New John Lennon Compilations – Gimme Some Truth

Just officially announced: it’s Gimme Some Truth. Again………..but different.

10 years ago we got a four CD compilation box set called Gimme Some Truth.

Today comes the announcement that, as part of the celebrations for John Lennon’s 80th birthday, a new selection of his solo recordings have been completely re-mixed from scratch for a new collection called (you guessed it), Gimme Some Truth:  Huh? What’s this all about, and why?

This is yet another “Best Of” selection, this time around chosen by Yoko Ono and Sean Ono Lennon, and in physical format it will be issued in a plethora of ways:

1 CD (19 tracks); 2 LP (19 tracks); 2 CD’s (36 tracks); 4 LP Box Set (36 tracks); and a Deluxe Box Set with 2 CD’s + Blu-Ray (audio only with High Definition 24-96 Stereo,
5.1 Surround Sound and Dolby Atmos mixes) + 124 page book, poster, postcards and sticker (36 tracks).

Of the 36 tracks on offer here, 30 of them were already included on the 2010 Gimme Some Truth box.

However, the Lennon official site says that what differentiates this 2020 Gimme Some Truth is that all the tracks have now (quote) “…been completely remixed…using brand new transfers of the original multi-tracks, cleaned up to the highest possible sonic quality…radically upgrading their sonic quality, presenting them as a never-before-heard Ultimate Listening Experience.”

This new box set has been mixed and engineered by multi GRAMMY® Award-winning engineer Paul Hicks.

It was Hicks who did the mixes for Imagine – The Ultimate Collection in 2018 and, it has to be said, he did an exceptional job so it’ll be interesting to hear the improvements to these 36 tracks.

“After weeks of painstaking preparation, the final mixes and effects were completed using only vintage analogue equipment and effects at Henson Recording Studios in Los Angeles (formerly A&M Studios, where John had recorded some of the Rock ‘n’ Roll album), and then mastered in analogue at Abbey Road Studios in order to ensure the most beautiful and authentic sound quality possible.”

Have a listen and make up your own mind on this preview track on YouTube:

So, there will be the inevitable claims of another cash grab and that this is another go at selling us music we already have. Personally, I’m looking forward to these tracks being presented in the best possible audio. But that’s just me. What do you reckon? Let us know in the comment section below.

The question a lot of collectors are now asking is does this mean we won’t be getting the rumoured big re-issue campaign for Plastic Ono Band, John’s 1970 masterpiece which has its 50th anniversary later this year? It seems we won’t.

Beatle Podcast – Beatles City

We’ve only just become aware of a pretty decent and worthwhile Beatle podcast called Beatles City.

This one definitely sits more under the “History” genre subtitle than it does “Music” – so maybe that’s why it’s eluded us so far. But it’s great and well worth a listen!

Esquire magazine recently included Beatles City in their “93 Best Podcasts of 2020” list:

It’s the 50th anniversary of the band’s poisonous break-up, but this project from the Liverpool Echo digs back into the very early years of the Beatles. Everyone in Liverpool has a Beatles story in their family, whether it’s nana seeing them at the Cavern on her lunch hour or your dad’s mate’s uncle’s mate who swears blind he sold George Harrison a Ford Cortina in 1963. This project from the Liverpool Echo tries to record them all before they fall out of living memory – take Helen Anderson, for instance, a contemporary of John Lennon at Liverpool College of Art. She made clothes for Lennon from sketches he gave her, and sat in on his early rehearsals at the college with Paul and George.

Beatles City is co-hosted and curated by Ellen Kirwin and Laura Davis and is funded by the Liverpool Echo newspaper. The podcast is an effort to document, in audio form, the early history of that city’s most famous sons – and as much as possible through the eyes of the local people who were there at the time, watching this band form and take on the world.

Now in it’s fourth series, the podcast has some extraordinary eye-witness accounts from names we know like Pete Best and Freda Kelly, through to the more obscure (but none-the-less interesting) aquaintances and bit-players in the larger story.

Check out the trailer for Series 1:

Meeting The Beatles In India – Film Release

Meeting The Beatles In India, the film we told you was in production way back in 2018, is finally set for its world premiere next month.

Meeting The Beatles In India is a documentary about The Beatles‘ historic 1968 trip to study Transcendental Meditation (TM) at the Maharishi Mahesh Yogi’s ashram retreat in Rishikesh. It was here the band immersed themselves further in the Maharishi’s teachings, and where they wrote so many of the songs that would appear on their next LP, The Beatles (a.k.a. The White Album).

The film tells the story of a young man named Paul Saltzman, an American photographer on his own journey toward spiritual enlightenment who just happened to arrive at the ashram at the very same time as The Beatles.

Saltzman interacted with the band, watched as they composed, and took many of the now-famous photos from the time, including this iconic image featuring the band, their wives and girlfriends, Beach Boy Mike Love, Donovan, Mia Farrow, her sister Prudence, and others:

Narrated by Morgan Freeman, Meeting The Beatles In India features more than 40 previously unseen photos from Saltzman’s stay in India. There are interviews with others who were at the retreat too, including Pattie Boyd (former wife of George Harrison), her sister Jenny Boyd, and the man about whom John Lennon wrote the song ‘The Continuing Story of Bungalow Bill’.

The movie also sees Saltzman discussing Transcendental Meditation with Twin Peaks director David Lynch (a huge advocate for TM), and footage of Saltzman paying a present-day visit to the now-abandoned ashram. He’s accompanied by the highly respected  Beatle historian Mark Lewisohn.

Meeting The Beatles In India has its virtual world premiere online on September 9 via the Gathr Films website.

Harrison on Harrison – A New Book

George Harrison on George Harrison: Interviews and Encounters is a new anthology of the words of George Harrison by Grammy Award winning author Ashley Kahn.

Being a Beatle (and an ex-Beatle) meant that Harrison was interviewed literally thousands of times over the course of his life. This carefully curated and chronologically arranged anthology pulls together some of his most revealing and illuminating interviews, personal correspondences and writings. It spans the years 1962 to 2001 and provides a remarkable insight into the man he really was. You come away from this book with evidence that George Harrison was way more than just “the quiet Beatle“. He was an articulate, funny, candid and deeply spiritual human being.

In many cases Kahn has uncovered interview tapes that have never been shared publicly in full before, and he includes them here unfiltered, without bias or interpretation.

Some of the stand-outs for us are the interviews by David Wigg, Anthony DeCurtis and Maureen Cleave. Cleave wrote a fascinating piece on Harrison for the London Evening Standard in 1966 entitled “How a Beatle Lives. Part 3: George Harrison—Avocado with Everything . . . ”.  Now, remember, he’s just 23 years old at this point in time but in the second paragraph of Cleave’s article she states that Harrison is: “…a strong-willed and uncompromising character with a strict regard for what he considers to be the truth, and an even stricter regard for his own rights.” This is a trait that stayed with him throughout his life.

Three years later, David Wigg asks Harrison how he comes to terms with fame and being a Beatle:

George Harrison: All I’m doing, I’m acting out the part of Beatle George, and, you know, we’re all acting out our own parts. The world is a stage and the people are the players. Shakespeare said that. And he’s right, you know.

David Wigg: Do you expect another part, later?

Harrison: Oh, many parts. Yes.

Wigg: Is that why you’ve come to terms with it?

Harrison: Yes, because you just do whatever you can do. I mean, even if it’s being a Beatle for the rest of my life, it’s still only a temporary thing. And, I mean really, all we did was get born and live so many years and this is what happened. I got born seemingly to become Beatle George. But it doesn’t really matter who you are or what you are, because that’s only a temporary sort of tag for a limited sort of period of years.

That approach to life (in this temporal world and beyond) were to remain a constant.

Nearly twenty years later, in an interview with Anthony DeCurtis for Rolling Stone magazine around the time of the release of the album Cloud Nine, Harrison was still looking to keep the same even keel to his life, to keep things in perspective:

DeCurtis: One of the things about it, in mentioning that, you’ve always been a person who’s taken such care to keep a private life, to maintain that kind of thing. Does it feel sort of strange to be back in the record company office, sitting down, interviews, tapings? All this business?

Harrison: Not really, not really. I feel it’s like, sort of, say, somebody who is a fireman, or something, and he doesn’t sit around in his fireman suit all of his life. But when he goes to work he puts it on and he goes and gets on his fire engine. It’s sort of like that. Once I’ve done all this bit, I’ll walk away and I’m still . . . I mean it’s only the moment I’m in Warner Brothers office, or, somebody comes up to me and says, “Hey, will you sign this record,” or something, that I’m conscious of being an ex-Beatle and being George Harrison. I don’t live my life thinking that I’m this sort of . . . pop person. And so I think, now even more so, it’s just much easier for me to talk to people. I just talk to them like one human to another. And although that’s all superimposed on top of my being, all this past and present, but I just walk away from these interviews and just carry on as if nothing happened.

Of course being based in Australia we were pleased to see included a 1988 interview by the respected Australian journalist, Ray Martin, who got another perspective on how Harrison counteracted that “Beatle George Harrison” expectation that accompanied him wherever he went:

Martin: There is a quote….of you saying that “I have to be more ordinary than ordinary people are.” Why do you have to be more ordinary?

Harrison: [Chuckles.] Well, because, um, people have—we all have concepts of each other, you know? And the concept is, somebody see[s] me on a plane or in the streets or something, and they immediately remember all this Beatle stuff, and they have this concept of me as that person. But in reality, I don’t go around thinking of myself as “George Harrison the Beatle,” or whatever. I do now because I’m on the television, but normally I’m just like you, you know, just like everybody else; I’m just a human, and sometimes you have to, rather than just be ordinary, you have to make an effort to be more ordinary, in as much as that they will calm down and try to see that there’s actually a person in here [gestures toward himself]—other than this big myth about the Beatles. That’s all.

This is just one of many themes running through the content painstakingly gathered together for this book. George’s words reveal the complexity of his character: wise but at times naïve, sensitive but also self-deprecating, and always refreshingly, unabashedly human. As editor Ashley Kahn writes in his preface: “Read his words and know the man. Read, and know a life well-lived.

George Harrison on George Harrison: Interviews and Encounters is published by Chicago Review Press.

As a side note, Chicago Review Press has an extensive number of titles done in the same style as this book. They are part of a ‘Musicians In Their Own Words’ series, and the list of artists is lengthy including Dylan, Coltrane, Joni Mitchell, Bowie and Miles Davis – to name but a few. One you might also want to seek out is Lennon on Lennon: Conversations with John Lennon.

The Famous Q Magazine Comes to an End

It was sad to read last week that after 34 years the influential and very readable Q magazine has shut up shop for good. Here’s the cover of the last-ever edition:. Editor Ted Kessler said in a tweet: “The pandemic did for us, and there was nothing more to it than that.” In an editor’s letter in the final issue he writes: “We’ve been a lean operation for all of my tenure, employing a variety of ways to help keep our head above water in an extremely challenging print market. Covid-19 wiped all that out. I must apologise profusely for my failure to keep Q afloat.”

The magazine’s circulation had fallen to 28,000 per month from a peak of 200,000 in 2001.

Q was founded in 1986 by Smash Hits writers Mark Ellen and David Hepworth. It arrived at the same time as the CD revolution took off – and its glossy, aspirational format chimed perfectly with the times.

Over those 34 years Q, like many other music magazines, has had its fair share of Beatles on the cover. They are, and remain, a way to sell more copies – just take the latest edition of British GQ magazine that has Paul McCartney front and centre – including an extensive new interview:

In a trip down memory lane, here are a few favourite Q magazine Beatle-inspired covers from over the years. Turns out McCartney graced the very first Q :

He became a fairly frequent visitor:

As was John Lennon on many an occasion: As they did above, sometimes Q would produce multiple versions of a cover to make a particular commemorative edition more collectable – like this series for Lennon’s 70th birthdate:

The Beatles as a band were not all that frequently seen, though certainly written about often:

This image of John and Paul is memorable:

As are these two of Paul, firstly with his Hofner bass: And then as a mystery man:
So, fare-thee-well Q mag. You’ll be missed. It’s been mighty real over the last 34 years. Sad to see yet another casualty of COVID-19. The shockwaves of this thing continue to ripple outwards.

McCartney Flaming Pie – Unboxing

As usual, the Super Deluxe Edition site has provided one of the most comprehensive unboxing videos of Flaming Pie, the new Paul McCartney Archive Collection release.

It is shown in all its variations and in all its glory, from the humble 2 CD through to the mammoth (and expensive) Collector’s Edition.

Check it out here: