From teasers on the official McCartney socials, plus scant details on various Beatle forums, it’s emerging that there is yet another coloured vinyl variant of the McCartney III LP for those collectors who must have everything.
This cryptic image and message was posted in the last few hours on the Paul McCartneyInstagram account:
There were also some additional words on Facebook saying “Keep your eyes peeled for 3000 more coming soon exclusively to indie record stores”.
Then in the forums, some stores and fans started to reveal that they’d been able to secure copies of this disc already:
One indie store had thetemerityto post a photo with the official price sticker of US$34.95 clearly on display, but in the text on the same page say they were selling their copies for US$1000!! Bad form for an independent store in our book.
Here’s a closer view of that hype sticker. This pretty much sums up what we know so far, which is not a lot:
This new yellow and black splatter vinyl edition is pressed by Third Man Records in Detroit, is limited to 3,333 copies, and is to be on sale only through US independent record stores. Oh, and we know that the catalogue number is 602438227396 (B003391101).
There does not appear to be any information about this release on the Third Man site.
On Discogs there are two copies for sale already. One for US$1,873 and the other for US$3,000.
While some folks seem to have tracked down copies, for the most part fans in the US are bewildered by this release and, despite trying, have been unable to find any for sale.
We await developments!
If you know more, or can provide photos please get in touch via the comments box below.
(click on the images above to see larger versions)
This was announcing something of a coup for the regional Art Gallery of Ballarat in Victoria in securing what was to be a fascinating exhibition of Linda McCartney photographs called Linda McCartney: Retrospective. The exhibition was one of the main attractions of a bigger event called the Ballarat International Foto Biennale, showcasing photography and photographers from around the world. The exhibit was set to run from August 24 through to October 24.
Sadly though it has all been postponed indefinitely due to the Delta strain of the COVID-19 virus putting the whole state of Victoria into a strict lockdown. Due to a separate outbreak it has also put Sydney (where I write this today) and many parts of the state of New South Wales also into lockdown……
It is all very disappointing. This would have been the first time this extensive look back at the career of Linda McCartney (1941-1998) would have been shown in Australia. Curated by PaulMcCartney, along with his daughters Mary and Stella, Linda McCartney: Retrospective features more than 200 photographs, including images of the McCartney family, the 1960s music scene, and a series of prints from the McCartney’s time in Australia between 1975 and 1993 which have never been shown before.
From the exhibit website: “Linda McCartney’s photographic career spanned from 1965 to 1997, during which [she] bore witness to the evolution of pop and youth culture as we know it. Linda’s early portraits of the burgeoning New York 1960s music scene capture the vulnerability of future world conquering rock stars. Known for her portraits of Jimi Hendrix, The Rolling Stones and The Beatles, among many others, she was the first female photographer whose work was featured on the cover of Rolling Stone magazine in 1968, with a portrait of Eric Clapton. Linda McCartney: Retrospective showcases some of the most iconic artists and moments from the 1960s music scene alongside intimate family portraits. The photographs capture the world as she experienced it, representing the people, places and landscape around Linda in her inimitable, spontaneous and experimental style.”
The exhibition that was to be shown here has some images exclusive to Australia, but the core works have been shown at Glasgow’s Kelvingrove Art Gallery in 2019, and also last year at Liverpool’s Walker Art Gallery. This video give just a taste of what we’re missing:
The recent McCartney III release, and its follow-up McCartney III Imagined, will probably go down in history as having the most vinyl colour, cover artwork and physical format variations of any Beatle or Beatle-related release ever.
For the McCartney III LP, CD and cassette we produced this chart to help keep track:
That’s no less than12 LPs in different colours (not counting the very rare Third Man Records test pressing – of which only 3 copies were made available in the world), 12 CD variants with colour, cover or track-listing differences, and 2 cassettes. It also doesn’t include all the different bundles that came in boxes containing either tee-shirts, dice, etc.
Then, as the variants of McCartney III Imagined started to pile up, we produced this chart:
Here you can see there were 10 LPs in different colours and/or cover artwork, 6 CDs, and again two different cassette variations.
If you’ve ever wondered if anyone has actually succeeded in collecting absolutely every variation of those two releases, wonder no more.
One of our readers this week sent in this amazing image of all the variants he collected of these two releases and we think you’ll agree it is mighty impressive:
From what we can see for McCartney III he doesn’t have absolutely everything, but comes pretty darn close! Obviously missing is the very limited Third Man Records pressing on yellow and black vinyl and sporting a unique cover design. There were only 333 copies of this pressed. These were available only via the Third Man Records website, and only for a very limited time before all were snapped up.
As for the McCartney III Imagined LPs, CD,s and cassettes though…..we reckon he’s got the full set of everything. What an impressive collection!
Fifty years as a solo artist, and as a member of the band Wings, has seen Paul McCartney produce an absolutely enormous catalogue of songs. Picking the eyes out of that extraordinary post-Beatle career and giving us the lowdown on how some of the most memorable of his solo compositions came about is the task of a new book about to hit stores near you.
It’s called Paul McCartney: The Stories Behind the Songs and in it author Mike Evans dives deep into 50 key songs across a recording span of fifty years. The territory he traverses here ranges across 26 solo and Wings albums, from McCartney (1970) all the way through to McCartney III (2020). It also includes key single releases that never made it onto albums – and let’s face it, there are so many of these (especially in the early days) that are absolute classics. No book about McCartney’s output over this period would be complete without songs like ‘Another Day’; ‘Live and Let Die’; ‘Helen Wheels’; ‘Mull of Kintyre’; and rarer items like ‘(I Want To) Come Home’ from 2009 – to name but a few.
With last year’s McCartney III being included it’s refreshing to have book that is so current. It’s also refreshing to have a book that contains a discography, not one but two indexes, and that has a bibliography up the back. That is testament to thorough research and so helpful when seeking out information on particular albums and songs. It makes it so much easier to go straight to what you’re looking for, especially when dipping in out. And this is probably the way most readers will use this book: it’s the sort of reference you’ll keep coming back to as curiosity about different albums, songs and singles take your attention.
Each album and single in the book includes full session details, personnel lists and chart data and is described in detail, from original inspiration to the final release. Quotes from co-writers, session musicians and studio personnel bring the making of every song to life, alongside a wealth of related photographs in and out of the studio.
Just what to put in and what to leave out must have meant many a sleepless night for author Mike Evans. He says himself that he’s opening a pandora’s box: “The final list of inclusions is inevitably subjective and some readers are bound to ask, “Well, what about…?” Such exclusions include ‘Give Ireland Back to the Irish’ and ‘Mary Had a Little Lamb’, both singles from 1972, and ‘We All Stand Together’ (with the Frog Chorus) from the 1984 Rupert Bear animated film Rupert and the Frog Song.” We’ll go out on a limb and support him wholeheartedly on those choices.
Likewise he’s decided not to include music from McCartney’s five volumes of classical recordings, the instrumental projects he released under the psuedonym The Fireman (though he does include a song from 2008’s Electric Arguments), and two singles featuring Kanye West (plus one with Kanye and Rihanna).
Conversely, Evans explains in his Introduction the inclusion of a few non-original compositions: “‘Walking in the Park with Eloise’ from 1974, written by Paul’s dad Jim McCartney; ‘No Other Baby’, a UK skiffle record from 1957; and the old gospel song ‘Light from Your Lighthouse’, (which is actually credited to McCartney on the recording). Along with his three albums of mainly non-original material – 1988’s “Russian” rock ’n’ roll release Choba B CCCP, the similar Run Devil Run collection from 1999, and the 2011 “standards” album Kisses on the Bottom – all of these songs reflect the essential influences that informed McCartney’s musical taste during his teenage years.” Fair enough.
As we said earlier, this is a book you don’t have to read cover-to-cover if you don’t want to. You can dip in and out as the mood or interest strikes. It is well-researched and well worth it.
Paul McCartney: The Stories Behind the Songs is published by Welbeck on September 2.
Now, for our readers in the UK and Europe we have a treat.
Thanks to the kind folks at Welbeck Publishing you can win one of three copies of Paul McCartney: The Stories Behind the Songs. All you have to do is to be the first to correctly answer this question:
‘Jenny Wren’ is one of the many memorable songs on the 2005 album, Chaos and Creation in the Backyard. It features an evocative solo using an ancient Armenian woodwind instrument called the duduk. Who was the player?
The first three people to correctly answer will win a copy of the book.
Remember, this is only for our readers in the UK or Europe!
The answer to who played the beautiful duduk solo on the song ‘Jenny Wren’ was Pedro Eustache.
No more entires please. We have our three winners. They are Michael from Germany, Fin from Ireland and Chris from the UK. Your books will be in the post to you shortly. Thank you to the lovely folks at Welbeck Publishing for providing the prizes.
Back in April we posted a list of the physical variants (to date) of the forthcoming McCartney III Imagined.
Since then there have been a few additions, so here’s an update about. It includes a standard cassette (available fairly widely), plus a more limited pink cassette and two ‘Limited Edition Mini Jacket’ CD versions. These appear to be only available via the US official Paul McCartney website.
There have also been two low-cost ‘mini jacket’ CD alternates added too – much like the ones made available in the initial McCartney III release program. These are just simple cardboard sleeves. One is available with the standard McCartney III Imagined cover:
Seems the McCartney and Rick Rubin documentary series examining the former Beatles’ musical history has landed at Hulu.
It’ll be a fascinating six-part series that will launch on the streamer on July 16. News that two were working together on a documentary series first broke in December last year.
“Never before have fans had the opportunity to hear Paul McCartney share, in such expansive, celebratory detail, the experience of creating his life’s work – more than 50 years of culture-defining music,” said Craig Erwich, president, Hulu Originals and ABC Entertainment. “To be an observer as Paul and Rick Rubin deconstruct how some of the biggest hits in music history came to be is truly enlightening. It is an honor that Paul chose to return to Hulu to share this one-of-a-kind series.”
It’s becoming fairly obvious we should all keep an open mind about what else might be in store because, based on what we’ve heard so far, some of it is going to be “out there” and out of the comfort zones of many fans. And that’s a good thing because it means these songs will be heard and appreciated by a far wider (and younger) audience than would have been the case if this remained just a McCartney-only release.
It’s clear that Paul McCartney and MPL sent out the raw elements of his songs to an eclectic and interesting bunch of musos and told them to do with them what they will.
If you want a contemporaneous example of a similar approach then look no further than Crowded House. They’ve got a new album coming in June and have released a single in the lead-up called ‘To The Island’. Check it out below in its original form:
Then have a listen to this:
Just like McCartney has done, Crowded House invited a third party (in this case Kevin Parker from Tame Impala) to do a remix. Here’s what Neil Finn said about it in an email to fans:
With all the world up-ended and nothing in its right place, we became curious to hear how our favourite contemporary musicians and record makers might re-imagine a Crowded House song. I emailed our version of ‘To The Island’ to Kevin Parker (Tame Impala) with an invitation to take it apart and reassemble in his own unique way. Happily, he really liked the song and it was an absolute delight to hear what he made from it, an exotic fantasy I would call it.
I think you’ll agree that the end result is very different – and in some ways quite confronting. But it means that Crowded House (a legacy band still making great new music) will also be heard by a much wider audience.
Strap in because McCartney III Imagined is going to be ‘To The Island’ writ large.