For those of you still keeping score, we’ve updated our McCartney III chart detailing all the many variations over the past 18 months.
With the release last week of the McCartney I/ II/ III limited edition box set, which collects McCartney (on clear vinyl), McCartney II (on white vinyl), and McCartney III (on creamy white vinyl), there are now no fewer than 14 different vinyl colour releases of this LP available:
Just click on the image above to go full screen………
To get the creamy white version you have to purchase the McCartney I/ II/ III box. It’s is being described as a ‘Limited Edition’. We’re not sure of the exact numbers though. If anyone does know please comment in the ‘Leave a Reply’ box below.
McCartney I/ II/ III is also available in a standard black vinyl edition.
Looks like New Zealand film director Peter Jackson could have at least two other Beatle projects brewing.
He’s told the online magazine Deadline that he is cooking up another film – or films plural – with involvement from Paul McCartney and Ringo Starr.
Jackson revealed that one of the new projects is taking a different approach.
“I’m talking to The Beatles about another project, something very, very different than Get Back,” Jackson said. “We’re seeing what the possibilities are, but it’s another project with them. It’s not really a documentary … and that’s all I can really say. We are never in a position where we have to do anything, but we’ve got a few things percolating.”
Jackson said there is also a big narrative film on the cards, and like his Middle-Earth films, his ambitions will test existing technology. Which means part of his task is to develop the tools to make his vision a reality.
“One of them could be big scale, but it’s so technically complicated I’m trying to work how exactly I’ll do it,” he said. “It’s a live-action movie, but it needs technology that doesn’t quite exist at the moment, so we’re in the middle of developing the technology to allow it to happen. I’m trying to anticipate what I might be able to do, before it even exists. They’re not fantasy epics, but they’re pretty interesting.”
Jackson was tight-lipped about any further details, but fans have already started the guessing game and speculation is rife over the possibility of McCartney and Starr’s direct involvement.
Meanwhile, long-time Beatle collaborator Richard Lester (he directed them in the movies A Hard Day’s Night and Help!) will have a film he made of Paul McCartney’s 1989/1990 Get Back world tour re-issued on Blu-ray and DVD next month:
Apparently Lester came out of retirement to document that Get Back tour, and his film features highlights from concerts across the globe. The band is Paul, Linda McCartney, Hamish Stewart, Robbie McIntosh, Paul ‘Wix’ Wickens and Chris Whitten.
It’s not really clear just why this is being re-issued now. Perhaps it’s because of the success of the whole Peter Jackson Get Back documentary? Or maybe it is trying to ride on the coat tails of Paul’s current Got Back tour…..?
Reviews of the film when it was first released back in 1991 weren’t kind: “Under the best of circumstances, Get Back will never be a very good concert film. The movie fails to offer a clear and compelling rendition of Paul McCartney’s live shows as it features too much extraneous material. The performances of the songs themselves are fairly solid but they lack much life, and McCartney’s weak vocals don’t help. Add to that a high level of visual gimmickry imposed by the filmmakers and you have a flawed representation of the concert experience.”
It was a nice feeling. Since the advent of COVID-19 the chances to get out and about and hunt for records in the wild have really been few and far between.
On the first Sunday of every month the town puts on a big market at the local Showgrounds. There are all sorts of stalls set up with people selling home made goods like candles, local produce, handcrafted items, food and second-hand goods – including a couple of stalls selling records! This allowed us to get back to what this blog is all about: adventures in collecting Beatles music.
One thing we’re always on the lookout for are Apple Records artists – and we found an interesting variation of the Mary Hopkin LP Post Card, produced by Paul McCartney and released in 1969. This one was different because it was manufactured by EMI in South East Asia for the Hong Kong and Malaysian markets:
There are a couple of things to note here about the differences between this and the US and Australian pressings of this release.
First is that it follows the original UK vinyl track listing. Notice that there is no ‘Those Were The Days’ – which was hit single for Hopkin in 1968 – included on this edition.
Second is the printing in blue at the bottom of the rear cover (which by the way has a very nice glossy finish on both sides):
This South East Asian edition also comes with an original black paper inner sleeve:
To compare the differences, here’s the US release:
Notice that the title of the LP is at the bottom of the front cover photo – whereas on the Hong Kong/Malaysia and UK pressings the title is at the top of the photo of Mary.
Also, as already mentioned, that Side 2, Track 4 has ‘Those Were The Days’ in place of ‘Someone To Watch Over Me’ which is found on the UK and and South East Asian pressings. Here are the US labels:
Just by way of interest, we also have an Australian pressing of Post Card issued by the World Record Club. It has completely different artwork for the front and rear covers, and labels:
This Aussie World Record Club release also follows the US track listing, with ‘Those Were The Days’ as Track 4, Side 2.
(As usual, click on the images above to see larger versions).
There will be a box set that gathers together the albums McCartney, McCartney II, and McCartney III. It is to be released on August 5.
The McCartney I II III box set will be available in three different formats: a Limited Edition colour vinyl, a black vinyl edition, and on CD. Each will include three special photo prints with notes from Paul McCartney about each album. The newly created box set cover art and typography for the slipcase are by Ed Ruscha the US artist who created the design for all of the myriad McCartney III and McCartney III Imagined releases.
The slipcase style box comes in three variations:
Limited Edition Colour Vinyl (see above): Three-disc 180g audiophile vinyl set (McCartney – clear, McCartney II –white, and McCartney III – creamy white vinyl), three 8 x 10” photo prints with introductions from Paul.
Limited Edition Black Vinyl Edition (see below): Three-disc 180g audiophile vinyl set (McCartney, McCartney II and McCartney III), three 8 x 10” photo prints with introductions from Paul.
And there’ll be a CD. Again, described as a Limited Edition, three-disc set with the three photo prints with introductions from Paul. Looks like they’re in card sleeves and that McCartney II and McCartney III come with booklets.
Interestingly, the promo images and the YouTube unboxing video below show that McCartney II is on the original black and silver Parlophone labels. Previous reissues have been on the plain black label used for the McCartney Archive Series releases. Nice too to see McCartney back on the Apple label once again.
On the eve of Sir Paul McCartney’s 80th birthday on June 18 – it’s quite a milestone – we received an interesting press release from the City of Hamburg in Germany.
Given the city’s early association with the birth of The Beatles they’ve commissioned a song to give back in tribute to the great man.
Here’s the press release about the track:
To Whom It May Concern: The City of Hamburg celebrates Sir Paul McCartney’s 80th anniversary with the ‘thank you’-anthem ‘Song For Paul’ – press release June 15th, 2022
It is common knowledge: The remarkable international career of The Beatles first took off in Hamburg, when the legendary band first performed at Indra Club in August of 1960. The rest is, as they say, history.
Still today, all across Hamburg and the St. Pauli-district especially, The Beatles are a prominent phenomenon. They are part of the city’s DNA.
With Sir Paul McCartney’s 80th birthday coming up this Saturday, June 18th, the City of Hamburg decided it was time to finally give back a song to Paul, after he gifted so many unforgettable songs and memories to all of us.
Salamanda, a band from Flensburg, not far from Hamburg, were the right guys for the job: They wrote and recorded “Song For Paul”, a 5-minute love letter to Paul McCartney. The song was mixed at the renowned Abbey Road Studios.
With “Song For Paul”, the City of Hamburg is starting the #SongForPaul social media campaign. Fans from Hamburg and all over the world are asked to say their thanks to Paul on Saturday, June 18th and share the songs written just for him.
“Song For Paul” is released Friday, June 17th, accompanied by a music video shot on many locations with Beatles-history, such as the before mentioned Indra Club, the famous Reeperbahn and a grande finale at the “Beatles Platz” (Beatles Place), where over 300 fans joined the band for the flash mob video shoot.
The goal of the campaign is to reach McCartney personally, and let him know how thankful the citizens of Hamburg are for his life’s work. The campaign is initiated by the band Salamanda, the City of Hamburg, BID Reeperbahn+ and several cultural associations.
A very rare Beatle single is going on show at Jack White’s Third Man Records in Nashville:
The record label posted on Instagram: “You can’t do that!” is probably what the Capitol Records pressing plant manager yelled at the rogue employee who created this unheard of (and unauthorized) yellow-and-black split color version of the Beatles’ 1964 single “Can’t Buy Me Love.” Likely pressed surreptitiously after hours, Third Man recently purchased this insanely rare record at auction. Expect to see this single on display soon at Third Man Records.
Maybe this is where they got the colour scheme idea for their very rare, limited production run (only 333 copies made) of Paul McCartney’sMcCartney III LP?
And for their less rare McCartney III “Splatter” edition?
The judges wrote that The Lyrics was: “A work of art”; “a unique piece of publishing”; and a book that “belongs in a museum, not just our bookshelves.” They praised the two-volume set as a “fantastic visual diary”, singling out the original hand-written lyrics.
The book was supported by a free exhibition at the British Library and McCartney in Conversation at the Southbank Royal Festival Hall.
Publishers Allen Lane coordinated a global launch, simultaneously in 11 languages, attaining extensive broadsheet and radio coverage. Plus the book was released in multiple translations.
Our Beatles With Records series is exactly that: photographs of the band actually holding those things they sold so many of: records and CDs. These can be Beatle discs, or discs by other artists.
The posts prompted quite a few readers to send in additional photographs, and also to do some amazing detective work on the sometimes mysterious records the Beatles are holding in photos. Sometimes the albums are easy to guess. Then there are others where you can only see a fragment of a cover, or the rear image of a sleeve, making it very difficult to identify – especially when the record is by an unrelated artist.
One recent photo to come to light is definitely in that latter camp. It comes from the recently released book by Paul McCartney’s brother, Mike McCartney (a.k.a. Mike McGear).
His book, published by Genesis Publications, is called Mike McCartney’s Early Liverpooland it contains some never-before-seen early photos of The Beatles, including this gorgeous one of John and Paul (and most probably George too, on the left). It is called Mathew Street, 1962 and hey are no doubt standing outside the famous Cavern Club:
This one had us intrigued. Paul is clearly looking at some 45’s, and John has under his arm what at first appears to be an LP of some kind. Further investigation though reveals it not to be a record but a bag containing a record from Liverpool’s NEMS record store. NEMS of course was owned by the family of their manager, Brian Epstein.
Wouldn’t it be great to know which LP John had purchased? What it is will probably never be known….
A couple of other items of interest have surfaced.
This one shows George Harrison in his kitchen at home at Kinfauns:
Quite interesting to see pinned up on the wall behind him a John Lennon/Yoko Ono album cover:
Here it is again, a different angle from the same photo shoot (click on image for a larger version):
It appears to be an album slick opened out containing the rear cover image as well:
George seemed quite fond of putting up album covers, or elements of album covers, on his walls. If you look at the top left of this photo – taken in what seems to be a hospital ward – you can see two prints of the Linda Eastman photograph of Apple artist Mary Hopkin. That image was used for the front cover of the Hopkin LP Postcard:
(Turns out that George was at London’s University College Hospital, where he got his tonsils removed in February, 1969)
Here’s an image of Paul McCartney with what could be an early rendering of the Klaus Voormann cover for the BeatlesRevolver LP. Either that or an attempt by a fan to replicate Voormann’s amazing artwork:
And finally, a still taken from the incredible Peter Jackson/Disney+ 3-part series Get Back on the making of the Let It Be album, this image of John Lennon taking a look at the latest Rolling Stones LP of the day:
See the other instalments of The Beatles With Records here.
Record Store Day is returning to ‘normal’ this year. Well, as much as is possible in these strange times.
It will be on Saturday April 23, but the organisers are proactively trying to avoid disappointment by also designating an ‘RSD Drops’ date on June 18. That date will serve as a safety net for titles that for any number of reasons don’t make it into stores on April 23.
The US Record Store 2022 Day List includes titles that are coming to record stores on Record Store Day in April and those that will be coming in June. As they become aware of issues for any specific title, that title will move to the RSD Drops date – and you’ll see that on the List on the website.
Two titles of most interest to us here are a lovely translucent ice blue vinyl 12″ single from the Dark Horse Records label:
‘I Am Missing You’/’Lust’ by was the first ever single released on Dark Horse in 1974. It is taken from the George Harrison-produced album Shankar Family ૐ Friends, which itself is due for an audiophile vinyl re-press some time later this year. The 12″ single will be limited to 2700 copies.
There are also reports of a Paul McCartney release. This is mentioned on the UK Record Store Day site only so far and is apparently a 12″ single of the song ‘Women and Wives’ from his McCartney III album backed with the same song performed by St Vincent found on the McCartney III Imagined version of the album.
UPDATE (3 March, 2022): It seems this McCartney 12″ is to be crowned Record Store Day’s inaugural Song of the Year. For its 15th birthday, RSD is instituting a new tradition: the Song of the Year Single. ‘Women and Wives’ will get a one-time worldwide run of 3000 numbered copies on June 18:
The other title on the RSD 2022 list is a translucent orange and a translucent blue re-issue of Ringo Starr’sRingo the 4th LP.
Ringo the 4th will come in a gatefold cover, and both colours will be limited to 1000 copies. (Thanks to The Daily Beatle for the images). This Ringo album has been re-issued previously in the US on red vinyl, and also on gold vinyl, in 2020.
NFT’s, or digital artworks, have become all the rage. And it looks like John Lennon’s son Julian is using them to sell one-off digital representations of some of the Beatle treasures from his personal collection: five gifts he received from his father, and one from Paul McCartney.
NFT stands for Non-fungible token. “Non-fungible” means that it is something unique and can’t be replaced with something else. NFT’s can be anything digital (such as drawings or music), but a lot of the current excitement is around using the tech to sell digital art. Oh, and you pay for them in Ethereum – a cryptocurrency, like bitcoin or dogecoin.
The Lennon NFTs are being sold through YellowHeart, an online site specialising in the NFT space, and also through Julien’s Auctions – a more traditional auction house. As you can see on the Julien’s site all current bids have already either met or exceeded the estimated selling prices. The auction closes on February 7.
The pieces for sale are three of John Lennon’s Gibson Les Paul guitars, his Afghan jacket from Magical Mystery Tour, the hooded cape worn for the movie Help!, and Paul McCartney’shand written notes for an arrangement of the song he wrote for Julian called ‘Hey Jude’ (it was originally called ‘Hey Jules’). Each NFT is animated and includes brief audio of Julian discussing the item with that voice-over being incorporated as a part of the NFT.
It should be noted that a portion of the proceeds from this auction will go to Julian’s White Feather Foundation which is active globally on issues relating to education, good health, the preservation of indigenous cultures, the environment and clean water.