On September 9, 2021, John Lennon’sImagine LP turns 50 years-old.
With that anniversary comes a new logo, and a new opportunity to sell the LP to us once more….this is despite it having had something of a spectacular re-mix campaign reissue just three years ago in a wide range of formats.
To celebrate it’s 50th, Universal Music yesterday announced a 50th anniversary, limited-edition “collectors” white vinyl 2LP of Imagine.
This features the exact same 2018 “Ultimate Mix” of the album by engineer Paul Hicks and produced by Yoko Ono on disc 1, and the exact same set of album outtakes on disc 2.
When that 2LP set was issued in 2018 it was offered on a 2LP black vinyl:
And there was also a limited edition 2LP clear vinyl set:
As you can see, its now a case of “spot the difference” with this latest white vinyl iteration:
So, what do you think? Will you be buying it one more time?
The white vinyl version ships on September 10th. Here’s the track listing:
Side A 1. Imagine 2. Crippled Inside 3. Jealous Guy 4. It’s So Hard 5. I Don’t Wanna Be A Soldier Mama I Don’t Wanna Die
Side B 6. Gimme Some Truth 7. Oh My Love 8. How Do You Sleep? 9. How? 10. Oh Yoko!
Side C 11. Imagine (Original demo recorded at Ascot) 12. Imagine (Take 1) 13. Crippled Inside (Take 3) 14. Crippled Inside (Take 6 alternate guitar solo) 15. Jealous Guy (Take 9) 16. It’s So Hard (Take 6)
Side D 17. I Don’t Wanna Be A Soldier Mama I Don’t Wanna Die (Take 25) 18. Gimme Some Truth (Take 4) 19. Oh My Love (Take 6) 20. How Do You Sleep? (Takes 1 & 2) 21. Oh Yoko! (From Bed Peace footage – Sheraton Hotel, Bahamas 1969)
As we eagerly await the release later this week of the Plastic Ono Band super deluxe editions it’s been interesting to listen to two rare John and Yoko interview discs recorded during the same era.
The two discs are John Lennon & Yoko Ono Special Interview (January 25, 1971, in Tokyo), and John Lennon & Yoko Ono Special Interview (September 2, 1971 in New York).
Both these were only made available recently, and only in Japan. The one place to purchase them was from the museum shop at the Double Fantasy – John & Yoko exhibition, held at the Sony Music Roppongi Museum in Tokyo in late 2020/early 2021. We were lucky as a family friend who lives there got both discs for us and sent them via snail mail to Australia. It took a while, but they eventually got here!
As the titles suggest, these recordings date back to 1971, and hearing John and Yoko talking about their then just-released Plastic Ono Band LPs (one from John, one from Yoko), and also about Lennon’s Imagine LP, adds to our understanding: what they were thinking and saying about the albums at the time.
As you can see, these have been lovingly created in the typical Japanese style. They both come in gatefold sleeves with Grapefruit OBI strips, and they’re both pressed on lovely 10″ clear vinyl.
Both album sleeves say “Printed in Japan”, and state that the vinyl is pressed in Czech Republic. However, inside the labels say “Made in USA”. Confusing.
On the OBI strip and on the record labels there are Columbia Records logos (i.e. Sony Music), while on the covers there are Sony Music, Secretly Canadian and Chimera Music logos printed on the rear sleeves.
And of course being Japanese releases, these both have a paper sheet inserts printed on both sides with more detail and info (in Japanese!) about the EP and the Double Fantasy exhibition:
One of these interview discs at least (John Lennon & Yoko Ono Special Interview (September 2, 1971 in New York) has been previously released. This was back in 1971 in Japan – and it came out on the Apple label. This release was a fan-only, 7″ 45rpm EP. It has the same artwork throughout as this 2020 re-issue and came in a gatefold cover too. Apparently in Japan in 1971 the first 1,000 copies of of Imagine contained a postcard which the buyer could use to order the interview EP for free:
Seeing the original Japanese Apple labels from 1971 reminds us of the amazing attention to detail the Japanese go to when recreating re-issues. If you look closely you can see that even the lettering has been meticulously copied from the Apple original to the 2020 version on the Grapfruit label:
The interview on January 25, 1971 took place in Tokyo’s Teikoku or “Imperial” Hotel. It is conducted in English and Japanese – but mostly Japanese. The Lennon’s state that they are in the country to visit Yoko’s family and are trying to keep a low profile, so it is not an official visit as such. But they’ve obviously called a short press conference to talk briefly about what would have then been their latest releases, the two Plastic Ono Band LPs.
As you can see from the sleeve images above, the two are photographed holding these albums (and The Wedding Album) on the front, rear and gatefold covers.
Here’s a short extract from this disc to give you a feel for what it contains. John is asked about the direct nature of his lyrics on Plastic Ono Band. Is it something like Japanese Haiku poetry?
“This album is shibui!” he declares. Shibui refers to a particular aesthetic of simple, subtle, and unobtrusive beauty. Like other Japanese aesthetics terms, it can apply to a wide variety of subjects, not just art or fashion (see Wikipedia).
There is a small amount of original music on the January 25, 1971 interview disc. At one point Yoko is busy speaking in Japanese to the interviewer while John Lennon in the background has obviously picked up an acoustic guitar and gently finger picks the melodies of ‘Sun King’ and then ‘Dear Prudence’. And at the very end of the press conference there is a short live version of ‘Give Peace A Chance’.
The interview on the second 10″ clear EP takes place in New York on September 2, 1971. Here they talk a lot more about Imagine as it has just been released, but John compares it to Plastic Ono Band, the LP which precedes it. Lennon says the Imagine album is more relaxed compared to Plastic Ono Band. And ‘Imagine’ the song, he says, has almost the the same story as the song ‘Working Class Hero’ from Plastic Ono Band, only ‘Imagine’ is expressed in a more “child-like” way.
Sound-wise he says he wanted Plastic Ono Band to be very spare, but this time (on Imagine) he wanted strings and saxophone, and to work using more musicians. The other contrast between the two LPs he makes is along the lines of: “Last year [when I made Plastic Ono Band] I had long hair and a beard. Now I’ve got short hair and no beard. So it’s like shaving. It’s a bit cleaner looking, more acceptable to people”.
The dream wait is over, what can I say? The dream wait is over, yesterday….
It’s taken a while (there’s even been an official countdown clock ticking down just for the announcement) but Yoko Ono and Sean Ono Lennon have at last revealed the release date (16 April), and the contents of the 50th anniversary box set of John Lennon’s legendary Plastic Ono Band solo album.
And it looks really good. The wait appears to have been worth it:
Rather than detail it all here it’s best to click through to the official John Lennon website which has all the information – and more – about what this 6 CD, 2 Blu-Ray Audio Disc Plastic Ono Band Ultimate Collection deluxe box set will contain. They’ve created a fantastic site with masses of information, images and memorabilia.
There is of course also a 2LP Half Speed Master release, a two CD edition, and a single CD release as well. Accurate track listings for each for each of these are also included on the Lennon site.
There’s a terrific exhibition on at the moment in Tokyo called Double Fantasy – John & Yoko:There are a couple of interesting collectors items that you can purchase from this exhibition. The first is the official exhibition catalogue – a thick book that serves as a comprehensive overview of everything on display:
We also liked the look of these two Limited Edition, 10-inch clear vinyl records which are only available through the Double Fantasy – John & Yokomuseum store:
These contain interviews with John and Yoko. The first is ‘John Lennon and Yoko Ono – Special Interview, January 25, 1971 at the Imperial (Teikoko) Hotel’.
The second is ‘John Lennon and Yoko Ono – Special Interview, September 2, 1971 New York’. They are both on the same label as Ono’s album re-issues for the Secretly Canadian/Chimera label in the US, and the Sony Records International label in Japan – featuring a cut grapefruit instead of an apple.
There’s also this Limited Edition Yoko Ono single on white vinyl, released on November 25. Again this appears to be exclusive to the exhibition store:
Double Fantasy – John & Yoko is a large-scale exhibit which was first mounted in John Lennon’s hometown of Liverpool (at the Liverpool Museum in England) between May, 2018 and November, 2019.
In 2020 that very same exhibition has come to Yoko Ono’s hometown, Tokyo.
There are many connections for the couple with Japan. John, Yoko, and Sean Ono Lennon visited the country every year between 1977 and 1979 and enjoyed numerous family trips to various places as John’s green card (granted to him in 1976) made it possible for them to once again travel outside the United States.
Japan’s NHK TV last week ran a story about the exhibition. It included this insightful interview with Sean who shared his memories of visiting Japan, about growing up as the son of two of the most famous people in the world, and the role his parents played in promoting peace – it’s well worth a look.
Yoko was deeply involved in the curation of Double Fantasy – John & Yoko and it contains a wealth of rare original historic documents, photographs, films, objects, artworks and personal items from key moments in the lives of the two. It apparently takes more than two hours to view everything and get a thorough overview of what is on offer: One of the treasures is John’s hand-made, teenage satiric magazine (from c.1957) containing his cartoons and drawings called The Daily Howl:
There’s also an original copy of Yoko’s book Grapefruit which she gave to John as a gift. First published in 1964, Grapefruit represents a seminal piece of conceptual art that had a direct influence on the lyrics and concepts behind the song ‘Imagine’:
Also on display are numerous handwritten lyrics by Lennon including ‘Imagine’, ‘In My Life’, ‘Give Peace a Chance’, ‘Happy Xmas (War is Over)’, and ‘Woman’.
There’s also one of the famous works that Yoko showed at her Unfinished Paintings and Objects exhibition at the Indica Gallery in London in 1966. It’s where John first encountered her art up close:Of course there’s also the previously mentioned Museum Shop offering a wide variety of other merchandise…..
Double Fantasy – John & Yoko opened at Tokyo’s Sony Music Roppongi Museum on October 9, the 80th anniversary of John Lennon’s birth.
It runs until January 11, 2021, and has marked the 40th anniversary of his death by setting up a place for visitors to remember John by leaving messages and floral tributes.
Looks like the Lennon camp is belatedly getting in on the coloured vinyl craze – but nothing as lavish/extensive/crazy as the McCartney team (see * links and **image below).
There’s going to be an exclusive US Target store Opaque Blue release for the recent Gimme Some Truth 2 LP set:This Gimme Some Truth double gatefold, previously only available on good old black vinyl, will hit Target stores in the United States on February 19, 2021.
With COVID-19 restrictions now easing quite a bit in most parts of Australia (sadly still not for our friends in Melbourne, Victoria – we’re thinking of you guys!), some of the previously closed opportunity shops around Sydney are re-opening and getting back to normal.
One near us that’s been completely closed for at least six months has suddenly opened its doors once again, and so a forage there over the weekend turned up a couple of interesting items.
With what would have been John Lennon’s 80th birthday looming large this coming Friday, it was a coincidence that all three of the finds where Lennon-related.
They are two books, We All Shine On – The Stories Behind Every John Lennon Song, 1970-1980 and John Lennon – In My Life.
We All Shine On – The Stories Behind Every John Lennon Song, 1970-1980 is by journalist and author Paul Du Noyer.
This is an original Australian edition paperback in a large format, dated 1997. It’s a book that’s been published and re-published numerous times over the years. According to Du Noyer’s website, the latest version is from 2020. The book is also available in German, Spanish, Italian and Czech language editions.
The title says it all: it is the track-by-track story of John Lennon’s last ten years, revealed through the music he made.
In fact we already had a revised and updated UK edition of this same title (in a small paperback format from 2010), but this earlier edition has a slightly different layout. Here are some images of what’s inside:
The second book is quite a fascinating account from former Lennon friend and personal assistant, Pete Shotton (as told to Nicholas Schaffner):
Pete Shotton’s friendship with John Lennon spanned more than thirty years, from the time they met as children in Liverpool to their last meeting in John’s Dakota apartment building in New York. They grew up together in the leafy Liverpool suburb of Woolton and Pete stayed close right through his friend’s rise to fame, wealth and stardom – not as a hanger-on, but as a trusted buddy or mate whom Lennon valued. He was someone who knew Lennon well and didn’t treat him like a star.
Nicholas Schaffner is an author and acknowledged Beatle expert – probably best known for his book The Beatles Forever. In this book Shotton and Schaffner reveal an insider’s view of many of the key public events in Beatle history, but also the private life of John Lennon throughout his career.
As you can see, the text is accompanied by many photographs and documents to help tell the story. This book is well worth seeking out if you haven’t got it already. It was first published in 1983. Here’s the rear cover (and yes, it’s a reverse image of the front):
Also in amongst the CD’s at the opportunity shop was this Apple recording. The photos are ‘as-found’ as they tell a bit of a story in themselves:
This is John Tavener’sThe Whale. Tavener was a young classical composer signed to The Beatles’Apple label in 1969. And it was John Lennon who was influential in making that happen. From the CD booklet:
“Although it was Ringo Starr who became Tavener’s main contact at Apple and who was responsible for getting The Whale onto disc, it was in fact Lennon – contrary to stories elsewhere – who took the first initiative and provided the composer with an introduction to the company. [They] first met in 1969, at a dinner party in London’s Hereford Square, and they marked the occasion by swapping tapes of their latest works. Lennon brought along his avant-garde experiments with Yoko Ono, whilst Tavener played extracts from his opera Notre Dame Des Fleurs, and the BBC recording of The Whale. On the strength of the opera, Lennon invited Tavener to join Apple, although it was The Whale which eventually sufaced on the label.”
The Whale is based on the the story of Jonah and the Whale, and has been described as both a ‘dramatic cantata’ and a ‘Biblical fantasy’. It is performed by the London Sinfonietta and the London Sinfonietta Chorus, conducted by David Atherton. It was recorded in 1970. This CD edition though came out as part of the Apple Records re-issue program in 1991/1992.
It’s interesting to note that the original purchaser of this disc (her name and address is on a sticker on the back) paid $46.99 Australian for it at the time! That’s US$33.74 by today’s exchange rate, or £26 UK pounds. That’s a lot of money – even today. It would have been a huge amount in 1992. The record store JB Hi Fi (it’s a big Australian music chain store) has put a “JB Hi Fi Special Import Sticker” on the spine of the jewel case.
(As usual, click on any of the images to see larger versions)
Today comes the announcement that, as part of the celebrations for John Lennon’s 80th birthday, a new selection of his solo recordings have been completely re-mixed from scratch for a new collection called (you guessed it), Gimme Some Truth: Huh? What’s this all about, and why?
This is yet another “Best Of” selection, this time around chosen by Yoko Ono and Sean Ono Lennon, and in physical format it will be issued in a plethora of ways:
1 CD (19 tracks); 2 LP (19 tracks); 2 CD’s (36 tracks); 4 LP Box Set (36 tracks); and a Deluxe Box Set with 2 CD’s + Blu-Ray (audio only with High Definition 24-96 Stereo,
5.1 Surround Sound and Dolby Atmos mixes) + 124 page book, poster, postcards and sticker (36 tracks).
Of the 36 tracks on offer here, 30 of them were already included on the 2010 Gimme Some Truth box.
However, the Lennon official site says that what differentiates this 2020 Gimme Some Truth is that all the tracks have now (quote) “…been completely remixed…using brand new transfers of the original multi-tracks, cleaned up to the highest possible sonic quality…radically upgrading their sonic quality, presenting them as a never-before-heard Ultimate Listening Experience.”
This new box set has been mixed and engineered by multi GRAMMY® Award-winning engineer Paul Hicks.
It was Hicks who did the mixes for Imagine – The Ultimate Collection in 2018 and, it has to be said, he did an exceptional job so it’ll be interesting to hear the improvements to these 36 tracks.
“After weeks of painstaking preparation, the final mixes and effects were completed using only vintage analogue equipment and effects at Henson Recording Studios in Los Angeles (formerly A&M Studios, where John had recorded some of the Rock ‘n’ Roll album), and then mastered in analogue at Abbey Road Studios in order to ensure the most beautiful and authentic sound quality possible.”
Have a listen and make up your own mind on this preview track on YouTube:
So, there will be the inevitable claims of another cash grab and that this is another go at selling us music we already have. Personally, I’m looking forward to these tracks being presented in the best possible audio. But that’s just me. What do you reckon? Let us know in the comment section below.
The question a lot of collectors are now asking is does this mean we won’t be getting the rumoured big re-issue campaign for Plastic Ono Band, John’s 1970 masterpiece which has its 50th anniversary later this year? It seems we won’t.
In the world-wide response to the COVID-19 pandemic, Record Store Day has become the latest in a long line of events to be postponed. The official site now states:
We’ve decided that the best of all possible moves is to change the date of Record Store Day this year to Saturday, June 20.
We think this gives stores around the world the best chance to have a profitable, successful Record Store Day, while taking into consideration the recommendations of doctors, scientists, the World Health Organization, Centers for Disease Control, and the need to be good citizens of both local and worldwide communities.
We’re working with all of our partners and our stores to make this change as smooth as possible for everyone who participates in Record Store Day: customers, record stores, artists, labels and more. Record Store Day is everywhere and we want to hold our party when everyone can gather around safely to celebrate life, art, music and the culture of the indie record store.
This means we’ll have to wait a little longer to purchase the three Beatle-related items that were announced just over a week ago – but that’s OK.
It’s been a bit quiet on the new Beatle product front for a while. Then comes the 2020 Record Store Day official lists – and not one, but three titles that will be of ineterst to collectors.
First up, Paul McCartney and yet a further re-issue of his first solo album from 1970, simply called McCartney:
This time around, for it’s 50th anniversary, McCartney is getting the Half Speed Master treatment. There will be just 7000 copies produced. If you’d like to know more about Half Speed Mastering UMe has produced this article. Abbey Road Studios engineer Miles Showell (who worked on this 2020 re-issue of McCartney) explains more here:
And, as one wag said on one of the better re-issue forums (Super Deluxe Edition – which we love): “Just as he did fifty years ago, Paul’s making sure his solo album gets released before Let It Be hits the streets…” That’s actually very funny. History repeats.
Also on this year’s Record Store Day list, a Ravi Shankar Centennary Edition of his Chants of India album, produced by George Harrison in 1997. In what is the first physical product to come out of the new distribution relationship between BMG and Harrison’s Dark Horse Records, this LP is being issued for the first time on vinyl – and it will be on red coloured vinyl to boot! 3000 copies are being pressed, and the 2LP set will come in a gatefold cover with an exclusive photo print:
Finally, a John Lennon title is included in the 2020 RSD list. A 7″ black vinyl single of his 1970 hit ‘Instant Karma!’ is being billed as the 2020 Ultimate Mixes. The single will feature newly mixed audio and a faithful reproduction of original UK sleeve artwork. 7000 copies are being pressed:
Record Store Day this year is on Saturday, April 18. Check here for the full list of what is planned for release. You can find the US RSD store here. The official RSD UK store is here.
We attended the quarterly fundraiser for a Sydney community radio station last week. About every three months the classical music station Fine Music 102.5 set up a hall full of tables loaded with donated books, CDs, DVDs, sheet music and a small number of vinyl records.
In the book section there was a very interesting Beatle-related book and a John Lennon book too. In the CD section we found two CD’s – both variations of titles already in the collection – by The Beatles and Paul McCartney. And amongst the DVDs a fun item featuring one Ringo Starr…..
First up, the Beatle-related book:
It Was Twenty Years Ago Today came out thirty years ago as part of what was then the 20th anniversary of the 1967 Summer of Love. It uses the release of The Beatles’Sgt. Pepper’s Lonely Hearts Club Band LP as a stepping off point to build an historical appreciation of what was a fairly wild and crazy year in music, art, fashion, politics, religion, relationships and generational change.
Written by a genuine Beatle insider (former Apple press officer Derek Taylor), this book is also associated with a television program of the same name released that year.
Derek Taylor is witty, erudite and clever at pulling together a massive amount of information to give a detailed impression of what was going on around the world in a year of countercutural change. The book includes lots of archive interviews, observations, and photographs as well as extensive transcripts from the Granada TV documentary. Really interesting.
Jump ahead about twenty-five years and you have the second book we discovered. It’s also a reminiscence of times past, evident in the title: Days That I’ll Remeber -Spending Time with John Lennon and Yoko Ono. Author Jonathan Cott has been a contributing editor at Rolling Stone and has written for The New York Times and The New Yorker. He is the author of 19 books on a wide range of topics, including works on Bob Dylan, classical music, children’s literature, and poetry – but especially music. Cott’s relationship with John Lennon and Yoko Ono dates back to 1968 when he went to interview them in their London flat.
During that meeting a friendship was born that lasted for the rest of Lennon’s life, and continues today between Cott and Yoko Ono. It was Jonathan Cott who conducted what was to become the final Lennon print interview before his death. In Days That I’ll Remember Cott is presenting – for the first time – complete versions of all his significant interviews with the pair, and as such this is an important and significant work to have in the collection.The other finds are probably of lesser importance or interest, but we’ll detail them here for you anyway!
First up a CD version of The Beatles’ compilation album from 2000. Simply called 1 it contains (as the hype sticker on the front states) “27 No.1 singles on 1 CD”. Millions of these were sold around the world. So what’s new/different here? Only that this copy comes from South Africa, and there are a few distinguishing differences, namely the words “Made in the RSA” near the bar code on the rear:
There’s also a different, country-specific catalogue number there (CDPCSJ (WE) 7213), and it is also printed on the CD inside:
Plus there’s a really small logo on the left at the bottom. It has a musical note in it’s design, with some lettering that is tiny and difficult to read, but it says “A.S.A.M.I. Seal of Approval”. We’re guessing that is (or was) some sort of South African recording industry association that vouched for the autheticity of the pressing:
Otherwise all other presentation and content will be very familiar if you already have this CD:
Also on the CD tables was Paul McCartney’s 1997 large-scale classical recording, Standing Stone:
Above is the front and back of the outer cardboard slipcase which holds the CD jewel case and thick booklet with lyrics, photos, reproduced artworks, and an essay about the compostion and performance of the work. The one we found here is the UK pressing (we already have US and Canadian pressings of this which both have small variations on what you see here):
Here are the front and rear covers of the booklet:
The beautiful cover images are by Linda McCartney, and here is a peek inside. This artwork is by Paul:Finally, to end on a lighter note, a little kid’s DVD called Thomas & Friends:
If you look closely at the credits you can see listed there as Storyteller – Ringo Starr:
It’s great to have an example of Ringo’s work narrating this classic kids animation series. He did the voice-overs for the first two series only.
(As usual, click on images to see larger versions)