Finally, after months (or is it years?), the official announcement for the 50th anniversary editions of The BeatlesLet It Be has been made public.
And in physical form this is what we’ll be getting – on October 15:
It begins with a 180-gram, half-speed mastered vinyl 4LP set that also includes a 45rpm 12-inch vinyl EP, with a 105-page hardbound book in a special die-cut slipcase.
There’ll also be a special edition of the same content on a 5CD + 1Blu-ray (containing the album’s new stereo mix in hi-res 96kHz/24-bit; new 5.1 surround DTS and Dolby Atmos album mixes), also with a 105-page hardbound book in a die-cut slipcase.
Both these total 57 tracks in all: the original Let It Be LP in a new stereo mix by Giles Martin and Sam Okell, two discs of previously unreleased outtakes, studio jams and rehearsals, and the previously unreleased 1969 Get Back LP mix by Glyn Johns, newly remastered. Then there’s that Let It Be EP (in both the vinyl and CD boxes) as a separate disc containing 4 tracks: o Glyn Johns’ unreleased 1970 mixes of ‘Across The Universe’ and ‘I Me Mine’. o Giles Martin & Sam Okell’s new stereo mixes of the ‘Don’t Let Me Down’ and ‘Let It Be’ singles.
The hardback book this time will be available in both boxes – something that hasn’t happened before with Beatle re-mix re-issues. It features a foreword by Paul McCartney, an introduction by Giles Martin; a remembrance by Glyn Johns; chapters and detailed track notes by Beatles historian, author, and radio producer Kevin Howlett; and an essay by journalist and author John Harris exploring the sessions’ myths vs. reality. The book is illustrated, scrapbook style, with rare and previously unpublished photos by Ethan Russell and Linda McCartney, as well as never before published images of handwritten lyrics, session notes, sketches, Beatles correspondence, tape boxes, film frames, and more.
After the two ‘Super Deluxe’ boxes there’s a 2CD set that comes in a digipak with a 40-page booklet. This set contains on one disc the original Let It Be album (in it’s new stereo mix), plus a disc unique to this set with 13 tracks of highlights from the previously unreleased outtakes, studio jams, rehearsals, and the previously unreleased Glyn Johns 1970 mix of ‘Across The Universe’. That makes it an interesting purchase for those completists among us!
Of course, there’s the stand-alone 1 LP which is also half-speed mastered and pressed on 180-gram vinyl, along with a single CD of the of the original album in re-mixed form too.
And there’s to be a picture disc as well.
As to track listings, here are images of the rear covers of the 4LP/EP box set:
And the 5CD/Blu-ray:
And the rear cover of the single LP:
Click on any of the images above to see larger versions.
We liked the artwork on the offical Bealtes page depicting some masking tape with the words Let It Be roughly stuck over what was the original title of this project: Get Back.
Really looking forward to hearing this re-mix. It is a favourite LP for us, up there with Pepper, Abbey Road and The White Album for sure.
Apple, Walt Disney Studios and Wingnut Films have just gone public on their plans for the release of the Peter Jackson-directed film, The Beatles: Get Back.
What many thought would be something like a 2-hour cinema release has morphed into something much, much bigger. It is to be a three-part documentary series, screened over three days on the Disney+ channel. Each episode is around two hours in duration.
Journalist Joe Hagan has been given an exclusive preview and his article about what he saw is in the magazine Vanity Fair. He describes it as “a mindblower”.
Over Six Hours of Never-Before-Seen Restored Footage, Including The Beatles’ Last Live Performance, to Roll Out on Disney+ Over Three Days, November 25, 26 and 27, 2021
BURBANK, Calif. (June 17, 2021) – The Walt Disney Studios, Apple Corps Ltd. and WingNut Films Productions Ltd. announced today that Disney+ will bring “The Beatles: Get Back,” a Disney+ Original documentary series directed by Peter Jackson, to fans and music lovers worldwide.
Because of the wealth of tremendous footage Peter Jackson has reviewed, which he has spent the past three years restoring and editing, “The Beatles: Get Back” will be presented as three separate episodes. Each episode is approximately two hours in length, rolling out over three days, November 25, 26 and 27, 2021, exclusively on Disney+.
“As a huge Beatles fan myself, I am absolutely thrilled that Disney+ will be the home for this extraordinary documentary series by the legendary filmmaker Peter Jackson,” said Bob Iger, Executive Chairman and Chairman of the Board, The Walt Disney Company. “This phenomenal collection of never-before-seen footage offers an unprecedented look at the close camaraderie, genius songwriting, and indelible impact of one of the most iconic and culturally influential bands of all time, and we can’t wait to share ‘The Beatles: Get Back’ with fans around the world.”
Peter Jackson commented, “In many respects, Michael Lindsay-Hogg’s remarkable footage captured multiple storylines. The story of friends and of individuals. It is the story of human frailties and of a divine partnership. It is a detailed account of the creative process, with the crafting of iconic songs under pressure, set amid the social climate of early 1969. But it’s not nostalgia – it’s raw, honest, and human. Over six hours, you’ll get to know The Beatles with an intimacy that you never thought possible.”
He added, “I’m very grateful to The Beatles, Apple Corps and Disney for allowing me to present this story in exactly the way it should be told. I’ve been immersed in this project for nearly three years, and I’m very excited that audiences around the world will finally be able to see it.”
Directed by three-time Oscar®-winning filmmaker Peter Jackson (“The Lord of the Rings” trilogy, “They Shall Not Grow Old”), “The Beatles: Get Back” takes audiences back in time to the band’s intimate recording sessions during a pivotal moment in music history. The documentary showcases the warmth, camaraderie and creative genius that defined the legacy of the iconic foursome, compiled from over 60 hours of unseen footage shot in January 1969 (by Michael Lindsay-Hogg) and more than 150 hours of unheard audio, all of which has been brilliantly restored. Jackson is the only person in 50 years to have been given access to these private film archives. “The Beatles: Get Back” is the story of John Lennon, Paul McCartney, George Harrison and Ringo Starr as they plan their first live show in over two years, capturing the writing and rehearsing of 14 new songs, originally intended for release on an accompanying live album. The documentary features – for the first time in its entirety – The Beatles’ last live performance as a group, the unforgettable rooftop concert on London’s Savile Row, as well as other songs and classic compositions featured on the band’s final two albums, Abbey Road and Let It Be.
An exciting new collaboration between The Beatles and Jackson presented by The Walt Disney Studios in association with Apple Corps Ltd. and WingNut Films Productions Ltd., “The Beatles: Get Back” is directed by Peter Jackson, produced by Clare Olssen (“They Shall Not Grow Old”) and Jonathan Clyde (“Eight Days a Week”), with Ken Kamins (“The Hobbit” trilogy) and Apple Corps’ Jeff Jones (“Eight Days a Week”) serving as executive producers. Jabez Olssen (“Rogue One: A Star Wars Story”) serves as the documentary’s editor, and the music is mixed by Giles Martin (“Rocketman”) and Sam Okell (“Yesterday”).
“The Beatles: Get Back” is being made with the enthusiastic support of Paul McCartney, Ringo Starr, Yoko Ono Lennon and Olivia Harrison.
Ahead of the documentary’s Disney+ debut, Apple Corps Ltd./Callaway Arts & Entertainment will release The Beatles: Get Back book on October 12. Beautifully designed and produced, the 240-page hardcover complements the “Get Back” documentary with transcriptions of The Beatles’ recorded conversations and hundreds of exclusive, never before published photos from the three weeks of sessions. The collectible book will be published in nine international language editions, including English. (ends)
No news yet about a physical release of the 6-hour plus documentary for fans, nor of any Super Deluxe box set of the music. Watch this space.
On Tuesday someone at the official George Harrison site stuffed up and, two days before the official announcement, accidently made public a couple of pages worth of information about the long-awaited All Things Must Pass 50th Anniversary box sets. This included images, prices, and content details.
Of course fans around the world (including us) noticed and began sharing links and images.
The cat was very much out of the bag, but still Universal Music – with just two days to go until the official announcement – desperately tried to stop the spread of information.
In what is tantamount to using a sledge-hammer to crack a walnut, they had the International Federation of the Phonographic Industry (IFPI) write to anyone who had published images of the new All Things Must Pass box sets to issue an “Infringement Notice” and an order to take down those images. (FYI, the IFPI is a trade association representing some 1300 major and independent record companies in the US and internationally who create, manufacture and distribute sound recordings).
Some sites (like ours) complied, others didn’t.
All that effort on behalf of Universal Music and the IFPI and here we are – just two days later – with the whole kit and caboodle about this fantastic release now officially in the public domain. The publicity free-for-all can now proceed. “Free” being the operative word because sites like ours, made by fans and for fans, don’t make any money out of this. We just love the Beatles as a band, and as solo artists. And we help get the word out to others about new releases THAT PEOPLE MIGHT WANT TO BUY from Universal Music. Of course they have their own digital assets, but it is sites like ours that contribute to “word-of-mouth”, make recommendations, and the general buzz around new releases that record companies – like Universal – rely upon. But when someone makes a mistake at Universal Music, the first people they jump on is us?
Anyway, rant over.
The good news is that we’ve finally got the full details of the George HarrisonAll Things Must Pass – 50th Anniversay Edition, due out on August 6.
Uber Deluxe, Super Deluxe, and a variety of extended and standard editions (plus other merch) are now up on the official George Harrisononline store site.
And there will be an Uber box set to rule them all – retailing for a cool US$999.98
An artisan designed wooden box (approx. 12.4″ x 12.4″ x 17.5″)
Elaborate and expanded 96 page version of the scrapbook, curated by Olivia Harrison, with previously unseen imagery and memorabilia from the era: handwritten lyrics, diary entries, studio notes, tape box images, a comprehensive track-by-track and more.
A second 44-page book chronicling the making of All Things Must Pass through extensive archival interviews with notes.
Wooden bookmark made from a felled Oak tree (Quercus Robur) in George’s Friar Park.
1/6 scale replica figurines of Harrison and the gnomes featured on the iconic album cover
Limited edition illustration by musician and artist Klaus Voorman.
A copy of Paramahansa Yogananda’s “Light from the Great Ones”
Rudraksha beads contained in individual custom-made boxes
The remixed and remastered album on 3 vinyl discs with a replica of the original album poster
5 LPs of outtakes and rarities
5 CDs and 1 Blu-ray
Set features 70 tracks, including 47 demo recordings, session outtakes and studio jams, of which 42 are previously unreleased.
Blu-ray disc includes hi-res stereo, 5.2 surround and dolby Atmos mixes of the main album
The wooden box is huge. The packshot image above doesn’t give an indication how big this thing is. Here’s an Instagram image of Dhani Harrison sitting on the Uber crate at Friar Park – in what looks like the exact same spot the famous All Things Must Pass cover shot was taken:
There’ll also be a Super Deluxe 8 LP box containing the re-mixed and remastered album across 3 LPs, the 5 LPs of outakes and rarities included in the Uber, a book (not as comprehensive as the Uber edition version), and the original poster.
Also for vinyl lovers there’s to be a 5 LP set (original album on 3 LPs, plus two discs with 17 tracks of demo recordings, session outtakes and studio jams outtakes):
And there’ll be the re-mixed album proper on its own: 3 LPs in a slim box – the way it was originally released back in 1970. There will be two versions of this edition. One on black vinyl:
The other 3 LP set is a Limited Edition on 180gram black and green splatter vinyl. This one we believe is only available from the George Harrison official site:
For those not into vinyl there’s to be a Super Deluxe CD/Blu-ray box set containing 5 CDs (the original album across 3 discs, plus 2 discs of the outtakes and rarities). This collects 70 tracks across those 5 CDs, including 47 (42 previously unreleased) demo recordings, session outtakes and studio jams all housed in a beautiful slipcase. A Blu-Ray audio disc has the main album in hi-res stereo, 5.1 surround and Dolby Atmos is also featured. The collection contains a 56-page scrapbook curated by Olivia Harrison, with previously unseen images and memorabilia from the era, handwritten lyrics, diary entries, studio notes, tape box images, a comprehensive track-by-track and more. It also includes a replica of the original album poster:
There’ll also be a 3 CD set, with the third CD containing the original jams, plus additional demo recordings, session outtakes and studio jams. This will be housed in a square box with a scaled- down version of the original poster and a 20-page booklet with photos, introduction, and notes from Dhani Harrison and Paul Hicks on remixing the album:
And there’s a standard 2 CD with just the original album across two discs, re-mixed and re-mastered:
So, something for everyone. The Harrison camp has also just released a new video for the big reveal announcement.
It’s one of the outakes featured on the new releases – the song ‘Run Of The Mill (Take 36)’, a previously unreleased track. It really gives a clear indication of how the songs on All Things Must Pass were shaped and went through several permutations in the studio before the final, well-known and loved versions became part of popular music history:
See Universal Music? It’s not so hard. All we’re doing is trying to reach those people who are interested, and perhaps some of them are people you can’t reach.
As we eagerly await the release later this week of the Plastic Ono Band super deluxe editions it’s been interesting to listen to two rare John and Yoko interview discs recorded during the same era.
The two discs are John Lennon & Yoko Ono Special Interview (January 25, 1971, in Tokyo), and John Lennon & Yoko Ono Special Interview (September 2, 1971 in New York).
Both these were only made available recently, and only in Japan. The one place to purchase them was from the museum shop at the Double Fantasy – John & Yoko exhibition, held at the Sony Music Roppongi Museum in Tokyo in late 2020/early 2021. We were lucky as a family friend who lives there got both discs for us and sent them via snail mail to Australia. It took a while, but they eventually got here!
As the titles suggest, these recordings date back to 1971, and hearing John and Yoko talking about their then just-released Plastic Ono Band LPs (one from John, one from Yoko), and also about Lennon’s Imagine LP, adds to our understanding: what they were thinking and saying about the albums at the time.
As you can see, these have been lovingly created in the typical Japanese style. They both come in gatefold sleeves with Grapefruit OBI strips, and they’re both pressed on lovely 10″ clear vinyl.
Both album sleeves say “Printed in Japan”, and state that the vinyl is pressed in Czech Republic. However, inside the labels say “Made in USA”. Confusing.
On the OBI strip and on the record labels there are Columbia Records logos (i.e. Sony Music), while on the covers there are Sony Music, Secretly Canadian and Chimera Music logos printed on the rear sleeves.
And of course being Japanese releases, these both have a paper sheet inserts printed on both sides with more detail and info (in Japanese!) about the EP and the Double Fantasy exhibition:
One of these interview discs at least (John Lennon & Yoko Ono Special Interview (September 2, 1971 in New York) has been previously released. This was back in 1971 in Japan – and it came out on the Apple label. This release was a fan-only, 7″ 45rpm EP. It has the same artwork throughout as this 2020 re-issue and came in a gatefold cover too. Apparently in Japan in 1971 the first 1,000 copies of of Imagine contained a postcard which the buyer could use to order the interview EP for free:
Seeing the original Japanese Apple labels from 1971 reminds us of the amazing attention to detail the Japanese go to when recreating re-issues. If you look closely you can see that even the lettering has been meticulously copied from the Apple original to the 2020 version on the Grapfruit label:
The interview on January 25, 1971 took place in Tokyo’s Teikoku or “Imperial” Hotel. It is conducted in English and Japanese – but mostly Japanese. The Lennon’s state that they are in the country to visit Yoko’s family and are trying to keep a low profile, so it is not an official visit as such. But they’ve obviously called a short press conference to talk briefly about what would have then been their latest releases, the two Plastic Ono Band LPs.
As you can see from the sleeve images above, the two are photographed holding these albums (and The Wedding Album) on the front, rear and gatefold covers.
Here’s a short extract from this disc to give you a feel for what it contains. John is asked about the direct nature of his lyrics on Plastic Ono Band. Is it something like Japanese Haiku poetry?
“This album is shibui!” he declares. Shibui refers to a particular aesthetic of simple, subtle, and unobtrusive beauty. Like other Japanese aesthetics terms, it can apply to a wide variety of subjects, not just art or fashion (see Wikipedia).
There is a small amount of original music on the January 25, 1971 interview disc. At one point Yoko is busy speaking in Japanese to the interviewer while John Lennon in the background has obviously picked up an acoustic guitar and gently finger picks the melodies of ‘Sun King’ and then ‘Dear Prudence’. And at the very end of the press conference there is a short live version of ‘Give Peace A Chance’.
The interview on the second 10″ clear EP takes place in New York on September 2, 1971. Here they talk a lot more about Imagine as it has just been released, but John compares it to Plastic Ono Band, the LP which precedes it. Lennon says the Imagine album is more relaxed compared to Plastic Ono Band. And ‘Imagine’ the song, he says, has almost the the same story as the song ‘Working Class Hero’ from Plastic Ono Band, only ‘Imagine’ is expressed in a more “child-like” way.
Sound-wise he says he wanted Plastic Ono Band to be very spare, but this time (on Imagine) he wanted strings and saxophone, and to work using more musicians. The other contrast between the two LPs he makes is along the lines of: “Last year [when I made Plastic Ono Band] I had long hair and a beard. Now I’ve got short hair and no beard. So it’s like shaving. It’s a bit cleaner looking, more acceptable to people”.
BBC Radio 2 will celebrate the 50th anniversary of The Beatles’Abbey Road album with RADIO 2 BEATLES, a four-day pop-up DAB radio station. It will feature programs fronted by Gary Barlow, John Bishop, Martin Freeman, Guy Garvey, Dave Grohl, Giles Martin, Cerys Matthews, Paul Merton and many more.
Broadcasting from Thursday 26 to Sunday 29 September from London’s iconic Abbey Road Studios, the station will honour John, Paul, George and Ringo as a group, and as individual artists, and as songwriters. All the live shows on Radio 2 Beatles will come direct from Abbey Road – with some also simulcast on Radio 2 and BBC Sounds – and broadcast alongside pre-recorded specials and classic Beatle content from the unique BBC archive.
All programs featured on Radio 2 Beatles will be available to listen to on BBC Sounds for 30 days after broadcast.
Lewis Carnie, Head of Radio 2 says: “The Beatles are woven into the fabric of UK culture. They inspired and continue to inspire artists of all generations and created some of the world’s most loved music. As their seminal album Abbey Road is 50 years old, I am delighted that Radio 2 is celebrating the Fab Four with a four-day pop-up DAB radio station.”
Programme highlights include We Write The Songs, where Gary Barlow interviews Paul McCartney about the music, where Paul discusses how The Beatles only began writing because other bands were stealing their act, and describing how he’s stayed at the top of the music business for six decades.
In the series My Beatles, Dave Grohl, Jack Savoretti and Tom Odell talk about the influence the Fab Four’s music had on them; across the daily series I Was There, the likes of Tony Blackburn and radio critic Gillian Reynolds talk about what it was really like being part of the swinging Sixties, whilst Martin Freeman presents the story of The White Album across two shows.
6 Music Breakfast and Desert Island Discs host Lauren Laverne presents Desert Island Beatles, featuring the many guests who’ve selected one of their group or solo records, as a must-have track, plus Liza Tarbuck meets pop-artist and Sgt. Pepper sleeve designer Sir Peter Blake, while Jimmy Tarbuck hosts an hour of novelty versions of hit Beatle songs.
Gary Barlow says: “It was an absolute honour that Paul McCartney, one of my true heroes and a legendary songwriting genius, agreed to talk in depth about his work for my Radio 2 series We Write The Songs. This particular episode really is a masterclass from the master! I am thrilled to launch my first series on the network as part of Radio 2 Beatles, which sounds like it is going to be four days of unmissable radio.”
Simulcast on Radio 2 and BBC Sounds, and broadcasting live from Abbey Road studios on Thursday morning, Radio 2 Beatles will be launched by Ken Bruce whose show will feature a special Beatle themed Tracks Of My Years and PopMaster quiz (9.30am-12pm). Later that day, Jo Whiley will present her Radio 2 evening show live from Abbey Road with live performances and very special guests (7pm-9pm). On the Friday, the day kicks off with The Zoe Ball Breakfast Show, with a special Friends Round Friday (6.30am-9.30am) including music from Rick Astley.
Later that day, Sara Cox is joined by the listeners for a BeatlesAll Request Friday (5pm-7pm), and that evening Friday Night Is Music Night presents The Beatles Orchestrated. Guy Garvey will be hosting, with the BBC Concert Orchestra and a guest list of artists, including Cerys Matthews, Katie Melua, Level 42’s Mark King, alongside Guy himself, all performing songs from across the Beatles catalogue (8pm-10pm). On the Saturday morning Dermot O’Leary presents his show live from Abbey Road (8am-10am), followed by an extra hour exclusive to the Pop-Up, where Dermot speaks to writer Richard Curtis about his recent film Yesterday (10am-11am).
Other shows exclusive to Radio 2 Beatles include Grace Dent presenting Hip to the Trip focussing on free love, fashion and The Fab Four, while Nicky Campbell discusses the crucial role played by the band’s producer Sir George Martin, with his son Giles. Actor Himesh Patel, the star of the movie Yesterday, tells the incredible story behind Abbey Road – the band’s last recorded album – in a new two-part special and songwriter Guy Chambers looks at the genius of their lyrics and melody.
Craig Charles uncovers some of the BBC’s incredible archive audio, and Paul Merton takes to the imaginary stage to introduce The Beatles Fantasy Concert, featuring the ultimate collection of live performances recorded by The Beatles as a band and as solo artists. Scott Mills takes us on an alphabetical trip through the Beatles back catalogue, Paul Gambaccini tells the musical story from the other side of the Atlantic, and Tris Penna presents a four-part series charting each of the Fab Four’s individual music careers and most memorable albums.
Radio 2 Beatles has also commissioned a special chart from the Official Charts Company – The Beatles Downloaded: Official UK Top 60, will be revealed across the Saturday and Sunday afternoons (5-7pm) with Janice Long and Radio 1 Breakfast Show host Greg James counting down the most downloaded and streamed Beatle songs in the UK. Plus Steve Wright presents a special Beatles Love Songs, Trevor Nelson playing classic soul Beatles’ covers in Rubber Soul, Radio 1’s Alice Levine explores the Fab Four’s various musical pairings, and Country Covers with Ben Earle, from country band The Shires, features Fab Four tracks covered by country artists.
From the BBC archive Radio 2 Beatles will be broadcasting When John Met Paul with Bob Harris, Radio 4’s Mastertapes with Paul McCartney, and Sgt. Pepper Recreated, recorded in 2007 and featuring performances from Oasis, Bryan Adams, and Kaiser Chiefs.
A recent trip to Melbourne (capital city of the Australian state of Victoria) turned up some more Beatle-related treasure in the form of some nice vinyl singles. (Click here for the results of our previous visit).
Some of these titles we already had, but in pressings from different countries. The others definitely fill some gaps in the collection. As always, click on the images below to see larger versions.
The first two we found were at a flea market – and going very cheaply. Mary Hopkin’s ‘Goodbye’ was produced by Paul McCartney and released in 1969. This one is the UK release:
We already had two other versions of this. The US release – in a picture sleeve:
And the Australian pressing, with two different label variations. One with a Northern Songs publishing credit stamp, and one without:
The other find at the flea market was also a UK pressing – of the Radha Krishna Temple’s ‘Hare Krishna Mantra’, also from 1969:
The pressing we already had of this is probably more rare. It’s the Australian pressing, also nice to have:
After the flea market we headed over to one of our favourite second-hand record haunts, Licorice Pie Records. As usual they had a good selection of used Beatle and Apple artist 45’s. Like this one, an Australian pressing of Paul McCartney and Wings from 1974 with ‘Mrs Vandebilt’:
Despite years of collecting, this single was not in the collection – so it was a good find. As was this next one – Badfinger and ‘Baby Blue’ (again an Australian pressing):
Paul McCartney’s brother Mike McGear released an album in 1974 simply called McGear. On it he had a lot of help (and songs) from his older sibling and members of his brother’s band, Wings. The McGear album is set to be reissued on June 28 on 180 gram vinyl and on a CD + DVD set (with lots of rarities included). The original album saw this single issued with a non-album track on the flip side: Note the McCartney producing credit and the Paul and Linda writing credits on both songs.
The next year, Warner Brothers issued another single, only this time the non-album track (‘Dance the Do’) was the A-side, while the B-side was taken from the McGear LP:
So, all in all a successful trip. Next post we’ll detail the LPs we found.
This was a ‘best of’ disc compiled by EMI Australia in 1989. But it seems they didn’t get the correct permissions from head office, and so only ten copies were ever pressed. These were sent out for review purposes. The project was then hastily scrapped and the record withdrawn from their catalogue.
The disc, dedicated as ‘A Memorial to Pete Ham, Tom Evans and Mal Evans’, has sixteen tracks. The copy they have for sale (for a cool £1,995.00, or $3,271.00 Australian) reportedly comes from a former EMI senior executive and has the catalogue number SAPCOR 28.
eil.com says: “Because of ongoing legal problems that Apple were having at the time, the project was scrapped even before any sleeves were printed, just a 12″ insert on green paper [was included].” Presumably they got that part of the story from the EMI executive who owned the record. The Applelog Book says that the song ‘Without You’ is incorrectly titled as ‘I Can’t Live (If Living Is Without You)’.
Interestingly that same catalogue number (SAPCOR 28) was later utilised by Apple for a different Best OfBadfinger double LP (and single-disc CD) that it officially released in 1995: The great site The Worldwide Apple Records Discography has some more (small) images of the Finest Moments LP if you are interested.
To date there is no information about how the picture disc will be packaged. However, we do know that it will be joined by a single-disc black vinyl version of the 2017 re-mix of Sgt. Pepper (the initial vinyl release was a two record set):
Plus, if you fancy yourself as a bit of an audiophile and into the best sound you can get, there’ll be a high-definition digital audio download version of Sgt.Pepper’s available in 96 kHz/24 bit quality.
It will basically be the same running order as the two-disc Deluxe Anniversary CD which features the new Giles Martin 2017 stereo mix, plus 18 additional tracks.
These include complete alternate takes for each of Pepper’s 13 songs, plus the 2017 stereo mix and an instrumental take of ‘Penny Lane’, and the 2015 stereo mix and two complete alternate takes of ‘Strawberry Fields Forever’ – all in 96 kHz/24 bit…..
These re-issues (all beautifully pressed on 180gram vinyl at the French MPO plant) are still going strong in Italy (where they are now up to On Air – LIve at the BBC Vol.2, which is issue 18 in the 23-issue series), and in the United Kingdom (where they are up to issue 15 –Anthology 2).
A friend just sent us this photo – a news agency window in Spain:
There’s this one, a stripped-back example of the title track, ‘Sgt. Pepper’s Lonely Hearts Club Band [Take 9 and Speech]’:
It’s interesting on a whole range of levels, not least because we now know exactly where Paul McCartney went for inspiration for his experimental album Liverpool Sound Collage, released back in the year 2000.
If you listen to the ‘Sgt. Pepper [Take 9]’ track at around 2’08” in, he’s singing the same words we hear on the track ‘Free Now’:
On the Liverpool Sound Collage album cover McCartney credits The Beatles (and collaborators the Super Furry Animals), but not exactly where the Beatle samples used across the album come from. Now we know the origins of at least one of them.
Alternate take tracks are being intentionally leaked to the media as part of the publicity for the big Pepper 50th Anniversary next month. ‘Sgt. Pepper’s Lonely Hearts Club Band [Take 9 and Speech]’ was played on the Chris Evans Radio Show (BBC Radio 2). It was also given to the British newspaper The Guardian, and to US radio station WCSX in Detroit, which has also played a preview of ‘With A Little Help From My Friends [Take 1 – False Start And Take 2 – Instrumental]’: