A Vintage McCartney Curio

The other day we made an online bid (for a whole $6.00 Australian) at an auction of vintage movie posters – and won!

So, coming into the collection is a nice little companion piece for the two copies we already have of Paul McCartney’s The Family Way soundtrack, a movie score he composed in 1966 – 60 years ago this year:

This is an Australian “daybill poster”. It would have been displayed in the cinema foyer, or in a glass case on the street outside the cinema at the time of release. Daybill posters measure 13 by 30 inches (or 33cm by 76cm). They have two folds in them and were sold to cinemas for 5 to 10 cents each.

Until the 1970s most daybills were printed, like this one, as lithographs on relatively thin paper and they’re sought after now by collectors for their rarity and unique artwork. This one is excellent condition and, as you can see, makes pointed mention that Paul (BEATLE) McCartney is involved:

See the film’s Wikipedia entry for a full background and storyline for this now quaint little British film:

The Family Way premiered in London on 18 December, 1966 but wasn’t shown until the following year in the US and in Australia – so that dates this daybill poster to 1967. In October 1967, film producer John Boulting claimed it was the most successful British film made over the past year. It was argued “the nude scene certainly didn’t hurt at the box-office, nor did the fact that Paul McCartney wrote the soundtrack.”

The soundtrack album was released in Britain, Australia, New Zealand, the US and Canada in 1967. What we have is a later Australian LP re-issue which comes on purple Decca labels:

The small print on the rear cover says “music by Paul McCartney, supervised and orchestrations arranged by George Martin.”

We also have the 2015 Record Store Day release on the Varèse Sarabande label, described as a “limited collector’s edition”. It comes on 180g vinyl and is a US pressing:

Artist’s Poster the Unsung Star of the McCartney Bowery Gigs

Last week, as part of his warm-up for the Saturday Night Live 50th Anniversary Show, Paul McCartney played three small gigs (across three nights) at the relatively humble Bowery Ballroom in New York. It has a capacity of just 575 people, and tickets (at US$50.00 each) sold out immediately they went on sale – only if you showed up in person at the Bowery Ballroom’s box office.

The online announcements for each show were simple. Here’s the first:

🗽 PAUL McCARTNEY ROCKS THE BOWERY 🗽
Tuesday, February 11th. Bowery Ballroom, New York.

5:00pm Doors
6:30pm Showtime

Tickets on sale now only at Bowery Ballroom box office. No tickets sold online.
First come, first served. One ticket per person.

These intimate shows quickly became an event in themselves, taking even a place like New York City by storm:

After the concerts, reviewers swooned too. Variety was effusive:

Paul McCartney Electrifies New York’s 575-Capacity Bowery Ballroom With Career-Spanning Surprise Set

Even the tragically hip and usually cynical, hard-to-please Pitchfork Magazine was besotted:

Paul McCartney’s Magical Mystery Bowery Ballroom Show

Understandable really because who wouldn’t want to be at an intimate venue to see and hear Paul McCartney and his band play, up close and personal?

Anyways, apart from all the above, one thing that really resonated with fans on social media and in the forums was the amazing poster that was produced to help promote the event.

Lots of comments began to appear, praising the artwork and asking if it was for sale. Also, who was the artist who’d created it?

This poster was resonating with people because it encapsulates so well a journey in three distinct phases – starting with a young Paul McCartney in the middle and blossoming out to a recognisable profile image of the legend and man we see before us today.

But then again, it also radiates inwards as well: from the clouds and the universe on the outside profile, into the New York skyline and the Big Apple at the centre. How brilliant.

Well, it turns out the artist is an Argentinian named Santi Pozzi.

Pozzi is a graphic designer, art director, illustrator and screen printer from Buenos Aires. He graduated in Graphic Design at the University of Buenos Aires, and learned screen printing technique at The Firehouse Kustom Rockart Co. in Oakland, California. He later introduced gig poster art to Argentina and South America by putting together his own screen printing studio, Imprenta Chimango. He’s designed and printed official posters for Pearl Jam, Tame Impala, Jack White, Queens of the Stoneage, Primus and many others.

Check out Pozzi’s Instagram feed for more examples of his work.

From this fan photo of the merch stand at the Bowery Ballroom last week, it looks like the poster and a tote bag bearing Pozzi’s design were briefly available for sale:

But, will the poster be more widely available?

Yes it will.

While it’s not presently for sale via the official McCartney store websites, you can get Pozzi’s poster in artist proof quality from a company called Collectionzz, which specialises in official concert posters.

And just to cap it off, here’s a cool animated version of the poster that Collectionzz has produced for Instagram.