McCartney Announces RSD Limited Edition….Cassette?

In the lead-up to Record Store Day 2017 (which falls on 22 April), Paul McCartney has just announced he’ll issue a limited edition, three-song cassette that will be distributed to some participating stores. The cassette will contain three of the “download only” demos he made for the album with Elvis Costello that will form part of his forthcoming Flowers In The Dirt box set deluxe edition. Here’s the official press release:

PAUL McCARTNEY

FLOWERS IN THE DIRT — THE CASSETTE DEMOS WITH ELVIS COSTELLO

RECORD STORE DAY EXCLUSIVE 3-TRACK CASSETTE-ONLY RELEASE

With the Flowers In The Dirt Archive Collection edition’s March 24th release date via MPL/Capitol/UMe fast approaching, Paul McCartney has confirmed a very special Record Store Day exclusive.

To commemorate Record Store Day this April 22nd, a limited edition three-song cassette of Paul and Elvis Costello’s Flowers In The Dirt demos will be made available at participating RSD stores.

The limited edition cassette-only release will be the first time these recordings – ‘I Don’t Want To Confess’, ‘Shallow Grave’ and ‘Mistress And Maid’- will be made available in the same form as when Paul and Elvis first cut them directly to tape.

Speaking about these tracks Paul said: “The demos are red hot off the skillet and that’s why we wanted to include them on this boxed set. What’s great about these songs is that they’ve just been written. So there’s nothing more hot off the skillet as I say. So that was the kind of great instant thing about them. I hadn’t listened to them in ages but when I did I knew we had to put them out. We made a little tape of them and sent them to Elvis, who loved them too. We said we should put out an EP or something and now the moment’s finally arrived.”

The demos will be made available digitally only as part of the Deluxe Edition when Flowers In The Dirt is released as the 10th installment in the multiple-GRAMMY-winning Paul McCartney Archive Collection.

The Paul McCartney Archive Collection release of Flowers In The Dirt was, as always, personally curated and overseen by Paul himself. (ENDS)

As Paul Sinclair says on his influential Super Deluxe Edition website “…it is ironic that they are coming out on tape when they were denied a release on CD partly because Paul wants to stay ‘modern’ and embrace/drive people to streaming!”

You can read his report on the cassette here, and the saga of the “download only” decision here.

The Beatles Encyclopedia: Everything Fab Four – A Review

One of the most impressive compendiums of concise Beatle information comes in the form of a book called The Beatles Encyclopedia: Everything Fab Four, by Kenneth Womack.

Womack’s book has been out for a number of years now as a comprehensive, two-volume set. That set is very desirable, but prohibitively expensive for some.

Now comes a brand new, 2017 edition which is completely up to date – but in a condensed, single-volume version that is far more easy on the wallet. This latest edition is designed more for the general reader (and for the many students who now study the Beatles as part of their curriculum at secondary, post-secondary, and more advanced study levels). However, it’s a book that will more than satisfy the avid Beatlemaniac too:

beatles-encyclopedia-frontbeatles-encyclopedia-rear

The Beatles Encyclopedia: Everything Fab Four is just that. It focusses entirely on the band and its output across the ten or so years in the 1960s when musically and creatively they were at their absolute peak. It features a host of biographical information about each band member, as well as their immediate family and the key personal relationships they had – for example there’s biographical material associated with the many creative and business partners among the Beatles’ circle. Womack goes into real detail on every album and key songs. In order to provide an expansive portrait of the group’s life and times, attention is also devoted to the numerous locations associated with the band’s career, as well as to important concerts, venues and events pertinent to their amazing story.

This condensed version of The Beatles Encyclopedia: Everything Fab Four offers some other helpful additional features, including an alphabetic list of all the entries included in the book; a timeline chronology of the Beatles, detailing the milestones in their lives, performances, and recordings; a thorough discography of the band’s official UK and US singles and album releases from the early 1960s through the present; and a bibliography of recommended resources with both print and online resources. There is also included something I always appreciate greatly in books of this nature: a comprehensive general index. This makes locating specific information on a topic or subject so much easier.

Across its 650-odd pages Womack covers off some 360 topics, ranging from Abbey Road to Zapple Records – and these are all arranged alphabetically by entry.

Entries on songs and albums have a specific structure designed to give as much detail as possible. For example, each song entry will include: authorship and background; inspiration; recording dates and places; who played what – including specific reference to the instrument makes and models used. There are track listings for each album; details on the cover artwork; chart performance for both the United States and the UK; and comments and observations around the legacy and influence of each as a work of art.

This a key reference book to have at your side. It is a comprehensive work containing a wealth of information – all at your fingertips. I’d say it’s a must for students of the Beatles and for die-hard fans alike.

Now for a little on the author, Kenneth Womack. This is worth mentioning as he is so very well-credentialed not only as a Beatle scholar, but also as an author and literary critic:

womack-bw1

Kenneth Womack is Dean of the Wayne D. McMurray School of Humanities and Social Sciences at Monmouth University, where he also serves as Professor of English. He is the author or editor of numerous books, including Long and Winding Roads: The Evolving Artistry of the Beatles (2007), the Cambridge Companion to the Beatles (2009), and The Beatles Encyclopedia: Everything Fab Four (2014). He’s also the author of three award-winning novels, and serves as an academic editor and critic for a number of literary institutions.

If you are curious and/or would like to order this new, condensed 2017 edition of Everything Fab Four you can have a “look inside” at Amazon.

Or, you may like to go the whole hog and get the expanded, 2014 edition in two volumes, also available at Amazon.

George Harrison Vinyl Box Set Hits Stores

George Harrison’s big vinyl box set containing every solo studio album, plus the double LP Live in Japan and two picture disc 12″ singles, has at last been released.

Some fans have got their copies already and some “unboxing” videos are beginning to appear online, including this one from an excited Vinyl Collector James, who goes into some detail on the box itself as well as its contents:

Universal Music has also used the occasion of the box set release (and George Harrison’s 74th birthday) to upload a series of interesting articles on various aspects of his life and career.

Written by Richard Havers, these cover off George Harrison in 20 Solos:george-in-20-solos-header George Harrison: Humanitarian:george-and-ravi-at-concert-for-bangladesh-press-conference

George Harrison: The B Sides:george-b-isdes

The Sweet Success of “My Sweet Lord”:george-my-sweet-lord

and George Harrison’s Beatle Songs:george-the_beatles_-_last_photo_session

Also, don’t forget Universal’s series of articles on Harrison album-by-album.

A Different Australian Pressing of the Beatles “From Liverpool” Box

In a previous post we mentioned an Australian pressing on the orange Parlophone label of The Beatles Box (or The Beatles From Liverpool as it is sometimes also known) eight-record box set. This was made available via The World Record Club to its members in March, 1981.the-beatles-liverpoolbeatles-from-liverpool-label

We already had a later version that EMI distributed in November, 1982 through the Reader’s Digest organisation in Australia. That one comes with custom black, white and red Reader’s Digest labels. For more images also see here.beatles-readers-digest-label

The Reader’s Digest set is further distinguished by different packaging. Instead of a flip-top lid it came in a two box arrangement, where an inner box containing the records slides into an outer casing.

In Australia there is a third variation. It is the same 1981 World Record Club release but instead of orange Parlophone labels it is on black and silver Parlophone labels. It’s this version we have just added to the collection. It comes in a lift-top hinged box: liverpool-box-frontliverpool-box-labelloverpool-box-lid

On top of the records there’s a large fold-out poster:

liverpool-box-poster

Like the other releases each disc comes in a custom colour printed sleeve: liverpool-box-1

On the flip side of each is a track-listing and a short article about the songs and what was happening in Beatles history at the time of the recordings by Hugh Marshall:liverpool-box-1a

There are eight discs in all:liverpool-box-2 liverpool-box-3 liverpool-box-4 liverpool-box-5 liverpool-box-6 liverpool-box-7 liverpool-box-8

(Click on an image to see a larger version)

This set has the catalogue number WRC/Parlophone R91103-10.

 

McCartney and Costello – ‘Twenty Fine Fingers’ Demo

Like collectors across the globe, we’ve bemoaned the fact that there will be a whole CD’s worth of demos only available as digital downloads if you buy Paul McCartney’s forthcoming Flowers In The Dirt Deluxe Edition box set.

However, there will still be some good things in a physical form on CD and vinyl. One example has just gone up on McCartney’s YouTube page. He’s posted a preview of a previously unreleased song called ‘Twenty Fine Fingers (Original Demo)’, featuring Elvis Costello, that will be included with the 4-disc box set. It’s also to be included on the 2-disc “Special” edition, and on the re-issued double LP.

Got to admit, it’s a great little song:

Why There Are Two Versions of McCartney’s “Choba B CCCP”

Anyone vaguely familiar with the vinyl editions of Paul McCartney’s 1988 release Снова в СССР on the Russian Melodiya label will know that there are two different versions.

One, the earlier more limited release, came with 11 tracks, and a different rear cover:choba-b-cccp-1-frontchoba-b-cccp-1-rear

The second, and far more common edition, has 13 tracks: choba-b-cccp-2-frontchoba-b-cccp-2-rear

The two additional tracks are “I’m Gonna Be A Wheel Someday” (track # 7, the last on side 1), and “Summertime” (track # 2 on side 2).

Why this is so has never been fully explained – until now.

Friend and Russian Beatle collector Andrey has been doing some detective work and discovered this article from the time in the newspaper Sovetskaya Kultura (The Soviet Culture). It is dated July 15, 1989:%d1%81%d0%ba-1989-07-15-%d1%8110

In answer to a reader’s question to the newspaper a representative of Melodiya Records explains the existence of the two variations. Andrey’s translation of the Russian text follows:

READER ASKS A QUESTION – A MYSTERY OF TWO RECORDS

I bought the record of Paul McCartney’s Снова в СССР. After a while I saw it again on a shop counter and could not resist of buying it again. For good reason! It turned out that there are 11 songs on the first record, released on September 14, 1988, and the second one which was released on January 1, 1989, carried 13 songs. What a mystery!
A. Bogdanov.
Severodvinsk,
Arhangelsk region

With the request to clarify this mysterious story, we asked the chief editor, Deputy Director of the All-Union Recording Studio of “«Melodiya» Firm”, All-Union Creative-Production Association, Ivan Dmitrievich Nesvit:

– First of all I want to say that your reader is lucky. Why? Just how you will soon understand for yourself. According to the contract, this licensed disk should have consisted of 13 songs, and a special contract clause stipulated that the artist’s desires would be accepted in the design of the sleeve. However, «Mezhdunarodnaya kniga» (our intermediator) provided us with a tape with eleven songs. The recording fit with the Soviet State Standard in terms of running time and so we began working with it. According to the requirements of the contract, a test record and sleeve were sent to Mr McCartney. He studied them and made a few remarks. Although Leningrad Plant had already started pressing and distributing copies, we could not ignore these remarks. Corrections were therefore made to the design, the initial sleeve notes were replaced, and besides this we were sent the recordings of two more songs to include. For this reason the extended record plays longer than any domestic discs [i.e. Melodiya in its working history had never released any LP playing longer than the 13-track McCartney СНОВА В СССР].  And so two records with the same title appeared. By the way, the first record because of its “shamefulness” appearance and limited edition, became a rarity desirable for record collectors, especially abroad since it was intended for sale only in our country. As far as we know, in the USA and Europe 200-250 dollars were paid for this record. So the reader of «Sovetskaya kultura» became the owner of discophile rarity.

So, a little bit more information on the mystery as to how two different records (with the same catalogue number) came into existence.

For a full explanation of all the variations between the two editions and more see the excellent Russian site beatlesvinyl.com.ua. It contains intricate detail of every Russian Beatle release.

For the 11 track, first edition version of Снова в СССР click here.

For the 13 track second edition versions click here.

 

George Harrison – The Vinyl Collection 1968-2002 – Box Set Announced

Long rumoured, now official. The Harrison family has announced the release of George Harrison – The Vinyl Collection box set containing all of George Harrison’s solo studio albums on 180 gram vinyl in one collection for the first time:

The box set LPs (also available separately) will be in their original packaging, faithfully reproduced with all the original inserts, posters, etc. included.

However, it’s not clear if Universal Music is releasing the Somewhere In England LP as a separate album with its original black and white image of George’s head superimposed on a map of England. This makes it different to all the images shown for the box set version. Collectors should note that both the Harrison online store and the Universal music website for the individual albums currently show the alternative cover if you are buying it as a single LP….

Exclusive to the box set will be two 12″ bonus picture disc singles (‘When We Was Fab’ and ‘Cloud Nine’), housed in their own custom box.

Not only that, for an additional £429.00, there’s a cool-looking, custom-made Pro-Ject turntable to play your LPs on, plus there’s to be a re-issue (in expanded form) of the book  I Me Mine.

harrison-turntableharrison-book

Early birds who place orders for the 13-album box set online at the georgeharrison.com store will also get a limited edition set of enamel pins. harrison-pins

All the discs are housed in a high-quality two-piece rigid slipcase box with a 3D lenticular front cover image:harrison-lenticular

The original analogue master tapes were used for the new re-masters and were cut at the legendary Capitol studios to ensure exceptional audio quality throughout.

Wonderwall Music (1968)
Electronic Sound (1969)
All Things Must Pass (1970) (3 LP)
Living In The Material World (1973)
Dark Horse (1974)
Extra Texture (1975)
Thirty Three & 1/3 (1976)
George Harrison (1979)
Somewhere in England (1981)
Gone Troppo (1982)
Cloud Nine (1987)
Live In Japan (1992) (2 LP)
Brainwashed (2002)
Bonus 12” Picture Disc Singles (‘When We Was Fab’ and ‘Cloud Nine’)

Happy Christmas Everyone!

chr-rec-63-01The first Beatles Christmas record was distributed by the Official Beatles Fan Club on December 9, 1963.

Beginning in 1963, the Beatles started a holiday tradition of recording Christmas messages for their fans. The first Christmas recording from the Beatles featured several renditions of the traditional carol “Good King Wenceslas” and individual messages from the four, ending with a closing chorus of “Rudolph the Red-Nosed Ringo”. The recordings were edited and issued on flexi-discs through the Official Beatles Fan Club in England.

The records were not available for sale, but were distributed free to Fan Club members. Tony Barrow came up with the concept for the Christmas records and scripted the initial efforts.

The record was packaged in yellow paper gatefold cover. The open gatefold contains the Fun Club’s National Newsletter No. 2.chr-rec-63-04

Lynton Recordings pressed 25,000 copies of the one-sided seven-inch discs, which have white labels with dark blue print. The disc plays at 33 1/3 – rpm. Total time: 5:00. Matrix number LYN 492-1U.
chr-rec-63-03

Thanks to thebeatles-collection.com for this Christmas information.

Days In The Life – A Father and Son on a Beatles Tour

days-in-the-life_origAt first glance this Beatle book looks to be an unlikely coupling of two broad and un-related concepts: the places visited and lectures delivered across seven US states by professional Beatles music scholar Aaron Krerowitcz, all wrapped up as a road-trip journal by a father and son duo (the son being the aforementioned full-time Beatle expert, and his dad John, a retired journalist and keen bird-watcher).

While the overall approach is a touch quirky (birding and Beatles?), as a whole Days in the Life – A Father and Son Beatle Tour hangs together. Not only is it a charming tale of two blokes out on the road, it’s also a vehicle to deliver lots of interesting Beatle facts, observations, history and, importantly, the context of the band’s music and its continuing success – especially around the American experience of the Beatles.

It’s clear that as a former journalist, Aaron Krerowicz’s father John can write. The sections of the book he pens are engaging and relate not only his sometimes humorous bird-watching exploits across the course of their journey, but his ability to put some history into the book. John relates his generation’s first-hand experience of this group from Liverpool which formed such a lasting bond with US teenagers back then. It’s a bond that endures today.

Son Aaron meanwhile has youth and some solid graduate and post-graduate musical scholarship on his side. The fact that he is so young initially confounds some of the folks who come to listen to his library lectures. How could someone who was born fifteen years after the Beatles broke up be so knowledgable? They generally leave impressed.

Of course when you do book reviews it’s good to try to find out more about the author – and a popular chat forum turned up the following un-solicited recommendation from an avid  Beatle fan who attended one of Aaron’s library presentations (this time on the Sgt Pepper album):  “I came home last Thursday, picked up the paper and saw my local library was having a presentation on The Beatles Sgt. Pepper. I figured I would go – it’s close, it’s free, it’ll be fun. I have to admit, I didn’t expect to learn anything. I’ve been listening to, and reading about the Fabs for over 35 years at this point and this is a free program at the local library – how good is it really going to be? Probably some fan like me, who’s going to just tell you about the sound effects, John’s Mr. Kite poster, A Day In The Life being based on newspaper articles, and the run-out groove.

I was wrong, and very, very impressed. Aaron Krerowicz is a composer and music educator in his late 20s pursuing on-going Beatles study. In November 2011, Aaron won a research grant through the University of Hartford to explore connections between mid-Twentieth Century avant-garde art and the Beatles. His presentation covered most of the obvious stuff any Beatles nut would expect (which was extremely well researched and presented), but he also spoke to the music theory and composition behind the songs, which I found really enlightening. He presented clearly, and never spoke over people’s heads when discussing some of the more esoteric stuff, which is a real gift. He highlighted multi-tracks to isolate certain parts of the songs he was referring to, which was also really illuminating.

You’ve got to admit, that’s high praise.

Best bits from the book Days in the Life? Aaron’s writing on how he, a classical music aficionado, came to get so deeply into the Beatles in the first place. Anyone who can list The Beatles 1 album as a favourite alongside Igor Stravinsky’s ‘Rite of Spring’ and J.S.Bach’s violin concerti is OK with me. Also, his insights into particular songs – for example the genesis and recording of ‘Being for the Benefit of Mr Kite’, one of John Lennon’s best from Sgt Pepper’s Lonely Hearts Club Band – make for interesting reading.

As far as the sections written by John Krerowicz, his recollections of witnessing that first, black and white, US TV performance by The Beatles on The Ed Sullivan Show bring a personal, family-level insight into what the broadcast meant cross-generationally in the United States. That, and his highly descriptive writing about the simple joy of travel and being out on the open highway, were highlights for me.

What didn’t work? The three pages of photographs of (admittedly) over-priced Dallas Cowboy merchandise in the club’s AT&T Stadium gift shop, the three pages of drawings from a family game of Telestrations, and an unnecessary joke about Michael Jackson. Otherwise, this is a great little book.

For more details about Aaron, his lecture schedule and other activities check out his website. Details about his other Beatle books can be found here, and for examples of Aaron’s Beatle scholarship, have a look at his video series  Beatles Minute – One Analytical Nugget in One Minute.

George Harrison – Behind The Locked Door Biography

Just got a copy today of George Harrison – Behind The Locked Door by Graeme Thomson and am taking it away on holiday this week to read. Looking forward to it immensely:george-harrison-biog Here’s a review from the Chicago Tribune.