The Salvos Take On a Vision for Strawberry Field in Liverpool

After a battle with local authorities The Salvation Army has finally received a full planning go-ahead to build a much-needed training and work placement hub for young people with learning disabilities at its Strawberry Field site in Liverpool. The site, which has been closed to the public for years, will also house an exhibition centre where visitors can find out more about John Lennon and his connection to the parklands, as well as a place to explore spirituality. It’ll look something like this:

The next phase of the project is to raise the money needed to move the Salvos plans from vision to reality. And that’s where you come in.

To find out how you can donate, purchase merchandise and support the project, visit www.strawberryfieldliverpool.com

You’ll be helping young people like Jordan Clark to overcome their learning difficulties, get jobs, and make a real contribution to the community:

One of the fundraising projects launched recently saw a group of young people from the City of Liverpool College and the Salvos’ Steps to Work programme come together to form a choir to record a version of John Lennon’s legendary ‘Strawberry Fields Forever’. They did it at the Abbey Road Studios in London, no less:

To hear the song in full, click here.

Jules Sherwood, Development Manager for The Salvation Army, said: “We believe Strawberry Field is the final piece of the Beatles jigsaw in Liverpool and once open will offer a magical experience to visitors who will be able to follow in the footsteps of the young John Lennon.”

“The very latest technologies will be adopted to create an exhibition where visitors will enter a space where “nothing is real” as they experience the wondrous, intertwined histories of the house, John Lennon and the writing and recording of the iconic song. The gardens will be filled with messages of peace and love which we hope will inspire visitors as Lennon himself was inspired.”

Strawberry Field is an iconic part of Liverpool’s history, as well as an important part of the local community in Woolton. The Salvation Army has owned the site since the 1930s and ran a children’s home there until 2005. John Lennon was inspired to write ‘Strawberry Fields Forever’ after climbing over the wall and playing in the grounds. For him, it was a special place which had a lasting impact on his life.

If you’d like to help you can donate here, plus there’s lots of cool merch in the official Salvos store

The Beatles ‘Hard Day’s Night’ Mystery Chord Revealed

Sum of All Parts is an ABC Radio podcast here in Australia.

The show recently examined (from a mathematical perspective!) the famous opening chord of The Beatles’ song, ‘A Hard Day’s Night’:

The podcast episode is called ‘The Magical Mystery Chord’.

Using the research and insights of mathematician and Beatle fan Professor Jason I. Brown, and personal experiences at Abbey Road Studios by Canadian musician Randy Bachman, the podcast un-picks just how The Beatles (with producer George Martin) achieved a chord that has tantalised musicians now for over fifty years…..

There is also a very short Sum of All Parts “bonus” episode, ‘Slow Down, George Solo-son’. Also well worth a listen.

Beatles Sgt. Pepper Picture Disc – and More

Along with the news about the Beatles’ Christmas Records box set (due out on December 15), there’ll also be available – on that same day – a picture disc edition of the 2017 stereo re-master/re-mix of Sgt. Pepper’s Lonely Hearts Club Band:

To date there is no information about how the picture disc will be packaged. However, we do know that it will be joined by a single-disc black vinyl version of the 2017 re-mix of Sgt. Pepper (the initial vinyl release was a two record set):

Plus, if you fancy yourself as a bit of an audiophile and into the best sound you can get, there’ll be a high-definition digital audio download version of Sgt. Pepper’s available in 96 kHz/24 bit quality.

It will basically be the same running order as the two-disc Deluxe Anniversary CD which features the new Giles Martin 2017 stereo mix, plus 18 additional tracks.

These include complete alternate takes for each of Pepper’s 13 songs, plus the 2017 stereo mix and an instrumental take of ‘Penny Lane’, and the 2015 stereo mix and two complete alternate takes of ‘Strawberry Fields Forever’ – all in 96 kHz/24 bit…..

All of the above are out on 15 December.

The Beatles’ Christmas Records – Box Set

The Beatles’ Christmas Records were last officially released together in one package (a single LP issued to fan club members only) way back in 1970:

Prior to that, starting in 1963, the Official Beatles Fan Club in Britain and in the US sent members a one-sided flexi disc each December containing Christmas greetings and lots of larking about by the Fab Four. The flexi discs were each housed in unique covers:

Now, Apple Records and Universal Music are reissuing all seven discs as coloured vinyl 45’s:

The Christmas Records ‘limited edition’ box set will be accompanied by a booklet and will be released on December 15 this year.

The seven individually coloured vinyl discs are:

1963: “The Beatles’ Christmas Record” (one-sided, duration: 5’00)
Recorded: 17 October 1963 – Studio Two, EMI Studios, Abbey Road, London
1964: “Another Beatles Christmas Record” (one-sided, duration: 3’58)
Recorded: 26 October 1964 – Studio Two, EMI Studios, Abbey Road, London
1965: “The Beatles’ Third Christmas Record” (one-sided, duration: 6’20)
Recorded: 8 November 1965 – Studio Two, EMI Studios, Abbey Road, London
1966: “Pantomime – Everywhere It’s Christmas: The Beatles’ Fourth Christmas Record” (one-sided, duration: 6’36) Recorded: 25 November 1966 – Dick James Music, New Oxford Street, London
1967: “Christmas Time (Is Here Again): The Beatles’ Fifth Christmas Record” (one-sided, duration: 6’06) Recorded: 28 November 1967 – Studio Three, EMI Studios, Abbey Road, London
1968: “The Beatles’ Sixth Christmas Record” (two-sided, duration: 7’48) Recorded: 1968, various locations
1969: “The Beatles’ Seventh Christmas Record” (two-sided, duration: 7’39) Recorded: 1969, various locations

 

If you want to get a better idea of some of the Christmas Records frivolity check out this medley of all seven discs, mashed together by Tom Teeley.

The official Beatles press release is here.

Selections from Paul McCartney’s ‘Liverpool Oratorio’

Here’s another recent addition to the collection.

We’d been aware of course of Paul McCartney’s numerous foray’s into the world of classical music. Over the years there have been a number of his compositions released, including his first major work Liverpool Oratorio – which dates back to 1991. 

This was issued on 2 CDs, double cassette (remember them?), and as a two LP box set.

There were also two CD singles released from the work, ‘The World You’re Coming Into’ and ‘Save The Child’: 

What we weren’t aware of for quite some time was that a year after these initial releases there came a further CD called Selections From Liverpool Oratorio. This was issued in October, 1992. Despite the fact that the album is clearly represented on McCartney’s   official discography we’d completely overlooked it’s existence.

Selections From Liverpool Oratorio gathers together on one CD all the most important songs for those people who don’t want to buy the full double CD version – which has a lot of connecting pieces and incidental music included.It comes in a single jewel case with a very thick booklet containing an introduction by Paul McCartney, a longer article about the background to the work, plus a libretto with all the words to the songs:The track listing:The CD’s rear cover, and its distinctive yellow spines:The EMI Classics logo is prominently displayed throughout, but so too is McCartney’s own mpl company logo.

The Paul McCartney Collection – 1993 Reissue Series

Before The Paul McCartney Archive Collection series first began being released in 2010 there was another, less ambitious attempt to re-issue McCartney’s extensive back-catalogue.

This was back in 1993 with a series of discs simply called The Paul McCartney Collection.

It was CD-only and just one disc per issue, and there were sixteen titles included in all. The first eight were released on June 7th, 1993, and the remainder on August 9th the same year.

Each disc (except for the albums McCartney and Wings Greatest Hits) has at least two and sometimes up to four bonus tracks – usually singles that never made it onto albums, or the hard-to-find B-sides of singles as well. There’s a complete list here.

We never purchased these back in the day, and so in recent years have slowly (and I mean very slowly) been picking them off one-by-one. As of last week we now have the complete 16 CDs.

The most difficult to track down (and as a result the most expensive) have been Wings’ Wings Wild Life and Back To The Egg. It also took us ages to secure a reasonably priced copy of Red Rose Speedway:

The easiest to find (and cheapest) are Band on the Run and Wings Greatest Hits.

Medium difficulty would be London Town and Venus and Mars. Here’s a Canadian pressing of London Town:                                         [click on images to see a larger version]

McCartney ‘Archive Collection’ Coloured Vinyl – Confusion Reigns

Five days on from the official announcement on the Paul McCartney website that there are to be eight titles in the McCartney Archive Collection series re-issued as single discs on the Capitol label (on CD, black vinyl and limited coloured vinyl), confusion reigns about just how anyone can actually order the coloured vinyl.

Both McCartney’s own site, and the Universal Music store site included links to order these but by the weekend both had been quickly taken down. The Universal link is just dead (and again here), while the official McCartney links for each album have since been altered and only take you through to the US Amazon site where there is no mention of the coloured vinyl whatsoever. The links are clearly for the black vinyl editions only.

Many online stores over the weekend quickly put up their own images and prices – both for individual coloured LPs and bundles – but these too have since been either completely taken down (for example SoundStage Direct in the US), or now carry an apology (for example the Bull Moose store) stating that they’ve been asked by the artist and the label NOT to sell these titles online.

To quote collectors on the Steve Hoffman Music Forums thread, many of whom have preordered and paid their money before the links just disappeared:

“Seriously, what a mess. I was actually stoked about this. Now i can see it’s probably not going to be easy…..”.

and:

“Yes I’m worried about sites filling the orders. If the link was pulled from Paul’s site on the official announcement then I would worry about them being filled at any other site [too]. I have them pre ordered thru the link that was on his site and even thru that I’m worried I won’t get them. They seem very limited and none of the sites seem to be able to confirm they will honor the pre orders.”

It has to be said that this looks like a complete and utter stuff up my MPL and Capitol. They’ve gone into print and raised expectations, but they haven’t thought through what they were publicising, nor communicated how fans and collectors could get their hands on these eight coloured vinyl editions. Pretty bad form and does not auger well for the McCartney/Capitol/UMe relationship.

UPDATE: This just in from the Record Store Day site: Indie record stores are the ONLY physical retailers in the US to have the limited edition colored vinyl versions…..

The Film Scores and Original Orchestral Music of George Martin

Here’s a release to look out for in November – a newly recorded disc of music composed by the late Sir George Martin.

Called The Film Scores and Original Music of George Martin this gathers together a cross-section of works illustrating his musical genius – some for the very first time: The music is performed by The Berlin Music Ensemble, under the baton of US-born producer, composer and arranger, Craig Leon who is the driving force behind the project.

“When I was going through it, I was just struck by the elegance of the composition and how much they fit the era that I grew up in music, and again made me think how much I wouldn’t have even had the life I had if George Martin hadn’t done what he did,” Leon said. “He bridged the gap between an interpretive producer and a creative producer, which was the thing that I wanted to do.”

The recording will be out on November 10 on CD and digital download on the Atlas Realisations label. Then, in January 2018 to celebrate George Martin’s birthday, a 2LP vinyl edition will also be released.

The track listing:

  • 1-5 The Pepperland Suite (Original music written for the film Yellow Submarine)
  • 6-9 Live and Let Die Suite (Original music written for the film Live And Let Die)
  • 10-12 Three American Sketches for Violin & Chamber Orchestra
  • 13 Judy’s Theme
  • 14-16 Under Milk Wood Overture (Incidental music to Under Milk Wood by Dylan Thomas)
  • 17 Belle Etoile (* First recording)
  • 18 Waltz in D Minor for Flute & Chamber Orchestra
  • 19 Prelude for Strings
  • 20-29 The Mission Chorales (* First recording of the original sketches written for the film The Mission)

And here’s a short background video featuring Craig Leon talking about how the project evolved:

We love the music of George Martin. See also:

Vale Sir George Martin

Produced by George Martin – New DVD/Blu-Ray

Produced by George Martin – Six CD Box Set

New Book: The Beatles Recording Reference Manual – Volume 1

A fascinating and well-researched new Beatle book has just landed. It’s rather lengthy title is The Beatles Recording Reference Manual – Volume 1: ‘My Bonnie’ through ‘Beatles For Sale’ (1961-1964). The book is written by musician, recording engineer, producer and Beatle aficionado, Jerry Hammack:

As the front cover says: “From the first take to final remix, discover the making of the greatest pop recordings of all time”. It is the first installment of what will be a four-book series.

Volume 1 takes us in great detail through the albums Please Please Me, With The Beatles, A Hard Day’s Night, and Beatles For Sale.

Over eight years in the making, Jerry Hammack has collected and analysed hundreds of recordings (takes, outtakes, remixes and the officially released versions), read hundreds of books and magazine articles, scoured photos, film and videos, and interviewed key personnel who worked on Beatle sessions to compile a definitive statement about just how each of their classic recordings was made.

From his home in Toronto, Canada, Hammack explained, “I’d be working on a session and an artist would ask for McCartney’s bass sound on Sgt. Pepper, or Clapton’s solo guitar sound on ‘While My Guitar Gently Weeps’. While I could eventually track down the details that brought those sounds to life for them, it required a lot of detective work sorting through outdated, or even worse, unsubstantiated misinformation on the topic. As The Beatles influence is as present now as its ever been, I thought it was important to put those questions to rest.”

And put them to rest he does. The Beatles Recording Reference Manual – Volume 1 – ‘My Bonnie’ through ‘Beatles For Sale’ (1961-1964) includes song-by-song descriptions of the entire recording process, complete with diagrams to visually describe what happened with each song. This allows the reader to follow the critical milestones of each work. Every entry has detailed session by session breakdowns of the people involved, instruments and studio tools used. Plus there are numerous appendices at the back of the book covering release versions, gear, and more.

You’ll find in this book minute detail – right down to the studio gear in the control room at the time – like this beautiful old Telefunken M10 Master Recorder (which was the model used to record masses of the band’s earliest songs):

The book also has what I very much like to see in reference works of this nature: a Glossary of Terms, a thorough Bibliography, and a comprehensive Index, making things easy to find and cross reference.

Future volumes in this definitive, four-volume series will be released approximately every 6 months. Jerry Hammack has created a great website to support the book series, and you can purchase his book direct from the site, or through Amazon (where you can also take a “Look Inside” peek at the contents). Here’s the rear cover of Volume 1 (click the image for a larger version): 

Volume 2 will take us from Help! to Revolver (1965-1966); Volume 3 will look just at 1967 (Sgt. Pepper’s Lonely Hearts Club Band and Magical Mystery Tour); and the final in the series Volume 4 takes in the LPs The Beatles (aka The White Album, through to Abbey Road (1968-1970). Really well worth getting hold of if you love to delve into how Beatle magic was made in the recording studio.

The Beatles DeAgostini Vinyl Collection Has Been Extended

Looks like the newsagent and mail order Beatles Vinyl Collection series from DeAgostini has recently been extended to five more countries: Germany, Austria, Luxembourg, Spain and Japan.

https://www.youtube.com/watch?time_continue=9&v=IodYkYmq9CI

These re-issues (all beautifully pressed on 180gram vinyl at the French MPO plant) are still going strong in Italy (where they are now up to On Air – LIve at the BBC Vol.2, which is issue 18 in the 23-issue series), and in the United Kingdom (where they are up to issue 15 –Anthology 2).

A friend just sent us this photo – a news agency window in Spain: