More McCartney Coloured Vinyl To Be Issued

Capitol Records is following up last year’s coloured vinyl Paul McCartney releases with four more titles. These will be available on May 18 (fingers crossed, given the delays experienced last time!) and they are the albums NEW; Thrillington; Wings Greatest; and Chaos and Creation in the Backyard

As you can see, NEW is to be on pink vinyl, Thrillington on what looks to be a marbled red/black, Wings Greatest is on blue, and Chaos will be on gold coloured vinyl.

As they were last time each title will also be issued on black vinyl, and as single CD’s in the digipak format. Every release is supervised by Paul himself, who oversees all aspects of each and every title. See the official McCartney site for more details.

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yellowsubmarine.com (Plus a Few Other Things)

I’ve been a bit slow in telling you about some of the supporting websites and background info around two of the latest Beatle-related releases – Paul McCartney’s “Ram” reissues, and “Yellow Submarine” which is now out on BluRay, DVD and CD.

So, here’s a bit of a catch-up:

(click on the image to go there)

On the Yellow Submarine site there is a wealth of interactive material like photos, games, movie dialogue, sounds and “making of” videos. Well worth a look.

There’s also a range of great things out on the web now about the reissue of Paul McCartney’s “Ram” album:

Paul’s people certainly have been busy in producing supporting web content for “Ram” with not one but two dedicated websites:

(click on the image to go there)

In the Deluxe Box set of “Ram” you also get the 1977 orchestral/instrumental version of “Ram” that Paul put out under the pseudonym of Percy “Thrills” Thrillington:

(click on the image to go there)

There’s also a very interesting and insightful interview with McCartney by Paul Draper from the band Mansun. It’s not only about “Ram” but a wide range of other things. One great example is Paul talking about his early influences as a songwriter:

What I take the influence back to was A Teenage Opera. That was a very early record in the late 60s, by Keith West… it was his only, like, big hit. That was episodic, there was a bit and it went ‘buh-buh-bum’, then it went there, and there, and there [Sir Paul makes some stacking gestures with his hands]. I think that was the first record I heard, and we heard, and we thought ‘that’s interesting’. You can have a song here, then you can cut like a film to another song, and you can even cut the tempo and go slow and so on. That was really the one that was the biggest influence, and then lots of people started doing it. We’d do it a bit, prog-rock did it, Townshend started doing it a bit, The Who opera and all that. I think it was just that one record that made you realise that it didn’t have to be the same tempo or the same key all the way through, you could cut like a film.

You can read Part One here, and Part Two here. There are links to musical examples given throughout.

Finally, one cute little “Ram” publicity item – a “Ewe-Tube Map” – based on the London Underground train network:

(click for a larger version)

Oh, and this kind person has added a “Ram” Deluxe Edition “unboxing” video to YouTube: