Category Archives: Beatles Books

FAB: An Intimate Life of Paul McCartney – Reviewed

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This is the US cover of the hardback edition of “FAB: An Intimate Life of Paul McCartney” by well-known biographer Howard Sounes.

I posted previously on this book when I got a copy of the Australian edition in softback. If you click on the link you can see it was published with a very different cover to the rather subdued and conservative North American edition.

It has really taken me some time to actually read the book and write this appraisal.

What happened was I’d published that earlier post and then Da Capo Press, the US publishers of the book, saw the post and wrote offering me a review copy of the US release. It took a while to get here via snail mail and then, at 634 pages, it took me a while to read it from cover-to-cover.

I found it a pretty good read actually. Sounes writes in an engaging style and the book had just enough new details to keep me coming back. All-in-all it really was a great summer holiday read (its still summer here in Australia!). The book is not sensationalist – it pretty much sticks to the facts and tells it like it is – and that is refreshing.

One thing does stand out though – like many books on the Beatles it’s still written from an outsiders perspective. No matter how many interviews you do with some of the main players in and around McCartney’s life (and Sounes did many – he says he interviewed over 220 people for the book), he didn’t interview McCartney himself and so you still get this feeling of an outsider looking in.

Having said that, “FAB: An Intimate Life of Paul McCartney” is very revealing of the man himself, showing us aspects of the Paul personality we’ve perhaps thought were there but were never really sure. What we tend to see is the facade Paul wants us to see: “Macca”, the thumbs-up, positive, likable guy. This book goes deeper and reveals his his perfectionism; the fact that he he doesn’t suffer fools lightly; that for a wealthy man he was often quite frugal (for example paying Wings band members a very basic wage); that he wants above all to be remembered for having made a mark and leaving some sort of legacy; that family is very, very important; and that his mother (and her early death) has played a central role in his life, in his creative work, and in his relationships.

Sounes’s book is also good because it brings the reader right up to the present day. Its not just about the pre-Beatles and Beatles glory days. It includes a lot of detail about the Wings years, and about Paul’s solo career right up to 2009’s “Good Evening New York City“. In fact a good half of the book deals with the post-Beatles life of Paul.

It also gives a hint of what it must be like to live, practically for your whole life,  as one of the most famous and wealthy people in the world. Paul is a man who is used to getting his way and getting what he wants. Its not a life to be envied really. Everyone around you agrees with you because you are Paul McCartney. They suck up to you, they pay their respects. It must be incredibly difficult to keep a handle on what is real.

The gratifying thing about this book is that it’s not sensationalist. To be sure there’s plenty of opportunity to do that – particularly in that period of his later life (post Linda McCartney) when McCartney made some really bad relationship choices – but Sounes wisely sticks to the facts.

The book also has some great photographs. Who better to step us through the contents using some of those than the author Howard Sounes himself:

“The Beatles” – An Interesting Book

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Another Beatles book has recently come into the collection. Again, it’s from a discount book store that is just near where I work. They specialise in selling remaindered stock at greatly reduced prices and I’ve picked up some interesting titles from there over the years. This one is simply called “The Beatles“:

There’s a great photo of the band on the front cover – it’s highly colourised but quite striking in its effect. The title words “The Beatles” are printed in silver and so don’t show up too well in this scanned image. Interestingly, nowhere on the front or rear covers, or even the spine, is there mention of the author. You have to go to the publishers details page inside where in the fine print it says “Written by Mike Evans”. I’m not sure why Mike doesn’t get a mention anywhere on the outside of the book. A quick Google search reveals Evans is actually quite prolific having written or edited, amongst many other titles, “The Beatles: Paperback Writer: 40 Years of Classic Writing“, “The Art of British Rock: 50 Years of Rock Posters, Flyers and Handbills“,  and “The Beatles: On Camera, Off Guard 1963 – 1969“, so the guy has form.

“The Beatles” is chronological in nature and, over 21 chpaters and 224 pages  traces the evolution of the band from the early years through to the final chapter called “The Beatles’ Legacy” which brings the story up to 2009 and the release of the newly remastered CD sets – so I’d say it came out in late 2009, although again the book itself does not have a publication date on it. Strange.

In a lot of ways its a pretty standard Beatles book – but a nicely produced one – one that has at least been done with some care. Its a hardback with lots and lots of photographs (some of them unusual and interesting), and quite detailed text covering each important Beatle release, from “Please Please Me” (1963) through to “Let It Be” (1970). Mike Evans deals with the tours as well – including the troubled 1966 tour to Japan and Philippines where the Beatles were lucky to escape with their lives. In this news photo in the book they, along with manager Brian Epstein, look pretty happy to be back in London in one piece, their smiles belying the danger they faced after a perceived offense to the President of the Philippines and his wife:

As well as terrific photos there are lots of other worthwhile visual additions scattered throughout, like colour reproductions of Beatles memorabilia like movie posters, concert tickets, Beatles stamps, and this US concert poster from August, 1966 for the concert at Candlestick Park, San Francisco:

The photos inside are often unusual, like this one of Paul in the studio in January, 1968 with Cilla Black, taking her through the song he’d written for her called “Step Inside Love“. It became the theme for Black’s successful TV show of the same name:

Author Mike Evans deals with both the up-side of the Beatles’ success, and the down-side, including the ill-fated Beatles foray into selling fashion. Described by Evans as “..the biggest disaster for Apple….The idea was to sell trendy items; Paul McCartney described it as “a beautiful place where beautiful people can buy beautiful things.” In reality, though, it was a clothes store, and became known as the “Apple Boutique”. By the middle of 1968, the shop had made a loss of nearly US$500,000/£250,000, a fortune in those days and on July 30 it closed.” In this photo crowds gather outside to grab a bargain and to witness the Apple Boutique’s last day of business:

“The Beatles” is published in Australia by Hinkler Books.

George Harrison – The Ole Black Gretsch

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The Gretsch guitar site has been running an interesting teaser video for a couple of weeks now….The advertising spiel goes something like this:

“Gretsch is pleased to announce the GEORGE HARRISON product “teaser” that will grace their homepage website beginning at midnight, December 9, 2010. By clicking on the “watch video” icon, George will narrate a brief story about his “ole black Gretsch”. There’s no doubt it will cause a major stir in the global marketplace. Want to know more about this project? Please keep checking back on the website as it will be updated over time…”

Seems like there’s to be a new line of reproduction George Harrison “Duo Jet” model guitars – which was his very first decent axe, purchased second-hand back in 1961.

You can read more about this guitar here. According to this site the “friend” to whom George gave the Gretsch (and who subsequently gave it back to him years later) was none other than Klaus Voormann.

Another great source I have is a really interesting book by Andy Babiuk called “Beatles Gear – All The Fab Four’s Instruments, From Stage to Studio“, which came out in 2001.

This book goes into a lot more detail about Harrison and his guitars. After 1961 he went on to purchase other Gretsch models notably the “Chet Atkins Country Gentleman” – George owned two, and the “Chet Atkins Tessessean“.  His profile helped greatly in continuing the brand’s fame in the 1960’s.

Here are some shots of George with that first, now legendary “Duo Jet” guitar:

And probably most notably it makes an appearance on the cover of his 1987 solo album “Cloud Nine”:

The Ole Black Gretsch is featured with Harrison in all the  photos used in the “Cloud Nine”  CD booklet too. I guess we know now that we have Klaus Voormann to thank for re-uniting the pair.

How famous is the Gretsch “Duo Jet”? It even turned up as one of the instrument choices for buyers of The Beatles “Rockband” console game:

How many kids playing “Rockband” today would know they’re “strumming” away on a stylised version of a 1957 model guitar that a young George Harrison purchased in 1961 second-hand from a Liverpool sailor?

Rolling Stone – 100 Greatest Beatle Songs – Australian Edition

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Back in September I posted on the Rolling Stone magazine special edition release called “The Beatles – 100 Greatest Songs“.

Finally, its been released in its Australian and New Zealand version. This 122 page “book” has a different cover!

Clearly its a photo by Bruce McBroom from the same photo-session in London on April 9th, 1969 – but it is different to the one used for the front cover of the US version of this special edition Rolling Stone magazine:

Give Me A Chance – New Book

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When Canadian Gail Renard was sixteen she had a life-changing experience. She lived in Montreal and in 1969 John Lennon and Yoko Ono came to town to stage their “Bed-In” protest for peace.

“Give Me A Chance” is a new book out now and in it Gail Renard tells her story of meeting John and Yoko and spending eight amazing days with them as their guest and helper in room 1742 of the Queen Elizabeth Hotel, Montreal.

She babysits Yoko’s five-year-old daughter Kyoko, and she sits in on John and Yoko holding court as the press and the rich and famous make a beeline to their  bedside to interview them, to argue, to pay homage, and to hear about spreading the word of peace throughout the world. I really liked the book. While not full of revealing facts, its easy to read and has a genuine sense of fun and adventure. Gail writes in an endearing naive style and we get to experience the “Bed-In” for peace up close but very much through the eyes of a sixteen year-old girl. How did she get to spend eight days with the Lennon’s? We learn that when she called her mother to get permission there was a very awkward moment:

“Put John on the phone,” she demanded. I recognized her inquisitor’s voice and was mortified. “Oh Mum, you can’t!” I knew she could and she would, and that I didn’t have a choice….so I reluctantly handed the phone over to John. I tried not to cringe as Mum carefully spelt out her conditions to him. There was to be no funny business – no sex or drugs around her innocent daughter. As if that wasn’t enough, Mum also said that I could help at the Bed-In during the day but I’d have to be back at home by my bedtime every night. To my amazement, John agreed…

With permission from her mother out of the way Gail gets to sit in and sing as part of the rowdy chorus in the now historic recording of “Give Peace A Chance”. Every label for the song has the words “Recorded in Room 1742 Hotel La Reine Elizabeth, Montreal…”:

Afterwards, John gave her his hand-written lyrics for the song . These were written out with a black magic-marker pen on a big white cardboard square. These became the cue sheet for the crowd in the bedroom during the recording of the song in Suite 1742.

In 2008, Gail sold the “Give Peace A Chance” lyrics at a Christies auction for £350,000.  She says “Thank you, John. And thanks for not throwing them out, Mother!” She’s since been back to the room where it all happened over eight days in 1969 and writes about that visit here.

In many ways the book “Give Me A Chance” is very like an earlier book about a similar transformational experience with the Lennon’s – this time for a fourteen year-old boy named Jerry Levitan – who snuck into their Toronto hotel room and attended the Toronto version of the “Bed-In” for peace. He wrote a book about his experiences called “I Met the Walrus“.

Thank you to Beatles collector Bruce Hamlin for sending me a copy of this book. It’s richly illustrated with photographs and memorabilia and is a great little read!

Paul’s Poem For John – Still Poignant After All These Years

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As part of the recent commemoration of John Lennon’s 70th birthdate, the respected NPR radio program “Fresh Air” re-broadcast a wide selection of interviews it had done over the years about Lennon.

One of them was an interview that host Terri Gross did with Paul McCartney. It comes from back in 2001 when he was on the promotion trail for a new book of his collected words called  “Blackbird Singing – Poems and Lyrics 1965-1999“. Its a beautiful little book. If you haven’t seen a copy it looks like this:

In it are the lyrics to “Here Today (Song for John)”, the song Paul wrote specifically for John Lennon after he’d been murdered. It had first appeared on the 1982 album “Tug of War” with a lovely string arrangement by George Martin. More recently though McCartney has been performing it live as a solo acoustic guitar number and speaking more openly about how much he misses his friend and colleague. There’s a very emotional version of the song on the live “Good Evening New York City” (2009), for example.

Anyway, back to the “Blackbird Singing” book interview…..in 2001 radio host Terri Gross asked Paul to read the words to “Here Today” out loud as a poem. In 2010, at this time of remembrance for John, its also very moving:

In his book “FAB – An Intimate Life of Paul McCartney“, author Howard Sounes recounts a story from composer and musician Eric Stewart (ex 10cc) which also sheds some light on how those words might have come about. During the early sessions for “Tug of War” McCartney was working at his friend Stewart’s Strawberry South Studios. He says at the time McCartney was going through a pretty low period:

“He said, ‘I’ve just realised that John has gone. John’s gone. He’s dead and he’s not coming back.’ And he looked completely dismayed, like shocked at something that had suddenly hit him. I said, ‘Well, it’s been a few weeks now.’ He said, ‘I know, Eric, but I’ve just realised.’ It was one of those things maybe he wanted to say something to him [John], but it was too late to say it then….”

John Lennon – Gimme Some Truth Box

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This is the next installment of close-up, detailed photos of the current John Lennon re-issue program. We’ve already had a look at the “Signature” box set containing freshly remastered editions of all the original studio albums, plus two CDs of singles, home recordings and outtakes.

Now its the turn of the other box set issued as part of the program called “Gimme Some Truth”. First thing to say is that it is much smaller that the “Signature” box set (although that’s not saying much as the “Signature” set is huge). Its really just a slipcase kind of affair, designed to hold four CDs in cardboard sleeves plus a book. The other thing to say is that there’s nothing new here audio-wise for the avid collector. These are compilations completely made up of previously released tracks – most of which have been re-issued in a variety of forms many, many times…

The front and rear photos on the box are of John and Yoko in New York, only they’ve been superimposed on a drawing of New York Harbour (as imagined by John Lennon). It was taken by Scottish photographer Iain Macmillan, best known for his photo for the cover of “Abbey Road”:

"Gimme Some Truth" - front cover

And the rear:

"Gimme Some Truth" - rear cover

Here’s a shot from the same photo session with Iain Macmillan:

Inside the box are four themed CDs that gather John Lennon’s songs into categories. The first is “Working Class Hero”:

This photo is taken by Bob Gruen, a long-time friend and frequent photographer of Lennon who has taken some of his most iconic shots, including the images for the “Walls and Bridges” album, and he did the photograph used on the recent biography of John by Philip Norman. There are 18 tracks on this CD and they include “Power to the People”, “Steel and Glass” and “Give Peace a Chance”.

The second CD is called “Woman”, and gathers together love songs and songs specifically about the women in Lennon’s life:

This image is by Lilo Raymond, and is a photograph from the same sessions as the one used for the front cover of the 1983 posthumous LP release called “Heart Play – Unfinished Dialogue” which contained conversations with John and Yoko recorded in 1980:

The “Woman” CD also contains 18 songs, such as “Mother”, “Hold On” and “Jealous Guy”.  The third CD is “Borrowed Time”:

Got to be one of the saddest photos of John, don’t you think? So much potential there and a baby boy he won’t get the chance to see grow up….. Songs include “Nobody Told Me”, Watching the Wheels”, and of course “Borrowed Time”. The image was taken by Nishi Saimaru, who’s 1990 book “The John Lennon Family Album” features intimate family photographs taken over a three year period with the Lennon’s in New York, Miami, Hong Kong, and Tokyo. She also took the cover photo for that other four CD box set released in 1990, simply called “Lennon“.

The fourth and final disc collects Lennon covering tracks from his youth – early rock’n’roll standards plus a couple of other more contemporary rockers.

This is one of a series of famous images taken by Jurgen Vollmer of a young John Lennon in a Hamburg doorway. Vollmer, Astrid Kirchherr and Klaus Voormann met the Beatles in Germany in the early 60’s. Later, John was to write: “… Vollmer was the first photographer to capture the beauty and the spirit of The Beatles…We tried very hard to find someone with his touch after we returned from Hamburg, Germany…nobody could…The photographs…speak for themselves.” One of his photos from the same session was used on the cover of the 1975 album “Rock ‘N’ Roll”:

The “Gimme Some Truth” box also contains a 24-page book featuring an article (“Truth In All It’s Forms – The Songs of John Lennon”) by Anthony DeCurtis. DeCurtis also wrote the essay for the “Signature” box. It is illustrated with additional photographs, Lennon drawings and hand-written lyrics.

The front and rear covers of the book feature a Lennon drawing with his face morphing into Yoko Ono’s, and vice versa:

The final inclusion in the box is a business card-sized piece of cardboard with the word “Online” on one side and instructions and a PIN code for you to access the John Lennon Universe on the web on the other.

I’m not sure, but I think this card and PIN get you access to less comprehensive content in the “Universe” to that of the “Signature” box one. If anyone confirm that let me know.

See also the John Lennon “Signature Box” revealed, and the Paul McCartney Deluxe “Band on the Run” CD and vinyl sets.

1001 Songs You Must Hear Before You Die

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I was sent a new book the other day. Its called “1001 Songs You Must Hear Before You Die”. Great title.

Its edited by Robert Dimery and is a compendium of entries about the greatest popular songs ever recorded. The book is a companion to his previous work “1001 Albums You Must Hear Before You Die”.  (Click here if you are wondering about what’s on that album list).

The front cover of "1001 Songs You Must Hear Before You Die"

Of course the first place I went was to the index to find where the Beatles appeared.

They have no less than six full entries:  “A Day in the Life”; “Eleanor Rigby”; “Hey Jude”; “Strawberry Fields Forever”; “Ticket to Ride”; and “Tomorrow Never Knows”.

The entry for "A Day in the Life" uses an image of John Lennon's hand-written lyrics for the song

Interesting that “A Day In The Life” features so prominently as it was also recently nominated as the number one Beatles song in Rolling Stone’s Beatles special edition “Top 100” list.

The Beatles are matched in the book only by Elvis – who also featured with six entries. Bob Dylan, by way of comparison, has four entries…..

John Lennon as a solo artist gets one (a little predictably its “Imagine”); Paul McCartney gets one (perhaps surprisingly its “Maybe I’m Amazed”); George Harrison gets one (“Awaiting On You All”); and Ringo…well, Ringo doesn’t get any solo mentions.

Rolling Stone Magazine Names Its Top 100 Beatles Songs

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I’m a bit late catching up on this one as news first came out about it at the end of August, but it’s probably only just hitting news stands near you now – depending on where you live…

In a special Collectors Edition, Rolling Stone magazine has named its Top 100 Beatles songs of all time. (Apparently its the first time they’ve done this). News of the the special edition came out in the US on August 26.

The press release reads:

ROLLING STONE RELEASES “THE BEATLES 100 GREATEST SONGS”

“New York, NY – August 26, 2010 – Rolling Stone released its first-ever list of the 100 greatest Beatles songs as part of a special interest publication that coincides with the 40th anniversary of the Beatle’s final album, Let It Be, and the 30th anniversary of John Lennon’s death. Topping the list, as ranked by the editors of Rolling Stone, is “A Day in the Life,” followed by “I Want to Hold Your Hand” and “Strawberry Fields Forever.”

Following an introduction by Elvis Costello, the book features the stories behind each song, dozens of photos, an index of the complete list, and a breakdown of the numbers, including the years with the most songs (1965 and 1966 each had 17), the shortest song (“Her Majesty,” 23 seconds) and the song that spent the longest time at number one on the charts (“Hey Jude,” 9 weeks).

The book also includes special sections with lists of Lennon and Paul McCartney’s five favorite songs, the top guitar and drumming moments of George Harrison and Ringo Starr, respectively, and the best Beatles cover songs.” (ends)

The magazine has created a really nice page detailing their Top Ten songs – including some great photographs too.

See also the different Australian cover.

“Starting Over” – New Lennon Book Coming

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Its the season for new biographical books. There’s a new Paul McCartney biog just released.

And now comes news of a new book associated with the massive John Lennon CD reissue release program that’s planned for October. The book is about the making of the “Double Fantasy” album which when reissued next month will contain the original recording remastered, plus a new “stripped down” version as well.

“Starting Over – The Making of John Lennon and Yoko Ono’s Double Fantasy” will be published by Simon & Schuster on October 19:

Starting Over - front cover

The book is written by author, musician and columnist Ken Sharp who’s previous works include whats regarded as the definitive biography of Kiss.

To quote from the PR blurb:  “Starting Over is an oral history of the making of Double Fantasy and the definitive account of John Lennon’s last days. From early demos to sessions at New York City’s The Hit Factory, from the electrifying chemistry of the studio band to keeping the project under wraps to the album’s release and critical reception, here is fascinating, insightful commentary from all of the key players involved in its extraordinary creation: Yoko Ono, David Geffen, producer Jack Douglas, engineers, arrangers, session musicians, music journalists, and even Lennon himself via archival interviews.”

The book will feature never-before-seen photos of John and Yoko in the studio, by David M. Spindel and Roger Farrington.

Thanks to Scott Segelbaum of the “Beatle Briefs” podcast for the info on this one.

Speaking of the forthcoming reissue of  “Double Fantasy – Stripped Down”, the new cover art was revealed a couple of weeks ago:

Clearly its a pencil drawing (signed Sean Ono Lennon, 2010) based on the famous photograph used on the original LP and CD covers. It also appeared in a more closely cropped version on the 45 rpm vinyl single “(Just Like) Starting Over”: