Two Lennon Books, and an Apple CD

With COVID-19 restrictions now easing quite a bit in most parts of Australia (sadly still not for our friends in Melbourne, Victoria – we’re thinking of you guys!), some of the previously closed opportunity shops around Sydney are re-opening and getting back to normal.

One near us that’s been completely closed for at least six months has suddenly opened its doors once again, and so a forage there over the weekend turned up a couple of interesting items.

With what would have been John Lennon’s 80th birthday looming large this coming Friday, it was a coincidence that all three of the finds where Lennon-related.

They are two books, We All Shine On – The Stories Behind Every John Lennon Song, 1970-1980 and John Lennon – In My Life.

We All Shine On – The Stories Behind Every John Lennon Song, 1970-1980 is by journalist and author Paul Du Noyer.

This is an original Australian edition paperback in a large format, dated 1997. It’s a book that’s been published and re-published numerous times over the years. According to Du Noyer’s website, the latest version is from 2020. The book is also available in German, Spanish, Italian and Czech language editions.

The title says it all: it is the track-by-track story of John Lennon’s last ten years, revealed through the music he made.

In fact we already had a revised and updated UK edition of this same title (in a small paperback format from 2010), but this earlier edition has a slightly different layout. Here are some images of what’s inside:

The second book is quite a fascinating account from former Lennon friend and personal assistant, Pete Shotton (as told to Nicholas Schaffner):

Pete Shotton’s friendship with John Lennon spanned more than thirty years, from the time they met as children in Liverpool to their last meeting in John’s Dakota apartment building in New York. They grew up together in the leafy Liverpool suburb of Woolton and Pete stayed close right through his friend’s rise to fame, wealth and stardom – not as a hanger-on, but as a trusted buddy or mate whom Lennon valued. He was someone who knew Lennon well and didn’t treat him like a star.

Nicholas Schaffner is an author and acknowledged Beatle expert – probably best known for his book The Beatles Forever. In this book Shotton and Schaffner reveal an insider’s view of many of the key public events in Beatle history, but also the private life of John Lennon throughout his career.

As you can see, the text is accompanied by many photographs and documents to help tell the story. This book is well worth seeking out if you haven’t got it already. It was first published in 1983. Here’s the rear cover (and yes, it’s a reverse image of the front):

Also in amongst the CD’s at the opportunity shop was this Apple recording. The photos are ‘as-found’ as they tell a bit of a story in themselves:

This is John Tavener’s The Whale. Tavener was a young classical composer signed to The Beatles’ Apple label in 1969. And it was John Lennon who was influential in making that happen. From the CD booklet:

“Although it was Ringo Starr who became Tavener’s main contact at Apple and who was responsible for getting The Whale onto disc, it was in fact Lennon – contrary to stories elsewhere – who took the first initiative and provided the composer with an introduction to the company. [They] first met in 1969, at a dinner party in London’s Hereford Square, and they marked the occasion by swapping tapes of their latest works. Lennon brought along his avant-garde experiments with Yoko Ono, whilst Tavener played extracts from his opera Notre Dame Des Fleurs, and the BBC recording of The Whale. On the strength of the opera, Lennon invited Tavener to join Apple, although it was The Whale which eventually sufaced on the label.”

The Whale is based on the the story of Jonah and the Whale, and has been described as both a ‘dramatic cantata’ and a ‘Biblical fantasy’. It is performed by the London Sinfonietta and the London Sinfonietta Chorus, conducted by David Atherton. It was recorded in 1970. This CD edition though came out as part of the Apple Records re-issue program in 1991/1992.

It’s interesting to note that the original purchaser of this disc (her name and address is on a sticker on the back) paid $46.99 Australian for it at the time! That’s US$33.74 by today’s exchange rate, or £26 UK pounds. That’s a lot of money – even today. It would have been a huge amount in 1992. The record store JB Hi Fi (it’s a big Australian music chain store) has put a “JB Hi Fi Special Import Sticker” on the spine of the jewel case.

(As usual, click on any of the images to see larger versions)

New George Martin Biography – Maximum Volume

We have reviewed author Ken Womack’s work previously on beatlesblogger.com

He’s a recognised authority on The Beatles and their enduring cultural influence. His latest work is the first in what will become a two-volume biography devoted to Beatle producer, Sir George Martin.

First published last year in the United States, then quickly followed by a UK edition, the first installment is called Maximum Volume: The Life of Beatles Producer George Martin (The Early Years: 1926-1966).

Here’s the US jacket:

And here’s the somewhat more tame UK cover

This book is long-overdue. There have been surprisingly few in-depth studies of the life of one of the most influential figures in popular music, a career spanning more than 60 years.

In Womack’s book we learn that George Martin scored his first real job in the music industry pretty much by accident when he joined the recording giant EMI as an A&R man for Parlophone Records and that in the 1950s being in A&R (or Artist and Repetoire) didn’t mean you were a producer – it was more about talent scouting and the artistic and commercial development of the artists signed to your label.

Martin had a natural musical talent and great training, and he’d had some success with comedy and novelty records for Parlophone. But he needed more than that. By the early 1960s to keep his label afloat George Martin needed to hit it big with a pop group – and soon.

Though he had tons of creativity, drive, and a solid musical background, Martin’s main handicap was that he had little knowledge or experience of the world of Rock & Roll.

Then, into his life walks a young, four-piece outfit from Liverpool.

These guys knew a lot about Rock & Roll, but had no knowledge about studios and how to record their music. The pairing of the two was a marriage made in heaven. What George Martin was able to bring to the table fitted perfectly with what the Beatles needed – and together they went on to make magic.

It wasn’t always plain sailing though, and Martin often had to be tough and give as good as he got because the Beatles were hard task masters. They were ambitious, confident, and didn’t suffer fools lightly. But George Martin had the chutzpah and the musical knowledge and ability to carry it off:

Martin: “Let’s have one more go at the backing, then we’ll record your voices separately. This time, we’ll get it exactly right.”

McCartney: “Why—what was exactly wrong?”

Martin: “The tuning sounded wrong. And you, George, should be coming in on the second beat every time instead of every fourth beat.”

Harrison: “Oh, I see.”

In its essence, this brief exchange demonstrated what people in the Beatles’ inner circle understood implicitly: namely, that George was possibly the single most influential person in their world, really the only one who could impinge upon the nature of their music. Even Brian [Epstein], whom they held in extraordinarily high esteem, held little, if any, sway in terms of influencing the direction of their creative lives. At one point, when Brian dared to offer an opinion about their efforts in the studio, John coolly replied, “You look after your percentages, Brian. We’ll take care of the music.” (pg. 252)

In Maximum Volume Womack candidly – and comprehensively – tells the story of George Martin from his very humble childhood and early adulthood, through to the heights of success he and the Beatles enjoyed globally. It’s a great read, a real page-turner in fact as the detail behind that enormous success unfolds.

As one reviewer put it, the book contains enough fresh information and informed insight about the group’s early years to satisfy [even] the most devout Beatlemaniac.

Maximum Volume takes a similar approach to that of Mark Lewisohn’s well-researched and highly regarded multi-volume telling of the Beatles story: there are footnotes detailing where Womack is getting his information and where his quotes come from; there’s an extensive bibliography; and there’s a comprehensive index. All these things point to the thorough research undertaken by Ken Womack and the efforts he’s gone to put the life and work of George Martin into a context that can be supported by facts.

The importance of this approach to writing about the Beatles, or any subject or person for that matter where so much has been written over many years, is imperative. Sifting through the mass of it to find those kernels of truth about your subject before forming it into an accurate and entertaining narrative is paramount – and Womack pulls it off. For a great reflection on this subject it’s worth a listen to the Something About the Beatles podcast episode called “The Beatles and the Historians“. See too the show’s interview with Ken Womack himself: “George Martin – Maximum Volume“.

Womack’s second and final volume on the life and work of Sir George Martin will be published in September this year. It’s to be called Sound Pictures: The Life of Beatles Producer George Martin (The Later Years: 1966-2016).

In the meantime, enjoy Volume One – Maximum Volume. It is highly recommended.

A Couple of Op Shop Beatle Books

Browsing my local “Vinnies” (St. Vincent de Paul Society) op shop recently turned up a couple of nice Beatle books. Both are very interesting, and both are in excellent condition.

The first is a large and heavy hard back edition of Barry Miles’ The Beatles Diary – An Intimate Day by Day History:

This particular edition dates back to 1998 and is published by Omnibus Press. It has appeared in numerous other forms and has been reprinted many times. It is still available on Amazon.

Barry Miles goes back a long way with the Beatles having first met them in 1965. They became involved in a number of his artistic and literary pursuits (the Indica Gallery and The International Times are just two examples), and he eventually ended up working for them as label manager for their experimental Zapple Records (see one of his other books: The Zapple Diaries: The Rise and Fall of the Last Beatles Label for a complete history of what happened there).

Miles is also author of the 1997 authorised Paul McCartney biography Paul McCartney: Many Years From Now, so he’s something of an insider.

In this book, an extensive day-by-day account of the group, he begins his story in wartime Liverpool and ends it in the dying days of the 1960s. The Beatles Diary – An Intimate Day by Day History is chock full of interesting information, facts and photographs – all coming together to form a revealing personal history of the Beatles. I mention the photographs specifically because this book is lavishly illustrated: 

Here’s and example of a typical text page:

And here’s the rear cover:

The second book we found on the Vinnies shelves was an equally thick and heavy hard back called The Beatles – 10 Years That Shook the World

As you can see by the logo top right on the cover, this was published (in 2004) in association with Mojo, the highly respected music magazine people. At first blush the book looks like a compendium of a wide range of articles taken directly from the magazine and simply re-printed in the one place. That in itself would be a fantastic repository of writing on the Beatles, and it is true to a point – but there’s much more to this book as well.

It has a Foreword by Brian Wilson, and appears to have a wide range of specially commissioned additional articles and reviews from the likes of Bill Harry, Keith Badman, Mark Lewisohn, Ian MacDonald, David Fricke and Hunter Davies, to name just a few. Alongside these is a running chronological diary of key events, breakout boxes with a fascinating variety of additional information and facts, and (again) a wide variety of great pictures, labels, record covers, and memorabilia:

The Beatles: 10 Years That Shook The World is published by Dorling Kindersley and Mojo. For an Amazon “Look Inside” click here. In short, this is an astonishing resource and very welcome in the beatlesblogger.com library. 

Paul McCartney Now & Then – Part Two

OK. This is where I have to admit that my Beatles collection might be getting a little out of hand….

One of the most visited pages in this Beatles Blog so far has been one I wrote in October last year when I picked up a paperback version of a book called “Paul McCartney – Now and Then”.  You can view this entry here if you missed it. For some reason a lot of people have visited that particular blog page.

I was sitting at the computer the other day and just glanced up at a bookshelf nearby. The shelf I was looking at contains a lot of the Beatles or Beatles-related books I’ve acquired over the years. I suddenly found myself staring at the cover of a book called, wait for it, “Paul McCartney – Now and Then”…….not the paperback one I’d posted about earlier, but the original hardback edition. I’d forgotten I had it!

Its in a larger format and has a different cover to the paperback:

Now and Then (Hardback Edition, 2004)

Here are the two books side-by-side:

Now and Then (2004 Hardback, with 2006 Softback edition on right)

If you’d like a peek inside the hardback version, Amazon UK has one of those “click to look inside” features for the book.

The fact that I only just realised I had two different copies of this book is making me worried….

SEE ALSO: Paul McCartney – Now and Then – Part One