New Book: The Beatles Recording Reference Manual – Volume 4

How did The Beatles get the particular and unique sounds they achieved on their records?

If that’s a question you’ve been asking, then you’ll find a lot of the answers in a series of books written by Canadian musician, producer and recording engineer Jerry Hammack.

To date Jerry has produced an impressive body of work across three previous volumes in what he calls The Beatles Recording Reference Manuals (check out our reviews of Volume 1, Volume 2 and Volume 3). In these books you’ll discover in intricate detail how The Beatles went about the recording process: the studios and equipment they used, their instruments, personnel, processes and recording dates and times. In short, just how they created their masterpieces.

Well, released today is the latest instalment in the series, The Beatles Recording Reference Manual – Volume 4: The Beatles through Yellow Submarine (1968-early 1969).

This new book picks up where the third left off, covering the period 1968 and early 1969. The songs recorded for the double LP, The Beatles (a.k.a. The White Album) are dealt with in great detail. By comparison Yellow Submarine, which is included due to it’s release in the time span covered, isn’t. That’s because most of the Beatle songs used for that project (except for ‘Hey Bulldog’) were recorded earlier and are covered off in previous volumes. Also included here are the singles ‘Lady Madonna’/’The Inner Light’ and ‘Hey Jude’/’Revolution’.

This series is a labour of love that has taken Jerry Hammack more than ten years to complete, and this latest volume serves as a fantastic companion to last year’s remixed and remastered 50th anniversary edition of The Beatles double LP.

You can follow the journey of each song, from first take to final mix. There are text explanations and simple diagrams detailing what occurred in the studio as each track became the songs that we know and love today.

As Hammack says: “We are aware of most of the “when” and “where”, but the “what was done?” isn’t always clear. We rarely know what guitars or amplifiers were used on a song-by-song basis. There is even less knowledge about the format of the recordings or the studio equipment used on a specific song or session. It takes a lot of detective work to figure these facts out, and a number of popular sources for the information are in conflict, out of date, or just plain wrong. A picture of the work that comprised the creation of each song must be assembled like a jigsaw puzzle. Thus began my quest to research, gather and organize both the narrative and core technical details of each of the classic Beatles recording sessions.”

The background introductions to each song often contain some pertinent observations. Take this one for ‘Ob-La-Di, Ob-La-Da’:

“The fact that McCartney would insist on beating the song to death over eight recording sessions, and three different versions, would only add fuel to the fire of frustration. While songs like Penny Lane or Strawberry Fields Forever had taken more sessions to record, they were perfected in a spirit of cooperation, where everyone was on-board regarding the value of the work being done. Times had changed. No doubt the extent of the animosity surrounding The Beatles sessions was somewhat exaggerated (though Starr did walk out, Martin deliberately absented himself, and business affairs under Apple were another matter). However, the seeds of the band’s ultimate unravelling through a single member’s insistence on his own particular vision were undoubtedly planted here. Bra.”

As in previous volumes there are numerous appendices at the back of the book covering the different release versions, gear and instruments used, and more.

Bring on the fifth and final volume that will cover the period 1969 to early 1970 (Let It Be and Abbey Road) where maybe, finally, the lengthy and sometimes tedious debate on Beatle chat rooms at the moment about who played drums on ‘Old Brown Shoe’ might finally be put to rest! (If you’re interested in this discussion it’s on this particular thread beginning about here. It continues for about fifty pages…..)

In the meantime, try and get yourself a copy of Jerry Hammack’s The Beatles Recording Reference Manual – Volume 4. Check it out here on Amazon.

Some Unusual Asian Beatle Items – Part Five

Well, it seems that all good things (eventually) come to those who wait.

You know what it’s like in this Beatle collecting business. You have titles and versions on your list you’re on the lookout for and they just never seem to appear during any of your travels, or in searches online….

That’s what happened here. Way back in 2010 we had a holiday in Vietnam and found a few interesting Beatle items along the way. Amongst them, in a Hanoi CD store, was a series called The Beatles Double Golden Collection. This is a series where two, separate Beatle albums have been issued in one double CD box, each with an outer cardboard slipcase. You can read more about what these look like here.

The sets on display in the store were Magical Mystery Tour/Yellow Submarine; Please Please Me/Sgt. Pepper; Revolver/WIth The Beatles; Help!/Rubber Soul; Abbey Road/Let It Be; and Hard Day’s Night/Beatles For Sale. I know, odd pairings.

These all seem to have been pressed around 2009, the same time as the then-new Beatles Remastered CD reissues because each disc in these sets also had mini-documentaries included.

One album from the canon has been obvoius by its absence. Missing from the shelves in Hanoi was the legendary The Beatles (or The White Album). It just wasn’t in the store when we were there. So, every now and then since 2010 we’d have a quiet look at eBay to see if anything like The Beatles Double Golden Collection popped up in searches. It never has….

Until last week.

After nine long years this has finally been added to the collection:

That’s the front cover of the outer cardboard slipcase. It’s not an exact match (it doesn’t say Beatles Double Golden Collection, for example), but this is clearly from the same company that produced the other CDs as just about every other detail is identical. Here’s the rear of the slipcase: Inside is a larger than usual plastic CD jewel case. Not sure why, but it is bigger:This jewel case holds two discs, one each side of one of those flip-over trays:And inside is a booklet that contains no real text (except for photo location details), just lots of images of The Beatles, most but not all of them time relevant to the the recording dates of the The White Album! The rear cover of the booklet is from the Let It Be sessions:So, not sure what the moral of this story is. Patience pays off? Finally, after nearly a decade, the basic set of Beatle albums in this sereis is complete. Also, after a lot of research on these, we’re pretty sure they are not official.

As usual click on the images if you’d like to see larger versions.

See also: Some Unusual Asian Beatle Items – Part One; Some Unusual Asian Beatle Items – Part Two; Some Unusual Asian Beatle Items – Part Three; and Some Unusual Asian Beatles Items – Part Four.

More ABC Radio Beatle LP Podcasts

Back in 2014 the ABC (the Australian Broadcasting Corporation) began hosting an ongoing series celebrating the 50th anniversary release of each British Beatle LP.

As each album marks its anniversary ABC Radio presenter Rod Quinn speaks to US John Lennon biographer and Beatle expert Jude Southerland Kessler. Jude is the author of the extraordinary (and ambitious!) nine-volume John Lennon narrative biography. The latest instalment in Jude’s amazing series was released late last year – Volume 4: Should Have Known Better (to see the details scroll down after clicking).

Well, after a bit of a break, the pair are back. In October last year they took a look back at both sides of the original Yellow Submarine album:

Then came the big one, The Beatles (or The White Album) 50th Anniversary. It took Jude and host Rod Quinn some time to work through all four sides of the legendary album on air, but they’ve put the results together in one, long podcast:

They also talked through highlights of The Esher Demos bonus disc that came with 50th Anniversary release of The White Album last year:

Each of these podcasts are very insightful – and really are well worth a listen.

Previous broadcasts/podcasts have covered Please Please MeWith the BeatlesA Hard Day’s NightBeatles For Sale and of course, Help! – in two parts: Side One here, and Side Two here.

You can hear Rod and Jude talk about Rubber Soul; Revolver; and Sgt. Pepper’s Lonely Hearts Club Band by clicking here.

Beatles White Album 50th Anniversary SDE – Anyone Else Worried?

We’ve just taken delivery of the new Beatles 50th Anniversary Super Deluxe Edition of The Beatles (a.k.a. The White Album), and we love the look of the packaging.

It is undeniably beautiful in its pure-white, large format book form, and the clear plastic slipcase – printed with the four band members on the front and the track listing on the back –  creates a very special first impression. But for how long?

While we appreciate the design, we couldn’t help but be reminded of two similar approaches to this style of packaging that have not stood the test of time.

Both examples signal that there will be definitely be a long-term deterioration to your pristine new 50th Anniversary White Album clear plastic slipcase.

As it turns out the two examples were both released twenty years ago in 1998, and the first is from the Beatles own Apple Records, so you might have thought that they’d have learned something about what happens to clear plastic outer slipcases over time.

It’s actually The White Album in its 30th anniversary edition version:

While a much smaller and more modest design, the 30th anniversary White Album also comes in a clear plastic outer slipcase, similar to the new 50th anniversary edition. The example shown here was purchased brand new in 1998 and we’ve tried hard to keep it in mint condition. But even so, that plastic outer sleeve is beginning to show the first signs of ageing and yellowing:

Likewise, there’s a wonderful deluxe, long-box style book and three CD set called The Look of Love – The Burt Bacharach Collection, that’s showing even worse signs of age on its once crystal clear plastic outer sleeve:

This too has been in our collection since new from 1998, but that plastic outer sleeve – on which is printed the album title and a list of some of the top songs it contains – is now almost completely yellowed, especially around the spine area where it is glued:

At the time of release this clear slipcase was a real design plus – but sadly it’s now looking quite ordinary and aged:

Interestingly the cardboard packaging part of the design inside both slipcases have stayed nice and white:

So, it begs the question: in twenty years time what will your 2018 Super Deluxe Edition of The Beatles White Album look like?