Stumbled upon this on the weekend:
And here’s the 2010 advertisement released when the remastered CD sets came out:
Both reminded me of the recently re-issued vinyl now on the Universal Music label…..
Since the lucrative Beatle catalogue went over to Universal Music for distribution (as part of the sale and break-up of the EMI company in 2012) there’s been a steady stream of product from released – most of it (it has to be said) re-issues of stuff we already have.
The latest of these – four albums on vinyl – are a case in point: the Beatles 1962-1966; the Beatles 1967-1970; the Beatles Number 1; and the Beatles Love.
Each of these are re-issues containing no new material. The only thing that can be said to be slightly different is that the two sets, 1962-1966 (a.k.a. The Red Album), and 1967-1970 (a.k.a. The Blue Album) are reportedly the original analogue mixes. The discs are cut direct from the analogue tapes used for the 1973 LP sets—with a few exceptions (i.e. mono versions using EQ from the latest mono box set replace the few faux stereo tracks originally used). AAA it seems is definitely the new DDD…..
It has to be said though that the packaging on each of these four Universal re-issued double LPs is impeccable. The Red and Blue albums, for example, are faithfully reproduced in thick cardboard with very shiny covers and inners.
If you speak Spanish (and you don’t get seasick from the all the camera movement) this “unboxing” YouTube video from keen Beatle collector shakespearecub gives you a good indication of both the Red and Blue LP’s in all their glossy finery (if you are pressed for time, scroll in to about 4’10”):
Here are those 2014 stickers on the front of each:
And this is the main point of difference – Universal Music logos on the back, and mentions of Universal Music and Calderstone Productions in the small print….it’s not Parlophone, Capitol, or EMI anymore:
These albums are also manufactured in the Netherlands – according to small transparent stickers on the back of each LP:
And while we’re on the subject of the Red and Blue LPs and the EMI company, here’s a video from a very keen fan who went to the trouble of tracking down the actual location of the Angus McBean shoot for the Red, Blue – and of course for 1963’s Please Please Me LP. Both photographs of the old and new Beatles were taken at the former EMI headquarters in Manchester Square, London with the group looking down over the stairwell. The building has since been demolished:
The rear photo, taken in 1969, was initially intended for an LP to be called Get Back, but those plans changed and we got the Let It Be album instead. The photo was eventually used on both the 1962–1966 and 1967–1970 LP’s.
The 2014 Universal Music edition of the Beatles Number 1 LP set also comes in a thick cardboard, this time with a matt finish gatefold cover (just like the original 2000 edition) complete with the inners, large poster (depicting Beatle singles picture covers from around the world), and the four psychedelic photographs of the individual Beatles. It’s all very nice. Again the main point of difference now is in the logos used and the small print credits:
The Love LP comes in a thick cardboard gatefold cover – just like the original from 2007. And it has the same thick, glossy booklet. Top marks go to Universal for the packaging. The 2007 release had a small brown sticker on the front:
While the 2014 edition has a larger red, white and yellow sticker:
On the rear of the gatefold the logo line-up has changed. The 2007 release has Apple, Parlophone and Cirque du Soleil logos:
The 2014 has just Apple and Cirque either side of the barcode, and a small Universal Music Group logo on the far lower right. There’s also a change to the small print. No EMI Records reference, and interestingly the Universal edition has a copyright date of 2006, while the earlier EMI/Parlophone/Apple edition is 2007. Curious:
shakespearecub has also done an “unboxing” video of both the Number 1 and the Love LPs:
The Wogblog Beatle page is reporting that there are to be four more Beatle vinyl re-issues before Christmas.
These have all previously been seen on vinyl, but as they’re currently out of print there’ll be a re-launch of the following albums:
Love (original vinyl release – 2007); “1” (original vinyl release – 2000); The Beatles/1962-1966 (original vinyl release 1973); and The Beatles/1967-1970 (original vinyl release also 1973) are due out again in November for the Christmas market, the exact date(s) are still not known.
What with the Mono Box Set, Lennon’s Shaved Fish, McCartney’s forthcoming Venus and Mars and Wings at the Speed of Sound Archive Series on vinyl, they keep on dreaming up more ways for us to buy titles we already own many times over. But who can resist?
Makes this cartoon we were sent recently even more true!
In my previous post I was bemoaning the scenario where you make the effort to get out and about early on a Saturday morning on the hunt for Beatles vinyl – and return frustrated and empty-handed.
Not so this last weekend which produced a wealth of great Beatles treasure, including one LP I’d not seen before. My son has taken to joining me on these forays into others people’s garages and front lawns. He calls it “crate digging“. He’s on the lookout for jazz plus wide range of other artists he might be able to take samples from to load into his computer. He then uses short grabs from these to mix into new songs he’s creating himself.
Anyway, we go to this one house early Saturday morning and the lady says yes, she has some records, but as she hasn’t gone through them she doesn’t want to put them out right now. If we could come back after lunchtime she’d find them (somewhere up the back of a very packed garage) and we could have a private look through to see if there is anything we want. We like the sound of an exclusive “crate dig” and so return at the appointed time. By this time four very large plastic bins filled with records have been located and we begin to look through….
First out of the crate comes an Australian copy of Sgt Pepper. It is in the old-style gatefold cover with the fold-over tabs, plus it has the original paper inner and the “cut out” insert. Things are looking good. This one is on the old Parlophone black and silver “Stereo Banner” label. Jaesen Jones, the author of “An Overview of Australian Beatles Records“, says this label was used on some pressings of Pepper by EMI here between between the years 1967-1969:
Nice. Next find was an Australian copy of Let It Be. It’s not an original issue, but one of the many, many re-issues of this disc. This one is on the Apple label and is in pretty good condition – near mint. Here’s the rear cover and label:
While flipping through the boxes we got talking to the lady and it turns out this collection of records (which was literally a couple of hundred discs across a wide variety of genres – but mostly rock and pop) came from a very well-known Sydney radio and TV personality. He was an old family friend and years ago when moving house asked the lady if she wanted his records…
Next I find, in quick succession, a Beatles White Album and an Abbey Road (both re-issues on Apple and probably about the same vintage as the LIB above). The White Album even has the poster and all four photos and is in very good condition: 
Further digging then reveals a red The Beatles/1962-1966, again an Australian copy, with the Apple label and a red background. It has both lyric sheet inserts and is in reasonable condition. Not mint, but OK:
The final Beatles treasure to come out of these crates is a bit of a rarity. It’s an album I’ve not seen before The Beatles – Birth of Legend. A New Zealand release from 1983 on the budget Music World Records, it features twelve songs from the famous Decca audition tapes:
As the liner notes on the rear cover say, the Decca audition refers to the now-famous audition by the Beatles for Decca Records before they reached international stardom. In what was considered one of the biggest mistakes in the music business ever, Decca decided to reject the band selecting instead a band called Brian Poole and the Tremeloes.
So, after a weekend before of nothing, this time around it is a different story.
I’m really surprised to read on Amazon (US) that the Beatles “1962-1966 (Red)” and “1967-1970 (Blue)” combination box set is still not due for release in America until December 7th, and on Amazon (UK) that it won’t be available there until November 29th. The individual discs have been available separately in both places since October 19th and October 18th respectively.
This is really odd because here in Australia the separate discs and the box set have been available from day one of the worldwide release of the individual discs on October 18th. It’s much more usual for Australia to be well behind US and UK releases, but this time EMI Australia has clearly got its act together and is ahead of the pack for once.
Add to that the fact that I ordered on Ebay – and today have received in the post – my copy of the European (EU) version of the box set which holds both the “Red” and the “Blue” double discs in the one box. Go figure…..
Beatles Blog 