Six days after the news mistakenly slipped out, Paul McCartney has officially announced the release of audio from the 1974 live studio performance called One Hand Clapping.
Pre-orders are now available for the LP and CD plus a range of associated merch and bundles.
And we get a look at pack shots of what’s included (but no video announcement of same….).
Here’s the 2LP plus 7″ vinyl, which is exclusive to Paul’s official stores at the moment. Note that the content of that 7″ (six songs in all) are not available on the 2 CD set:
There’ll also be a stand-alone 2LP set available:
And the aforementioned 2CD:
Pre-orders will be shipped on June 14.
And check out this teaser of never-before heard audio from One Hand Clapping. It’s a clip of ‘Junior’s Farm – One Hand Clapping’:
Seems someone at Universal Music Canada hit the “Publish” button a little early on a press release about a hitherto unknown June release from Paul McCartney. It reads:
The wait is over: With the June 14 release of One Hand Clapping, one of the most bootlegged live albums in musical history will finally receive a proper release. In August 1974, when Band on the Run was enjoying a seven-week consecutive #1 stint at the top of the UK album charts, Paul McCartney and Wings headed to Abbey Road Studios for the filming of a video documentary and possible live studio album – One Hand Clapping. Despite overwhelming demand for newly recorded material from the biggest band in the world at that time, One Hand Clapping was never officially released.
Filmed and recorded over four days and directed by David Litchfield, the release of One Hand Clapping is a historic moment for Paul McCartney fans. Over the years, various parts of One Hand Clapping have been bootlegged with varying degrees of success. Some of the material has also appeared on official McCartney releases. However, the June 14 release, which features the original artwork designed for the project, including a TV sales brochure for the unreleased film at the time, is the first time the audio for the film—plus several additional songs recorded off-camera–have been officially issued.
One Hand Clapping will be released in multiple formats on June 14, including an online-only 2LP + 7” package that will include a vinyl single of previously unreleased solo performances recorded on the final day of the sessions in the backyard of Abbey Road studios. These include the unreleased track “Blackpool,” a cover of The Beatles’ “Blackbird,” a Wings B-side “Country Dreamer,” and cover versions of Eddie Cochran’s “Twenty Flight Rock” (the first song Paul played to John Lennon when they met in 1957) and Buddy Holly’s “Peggy Sue” and “I’m Gonna Love You Too.”
ONE HAND CLAPPING FORMATS
2LP + 7”
Disc 1
SIDE ONE
One Hand Clapping* 02:15
Jet* 03:59
Soily* 03:55
C Moon/Little Woman Love* 03:19
Maybe I’m Amazed* 04:52
My Love* 04:15
SIDE TWO
Bluebird* 03:27
Let’s Love* 01:09
All of You* 02:04
I’ll Give You a Ring* 02:03
Band on the Run* 05:20
Live and Let Die* 03:26
Nineteen Hundred and Eighty Five* 05:50
Baby Face* 01:56
Disc 2
SIDE ONE
Let Me Roll It** 04:28
Blue Moon of Kentucky 03:05
Power Cut 01:33
Love My Baby 01:13
Let It Be 01:02
The Long and Winding Road/Lady Madonna 02:10
SIDE TWO
Junior’s Farm 04:17
Sally G 03:28
Tomorrow 02:12
Go Now 03:35
Wild Life 04:30
Hi, Hi, Hi 03:57
Disc 3 (7”)
SIDE ONE
Blackpool 01:43
Blackbird 02:27
Country Dreamer** 02:17
SIDE TWO
Twenty Flight Rock 02:08
Peggy Sue 01:24
I’m Gonna Love You Too 01:10
2CD
Disc 1
One Hand Clapping* 02:15
Jet* 03:59
Soily* 03:55
C Moon/Little Woman Love* 03:19
Maybe I’m Amazed* 04:52
My Love* 04:15
Bluebird* 03:27
Let’s Love* 01:09
All of You* 02:04
I’ll Give You a Ring* 02:03
Band on the Run* 05:20
Live and Let Die* 03:26
Nineteen Hundred and Eighty Five* 05:50
Baby Face* 01:56
Disc 2
Let Me Roll It** 04:28
Blue Moon of Kentucky 03:05
Power Cut 01:33
Love My Baby 01:13
Let It Be 01:02
The Long and Winding Road/Lady Madonna 02:10
Junior’s Farm 04:17
Sally G 03:28
Tomorrow 02:12
Go Now 03:35
Wild Life 04:30
Hi, Hi, Hi 03:57
* Previously released 2010 Band on the Run Archive Collection DVD
** Previously released as bonus audio on Archive Collection releases
One Hand Clapping will also be available to stream in Dolby Atmos with a mix by Giles Martin and Steve Orchard.
So sad to wake today and read the news that the great Denny Laine had passed away at the age of 79.
His wife, Elizabeth Hines, posted this message on social media:
My darling husband passed away peacefully early this morning. I was at his bedside, holding his hand as I played his favorite Christmas songs for him. He’s been singing Christmas songs the past few weeks and I continued to play Christmas songs while he’s been in ICU on a ventilator this past week.
He and I both believed he would overcome his health setbacks and return to the rehabilitation center and eventually home. Unfortunately, his lung disease, Interstitial Lung Disease (ILD), is unpredictable and aggressive; each infection weakened and damaged his lungs. He fought everyday. He was so strong and brave, never complained. All he wanted was to be home with me and his pet kitty, Charley, playing his gypsy guitar.
Denny was so very thankful to all of you who sent him so much love, support and the many kind words during these past few months of his health crisis-it brought him to tears.
I thank you all for sending both of us love and support. It was my absolute honor and privilege to not only be his wife, but to care for him during his illness and vulnerability.
Thank you to Dennys surgeons, doctors, specialists, physical therapists and nurses at Naples Hospital for working so hard to help him. Thank you for your compassion and support for me during these past several emotional months.
My world will never be the same. Denny was an amazingly wonderful person, so loving and sweet to me. He made my days colorful, fun and full of life-just like him. Thank you sweetie for loving me, for all the laughter, friendship, fun and for asking me to be your wife. I will love you forever ❤️
Please give Denny’s friends and family the time and privacy needed as we grieve our loss.
To mark the 50th anniversary of its release in December of 1973, most fans were expecting an LP of Paul McCartney and Wings’Band On The Run in Half Speed Mastered form. This would follow the pattern of previous releases for McCartney, RAM, Wings Wild Life and, earlier this year, Red Rose Speedway.
What we didn’t expect was that Band On The Run would be accompanied by a whole bonus LP featuring previously unheard music that is being termed “underdubbed mixes”. In other words, early mixes without overdubs.
These “underdubs” aren’t newly created in 2023. They come from 1973 and were prepared by the album’s engineer, Geoff Emerick. They’re basically a previously unreleased mix of Band On The Run, but without any of the orchestral and string overdubs written by Tony Visconti that were used on the final release. Interestingly, the tracklisting for these “underdubbed mixes’ doesn’t follow the original sequencing of album. The bonus LP mirrors the original analogue tapes as discovered in the MPL archives (see the changed running order below).
“This is Band on the Run in a way you’ve never heard before. When you are making a song and putting on additional parts, like an extra guitar, that’s an overdub. Well, this version of the album is the opposite, underdubbed.”
There’ll be three physical releases for the 50th Anniversary, and these will be available from February 2, 2024.
You can get a stand-alone Half Speed Master of the original LP, cut from the original master tapes from 1973 by Miles Showell at Abbey Road Studios. The single vinyl album configuration mirrors the US tracklist, which added the song ‘Helen Wheels’ to the end of the LP. The 50th anniversary album includes the original inner sleeve and poster featuring a series of Polaroid photos taken by Linda McCartney during the making of Band On The Run :
Then there’s the 2 LP edition featuring the original US album, remastered at half speed as above, plus a second LP titled Underdubbed Mixes Edition. The two LPs are housed in a premium slipcase. The set includes two Linda McCartney Polaroid posters:
The 2 LP slipcase version can only be purchased from Universal Music’s own online stores around the world, as well as from Paul McCartney’s own online store.
And there’ll be a 2 CD set, with one disc containing the original US album, and a second disc with the “underdubbed” mixes. There’s a double-sided fold-out poster of Polaroids taken by Linda included:
Band on the Run (Underdubbed) will also be released digitally. The album itself has also been newly mixed in Dolby Atmos by Giles Martin and Steve Orchard – but there is no physical edition of this mix.
Here’s the running order for Disc Two – Band on the Run (Underdubbed Mixes):
1. Band on the Run 2. Mamunia 3. No Words 4.Jet 5. Bluebird 6. Mrs. Vandebilt 7. Nineteen Hundred and Eighty Five 8. Picasso’s Last Words (Drink to Me) 9. Let Me Roll It
The podcast, which is called McCartney: A Life in Lyrics, starts on September 20. It promises listeners a fly-on-the-wall opportunity to sit in on recordings of conversations made over many years between Paul McCartney and poet Paul Muldoon as they dissected the people, experiences, and art that inspired his songwriting.
The conversations between the two were a central part of their process in compiling the book The Lyrics: 1965 to the Present, released in hardback in 2021, and just about to be re-published in paperback form – with added chapters.
Over two seasons and 24 episodes the podcast will let us in on how that book came together. We’ll be able to hear what is described as “a combination master class, memoir, and an improvised journey with one of the most beloved figures in popular music”.
Each episode will focus on one song from McCartney’s catalog and will span early Beatles through to his solo work.
You can listen to a promo for the new podcast here:
For more background on how it all came about there’s also an interview in The Verge with Justin Richmond, Executive Producer of the podcast. It’s really interesting. “The idea for the podcast came through McCartney’s production team, from the person in charge of special projects. The sort of system that [McCartney and Muldoon] came up with to write [The Lyrics: 1956 to the Present] is that Muldoon turns up to McCartney’s house, turns on his phone, and records a conversation between the two of them. Eventually, the pandemic happened, lockdown, etc., and some stuff was delivered over Zoom.”
“My read on it is that after the stress of getting the book together was relieved, they were sort of realizing that they have hours of Paul McCartney being candid in a really special way. It’s not like this was expertly recorded in the studio. It’s not as if he was sitting down to be Paul McCartney of The Beatles to give an official interview about the band. These [recordings] really have the tenor of someone sitting down with a friend and having a leisurely chat about times past. And McCartney’s “times past” happens to be, for him, The Beatles and Wings and a litany of incredible solo work.”
Season One drops weekly starting September 20. It will feature twelve episodes examining ‘Eleanor Rigby’, ‘Back in the USSR’, ‘Let It Be’, ‘When Winter Comes’, ‘Penny Lane’, ‘Uncle Albert/Admiral Halsey’, ‘Here Today’, ‘Live and Let Die’, ‘Magical Mystery Tour’, ‘Jenny Wren’, ‘Too Many People’ and ‘Helter Skelter’.
Season Two will follow with an additional 12 episodes in February, 2024.
(If you don’t want to wait for each weekly episode and need to binge the whole series all at once you can subscribe to Pushkin+ to get access to all of Season One on September 20).
That cover is a harbinger of what is contained inside.
Let’s get straight to the point – this is one of the best studies of Paul McCartney and his solo music you are going to find. Epic and essential, full stop.
The McCartney Legacy by Allan Kozinn and Adrian Sinclair is the first installment of what will become a multi-volume set. As its subtitle suggests, Volume 1 captures the life of McCartney in the years 1969-1973. That’s immediately following the dissolution of the Beatles, a period in which he had to recreate himself as both a person and a performer. In musical terms, this first volume takes us from the LP McCartney through to Band On The Run.
This book is a seriously in-depth and revealing exploration of McCartney’s creative and personal life. The thought and research that has gone into it is immediately evident. But it’s not scholarly and cold in tone (as some highly researched books can be). It’s actually a real page-turner! Kozinn and Sinclair write in a conversational and descriptive style that belies the hundreds of interviews, extensive ground-up research, and the thousands of never-before-seen documents they’ve trawled to give us a very approachable and personal story. They are very good storytellers and it is almost guaranteed that every couple of pages you will learn something you didn’t know about Paul McCartney and his music.
Kozinn and Sinclair initially set out to do a book about McCartney’s solo time in the studio, detailing recording dates, personnel, etc. – a bit like Mark Lewisohn’s 1988 book The Complete Beatles Recording Sessions, but looking at Paul’s solo career. However, following a couple of interviews with former Wings drummer Denny Seiwell and the discovery of a treasure trove of additional information that he had, the pair decided to change tack and broaden the scope of their book considerably.
Once you read this book you’ll have a renewed insight into the music McCartney created across this period. In fact with the clever connections the authors make and the stories they tell you’ll never be able to hear some songs in the same light again. Take for example ‘Another Day’. In late 1970 and early 1971 the song was being recorded and worked on as part of the preparations for the album Ram. But Paul, knowing that in February 1971 he had coming up a key court date in the messy ‘divorce’ proceedings that were under way with his former band mates, wanted a new single to be out and played on the radio to coincide with his and Linda’s court appearance. He settled on that single being ‘Another Day’ to send a subtle message that nothing could faze him. Despite his life and business dealings being publicly picked over, for him this was just another day: “It’s just another day, du-du-du-du-du, it’s just another daaaaaay!”
Alongside the copious information on every page there are many illustrative photographs and memorabilia scattered throughout as well, as are frequent breakout boxes containing the aforementioned dates detailing his recording sessions.
If this truly is the first of a multi-volume set, let’s hope that subsequent volumes arrive much faster than Lewisohn’s 2013 biography of The Beatles. Ten years later we are still waiting for Volume 2 of his epic…..
Kozinn and Sinclair however say they’re well under way with preparations for The McCartney Legacy Volume 2. It should be in stores in late 2024. It will cover the years 1974 – 1980. We can’t wait to read the next installment!
Volume 1 is getting rave reviews. The only criticism of it we’ve seen so far is that the font used is a bit small and spindly to read! (FYI it looks like a slight variation of a font called Brandon Text Light).
You can read a generous extract of The McCartney Legacy here to see if you like what you see.
If audio books are more your thing, here’s an extract from the Introduction, read by Simon Vance, to further whet your appetite:
The McCartney Legacy Volume 1 is published by Dey Street books (an imprint of Harper Collins).
It’s available in hardcover, paperback, e-book and, as mentioned, an audio book and audio CD:
The McCartney Legacy Volume 1 1969-73 is highly recommended.
The 80 singles (containing 159 songs) are to be released December 2 and represent half a century of Paul’s musical life with releases dating from 1971 (‘Another Day’), right up to 2022 (‘Women and Wives’).
The box set features recreations of 65 singles – complete with their original B-sides (using restored artwork from 11 different countries) as well as 15 singles which have never before been released on 7”. These 15 singles are made up from tracks previously released on 12”, picture discs, CD singles & promos, digital downloads, music videos, two previously unheard demos, and a previously unheard 7” single edit (click here for the complete track listing).
As you can see in the video and images, the singles are housed in a custom wooden art crate designed and built in Derbyshire in the United Kingdom. It includes a 148-page book with a foreword by Paul McCartney, an essay by music journalist Rob Sheffield, plus extensive chart information, liner notes, and single artwork.
Each box will include a randomly selected exclusive test pressing of one of the singles, so in theory if you get a set only 37 other people in the world are likely to have the exact same box set.
The set will be available to download (or stream), and two songs have already been made available. Both have only previously been available as a rare US promo 7″ single: ‘Uncle Albert/Admiral Halsey’ (2022 Remaster – in Mono):
And ‘Too Many People’ (2022 Remaster – in Mono):
To summarise, the numbered, limited-edition box set collection of 80 x 7” singles contains:
Recreations of 65 singles/promos using restored original artwork from 11 different countries (including 2 from Australia!)
15 singles never-before-released on 7” including singles previously released on 12”, picture discs, CD singles/promos, digital downloads, and music videos
2 x previously unheard demos
1 x previously unheard 7” single edit
1 x EP
1 exclusive test pressing randomly selected from the manufacturing process
148-page book containing foreword from Paul, essay by Rob Sheffield, recording notes, release dates, and chart information on each of the singles – each single included is shown on the attached insert, which will be packed into each box
Remastered and cut at Abbey Road Studios, London
All housed in a two-piece, four-walled FSC-approved Redwood pine and Birch Ply wooden art crate manufactured in the United Kingdom.
* Tempting that is until you get to the checkout page! Being in Australia we pay a premium for our lousy exchange rate and for shipping. If Australians were foolish enough to shop at the UK Universal Music site we’d be looking at this box costing £614.99, plus shipping £99.99, making a grand total of £714.98. That is a staggering $1265.02 Australian Dollars on today’s exchange rate. The smarter move would be to go to the US Paul McCartney Store. There the box is US$611.98, plus $61.20 in import taxes. Shipping, apparently, is free. That makes a total of $1019.24 Australian Dollars. That’s a big difference…..but still a hell of a lot of money. 😦
50 years ago, on December 7, Wings released their debut album Wild Life – recorded over an eight-day period at Abbey Road Studios in London.
Now it joins McCartney and RAM in getting the Limited Edition, 50th Anniversary Half Speed Master treatment:
Paul and Linda McCartney, Denny Seiwell and Denny Laine arrived at the studios on 25 July, 1971 to begin recording with engineers Tony Clark and Alan Parsons.
“They rehearsed for a while, sang some old songs, wrote some new ones and in time headed for the big city studios. In three days they had laid down most of the tracks and by the end of a couple of weeks the album was finished. In this wrapper is the music they made. Can you dig it?”, wrote Clint Harrigan for the original album’s back cover liner notes.
On PaulMcCartney.com Paul wrote: “Wild Life was about spontaneity: the opening track ‘Mumbo’ was recorded in one take. I’d read that Bob Dylan had just made a quick album and I really liked the idea, because we tended to take longer and longer to make records. The early albums by The Beatles hadn’t taken long and it seemed to me that Dylan was getting to that. I was a great admirer of his – and still am to this day – so I thought, well, if it’s good enough for him, let’s do it.”
The 50th anniversary edition of Wild Life is cut at half speed at Abbey Road using a high resolution transfer of the original 1971 master tapes. The Half Speed 50th will be released on February 4. It is available for pre-order now.
It’s not often you see one of these come onto the market, so it’s worth mentioning.
The UK online second-hand store eil.com currently has a Wings Back To The Eggvinyl picture disc for sale. This super-rare, 1979 UK original promotional-only picture disc is an exclusive in-house edition conceived by Paul McCartney’s company MPL Communications for distribution only to friends, family and label executives, and was never made available for retail sale.
Widely believed to be limited to just 200 copies, or fewer, this example comes from the archive collection of a retired music industry executive.
The picture record displays the same image on both sides. Only the printed matrix number at the end of the perimeter text differs from side one to side two. Here’s the rear cover:
It is a genuine original and near impossible to find, and comes with a cool £1,995.00 price tag. (That’s US$2,720.00, or around $3,640.00 Australian dollars).
Find out more at eil.com where there’s more detailed info and pictures.
A couple of weeks ago the weekend edition of my local newspaper, the Sydney Morning Herald, carried this front page article in it’s lift-out arts section:
The article inside also appeared in sister paper, the Melbourne Age.
(click on the images above to see larger versions)
This was announcing something of a coup for the regional Art Gallery of Ballarat in Victoria in securing what was to be a fascinating exhibition of Linda McCartney photographs called Linda McCartney: Retrospective. The exhibition was one of the main attractions of a bigger event called the Ballarat International Foto Biennale, showcasing photography and photographers from around the world. The exhibit was set to run from August 24 through to October 24.
Sadly though it has all been postponed indefinitely due to the Delta strain of the COVID-19 virus putting the whole state of Victoria into a strict lockdown. Due to a separate outbreak it has also put Sydney (where I write this today) and many parts of the state of New South Wales also into lockdown……
It is all very disappointing. This would have been the first time this extensive look back at the career of Linda McCartney (1941-1998) would have been shown in Australia. Curated by PaulMcCartney, along with his daughters Mary and Stella, Linda McCartney: Retrospective features more than 200 photographs, including images of the McCartney family, the 1960s music scene, and a series of prints from the McCartney’s time in Australia between 1975 and 1993 which have never been shown before.
From the exhibit website: “Linda McCartney’s photographic career spanned from 1965 to 1997, during which [she] bore witness to the evolution of pop and youth culture as we know it. Linda’s early portraits of the burgeoning New York 1960s music scene capture the vulnerability of future world conquering rock stars. Known for her portraits of Jimi Hendrix, The Rolling Stones and The Beatles, among many others, she was the first female photographer whose work was featured on the cover of Rolling Stone magazine in 1968, with a portrait of Eric Clapton. Linda McCartney: Retrospective showcases some of the most iconic artists and moments from the 1960s music scene alongside intimate family portraits. The photographs capture the world as she experienced it, representing the people, places and landscape around Linda in her inimitable, spontaneous and experimental style.”
The exhibition that was to be shown here has some images exclusive to Australia, but the core works have been shown at Glasgow’s Kelvingrove Art Gallery in 2019, and also last year at Liverpool’s Walker Art Gallery. This video give just a taste of what we’re missing:
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