some other talking heads. Instead of the usual musicians talking about how seeing the boys on Ed Sullivan made them pick up guitars and form bands, this time we get more of a female perspective [especially] how the American girls were affected by The Beatles. So that was an interesting difference to the usual.
It does go back to Hamburg and Liverpool, so it does start at the beginning and yes, we do get “Some Other Guy” from the Cavern. For Australians there was a few seconds of Adelaide footage, and maybe a blink’s worth of a Melbourne street scene! Hong Kong, Canada, Sweden, Germany, France, Spain, Italy but no really good concert footage from any of them.
The story linked together pretty well. I did really enjoy the movie. And I will be going to it again, especially as it’s only running for one week here.
Shea Stadium was tacked on at the end as a separate entity. Great to see it on the big screen. Some tech wizardry on some of the close ups, being brought up REAL close to the point of the picture distorting a bit. While we didn’t get the voiceovers that were in the released version, we also didn’t get the support acts and as with the original, they have played pretty loosely with the audio. BUT it still sounds great in the theatre with the great sound system.
All in all, like I said FAB! I really enjoyed it as a Beatles fan. I tried not to dissect it too much, just sat back and really enjoyed the movie.
As it’s only around for a few more days – get off your bums and go and see it NOW.
It will probably be on DVD by Christmas, but the big screen experience is the best way to catch it. My only real complaint was that it didn’t run for 30 hours !!!! That way we would really have got ALL the concert footage from everywhere. Thank you to StudioCanal and Event Theatres.
Bruce was correct about the DVD and Blu-ray being out in time for Christmas.
StudioCanal has just announced a November 21 release date for the UK, and November 18 in the USA. There will be 2-disc special edition, and single-disc standard editions in both DVD and Blu-ray formats:
Special Edition Content and Features:
* Blu-ray/DVD 1 – Feature presentation
* Blu-ray/DVD 2 – Bonus Material (approx. 100 minutes of extras, highlighted below)
* 64 page booklet with an introduction from director Ron Howard, essay by music journalist and author Jon Savage and rare photos from The Beatles’ private archive
* Words & Music (24 mins) – John, Paul, George & Ringo reflect on songwriting and the influence of music from their parents’ generation, Lennon/McCartney writing for other artists, The Beatles as individual musicians, and the band as innovators. Also featuring Howard Goodall, Peter Asher, Simon Schama and Elvis Costello. The interviews with Paul and Ringo are previously unseen.
* Early Clues To A New Direction (18 mins) – A special feature touching on The Beatles as a collective, the importance of humour, the impact of women on their early lives and songwriting, and the band as a musical movement. Featuring John, Paul, George & Ringo, along with Paul Greengrass, Stephen Stark, Peter Asher, Malcolm Gladwell, Sigourney Weaver, Whoopi Goldberg, Richard Curtis, Elvis Costello and Simon Schama. Again the interviews with Paul and Ringo are unseen.
* Liverpool (11 mins) – The early days in Liverpool of the late 1950’s and early 1960’s are brought vividly to life by those who worked closely with them at that time including fan club secretary Freda Kelly, Allan Williams an early manager, and Leslie Woodhead multi-award winning documentary film director.
* The Beatles in Concert (12 mins) – Five great but rarely seen full length performances of The Beatles live in concert – Twist and Shout, She Loves You, Can’t Buy Me Love, You Can’t Do That and Help!
Additional Standard Bonus Features (on both Special and Standard editions):
* Three Beatles’ Fans
* Ronnie Spector and The Beatles
* Shooting A Hard Day’s Night
* The Beatles in Australia
* Recollections of Shea Stadium
* The Beatles in Japan
* An alternative opening for the film
Sadly, there’s no Shea Stadium concert included. That would have been a nice bonus, but it looks like to could have possibly become part of a rights battle. That concert film footage is owned by a different company. Perhaps Shea will be released separately at some stage down the track. We can only hope.
Here’s a replay of Paul McCartney, Ringo Starr and film director, Ron Howard, at Abbey Road studios answering fan questions on yesterday’s Facebook Live session.
The big surprise is that two days out from its premiere, neither Paul nor Ringo have seen the film yet!
This edition comes in a gatefold sleeve. (And BTW for the absolute completists out there, there’s also a red vinyl pressing exclusive to the Collectors’ Choice Vinyl store!)
We also took the opportunity to grab a copy of his most recent release on vinyl as well. Postcards From Paradise was released last year. We already had it on CD…..but it’s nice to now have it in the collection on LP too:
We’ve just come across a young British artist who does a cool range of Beatle art.
His name is Jay Kelly and he’s recently put out three new Beatles/music collections: Beatles pop art, a Lennon collection, and a sketch collection.
The series we love most are these four Pop Art images:
Based in Dorset, England, Kelly is a home-schooled and self-taught artist. He’s a graduate of the London Art College with a Diploma of Distinction completed in under seven months at the age of only 15. He is a fan of the 1960s, especially The Beatles.
“I always liked to draw, but got into art more seriously at the age of 13,” says Kelly. “I discovered The Beatles about a year before that when I saw a tribute band play while on holiday. You could say they changed my life, particularly John Lennon.”
“I used to draw only cartoons and caricatures, but The Beatles inspired me to do more than that,” he continues. “I love drawing and painting musicians, and I’m constantly trying to perfect my craft.”
Jay’s works across a range of media including acrylics on canvas, hand-drawn illustrations, caricature, portraiture, graphic design, and acrylic paintings on guitars. His latest works are a collection of pop art canvases featuring various 1960-70s music icons including John Lennon, Jim Morrison, Elton John, as well as a line art collection featuring Paul McCartney, Jimi Hendrix and David Bowie.
Jay Kelly’s art is for sale online, and he also takes specific requests. You can connect with him on:
Facebook: Jay Kelly Art