An Interesting and Informative McCartney Podcast

Just in the past week we’ve come across another Beatle-related podcast that we’d have no hesitation in recommending.

Take It Away – The Complete Paul McCartney Archive Podcast is produced by Ryan Brady and Chris Mercer, two fans (from Los Angeles and Chicago) who really know their stuff.

The aim is to examine in detail every single Paul McCartney release, from 1970 to the present day. Episode 0 is a brief introduction to what it is they want to achieve and what the show is all about. You can hear it on their website, or just have a listen here:

This podcast series not only contains a wealth of information, it has really high production values as well as the guys deftly mix in short extracts of the songs they’re knowledgeably deconstructing. These illustrative flourishes really bring alive the discussion and help you to hear exactly what it is they are talking about. They’ll often contrast and compare demo versions with the finished product and, where it will help, they’ll include short interview extracts with McCartney and other spoken word content.

Mercer and Brady are working their way through McCartney’s recorded output chronologically. They’re currently into Season 3, and up to 1993’s Off The Ground. Occasionally they’ll also feature an interview with key players in the McCartney solo story – like Laurence Juber and Denny Laine.

The Take It Away podcast. Very much worth checking out.

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More McCartney Coloured Vinyl To Be Issued

Capitol Records is following up last year’s coloured vinyl Paul McCartney releases with four more titles. These will be available on May 18 (fingers crossed, given the delays experienced last time!) and they are the albums NEW; Thrillington; Wings Greatest; and Chaos and Creation in the Backyard

As you can see, NEW is to be on pink vinyl, Thrillington on what looks to be a marbled red/black, Wings Greatest is on blue, and Chaos will be on gold coloured vinyl.

As they were last time each title will also be issued on black vinyl, and as single CD’s in the digipak format. Every release is supervised by Paul himself, who oversees all aspects of each and every title. See the official McCartney site for more details.

McCartney’s ‘Pipes of Peace’ – Original Labels

Looking at the recently released Capitol Records coloured (and black) vinyl reissue of the Paul McCartney Pipes of Peace LP, we got thinking about the labels used for the original release back in 1983.

This is the label style used on both sides of the 2017 version:

As you can see, the custom designed labels are similar thematically (but not exactly the same) as those used for Side 2 of the 1983 vinyl release:

The chrome-plated chair image is larger and positioned differently, plus it has a different musical instrument on it.

But it’s the labels used for Side 1 in 1983 that fascinate.

For some reason Side 1 in each of the major markets around the world featured vintage depictions of either Parlophone or Odeon record labels (for those territories outside the US), or Columbia Records for the United States (because that was the label McCartney was signed to there at the time).

Here, for example, is the Side 1 label used in the UK – a vintage Parlophone in deep maroon:

And here’s the label used in the US, which was done in the style of an old-fashioned Columbia release:

In Australia it was a vintage Parlophone – done in a dark brown and gold:

For Europe, where the Odeon label was used to release EMI titles, they used a vintage version too. Here’s the one for Germany:

And Spain of course:And here’s the label used in France for Side 1. Unusually, it’s a vintage Parlophone – which is strange because you’d think it would more likely be on Odeon too:

It was definitely vintage Odeon for Japan: And in New Zealand it was a Parlophone: 

These next few are from smaller territories where we’re pretty sure that on both sides of the disc the  labels used were both the same. If you happen to have any further info on these please get in touch using the “Leave a Reply” section below. First up, India:

We can confirm that The Philippines definitely used a vintage black and yellow Parlophone for both sides of the disc:

Malaysia:

And to some South American countries now – Argentina:

Uruguay:

Bolivia:

And lastly, Columbia, which interestingly seems to be serviced by both Parlophone and Columbia/CBS records:

If you’d like to see these labels in more detail, click on the images to bring up larger versions.

And if anyone knows just why Paul McCartney wanted to use vintage labels for Side 1 only of Pipes of Peace, please let us know by commenting below.

McCartney – Eight Coloured Vinyls Arrive

Like a lot of collectors around the world, we have been waiting patiently for Universal Music to sort out the delays and confusion around the supply and delivery of the recent Paul McCartney vinyl re-issues on coloured vinyl.

We ordered ours last year, weeks before the advertised shipping date – but it is only in the new year that they have finally arrived, and in two separate shipments. Ram clearly was in very short supply and it is pretty obvious that a pressing of more copies had to be hurriedly arranged. That LP came in a separate package a few following the main batch.

Having said all that, these look absolutely fantastic. Here are some images of the collection – the front “hype” stickers and record labels: 

(As usual, click on the images to see larger versions)

Paul McCartney – ‘Music of the Spheres’

On Christmas Day, two keen music fans leaked their version of the as-yet unreleased original symphonic music composed for the the video game, Destiny.

There is of course a Beatle connection here in the form of Sir Paul McCartney who contributed to the soundtrack for the game, most notably the end-credits song ‘Hope for the Future‘.

The Destiny: Music of the Spheres suite is the work of Martin O’Donnell and Michael Salvatori, but it took the fan duo of Tlohtzin Espinosa and Owen Spence to bring it to the public. They spent more than a year pulling together all the elements they could get their hands on to compile what is essentially a complete soundtrack album of Destiny:

You can hear it on Soundcloud, and on YouTube. Download links are out there on the World Wide Web too if you are interested.

There’s more background on how all this came to be in an article on the Ars Technica site, plus you should also see this Reddit post by the two fans who took the risk of putting it out there in the first place.  

McCartney Musical Memory for endthesilence.com

“When a baby in an orphanage cries nobody comes to comfort them. As a result, they learn not to cry; internalising their pain, causing lifelong mental and physical damage. Deprived of love, deprived of life. Left to grow up without laughter, without music, without hope. Left there, children will never experience the love and protection only a family can offer. Together we can End the Silence.”

So begins the explanation of what the charity End the Silence is about. It is asking everyone to share a musical memory, and to donate, so that 8 million children confined to orphanages around the world might have their silence ended.

Lots of music personalities have got behind the push to raise money by sharing their own musical memories, including Paul McCartney:

Get cracking. Every pound donated to the End the Silence campaign before the 27th December will be doubled by the UK Government. Every child should grow up surrounded by love, family and music.

Paul McCartney – ‘Take 5’ on triple j

Seems like this blog has become more paulmccartneyblogger.com than beatlesblogger.com lately…

Only natural I guess as Paul McCartney is in Australia at the moment, and that’s where we are too. There has been a lot more media as a result.

Just wanted to let you know that a lengthy radio interview has just been broadcast nationally on the country’s leading youth music station, triple j.

Presenter Zan Rowe each week sits down with a musician and talks about their craft. It’s called ‘Take 5’ and is based around five back-catalogue tracks chosen by the artist. This week they scored a big one – an extensive conversation with Paul McCartney.

The radio station has kindly uploaded the episode as a podcast – so you can have a listen to it here as well.

(Photo: MPL Communications/MJ Kim)

triple j has also published a few different angles on the content. Here are a couple of pages that will be of interest:

Paul McCartney On The Unheard Stories Behind His Songs

A Different Cut of ‘Take 5’ – Without Zan Rowe’s Intro Plus More Text and Song Links

And don’t miss his one and only Australian TV interview here.