That’s the one actually signed by Sir Paul, and there have reportedly been just 175 copies made available worldwide. However, that most likely means 175 for the US market, and 175 for the UK.
Either way, it’s the one that comes in a unique and quite distinctive bright orange box with blue lettering. The design inside is different to the standard as well – as one lucky reader in New Zealand has just shared with us when he received his unique boxed set.
His name is Simon and somehow he managed to get a copy of the Limited Edition sent to him from a UK book store. It is number 105/175. Simon’s done this unboxing video for us of him opening his treasure:
“On 4 December this year, Sony ‘released’ 50th Anniversary Collection: 1970, a Bob Dylan collection that included all the out-takes from the New Morning and Self Portrait sessions that were not already available on The Bootleg Series Vol. 10: Another Self Portraitalong with a legendary session with George Harrison.
This was put out in extremely limited quantities (in Europe only) and these kind of releases have happened for the last eight years and have become known as the ‘Copyright Collection’ series. Due to fan demand this 1970 set is now being made available in February for a full commercial release (albeit it’s still limited to some degree).
These are all the unreleased recordings from 1970, effectively. There are 74 tracks in total and nine of those feature George Harrison. In fact this commercial version includes two extra tracks that were “inadvertently left off the original release.
This three-CD set will be an eight-panel digi-pak and features notes by Michael Simmons. This is being released physically and for download only. It won’t be available via streaming.”
Like Egypt Station before it, this latest Paul McCartney LP McCartney III will be offered in a multitude of variations. Absolute completist collectors will be driven to distraction!
First variation to be offered for pre-order today will probably become the most sought after, and the rarest.
It will be pressed at Jack White’s Third Man Records pressing plant in Detroit, Michigan. Known as the ‘333 Edition’, this is limited to 333 copies only, pressed on ‘yellow-with-black-dots’ vinyl:
This vinyl is created by recycling 33 vinyl copies of old McCartney and McCartney II LP’s. The special “regrind” pressing, the first version of McCartney’s third self-titled solo album available for purchase, is hand-numbered, comes in an exclusive screen-printed jacket, and contains a printed inner sleeve and poster.
Just how Jack White’s company became the first to offer this brand new Paul McCartney recording to the world – even before McCartney’s own website store had the same thing on offer, only in red vinyl – remains a mystery. Not surprisingly the 333 copies sold out within minutes:
Next up in the rarity stakes is another Third Man Records pressing, offered a little bit later in the day exclusively on the official US Paul McCartney Store website:
This is described on the site as a “Hand-numbered gatefold featuring photography by Mary McCartney, Sonny McCartney and Paul McCartney (it’s a family affair!). Limited-edition (3000 units worldwide) store exclusive made in collaboration with Third Man Records,180g red vinyl disc with printed inner disc sleeve and a 12” x 18” insert poster.” Again, this is showing as “SOLD OUT”.
Both these pressings are distinguished by a prominent yellow Third Man Records logo on the front cover.
There is also a non-Third Man red vinyl pressing. This is a limited edition available on the official UK Paul McCartney Store site:
This is presented in a gatefold cover and is limited to 3000 units worldwide as a “store exclusive” in 180g red vinyl. It comes with a printed inner disc sleeve and the 12” x 18” insert poster. Also listed as “SOLD OUT” at the moment. However, it is still available in Europe at the German UMe online store Bravado. The difference between this and the UK listing is that the German red vinyl is in a hand-numbered gatefold cover with poster.
Interestingly, the MusicVaults store in Canada (a UMe subsidiary) also had this version on sale briefly. It too was listed as “SOLD OUT”.
Then came news of a white vinyl edition, exclusive to independent record stores. Rumoured to be limited to 4000 copies in the USA, and 3000 copies in the UK. It comes in a hand-numbered cover and includes a poster. Try your local independent store for this one:
And the anomaly of the group – again, like they did with Egypt Station – there’s a “Coke bottle” clear vinyl edition being made availble associated with the streaming music companySpotify. I don’t reallly get why vinyl records are being marketed by streaming music companies, but maybe that’s just me? Anyway, this too is “SOLD OUT” on the McCartney Store site. But, if you live in Australia it is still available here.
Paid a visit this week to a new and second-hand record/book store we’d not visited before. It’s called Title, and they specialise in music, books and film.
One item in their “1/2 Price” sale bins caught our eye:
It is a 12″ promotional-only single from Brazil containing two versions of a rare George Harrison solo song from 1989 called ‘Poor Little Girl’. Oddly enough the flip side of the disc is Rod Stewart singing a Tom Waits-penned song, ‘Downtown Train’:
Harrison’s ‘Poor Little Girl’ was only ever released on a 1989 compilation called The Best of Dark Horse 1976-1989, and it looks like this promo disc was issued to promote that album. The 12″ promo contains two versions of the song – an edited version that runs 3:25, and the LP version with a running time of 4:32.
As you can see, there was not great attention to detail by whoever prepared both the cover and label as they misspell George’s surname both times in the songwriting credits.
Strange to have come across this 12″ tucked away in the inner Sydney suburb of Surry Hills – but that’s sometimes the way record collecting goes…..
As usual, click on the images above to see larger versions.
‘It’s For You’, the previously unknown acetate demo Paul McCartney gave to the late Cilla Black to help shape her recording of the Lennon/McCartney penned song back in 1964, has sold at auction in England for £18,000 (that’s about US$23,639 or AUS$31,229).
‘It’s For You’, which was never recorded by the Beatles, was given to Black who had a hit with it in Great Britain. It made the UK Official Charts’ Top 10 at No. 7 and was one of seven Top 10 hits she had in the UK between 1964 and 1966.
The disc was discovered last month by relatives who’d found it tucked away as part of Black’s personal effects while sorting through her estate. Wisely they took it to the The Beatles Shop in Liverpool for evaluation by owner Stephen Bailey, who immediately recognised it as a long-lost treasure. Bailey confirmed a report by the BBC that Paul McCartney had made a copy of the song for his archive before it was sold at the auction.
There’s an interesting auction of some cool Beatle items coming up at Heritage Auctions in the USA on June 24 and 25.
The auction is part of a much larger entertainment consignment. The Beatles section starts here.
Amongst the autographs, photographs, ticket stubs and records on offer are two items that caught our eye.
First was this unique poster prepared for Apple/Capitol Records in 1970. It was for distribution to record stores owners as a Christmas greeting:
Second was this very rare example of a working prototype device that Apple employee (and so-called “electronics wizard”) Magic Alex actually produced:As the auction site says: Yanni Alexis “Magic Alex” Mardas was associated with the Beatles during the 1965-1969 period, part of that time as head of Apple Electronics, which was a money-losing failure. He impressed the Beatles, especially John Lennon who coined his nickname, with his gadgets and big ideas to revolutionize the consumer electronics business. Mardas claimed he could build them a 72-track recording studio which never materialized. Other of his ideas that never quite worked out include: a flying saucer, loudspeaker wallpaper, a personal pocket force field, invisible paint, and color-changing paint….
What we found this time though was a collectable Paul McCartney and Wings CD.
It’s the limited edition Advance Release of Venus and Mars. This came outin 2014 to promote the then latest instalment in the Paul McCartney Archive Collection series:
You can’t tell from the front cover that it is in any way different to the two CD Standard Edition of Venus and Mars (for which we have the Best Buy version, and which came with a limited edition vinyl single – and a different catalogue number).
However when you flip over the cover of the Advance Release there’s reference to a third disc in this set called “Bonus Film”:
Also, on the CD cover spine there are the words “Advance Release”:
The Advance Release also has a different catalogue number: HRM-35652ADV.
When you open out the triple gatefold cover this is what you see. On the first fold out on the left are the album credits, and on the right an advertisement for the three different, official versions (Deluxe CD, Standard CD and vinyl):
Then when you flip that open this is the inside of the set, fully open:
It contains three discs. Two CD’s and one DVD, each carrying the words “For promotional use only. Not for sale”:
The two CDs are exactly the same in content as the Standard Edition, while the DVD contains four short films: Recording My Carnival; Bon Voyageur; Wings at Elstree; and the Venus and Mars TV Ad. These are the same as those featured on the DVD which comes in the Deluxe version of Venus and Mars.
By way of providing a side-by-side comparison here’s the packaging for the Standard Edition CD:
Below is the Standard version’s first fold out of the gatefold cover. An 18 page booklet containing photos and album credits is attached to the left:
The inside fully open:And the Standard Edition CD’s:
In my previous post I was bemoaning the scenario where you make the effort to get out and about early on a Saturday morning on the hunt for Beatles vinyl – and return frustrated and empty-handed.
Not so this last weekend which produced a wealth of great Beatles treasure, including one LP I’d not seen before. My son has taken to joining me on these forays into others people’s garages and front lawns. He calls it “crate digging“. He’s on the lookout for jazz plus wide range of other artists he might be able to take samples from to load into his computer. He then uses short grabs from these to mix into new songs he’s creating himself.
Anyway, we go to this one house early Saturday morning and the lady says yes, she has some records, but as she hasn’t gone through them she doesn’t want to put them out right now. If we could come back after lunchtime she’d find them (somewhere up the back of a very packed garage) and we could have a private look through to see if there is anything we want. We like the sound of an exclusive “crate dig” and so return at the appointed time. By this time four very large plastic bins filled with records have been located and we begin to look through….
First out of the crate comes an Australian copy of Sgt Pepper. It is inthe old-style gatefold cover with the fold-over tabs, plus it has the original paper inner and the “cut out” insert. Things are looking good. This one is on the old Parlophone black and silver “Stereo Banner” label. Jaesen Jones, the author of “An Overview of Australian Beatles Records“, says this label was used on some pressings of Pepper by EMI here between between the years 1967-1969:Nice. Next find was an Australian copy of Let It Be. It’s not an original issue, but one of the many, many re-issues of this disc. This one is on the Apple label and is in pretty good condition – near mint. Here’s the rear cover and label:
While flipping through the boxes we got talking to the lady and it turns out this collection of records (which was literally a couple of hundred discs across a wide variety of genres – but mostly rock and pop) came from a very well-known Sydney radio and TV personality. He was an old family friend and years ago when moving house asked the lady if she wanted his records…
Next I find, in quick succession, a BeatlesWhite Album and an Abbey Road (both re-issues on Apple and probably about the same vintage as the LIB above). The White Album even has the poster and all four photos and is in very good condition:
Further digging then reveals a red The Beatles/1962-1966, again an Australian copy, with the Apple label and a red background. It has both lyric sheet inserts and is in reasonable condition. Not mint, but OK:The final Beatles treasure to come out of these crates is a bit of a rarity. It’s an album I’ve not seen before The Beatles – Birth of Legend. A New Zealand release from 1983 on the budget Music World Records, it features twelve songs from the famousDecca audition tapes:As the liner notes on the rear cover say, the Decca audition refers to the now-famous audition by the Beatles for Decca Recordsbefore they reached international stardom. In what was considered one of the biggest mistakes in the music business ever, Decca decided to reject the band selecting instead a band called Brian Poole and the Tremeloes.
So, after a weekend before of nothing, this time around it is a different story.
For starters I managed to pick up copies of the Wings 12″ 45 of “Maybe I’m Amazed“, and I also scored the Ringo Starr three x 7″ box set. I got the Wings at one of Sydney’s longest-running, best-known and best-stocked independent record stores – Red Eye Records. We had to queue up in pouring rain outside the shop from opening time (9.00am Saturday) to get in. There were so many people hunting for RSD product it was a bit nerve-wracking wondering if they’d sell out of the Wings title. But, no problems. They still had some left when I finally got to the sales counter.
The Ringo box-set was another matter though. Red Eye hadn’t been able to secure any copies at all, and a quick phone around to just about every other likely outlet in town was the same story. I don’t think any copies of this actually made it into the country. So then it was a matter of just waiting for RSD to roll around in the USA and some copies to begin appearing on eBay. Which, due to the time difference between here and there, they eventually did late on Saturday night.
The Ringo StarrSingles Collection isthree 7” vinyl singles in a lift-top box. You get “Photograph” b/w “Down And Out” / “It Don’t Come Easy” b/w “Early 1970” / “(It’s All Down To) Goodnight Vienna” b/w “Oo-Wee”, presented with replicated original picture sleeve artwork, a poster, and a bonus custom record spindle adapter.
Meanwhile….the rest of Saturday was taken up largely by attending the Glebe Record Fair. This is one of the big second-hand record fairs on the Sydney calendar and this year it did not disappoint. The heavy rain on Saturday did not deter people coming out in their droves:Crate digging at the Glebe Fair I actually found quite a lot of things. First was a Beatles eight-LP box set I’ve been seeking out for some time – The Beatles Box – From Liverpool:
It’s the Australian edition from 1981 on the Parlophone label, and it came with the original poster too! I already had the Readers Digest Australian edition of this set (with different labels) – but having a mint copy on the orange Parlophone label has been an aim for a very long time:
From the same dealer I also got what I think is a quite rare Ringo Starr LP from 1983 called Old Wave. You can read the story of why there aren’t a lot of copies of this one around on Wikipedia. Because I’d purchased TheBeatles Box – From Liverpool set he sold this one to me for A$10 – which I think was a bargain:
This copy is on the Australian gold RCA label:
I seem to be going from having hardly any Ringo Starr solo to now having quite a few. At the Glebe Fair I also spied a reasonable copy of the budget Music For Pleasure edition of his Blast From Your Past:
This “best of” compilation originally came out on Apple in 1975. In fact it was the last record to be released on Apple (before the label re-emerged in the 1990’s). This MFP re-issue comes from 1981. See the post Budget Beatles for more info on this and other budget labels which feature the Beatles as a group and as solo artists.
On the topic of budget Beatles,my final purchase for the day was a copy of The Beatles at the Hollywood Bowl on the Australian EMI budget label Axis:
This LP came out in 1987 in a single sleeve (as opposed to the original EMI/Capitol issue from 1977 which had a gatefold cover). This is nice copy in very good condition.
So, a really productive (if somewhat expensive) Record Store Day.
It’s funny how Beatles records can end up wandering the earth. I just brought this thirty-four disc box set of Australian singles from a guy in France. It was made here in Australia – and now it has returned home after a long journey and a long time away…
It’s the 1982 release The Beatles Australian 20th Anniversary Singles Collection. They are all housed in a maroon coloured carboard box:
As you can see, mine has been quite faded on the front and sides from exposure to the sun. It has the catalogue number AB34 stamped on the side:
Here’s the rear of the box showing the deeper maroon colour which is closer to how it would have originally looked:
The original box colour is more like this one:
Inside there are 34 singles, plus a six-page insert with the details of each single:
Despite the slightly beat-up outer box (it is faded, has a sticker mark on the front, and had some split seams on the lid – which I have repaired) the singles inside are in VG to EX condition. Each single comes in a unique (but quite flimsy) paper picture sleeve, and each one features different photographs (both front and rear) taken during the Beatles1964 tour of Australia and New Zealand. I won’t show all thirty four (!) but here are just three favourites, front and back:
To see the complete set of covers visit the wonderful beatlesaustralia.com and click on each catalogue number to view the cover plus the labels.
Each single in my box set is on the black and silver Parlophone label, except for two (Ob-La-Di, Ob-La-Da/While My Guitar Gently Weeps and The Ballad of John and Yoko/Old Brown Shoe), which are on the Apple label – green on one side and cut on the other:
However, I notice on the beatlesaustralia.com site that all the singles they show, including the two I have on Apple (A8693 and A8793), are on the black and silver Parlophone label. An interesting variation….