We love stories like this. This is the tale of a rare Beatle item that almost ended up as landfill. It comes from the Liverpool Echo newspaper.
A British man named Derek Plant was clearing out some records purchased by his late father at a car boot sale some 40 years ago when, by complete accident, he discovered an extremely rare Beatle acetate that no-one knew was there.
It was a recording of the song ‘Happiness is a Warm Gun’, made in September 1968. It’s an early take that is quite different to the one that eventually appeared on The White Album:
Back in the day acetate recordings were created at the studio when an artist wanted to take home an example of a song they were working on to listen to some more. They don’t stand up to many plays and are fairly fragile things. In this case an acetate was made for Paul McCartney.
How it came to be in that car boot sale box of records is unknown, but Derek was about to take it to the tip. Unbeknownst to him the rare disc was tucked away inside the cover of this children’s novelty record:
As he was packing his van the Ken Dodd and the Diddymen record just happened to fall out of the box, land on the driveway, and it was only then it revealed it’s Beatle treasure inside. The acetate had been hidden inside that record sleeve all along. Having been a Beatle collector for years, Derek knew immediately that he’d discovered something very special.
On September 9, 2021, John Lennon’sImagine LP turns 50 years-old.
With that anniversary comes a new logo, and a new opportunity to sell the LP to us once more….this is despite it having had something of a spectacular re-mix campaign reissue just three years ago in a wide range of formats.
To celebrate it’s 50th, Universal Music yesterday announced a 50th anniversary, limited-edition “collectors” white vinyl 2LP of Imagine.
This features the exact same 2018 “Ultimate Mix” of the album by engineer Paul Hicks and produced by Yoko Ono on disc 1, and the exact same set of album outtakes on disc 2.
When that 2LP set was issued in 2018 it was offered on a 2LP black vinyl:
And there was also a limited edition 2LP clear vinyl set:
As you can see, its now a case of “spot the difference” with this latest white vinyl iteration:
So, what do you think? Will you be buying it one more time?
The white vinyl version ships on September 10th. Here’s the track listing:
Side A 1. Imagine 2. Crippled Inside 3. Jealous Guy 4. It’s So Hard 5. I Don’t Wanna Be A Soldier Mama I Don’t Wanna Die
Side B 6. Gimme Some Truth 7. Oh My Love 8. How Do You Sleep? 9. How? 10. Oh Yoko!
Side C 11. Imagine (Original demo recorded at Ascot) 12. Imagine (Take 1) 13. Crippled Inside (Take 3) 14. Crippled Inside (Take 6 alternate guitar solo) 15. Jealous Guy (Take 9) 16. It’s So Hard (Take 6)
Side D 17. I Don’t Wanna Be A Soldier Mama I Don’t Wanna Die (Take 25) 18. Gimme Some Truth (Take 4) 19. Oh My Love (Take 6) 20. How Do You Sleep? (Takes 1 & 2) 21. Oh Yoko! (From Bed Peace footage – Sheraton Hotel, Bahamas 1969)
The recent McCartney III release, and its follow-up McCartney III Imagined, will probably go down in history as having the most vinyl colour, cover artwork and physical format variations of any Beatle or Beatle-related release ever.
For the McCartney III LP, CD and cassette we produced this chart to help keep track:
That’s no less than12 LPs in different colours (not counting the very rare Third Man Records test pressing – of which only 3 copies were made available in the world), 12 CD variants with colour, cover or track-listing differences, and 2 cassettes. It also doesn’t include all the different bundles that came in boxes containing either tee-shirts, dice, etc.
Then, as the variants of McCartney III Imagined started to pile up, we produced this chart:
Here you can see there were 10 LPs in different colours and/or cover artwork, 6 CDs, and again two different cassette variations.
If you’ve ever wondered if anyone has actually succeeded in collecting absolutely every variation of those two releases, wonder no more.
One of our readers this week sent in this amazing image of all the variants he collected of these two releases and we think you’ll agree it is mighty impressive:
From what we can see for McCartney III he doesn’t have absolutely everything, but comes pretty darn close! Obviously missing is the very limited Third Man Records pressing on yellow and black vinyl and sporting a unique cover design. There were only 333 copies of this pressed. These were available only via the Third Man Records website, and only for a very limited time before all were snapped up.
As for the McCartney III Imagined LPs, CD,s and cassettes though…..we reckon he’s got the full set of everything. What an impressive collection!
Finally, after months (or is it years?), the official announcement for the 50th anniversary editions of The BeatlesLet It Be has been made public.
And in physical form this is what we’ll be getting – on October 15:
It begins with a 180-gram, half-speed mastered vinyl 4LP set that also includes a 45rpm 12-inch vinyl EP, with a 105-page hardbound book in a special die-cut slipcase.
There’ll also be a special edition of the same content on a 5CD + 1Blu-ray (containing the album’s new stereo mix in hi-res 96kHz/24-bit; new 5.1 surround DTS and Dolby Atmos album mixes), also with a 105-page hardbound book in a die-cut slipcase.
Both these total 57 tracks in all: the original Let It Be LP in a new stereo mix by Giles Martin and Sam Okell, two discs of previously unreleased outtakes, studio jams and rehearsals, and the previously unreleased 1969 Get Back LP mix by Glyn Johns, newly remastered. Then there’s that Let It Be EP (in both the vinyl and CD boxes) as a separate disc containing 4 tracks: o Glyn Johns’ unreleased 1970 mixes of ‘Across The Universe’ and ‘I Me Mine’. o Giles Martin & Sam Okell’s new stereo mixes of the ‘Don’t Let Me Down’ and ‘Let It Be’ singles.
The hardback book this time will be available in both boxes – something that hasn’t happened before with Beatle re-mix re-issues. It features a foreword by Paul McCartney, an introduction by Giles Martin; a remembrance by Glyn Johns; chapters and detailed track notes by Beatles historian, author, and radio producer Kevin Howlett; and an essay by journalist and author John Harris exploring the sessions’ myths vs. reality. The book is illustrated, scrapbook style, with rare and previously unpublished photos by Ethan Russell and Linda McCartney, as well as never before published images of handwritten lyrics, session notes, sketches, Beatles correspondence, tape boxes, film frames, and more.
After the two ‘Super Deluxe’ boxes there’s a 2CD set that comes in a digipak with a 40-page booklet. This set contains on one disc the original Let It Be album (in it’s new stereo mix), plus a disc unique to this set with 13 tracks of highlights from the previously unreleased outtakes, studio jams, rehearsals, and the previously unreleased Glyn Johns 1970 mix of ‘Across The Universe’. That makes it an interesting purchase for those completists among us!
Of course, there’s the stand-alone 1 LP which is also half-speed mastered and pressed on 180-gram vinyl, along with a single CD of the of the original album in re-mixed form too.
And there’s to be a picture disc as well.
As to track listings, here are images of the rear covers of the 4LP/EP box set:
And the 5CD/Blu-ray:
And the rear cover of the single LP:
Click on any of the images above to see larger versions.
We liked the artwork on the offical Bealtes page depicting some masking tape with the words Let It Be roughly stuck over what was the original title of this project: Get Back.
Really looking forward to hearing this re-mix. It is a favourite LP for us, up there with Pepper, Abbey Road and The White Album for sure.
For quite a few years now we’ve had in the collection a complete set of all the Beatles UK singles that go inside the 1982 box set, The Beatles Singles Collection.
Only thing is, we didn’t have the lovey blue box with gold embossed writing to hold them.
We’ve been searching on eBay and other places for quite some time to find an empty box in excellent condition. Have even bid on a couple over the years, but have never been successful.
Then, a few weeks back, a very nice example came up for sale, and here it is:
This box has the catalogue number BSCP1:
That BSCP1 marking means that the box should contain all 22 singles The Beatles released between 1962-1970, plus 4 singles that were issued following the break-up (‘Yesterday’ from March, 1976; ‘Back In The USSR’ from June, 1976; ‘Sgt. Pepper’s Lonely Hearts Club Band/With a Little Help From My Friends’ from September, 1978; and ‘The Beatles Movie Medley’ from May, 1982). Each should also be housed in unique paper picture sleeves, plus (and this is what delineates this release from the earlier BSC1 Singles box), a picture disc of ‘Love Me Do’ should also be included.
So, that’s 27 discs in all.
It should also have a blue paper insert detailing the complete list of singles with recording dates, release dates and chart positions.
Each single has labels reproduced just as they would have been in the UK at the time of original release too. That means the first two singles, ‘Love Me Do’ and ‘Please Please Me’, are on the red Parlophone label:
From the singles ‘From Me To You’ through to ‘Lady Madonna’, the labels are the black and silver Parlophone/EMI:
Then, from ‘Hey Jude’ through to ‘Let It Be’, we get the green Apple label:
Here are the covers and labels for the four additional singles, ‘Yesterday’, ‘Back In The USSR’, ‘Sgt. Pepper’s Lonely Hearts Club Band/With a Little Help From My Friends’, and ‘The Beatles Movie Medley’:
The final single in this set is a ‘Love Me Do’ picture disc, housed in its original clear plastic sleeve:
Apple, Walt Disney Studios and Wingnut Films have just gone public on their plans for the release of the Peter Jackson-directed film, The Beatles: Get Back.
What many thought would be something like a 2-hour cinema release has morphed into something much, much bigger. It is to be a three-part documentary series, screened over three days on the Disney+ channel. Each episode is around two hours in duration.
Journalist Joe Hagan has been given an exclusive preview and his article about what he saw is in the magazine Vanity Fair. He describes it as “a mindblower”.
Over Six Hours of Never-Before-Seen Restored Footage, Including The Beatles’ Last Live Performance, to Roll Out on Disney+ Over Three Days, November 25, 26 and 27, 2021
BURBANK, Calif. (June 17, 2021) – The Walt Disney Studios, Apple Corps Ltd. and WingNut Films Productions Ltd. announced today that Disney+ will bring “The Beatles: Get Back,” a Disney+ Original documentary series directed by Peter Jackson, to fans and music lovers worldwide.
Because of the wealth of tremendous footage Peter Jackson has reviewed, which he has spent the past three years restoring and editing, “The Beatles: Get Back” will be presented as three separate episodes. Each episode is approximately two hours in length, rolling out over three days, November 25, 26 and 27, 2021, exclusively on Disney+.
“As a huge Beatles fan myself, I am absolutely thrilled that Disney+ will be the home for this extraordinary documentary series by the legendary filmmaker Peter Jackson,” said Bob Iger, Executive Chairman and Chairman of the Board, The Walt Disney Company. “This phenomenal collection of never-before-seen footage offers an unprecedented look at the close camaraderie, genius songwriting, and indelible impact of one of the most iconic and culturally influential bands of all time, and we can’t wait to share ‘The Beatles: Get Back’ with fans around the world.”
Peter Jackson commented, “In many respects, Michael Lindsay-Hogg’s remarkable footage captured multiple storylines. The story of friends and of individuals. It is the story of human frailties and of a divine partnership. It is a detailed account of the creative process, with the crafting of iconic songs under pressure, set amid the social climate of early 1969. But it’s not nostalgia – it’s raw, honest, and human. Over six hours, you’ll get to know The Beatles with an intimacy that you never thought possible.”
He added, “I’m very grateful to The Beatles, Apple Corps and Disney for allowing me to present this story in exactly the way it should be told. I’ve been immersed in this project for nearly three years, and I’m very excited that audiences around the world will finally be able to see it.”
Directed by three-time Oscar®-winning filmmaker Peter Jackson (“The Lord of the Rings” trilogy, “They Shall Not Grow Old”), “The Beatles: Get Back” takes audiences back in time to the band’s intimate recording sessions during a pivotal moment in music history. The documentary showcases the warmth, camaraderie and creative genius that defined the legacy of the iconic foursome, compiled from over 60 hours of unseen footage shot in January 1969 (by Michael Lindsay-Hogg) and more than 150 hours of unheard audio, all of which has been brilliantly restored. Jackson is the only person in 50 years to have been given access to these private film archives. “The Beatles: Get Back” is the story of John Lennon, Paul McCartney, George Harrison and Ringo Starr as they plan their first live show in over two years, capturing the writing and rehearsing of 14 new songs, originally intended for release on an accompanying live album. The documentary features – for the first time in its entirety – The Beatles’ last live performance as a group, the unforgettable rooftop concert on London’s Savile Row, as well as other songs and classic compositions featured on the band’s final two albums, Abbey Road and Let It Be.
An exciting new collaboration between The Beatles and Jackson presented by The Walt Disney Studios in association with Apple Corps Ltd. and WingNut Films Productions Ltd., “The Beatles: Get Back” is directed by Peter Jackson, produced by Clare Olssen (“They Shall Not Grow Old”) and Jonathan Clyde (“Eight Days a Week”), with Ken Kamins (“The Hobbit” trilogy) and Apple Corps’ Jeff Jones (“Eight Days a Week”) serving as executive producers. Jabez Olssen (“Rogue One: A Star Wars Story”) serves as the documentary’s editor, and the music is mixed by Giles Martin (“Rocketman”) and Sam Okell (“Yesterday”).
“The Beatles: Get Back” is being made with the enthusiastic support of Paul McCartney, Ringo Starr, Yoko Ono Lennon and Olivia Harrison.
Ahead of the documentary’s Disney+ debut, Apple Corps Ltd./Callaway Arts & Entertainment will release The Beatles: Get Back book on October 12. Beautifully designed and produced, the 240-page hardcover complements the “Get Back” documentary with transcriptions of The Beatles’ recorded conversations and hundreds of exclusive, never before published photos from the three weeks of sessions. The collectible book will be published in nine international language editions, including English. (ends)
No news yet about a physical release of the 6-hour plus documentary for fans, nor of any Super Deluxe box set of the music. Watch this space.
We weren’t aware (until we saw it just now) that there was anything of much interest for the “must have it all” completists among us – but there is!
The first is from Dark Horse, the label owned and operated by the George Harrison estate. The Dark Horse Records revival continues with a Limited Edition 12″ picture disc single of Joe Strummer’s ‘Junco Partner (Acoustic)’/’Junco Partner (Live)’:
The A-side features the home recording of the song ‘Junco Partner’, taken from Strummer’s latest LP called Assembly which is a compilation released earlier this year on the Dark Horse label. The B-side features a non-LP track, a live recording of the same song from Strummer and and his band The Mescaleros at London’s Brixton Academy in 2001.
The second release is a little more obscure. This is the first release on newly set up War Child Records and it is only available as part of UK Record Store Day Drop 1, and only 1000 copies have been pressed.
Back in 1995 as part of a fundraising effort, the HELP EP and ‘Come Together’ single were released by Go! Discs. These were associated with the iconic HELP album, which helped change the lives of children affected by the Yugoslavian civil war. Now they’ve been put on vinyl together as a very special 12-inch for the first time.
The EPs have been remastered by John Davis at Metropolis Studios. Side A features Radiohead, PJ Harvey, Guru and Portishead. Side B features the Smokin’ Mojo Filters (with Paul McCartney, Noel Gallagher and Paul Weller), The Beautiful South, Dodgy and Black Grape. Cover art is by 3D (Massive Attack), which featured on the CD inner sleeve of the original 1995 HELP album, updated exclusively by the artist for this release. The back cover is the orignal John Squire piece which featured on the Help EP original cover in 1995, reshot for this release.
Speaking of books, here’s the little one that Paul McCartney referenced as part of the inspiration for his song ‘The Kiss of Venus’, found on the recently-released McCartney III.
“I had a cool little book Jools Holland’s wife had given me, kind of an astrology book, all about the planets and the movements and the fantastic synchronicity of it all. A fascinating book, actually, when the planets go through all the little things, if you look at a graph, as it were, of them all, it like makes a lotus. It’s trippy. There was some great little phrases – “the kiss of Venus” was one of them. So I was loving that book and I was making up a song about that, but that was an instance of forcing myself to write. And I felt good after it. I thought, ‘Yeah that’s a pretty good little song.’ I haven’t had time to record it, but I will.”
It is indeed a lovely little paperback by John Martineau called A Little Book of Coincidence in the Solar System, which examines geometry and harmony in the universe and yes, there is a chapter entitled The Kiss of Venus.
Martineau is the publisher and editor of the award-winning Wooden Books pocket liberal arts series, which has been translated into 20 languages worldwide.
The “kiss” of Venus with the Earth occurs every 584 days and, over an eight year period (exactly!), that movement of the heavenly body as it moves around the Earth draws a beautiful geometric pattern.
Meanwhile, the song features Paul on vocals and guitar, and there’s a neat little harpsichord solo included as well:
A demo “phone” version of ‘The Kiss of Venus’ is one of the four bonus tracks on the Japanese CD edition of McCartney III. It’s can also be found as a single bonus track (Track 12) on one of the four “budget” CD versions of the album released in the UK and in the US:
I wonder if we’ll learn anything more about the origins of ‘The Kiss of Venus’ in McCartney’s forthcoming The Lyrics book?