The judges wrote that The Lyrics was: “A work of art”; “a unique piece of publishing”; and a book that “belongs in a museum, not just our bookshelves.” They praised the two-volume set as a “fantastic visual diary”, singling out the original hand-written lyrics.
The book was supported by a free exhibition at the British Library and McCartney in Conversation at the Southbank Royal Festival Hall.
Publishers Allen Lane coordinated a global launch, simultaneously in 11 languages, attaining extensive broadsheet and radio coverage. Plus the book was released in multiple translations.
Our Beatles With Records series is exactly that: photographs of the band actually holding those things they sold so many of: records and CDs. These can be Beatle discs, or discs by other artists.
The posts prompted quite a few readers to send in additional photographs, and also to do some amazing detective work on the sometimes mysterious records the Beatles are holding in photos. Sometimes the albums are easy to guess. Then there are others where you can only see a fragment of a cover, or the rear image of a sleeve, making it very difficult to identify – especially when the record is by an unrelated artist.
One recent photo to come to light is definitely in that latter camp. It comes from the recently released book by Paul McCartney’s brother, Mike McCartney (a.k.a. Mike McGear).
His book, published by Genesis Publications, is called Mike McCartney’s Early Liverpooland it contains some never-before-seen early photos of The Beatles, including this gorgeous one of John and Paul (and most probably George too, on the left). It is called Mathew Street, 1962 and hey are no doubt standing outside the famous Cavern Club:
This one had us intrigued. Paul is clearly looking at some 45’s, and John has under his arm what at first appears to be an LP of some kind. Further investigation though reveals it not to be a record but a bag containing a record from Liverpool’s NEMS record store. NEMS of course was owned by the family of their manager, Brian Epstein.
Wouldn’t it be great to know which LP John had purchased? What it is will probably never be known….
A couple of other items of interest have surfaced.
This one shows George Harrison in his kitchen at home at Kinfauns:
Quite interesting to see pinned up on the wall behind him a John Lennon/Yoko Ono album cover:
Here it is again, a different angle from the same photo shoot (click on image for a larger version):
It appears to be an album slick opened out containing the rear cover image as well:
George seemed quite fond of putting up album covers, or elements of album covers, on his walls. If you look at the top left of this photo – taken in what seems to be a hospital ward – you can see two prints of the Linda Eastman photograph of Apple artist Mary Hopkin. That image was used for the front cover of the Hopkin LP Postcard:
(Turns out that George was at London’s University College Hospital, where he got his tonsils removed in February, 1969)
Here’s an image of Paul McCartney with what could be an early rendering of the Klaus Voormann cover for the BeatlesRevolver LP. Either that or an attempt by a fan to replicate Voormann’s amazing artwork:
And finally, a still taken from the incredible Peter Jackson/Disney+ 3-part series Get Back on the making of the Let It Be album, this image of John Lennon taking a look at the latest Rolling Stones LP of the day:
See the other instalments of The Beatles With Records here.
Record Store Day is returning to ‘normal’ this year. Well, as much as is possible in these strange times.
It will be on Saturday April 23, but the organisers are proactively trying to avoid disappointment by also designating an ‘RSD Drops’ date on June 18. That date will serve as a safety net for titles that for any number of reasons don’t make it into stores on April 23.
The US Record Store 2022 Day List includes titles that are coming to record stores on Record Store Day in April and those that will be coming in June. As they become aware of issues for any specific title, that title will move to the RSD Drops date – and you’ll see that on the List on the website.
Two titles of most interest to us here are a lovely translucent ice blue vinyl 12″ single from the Dark Horse Records label:
‘I Am Missing You’/’Lust’ by was the first ever single released on Dark Horse in 1974. It is taken from the George Harrison-produced album Shankar Family ૐ Friends, which itself is due for an audiophile vinyl re-press some time later this year. The 12″ single will be limited to 2700 copies.
There are also reports of a Paul McCartney release. This is mentioned on the UK Record Store Day site only so far and is apparently a 12″ single of the song ‘Women and Wives’ from his McCartney III album backed with the same song performed by St Vincent found on the McCartney III Imagined version of the album.
UPDATE (3 March, 2022): It seems this McCartney 12″ is to be crowned Record Store Day’s inaugural Song of the Year. For its 15th birthday, RSD is instituting a new tradition: the Song of the Year Single. ‘Women and Wives’ will get a one-time worldwide run of 3000 numbered copies on June 18:
The other title on the RSD 2022 list is a translucent orange and a translucent blue re-issue of Ringo Starr’sRingo the 4th LP.
Ringo the 4th will come in a gatefold cover, and both colours will be limited to 1000 copies. (Thanks to The Daily Beatle for the images). This Ringo album has been re-issued previously in the US on red vinyl, and also on gold vinyl, in 2020.
NFT’s, or digital artworks, have become all the rage. And it looks like John Lennon’s son Julian is using them to sell one-off digital representations of some of the Beatle treasures from his personal collection: five gifts he received from his father, and one from Paul McCartney.
NFT stands for Non-fungible token. “Non-fungible” means that it is something unique and can’t be replaced with something else. NFT’s can be anything digital (such as drawings or music), but a lot of the current excitement is around using the tech to sell digital art. Oh, and you pay for them in Ethereum – a cryptocurrency, like bitcoin or dogecoin.
The Lennon NFTs are being sold through YellowHeart, an online site specialising in the NFT space, and also through Julien’s Auctions – a more traditional auction house. As you can see on the Julien’s site all current bids have already either met or exceeded the estimated selling prices. The auction closes on February 7.
The pieces for sale are three of John Lennon’s Gibson Les Paul guitars, his Afghan jacket from Magical Mystery Tour, the hooded cape worn for the movie Help!, and Paul McCartney’shand written notes for an arrangement of the song he wrote for Julian called ‘Hey Jude’ (it was originally called ‘Hey Jules’). Each NFT is animated and includes brief audio of Julian discussing the item with that voice-over being incorporated as a part of the NFT.
It should be noted that a portion of the proceeds from this auction will go to Julian’s White Feather Foundation which is active globally on issues relating to education, good health, the preservation of indigenous cultures, the environment and clean water.
That’s the one actually signed by Sir Paul, and there have reportedly been just 175 copies made available worldwide. However, that most likely means 175 for the US market, and 175 for the UK.
Either way, it’s the one that comes in a unique and quite distinctive bright orange box with blue lettering. The design inside is different to the standard as well – as one lucky reader in New Zealand has just shared with us when he received his unique boxed set.
His name is Simon and somehow he managed to get a copy of the Limited Edition sent to him from a UK book store. It is number 105/175. Simon’s done this unboxing video for us of him opening his treasure:
50 years ago, on December 7, Wings released their debut album Wild Life – recorded over an eight-day period at Abbey Road Studios in London.
Now it joins McCartney and RAM in getting the Limited Edition, 50th Anniversary Half Speed Master treatment:
Paul and Linda McCartney, Denny Seiwell and Denny Laine arrived at the studios on 25 July, 1971 to begin recording with engineers Tony Clark and Alan Parsons.
“They rehearsed for a while, sang some old songs, wrote some new ones and in time headed for the big city studios. In three days they had laid down most of the tracks and by the end of a couple of weeks the album was finished. In this wrapper is the music they made. Can you dig it?”, wrote Clint Harrigan for the original album’s back cover liner notes.
On PaulMcCartney.com Paul wrote: “Wild Life was about spontaneity: the opening track ‘Mumbo’ was recorded in one take. I’d read that Bob Dylan had just made a quick album and I really liked the idea, because we tended to take longer and longer to make records. The early albums by The Beatles hadn’t taken long and it seemed to me that Dylan was getting to that. I was a great admirer of his – and still am to this day – so I thought, well, if it’s good enough for him, let’s do it.”
The 50th anniversary edition of Wild Life is cut at half speed at Abbey Road using a high resolution transfer of the original 1971 master tapes. The Half Speed 50th will be released on February 4. It is available for pre-order now.
While looking around the web shopping for Paul McCartney’s fabulous new book The Lyrics, we stumbled across a couple of different translations, and it got us wondering how many countries were getting versions of the book in their own language?
There are of course two main English editions. The two most common of these are the US edition in the green outer box:
And there’s the UK edition – which has exactly the same content as the US, but externally is quite different in design:
Also worthy of mention is a third English language version of the book: the Limited Edition. This one is actually signed by Sir Paul. There have reportedly been just 175 copies made available worldwide, though as one reader points out there have been two different signed books with the number #95 sold on eBay. Each had a different publishing logo, raising doubt on the accuracy of “175 worldwide”. Maybe it is 175 in the US, and 175 in the UK. Either way, it comes in a distinctive bright orange box with blue lettering. The design inside is quite unique too – including the two volumes inside which are also in that distinctive orange binding:
Then we get onto the translations, and those we’ve been able to uncover (to date) all seem to have the same outer box and book binding as the US green version above.
The Italian translation has only just been released (9 November). There aren’t any great images of how it is packaged yet – but we’ve asked one of the translators and can confirm that this is the cover:
As you can see, like the French edition, the Italians have gone for a white outer box. The translation has been done by Franco Zanetti and Luca Parasi, who is author of the highly regarded Paul McCartney reference book Recording Sessions (1969-2013).
A further confirmation that this is the way the Italian edition is presented are the images in this advertisement that the publishers, Rizzoli Libri, was running on Amazon:
And finally, two unexpected translations – one in Finnish:
And the other in Swedish (thanks to reader Ole for sending this one in). Interesting that the front covers of the two books inside appear to have the images and super-imposed lyrics used for the rear covers of the books in the rest of the world:
Is that all? Do you know of any others?
Let us know using the ‘Leave a Reply’ link below if you have any updates and we’ll publish them here.
The film is a mini-documentary detailing the vinyl pressing process for McCartney III 333, the extremely limited-edition version of McCartney’s 2020 solo album, McCartney III, manufactured at the Third Man Pressing plant in Detroit.
The mini doco goes into exactly how the project first came about, and exactly how the unique records were made. It shows just how multiple vinyl copies of the 1970 release McCartney and the 1980’s McCartney II were broken down and reformed into 333 limited-edition copies of McCartney III at Third Man Pressing.
Interestingly, it is revealed that it wasn’t old, second-hand copies of the original McCartney and McCartney II LPs that were ground up as part of the process. It was brand new pressings of these two albums.
Several Third Man Records employees, including co-founder Ben Swank, are interviewed for the film alongside Beatle author and Rolling Stone journalist Rob Sheffield, all spliced in alongside footage of Paul McCartney creating the album in his studio.
Click on the image below to view the mini documentary:
If you’re keen on hearing Paul McCartney actually reading from his new book The Lyrics, then you’ll be interested to learn that BBC Sounds in the UK has produced a short audio series called Paul McCartney: Inside the Songs.
The series features ten audio extracts from The Lyrics book, with the author himself reading aloud 10 of the entries.
Check out the Introduction here:
Then, follow the links here to listen to all ten episodes. They include songs like ‘All My Loving’, ‘Eleanor Rigby’, ‘Got to Get You into My Life’, right up to ‘Pretty Boys’ from last year’s McCartney III album.
The Lyrics spans McCartney’s career writing popular music from 1956 to the present. In it he talks about his life and song-writing through the prism of 154 key lyrics.
Host of Inside the Songs, John Wilson, also interviewed Paul McCartney extensively for an episode of the BBC series This Cultural Life. You can hear that interview in full here (or just click on the image below):