Magical Mystery Tour to be Re-Released

It is now official.

As WogBlog correctly reported last Saturday, the Beatles are to re-issue the film “Magical Mystery Tour” in a range of formats – including a replica of the original 1967 double vinyl 45 set:

(click image to see a larger version)

It will be part of a collectors deluxe edition, to be released on October 8 (October 9 in the USA).  The limited edition deluxe version will come in a 10″ x 10″ box containing the DVD & Blu-ray versions, a 60 page book with background information, photographs and documentation from the making of the film, and a faithful reproduction of the mono double 7″ vinyl EP of the film’s six Beatle songs, originally issued in the UK for the its 1967 release.

“Magical Mystery Tour” will also be available as a single DVD:

Or as a single BluRay:

Each release will contain “Magical Mystery Tour” special features including:

Director’s Commentary – by Paul McCartney

The Making of Magical Mystery Tour  – Featuring interviews with Paul and Ringo, along with other cast members and crew, and will include previously unseen footage.

Ringo the Actor – Ringo reflecting on his role in the film.

Meet The Supporting Cast – A feature on the background and careers of Nat Jackley, Jessie Robins, Ivor Cutler, The Bonzo Dog Doo-Dah Band, Victor Spinetti, George Claydon, and Derek Royle.

‘Your Mother Should Know’
‘Blue Jay Way’
‘The Fool On The Hill’
– These are three new edits of these songs all featuring footage not seen in the original film.

‘Hello Goodbye’ – as featured in Top of the Pops 1967 – The Beatles allowed the BBC to film them in the edit suite where they were working on “Magical Mystery Tour”. This was then turned into a promo by the BBC, who shot their own additional footage. It was then broadcast on Top of the Pops to mark the ‘Hello Goodbye’ single going to No 1 in December 1967.

Nat’s Dream – A scene directed by John Lennon featuring Nat Jackley and not included in the original film.

Ivor Cutler – ‘I’m Going In A Field’  – Ivor performs ‘I’m Going In A Field’. This scene was not included in the original film.

Traffic – ‘Here We Go Round The Mulberry Bush’  – The filming of Traffic acting out their 1967 hit single ‘Here We Go Round The Mulberry Bush’ was commissioned by the Beatles for possible inclusion in “Magical Mystery Tour” but was not used in the final edit.

There’s more here (HD trailer):

Three Old (But Interesting) Magazines

Had to take another driving trip to Canberra – Australia’s national capitol – and so I called into the country town of Goulburn, which is along the way. There’s a big old second-hand book and record store there called the Argyle Book Emporium. I wrote about this shop once before when I discovered three copies of “Q” magazine there which were of interest.

When I got to the Argyle Emporium I headed straight to the room the owner uses to store his records, music books, and music magazines. As I said in the previous post, searching here is pretty frustrating as everything is just a free-for-all, with masses of unsorted discs on shelves and in boxes all over the place. There is so much that it is difficult to know where to start, and it’s one of those places where you get the distinct impression that the whole collection has already been picked over very thoroughly by collectors….Not surprisingly after pretty solid search I didn’t find anything of much interest amongst the records, and so I turned my attention to some boxes of magazines in one corner. There I found three items – two “Q” magazines from way back in 1993, and an “Uncut” magazine from a relatively recent 2010.

Both “Q” mags had info of interest to the Beatles collector. The June 1993 edition had and article about Irish photographer Kieron Murphy who in April 1971 was sent to cover John Lennon recording what would become the “Imagine” album:

Ummm…if you can get past the rather striking cover photo of Terence Trent D’Arby (and yes, there is more of the same, only more, inside the magazine) you can see on the left-hand side a reference to a legendary and historic lost photo session for “Imagine”. It took place just outside London at John Lennon’s home, Tittenhurst Park. Of this very special assignment Kieron Murphy says “Meeting him was the high point of my life. I’d never met anyone so famous and I suppose I still haven’t. When I got there it was five o’clock in the afternoon and he was having breakfast…..More people began to arrive, like Klaus Voorman (bass player), and Alan White (drummer), and Nicky Hopkins who was playing the piano; then George Harrison came along, and there they were, all having a cup of tea.”

Kieron Murphy captured some great images for “Sounds”, the magazine he was working for at the time. If anyone has seen the documentary “Gimme Some Truth – The Making of John Lennon’s Imagine Album” (released in 2000) then these black-and-white photographs will look familiar. Like that film, Murphy has captured a unique point in musical history – being played out amongst scenes of very ordinary domesticity. There are only six photographs in the magazine but they are special.

The other “Q” magazine comes from December 1993:

Kate Bush adorns the cover but what caught my eye was the heading:  BEATLES EXCLUSIVE – John, Paul, George, Ringo and Nicola?!

It’s a neat little four-page article and photo essay, a where are they now piece on the whereabouts of the little girl called Nicola who appears in the Beatles 1967 film “Magical Mystery Tour” and who is name-checked and immortalised on the track-listing on both the album and the original EP cover. You can see this in the printed title for the song “I Am the Walrus”, which has the hand-written subtitle  (“No you’re not!” said Little Nicola):

Well, in 1993 “Q” magazine tracked Nicola down and told the story of how she and her mum, Pam, ended up appearing in the MMT film. They found Nicola Hale, then aged 30, living in Forest Park on the outskirts of Chicago. She was working at a drop-in centre for young people with substance abuse problems. The article has some great photographs of Nicola in scenes with Paul McCartney, John Lennon, and this one mucking around with a soccer ball on the bus with Ringo Starr:

That’s her mum Pam on the right, and the carefully preserved dresses they wear in the scene are shown in colour in an insert at top right. All the pictures, newspaper clippings and memorabilia shown in the article come from the collection of Nicola’s father, Dave Hale.

Its a great little article and well worth having. I wonder where Little Nicola Hale is today?  She would be 48 years old. Does anyone have any information? Please let us know.

The final magazine is much more recent – an “Uncut” from the UK, dated August 2010:

Basically this is Part One in a four-part series where the magazine looks at what each Beatle did following the break-up of the band. The first in the series was John Lennon:

“Confidants, band members and therapists reveal all about the cold turkey and primal scream therapy, the relationship meltdowns, the battles between pacifism and revolution – and the extraordinary music of the Plastic Ono Band.”

With great photographs throughout this article ranges over 10 pages. It features the reminiscences of a range of people including Andy Stephens who was a tape operator at EMI’s Abbey Road studios during the rush recording of the song “Instant Karma” in 1970. (We learn in the article that Stephens is now the manager of Susan Boyle!). He relates a revealing story of Lennon enjoying a rare moment of privacy at Abbey Road in 1970:

“It was about two in the morning. He asked me to have a look out the front. There were always fans hanging around….I told him the fans had gone. John got hold of Yoko and they turned left and walked up Abbey Road. They came back 15 minutes later. John had a wonderful grin on his face. I mean, just a wonderful wonderful grin. He said, ‘You’ve no idea what it’s like to go for all that time without getting hassled.’ It was such a buzz for him. He’d gone 15 whole minutes without getting stopped.”

Footnote:  Interestingly, in looking up the “Uncut” magazine site I discovered that the Beatles are in fact this month’s cover story as well:

It’s all about the Beatles time in Hamburg. The issue comes with a free CD called “Sounds of the Star Club” with 16 tracks of songs covered by the Beatles, including tracks by Chuck Berry, Carl Perkins, Fats Waller, Little Richard, Gene Vincent, Ray Charles and Elvis Presley.

And editor, Allan Jones, says that this is the last printed edition of Uncut in it’s present format: “From next month, the magazine will have a cool new look and there will be changes to what’s in it and how it’s presented….the new-look Uncut goes on sale on February 28.”

Magical Mystery Tour – HMV Box Set

I’ve been able to get hold of another in the 1987 series of box sets released by the British HMV record store chain to celebrate the first editions of the Beatles on CD. I’ve previously posted on the “Sgt Pepper” box set, and also the “Beatles Red 1962-1966” box set.  Now they’re joined by the HMV “Magical Mystery Tour”:

When the Beatles catalogue came out on CD for the very first time back in 1987 it was a big deal and HMV (which has close ties back to the Beatles record company EMI) released a series of limited edition 12” x 12″ box sets containing CD’s to mark the occasion. There were 12 box sets released in all, plus a large (and expensive) HMV box which housed every CD then available.

Box set BEACD25/6 was “Magical Mystery Tour”, and it came with a 12-page booklet, a large fold out colour poster, and a badge. You can see the front cover image of the box above. It features the same artwork as that used on the CD. When you take the lid off this is what you first see:

This is a large format 12-page booklet with lots of photographs and the text is an article about the making of the film “Magical Mystery Tour”, plus the background to each song. Here are couple of pages from the booklet:

Underneath the booklet is a poster featuring the band in their tuxedos from a scene in the film, plus text on the left-hand side telling the Magical Mystery Tour story:

Then comes the CD itself, held in place by a special cardboard holder with a slot just right for the CD, which is in the standard plastic jewel case. There’s a small thumb-slot at the top to help you get the CD out:

Also in the box is a small metal Magical Mystery Tour/HMV pin or badge:

The CD that comes with the HMV box is the original 1987 UK release with its own booklet:

Like the other titles in the set, inside the lid of the HMV box there’s a limited edition stamped number. Mine as you can see is a nice round number, 004949:

There were apparently 10,000 copies of “Magical Mystery Tour” released worldwide, although one site I found disputes this saying there were only 8000.

Australian-Only Magical Mystery Tour

You might be more familiar with this cover:

But in Australia, the Beatles “Magical Mystery Tour” LP first came out as a 12-inch on the World Record Club (WRC) label – and it had a very different cover:

Here is the rear cover, also a real departure from the US release:

This WRC record (catalogue number S-4574) was issued in 1970. The World Record Club was EMI’s mail order division, making the purchase of music recordings possible to people who lived in remote areas and to music buffs who subscribed to the club for regular releases posted direct to their homes. The company had the rights to sell a wide range of recordings (including popular, jazz and classical titles) from around the world – often issued with unique and artistic individual covers.

This Australian edition of MMT came with the expanded front-cover title “The Beatles: Magical Mystery Tour and Other Splendid Hits”. The rear cover went into even more detail: “The Beatles in Songs and Music from the Color Television Film called “Magical Mystery Tour”.  The image used on the front cover was taken from page 10 of the 24 page booklet (plus a 4 page lyric sheet) in the centre of the original 7″ EP version from 1967.

There were two different types of WRC labels as well. The initial pressings came with this light-green “S” label:

Later pressings came with a green “Trumpeter” on a light-blue label:

The terrifically detailed Beatles Australia Album Labelography site has much more information on this and other unique Australian releases.

In Australia we also got local pressings of the original double 7″ EP 45rpm, six-song “Magical Mystery Tour” set which would be familiar to British collectors:

This is the mono version above (denoted by the catalogue number MMT-1 at the bottom left-hand side). It also came out in stereo in Australia and both were released in 1967. These EP’s were on the black and silver Parlophone label:

UPDATE:  You might also be interested in this post.

105 Days with the Beatles

This isn’t new – it comes from back in December last year but I’ve only just discovered it and thought its worth passing on because it’s kind of interesting.

Its an interview on the Australian EMI site with Richard Lush – who worked at EMI during the 60’s as second engineer to Geoff Emerick recording the Beatles. As he says in a great quote from the article:”….I did 105 sessions; 105 days I walked across Abbey Road and went to work for the Beatles….”.  Not many people can make that claim.

“I was 18 years old and I had been there for 6 months. Before I started on “Revolver”, when we did “A Day in the Life”… Geoff and I, Geoff was 2 years older then me… Geoff would have been 20 and I was 18. I remember us in the control room joking to one another… isn’t amazing…they are actually trusting us… (We laughed)”

“People often ask me: “What’s the worst thing about working for the Beatles?” And I always said… The fact that they would always start late. Most bands in those days started in the morning (10am) but they would start around 2pm. So you would show up just before 2… There would be no fans, no screaming girls, so you knew they had not arrived yet. Then George Martin would show up about 4 o’clock, we would set up, still be waiting, and then the Beatles would roll in about 7 or 8pm and go to about 8 in the morning……I worked on “Pepper”, did a track on “Revolver”, about half   “The White Album”, some of “Magical Mystery Tour”.”

Anyway, check out the interview in full – its worth a read.

If you want to see Richard Lush in the studio here’s a short clip of him examining the piano and drum parts for the John Lennon track “God”, from his solo album Plastic Ono Band. This was part of the great “Classic Albums” video series: