Tag Archives: Apple Records

“Come and Get It” – Best of Apple

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Apple and EMI have just officially announced a special “Best Of” disc and digital downloads associated with their extensive reissue program planned for October this year.

The full press release details a 21-track compilation CD called “Come and Get It: The Best of Apple Records”. It will contain a selection of songs from the planned full-album re-mastered reissues I first wrote about here, PLUS a significant number of additional tracks – hard-to-get singles by a wide range of additional Apple artists.

Along with the announcement of “Come and Get It”, Apple has also announced that most of the full album reissues will come with bonus tracks.

As well, Apple has added another CD to the full album release schedule: 1971’s “Radha Krishna Temple”

The press release reads (in part):

“Come and Get It: the Best of Apple Records” – first commercial multi-artist compilation in Apple’s history set for release on October 25, 2010

“Radha Krishna Temple” added

CD bonus tracks and Digital download extras now announced

The dazzling range of music originally issued by Apple Records between 1968 and 1973, which is now the subject of an unprecedented multi-album worldwide campaign starting October 25th – including remastered CDs (with bonus material revealed for the first time) and Apple’s first digital downloads – will now be augmented by two additional titles: “Come and Get It: The Best Of Apple Records”, the first commercially issued multi-artist compilation in the label’s history; and “The Radha Krishna Temple”, the self-titled album of devotional music produced by George Harrison.

“Come and Get It” displays Apple’s vibrant years of musical experimentation in full flower, from bona fide hit singles to the cult classics of the catalogue, as represented by brass band The Black Dyke Mills Band, Cajun collective The Sundown Playboys, and more. Hot Chocolate makes an appearance, as does Ronnie Spector, Bill Elliot & The Elastic Oz Band, Chris Hodge, Brute Force, and others.

As Apple Corps Ltd. and EMI Music prepare for the upcoming 17 album CD and digital download release, it is a reminder that the introduction of an artist on The Beatles’ record label was avidly followed by fans across the universe – then and now. Each of the albums has been digitally remastered at EMI’s Abbey Road Studios in London by the same dedicated team of engineers behind The Beatles’ recent remastered catalogue releases of 2009.

Details of “Come And Get It” is as follows:

1 Those Were The Days / Mary Hopkin

2 Carolina In My Mind / James Taylor

3 Maybe Tomorrow / The Iveys

4 Thingumybob / The Black Dyke Mills Band (Paul McCartney’s theme tune for a 1968 British TV comedy drama series)

5 King Of Fuh / Brute Force (originally banned back in 1969, Brute Force is a New York songwriter championed by John Lennon and George Harrison)

6 Sour Milk Sea / Jackie Lomax

7 Goodbye / Mary Hopkin

8 That’s The Way God Planned It / Billy Preston

9 New Day / Jackie Lomax (an original non-album Lomax 45 that was co-produced with Mal Evans)

10 Golden Slumbers-Carry That Weight / Trash (a heavy Scottish group that came to Apple via their producer, former Shadows drummer Tony Meehan)

11 Give Peace A Chance / Hot Chocolate Band (a reggae version by the band that became hugely popular in the Seventies)

12 Come And Get It / Badfinger

13 Ain’t That Cute / Doris Troy

14 My Sweet Lord / Billy Preston

15 Try Some Buy Some / Ronnie Spector (one-time Ronette and former wife of legendary producer Phil Spector)

16 Govinda / Radha Krishna Temple (a UK Top 30 hit for the Radha Krishna Temple in 1970 produced by George Harrison)

17 We’re On Our Way / Chris Hodge (a young British pop singer who caught the attention of Ringo Starr)

18 Saturday Nite Special / The Sundown Playboys (a Cajun French collective from Louisiana, USA)

19 God Save Us / Bill Elliot & The Elastic Oz Band (John and Yoko wrote this fundraiser for the defence in the famous Oz Obscenity Trial of 1971)

20 Sweet Music / Lon & Derrek van Eaton

21 Day After Day / Badfinger

I must admit that the incredible Wog Blog had this information and posted on it way back on 16 July……I don’t know where he gets his information from, but he was right.

On the Apple Records site there are also full details of the many interesting bonus tracks that will added to the full-album releases, including the studio solo acoustic demo of James Taylor’s “Carolina In My Mind”; a mono studio demo of Badfinger’s “Without You”; Mary Hopkins’ “Those Were the Days” sung in French, German, Spanish and Italian; and The Modern Jazz Quartet interpreting the Beatles’ “Yesterday”, to name just a few.

In addition to the CD bonus tracks there are many other tracks that will only be available as digital downloads….

Some Unusual Asian Beatles Items – Part Two

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This blog is sub-titled “Adventures in Collecting Beatles Music”, and this post continues an examination of some South East Asian Beatles releases purchased in Hanoi on a recent trip to Vietnam.

Further investigation of these hasn’t categorically ruled out their legitimacy but it seems more likely that they’re actually illegal fakes that someone (in China) has taken a lot of time and trouble to manufacture to make them appear very much like official releases…..

In Part One I wrote about the 5 DVD “Anthology” box-set I found in Hanoi.  This next post is about a series of six double CDs called “The Beatles Double Golden Collection”:

It’s a series where two Beatles albums have been released in one CD box, each with an outer cardboard slipcase. The ones I was able to purchase were:

Magical Mystery Tour and Yellow Submarine

Please Please Me and Sgt Pepper

Revolver and WIth the Beatles

Help and Rubber Soul

Abbey Road and Let It Be

Hard Days Night and Beatles For Sale

Each CD has the same documentaries as those found on the recent stereo “Beatles Remastered” discs. So, its clear that these CDs came out following the October 2009 release of those new “remastered” CDs.

If that’s the case then I can only assume that there must be at least two more titles in the “Beatles Double Golden Collection” series. There should be one that has the 2 CD “The Beatles” (White Album)”, and one for the 2 CD “Past Masters” release.  These would then fill out the catalogue. The shop in which I purchased the CD’s above mustn’t have these two titles in stock at the time – so I was able to get only these six.

These releases are interesting for a couple of reasons. As you can see above, they have a large logo at top left of the packaging for something called SHM-CD or “Super High Material CD”.  According to the internet this is “…an advance in the materials used in the production of Compact Discs that uses super quality, enhanced transparency polycarbonate material in the manufacture of CD’s”. The aim of this is to improve the sound. A Google search reveals what looks to be legitimate information about SHM-CD . It says it was invented by Universal Records and the Japanese electrics company JVC – both well-known and respected companies. This official-looking website has more information about the technology and some of the releases on SHM-CD. The rear of the slipcase also has some detailed information (in Chinese) about SHM-CD – see the top right-hand side of the image below (click on the image to make it larger):

Slipcase for Magical Mystery Tour and Yellow Submarine, with panel about SHM-CD

There’s also a panel showing what looks like very official logos for Apple Records, QuickTime, Enhanced CD, and Compact Disc:

I’d really love to hear from anyone out there who can read Chinese and can shed some light on what the small print says, or who knows if these are legal Chinese copies of Beatles discs.

As to the contents of each CD, they appear to be exactly the same as the recent Beatles Stereo Remastered series – and the quality of the recordings is first rate. The 2-CD jewel cases are not of a standard size but larger in every dimension. You can see this clearly below when they are placed side-by-side with a standard CD jewel case:

Standard CD jewel case (top) compared to Double Golden Collection jewel case (below)

The spines are also wider than standard:

Spine of a standard CD (right) compared to the Double Golden case (left)

Inside there are two CD’s on a swinging inner “door” with CD disc “A” on one side and CD disc “B” on the other:

The booklets in the “Double Golden Collection” contain lots of photographs of the Beatles. There is no text in the booklets at all. All the photos are exactly the same as those found in the booklets which come with the latest official Beatles “Remastered” series:

"Please Please Me" and "Sgt. Pepper" booklet

"Please Please Me" and "Sgt. Pepper" booklet

Here’s a closer shot of one of the CDs in the set:

"Please Please Me" and "Sgt. Pepper" CD 1

The rear cover of the jewel case details all the songs on the two albums. Notice the reference to the the special mini-documentaries. These were produced by Apple and accompany each album in the “Remastered” series as well:

Rear cover of the CD jewel case for "Please Please Me" and "Sgt. Pepper". Notice the last track for each title is the "making of" mini documentary for each album - just like in the official "Remasters" series

Again, the official logos (including Apple) and even a bar-code appear, making it tough when you are standing in a Hanoi record store trying to decide if these are indeed legitimate releases sanctioned by the Beatles and their record company Apple Records. If these are fakes whoever produced them has gone to extraordinary lengths to make them appear to be legitimate Beatle releases.

The other thing is – since returning home I’ve researched these titles fairly extensively on the web and can find nothing about them. I think that this post may be the very first to detail them.

See also Some Unusual Asian Beatles Items – Part One, and also Some Unusual Asian Beatles Items – Part Three

Label Variations Part Four – Shaved Fish

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Earlier this week I blogged about an interesting CD variation of John Lennon’s “Shaved Fish”.

That post prompted me to drag out the vinyl copies of this 1973 “Best Of” compilation and publish some photos of the different versions I have in the collection.

The front cover, rear cover, and inner sleeve of this album in LP form seems to be very consistent right around the world. Here’s a typical front cover. This one below is the Italian release:

Italian front cover of Lennon's 1973 "Shaved Fish"

And here is the rear cover:

"Shaved Fish" rear cover (Italy)

There is a strong Japanese influence to the graphic design throughout, which was provided by designer Roy Kohara who worked again with Lennon as Art Director and Designer for both his “Walls and Bridges” and “Rock’n’Roll” LP’s.

The sub-title for this album seems to be “Collectable Lennon” as this phrase is printed on the rear covers of both the Italian and British versions of the album. Its not on the US or Australian rear covers, but does appear on a big sticker on the front of the US copy of the LP that I have:

All copies seem to come with an inner sleeve which is solid red on one side with the lyrics for each song printed in white. The other side has a red rising sun, reminiscent of the Japanese national flag, continuing Kohara’s Japanese theme:

Red inner sleeve with lyrics - Italian release

Kohara's Japanese theme continued on inner sleeve

Here’s the label for the Italian release – a green Apple label:

Italian Apple label

I have two versions of the Australian release. The original Apple label:

Australian green Apple

And the later Parlophone black and silver re-issue:

Australian Parlophone re-issue

The U.S. release is a green Apple:

US green Apple label

And finally the U.K. release, again a green Apple label:

UK green Apple label

If you’d like to see some more label variations you can go to:

Label Variations – Part One “Sgt Pepper”

Label Variations – Part Two “Let It Be”

Label Variations – Part Three – McCartney’s “Choba B CCCP”

and

The Beatles “Love” collectable variations

John Lennon – A “Shaved Fish” Variation

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A while back blog reader and correspondent Ned in the US sent through some photos of Beatles and Beatles-related oddities from his collection. I’ve already published a couple of posts featuring his rare “Love” CD single, and a still-sealed copy of the “Lennon” 4 CD box set with a unique printing error that he has.

Ned has also sent some shots of an unusual copy of John Lennon’s 1975 compilation CD “Shaved Fish”. Its believed this is a rare withdrawn release originally made in Japan but intended for the US market, and that it was subsequently withdrawn from sale and replaced with (the more common) locally pressed Capitol version. As you can see below there are variations in both the rear cover and interior artwork, and in the printing on the CD itself. Here’s the rear cover of the rare version:

Rear cover of the withdrawn "Shaved Fish" release

Ned writes: “The back cover art of the withdrawn “Shaved Fish” doesn’t list the producer credits on the bottom that are found on the common U.S. release.  Also notice that the label number CDP 7 46642 2 (upper right corner) is the same as the common [U.S.] one, indicating that the release was intended as the official U.S. CD.  Had this Japan-made CD been intended for the Japanese market or elsewhere it would have had a different reference number. I’ve also included a photo of both releases side-by-side.  It’s possible that the EU version of “Shaved Fish” has the same art as the withdrawn U.S. one but since I’ve never run into a European import of it I can’t confirm that”:

”]

Ned says: “The withdrawn version (pictured on top) has the words “Lennon Plastic Ono Band” at the top of the disc just under the EMI logo and the name, “Shaved Fish” at the bottom.  While the official and far more common re-release (pictured on bottom) shows the Capitol logo instead of the EMI logo while John Lennon’s full name appears without the addition of the Plastic Ono Band.  (It’s awkward to call the bottom one the “official release” since most people never knew there had even BEEN a withdrawn one).  How did I acquire this withdrawn one?  I really don’t know!  I just bought it when it came out and then it swiftly disappeared for a few years until I saw it again in it’s reincarnated state.”

Thanks again to Ned for providing these photos and info. If anyone has any further information on this Lennon release it’d be good to share it. Either post a comment using the blog “Comment” link below, or email me direct at beatlesblogger@gmail.com

I have a couple of vinyl LP versions of the “Shaved Fish” release in my own collection and Ned has inspired me to drag these out and do a Label Variations post on these – so keep an eye out for that soon. 


John Lennon – Gimme Some Truth

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To mark what would have been the 70th birthday of the late John Lennon Yoko Ono, EMI Music and the Lennon Estate are to embark on what can only be described as a huge re-issue and release program – starting on October 4, 2010.

Called the “Gimme Some Truth” campaign, it will comprise a series of Lennon albums remastered from the original mixes as well as new collections compiled for CD and digital download release. One of the new releases will be a “naked” version of the Grammy Award winning album “Double Fantasy” – made available for the first time in a newly remixed, stripped down version produced by Yoko Ono and Jack Douglas, co-producers of the original album with Lennon. The new version will come in an expanded 2 CD edition which will include with the original mix, remastered.

Eight of  the original solo albums and other recordings have also been newly digitally remastered.  These include:

• A hits compilation in two editions titled “Power To The People: The Hits”

• A 4CD set of themed discs titled “Gimme Some Truth”

• A deluxe 11CD collectors box with the remastered albums, rarities, and non-album singles, titled “The John Lennon Signature Box”

Yoko Ono said: “In this very special year, which would have seen my husband and life partner John reach the age of 70, I hope that this remastering / re-issue program will help bring his incredible music to a whole new audience. By remastering 121 tracks spanning his solo career, I hope also that those who are already familiar with John’s work will find renewed inspiration from his incredible gifts as a songwriter, musician and vocalist and from his power as a commentator on the human condition. His lyrics are as relevant today as they were when they were first written and I can think of no more apposite title for this campaign than those simple yet direct words ‘Gimme Some Truth’.”

The albums have been digitally remastered from their original mixes by Ono and a team of engineers led by Allan Rouse at EMI Music’s Abbey Road Studios in London, and by George Marino at Avatar Studios in New York. All of the remastered titles will be packaged in digisleeves with replicated original album art and booklets with photos and new liner notes by noted British music journalist Paul Du Noyer.

The albums to be reissued are:

• John Lennon/Plastic Ono Band (1970)

• Imagine (1971)

• Some Time In New York City (1972)

• Mind Games (1973)

• Walls and Bridges (1974)

• Rock ‘n’ Roll (1975)

• Double Fantasy Stripped Down (2010) / Double Fantasy (1980)

• Milk and Honey (1984)

Yoko Ono added: “Double Fantasy Stripped Down” really allows us to focus our attention on John’s amazing vocals. Technology has advanced so much that, conversely, I wanted to use new techniques to really frame these amazing songs and John’s voice as simply as possible. By stripping down some of the instrumentation the power of the songs shines through with an enhanced clarity. “Double Fantasy Stripped Down” will be complemented by the original album in the 2 CD format. It was whilst working on the new version of this album that I was hit hardest emotionally, as this was the last album John released before his passing.”

“Power To The People: The Hits” will gather 15 of Lennon’s most popular songs, and will be available as a 15-track single-disc, and as whats being called an “Experience Edition” with additional content. Both versions will be packaged in digisleeves with booklets including a new liner note essay by Du Noyer. “Gimme Some Truth” will be packaged in a slipcase with rare photos and a new liner notes essays by respected American music journalist and author, Anthony DeCurtis. It will contain 72 of Lennon’s solo recordings on four themed CDs:

• ‘Roots’ – John’s rock ‘n’ roll roots and influences

• ‘Working Class Hero’ – John’s socio-political songs

• ‘Woman’ – John’s love songs

• ‘Borrowed Time’ – John’s songs about life

The “John Lennon Signature Box” is a deluxe 11 CD and digital collection of the eight remastered albums, a disc of rare and previously unreleased recordings, and an EP of Lennon’s non-album singles. The CDs will be housed in digisleeves within a deluxe box including a collectible limited edition John Lennon art print and a hardbound book featuring rare photos, artwork, collages, poetry, and new liner notes by DeCurtis.

Check out johnlennon.com for more info, official announcements and updates as the release dates for these new John Lennon collectables draws closer.

Beatles USB Apple – not the First Apple-shaped Product Released….

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I’ve always had a fascination with the Beatles and their music. From the very first days of being old enough to buy my own records I’ve had at least some copies of their albums and singles in my collection – mostly vinyl, starting with Sgt Pepper, The White Album, Abbey Road, and Let It Be, plus the odd single here and there.

But the way I got into seriously collecting a wider range of related records, CDs and books was when I became intrigued by their Apple Records label and the eclectic stable of artists they signed up – both the well-known and the more obscure. Its a quest I’m still on. There are some titles and artists out there on Apple Records that I still don’t have…

In launching Apple Records in 1968 the Beatles produced what was then and is now an exceptionally rare promotional box-set of the very first Apple singles called “Our First Four”.  According to Richard DiLello in “The Longest Cocktail Party”, his 1972 memoir about being an Apple Records “house hippie”, this was a presentation box containing the first four 45 rpm vinyl singles from the label. It was “….a box made of plastic, 10 by 12 inches in matte black with a recessed lid carrying the Apple sticker that announced it as Our First Four, 3 Saville Row, W1.” It contained The Beatles “Hey Jude/Revolution” (R 5722), Mary Hopkin – “Those Were the Days” (APPLE 2), Jackie Lomax – “Sour Milk Sea” (APPLE 3), and The Black Dyke Mills Band – “Thingumybob” (APPLE 4).  Richard DiLello again: “There was a single coloured folder containing the biographies and photographs of the artists with the records in a polythene sleeve. The name of the person to whom the box was going was printed on the outside Apple sticker. This was primarily an inter-industry gift presentation package for the benefit of Capitol Records and selected disc jockeys and journalists.” Here’s a website that has a photo of one of these extremely rare boxes – although I’m not sure how authentic it is. DiLello says in his book that one of these boxes was presented to Stanley Gortikov, President of Capitol Records in 1968. Others were hand-delivered to the Queen Mother at St James’s Palace; Her Majesty the Queen at Buckingham Palace; Princess Margaret at Kensington Palace; and to British Prime Minister Harold Wilson at Number 10 Downing Street, London.

In 1991, when it came time for Apple to conduct a big re-issue program of all the Apple album releases, they decided to do something similar (but not exactly the same – and certainly not as rare) with a special Limited Edition CD.

The Apple EP

The Apple E.P. (1991) CD

As you can see it’s an official, apple-shaped CD release to mark the re-issuing of the Apple LP catalogue on both CD and vinyl – back in 1991.

When you open the “apple” it looks like this:

Apple EP

The Apple EP opened to reveal the 4-track CD

Inside is a 4-track compact disc with a song each from Mary Hopkin – “Those Were the Days”; Billy Preston – “That’s the Way God Planned It”; Jackie Lomax – “Sour Milk Sea”; and Badfinger – “Come and Get It”. Not exactly the same tracks as Our First Four, but still two tracks written by Beatles (“Sour Milk Sea” by George Harrison and “Come and Get It” by Paul McCartney):

Apple EP - rear cover

The Apple E.P. - rear cover with track details

As well tracks 1 and 4 were produced by Paul McCartney, and tracks 2 and 3 were produced by George Harrison.

OK, so there is no “Hey Jude”/”Revolution”,  but there is still a pretty large Beatle quotient here. And for me its a reminder that the current Beatles USB (containing all the remastered Beatles albums in high quality digital format) is not the first time that Apple has used an apple-shaped object to market product.

Apple EP CD

The artwork for the Apple EP compact disc (1991)

Its also not the first time that Apple has collected together four songs from artists in their stable and released an EP for promotional purposes. In 1969, not that long after Our First Four, they gave permission for the British ice cream company Walls to issue a vinyl EP:

Walls Ice Cream EP

The Walls Ice Cream EP from 1969

Click here for more information on this release.

As for the Apple re-issue program from 1991, I have quite a few of the vinyl LP re-issues from that time (complete with bonus tracks and original and additional artwork) and will post some pictures and info on these in the future.

John Lennon “Lennon” 4 CD Box Set

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It never ceases to amaze me how many variations there are out there of particular Beatles or Beatles-related items. I guess that’s part of what makes collecting interesting….

Some are big differences, and include completely revised or unique artwork or track running orders, others are small and subtle. This one, sent to me by Beatlesblog reader Ned in the United States, is a case in point. Ned writes: “One favorite Beatles-related item of mine is a still-sealed, 4 CD “Lennon” box from 1990 with a blank space on the back cover art where the song “Imagine” should be listed (the song is on the disc, however) that I bought from a woman going through a bad divorce. She only wanted US$15 for it. Even though I was very much interested I IMPLORED her to ask for more because I knew she could get it.  However, she insisted because, to her, it represented her former husband.  (Years earlier, I had regretfully sold my copy due to being laid off and needed to pay my bills. I was desperate to get a copy back in my possession after my work life returned to normal).”

Ned sent me a photo of this unusual John Lennon collectors item. Check out the space in the listing on Disc 2:

Its a strange little mistake or variation….who knows why “Imagine” was left off that particular print run? And Ned having a still-sealed copy makes it pretty collectable too. (By the way, it was Ned who sent the additional photos of the Japanese Beatles “Love” rarity from a previous post).

To compare, here’s my copy of the Lennon set:

“Imagine” is definitely still there. This 4 CD “Lennon” box set was released by Parlophone/EMI in 1990. It was compiled by Mark Lewisohn, one of the band’s insiders and a long-time writer and commentator on official Beatles releases and their history. Wikipedia has a song list for each CD. As you can see, most songs were previously released, but there are a couple of hard-to-find tracks, like the three live from Madison Square Garden with Elton John (“Whatever Gets You Through the Night”, “I Saw Her Standing There” and “Lucy In the Sky With Diamonds”) recorded 24 November, 1974.  I believe these three songs had only ever been previously released on a vinyl single in 1975.

The box set comes with a nice (if plain) 70-page booklet:

Booklet - Front

The booklet has the words to each song, a song index, small images from the album each track comes from, plus some nice photos – both black and white, and some in colour:

Booklet - inside

Each of the jewel cases has an individual image of Lennon. Here’s the one used for Disc 1:

The printing on each CD follows a similar theme, but each jewel case spine, rear artwork and the actual CD disc is a slightly different colour. For example here are discs 1 and 2:

The 4 CD set came out in 1990 and followed the 1989 single CD release “The John Lennon Collection”. In Australia at least EMI released this 4-track EP CD in a gate-fold Digipak to promote both:

As you can see, they used the rear of the cover to promote both the single disc “John Lennon Collection”, and the 4 CD box set:

So, thanks to Ned for another unusual and collectable Beatles-related item.

There is a new set of John Lennon box sets and anniversary releases on the way. Called the Gimme Some Truth  project, these remasters will mark what would have been Lennon’s 70th birthday and will be released in October, 2010.

Beatles “Love” – A Further Collectable Variation

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Following my post on some of the release variations I have in my collection of the Beatles “Love” CDs and LP, I had a note from Ned in the United States who has a very interesting and unique CD single from the “Love” releases.
He has in his collection this rare Japanese promo CD single:

LOVE rare promo single - front cover

As you can see above, it has the familiar bright yellow “Love” cover art work – but it contains just one track from “Love” called “Within You Without You/Tomorrow Never Knows”, a mash-up mix by George and Giles Martin of the basic track and vocal from “Within You Without You” (originally released on “Sgt Pepper”), and the drum track from “Tomorrow Never Knows” (taken from “Revolver”).  Giles Martin said “This was the first thing we did (for the “Love” project). We played it for them (Paul and Ringo) and they said ‘we want more like that!’  We had to remind them, ‘Fellas, you know that on most songs you did actually change chords!”  George Martin said at the time: “‘Within You’ is not the most memorable song, but it’s much more interesting with that rhythm.”
According to Ned this CD single was created for Japanese radio stations and issued by EMI Japan without the full knowledge of EMI’s London office. When they found out it was withdrawn shortly after release, thus making it a very collectable item. “It is absolutely NOT an unauthorized release but remains the only CD single issued from the “Love” project”, says Ned.

LOVE single - inside

It has a nice insert that lists the other tracks on the full CD release:

LOVE single - booklet

Ned writes: “I mail ordered this from Japan right at the time of the opening of the show in Vegas.  I believe it ran me around US$20 – including shipping.  I have no idea what the value is now as I only collect what I like and not what might be worth something someday.  Apparently, Yoko Ono had (has) the same collecting philosophy and it has served her well.
Ned has two other favorite Beatles-related items. One is a still-sealed, 4 CD Lennon box from 1990 with a blank space on the back cover art where the song “Imagine” should be listed (the song is on the disc, however). “I bought this one from a woman going through a bad divorce.  She only wanted US$15 for it.  Even though I was very much interested I IMPLORED her to ask for more because I knew she could get it.  However, she insisted because, to her, it represented her former husband.  (Years earlier, I had regretfully sold my copy…and I was desperate to get a copy back in my possession).”
The other item is a withdrawn, mid-80’s CD release of Lennon’s Shaved Fish – manufactured in Japan for the U.S. market – that has slightly different artwork on it. “It was withdrawn because EMI either failed to use “No-Noise” on the master tapes or the tapes they did use were from inferior sources.  Either way, the hiss is more apparent than the common one.  But the fact that it was quickly pulled off the market makes it of interest”, says Ned.

But back to the “Love” promo CD. “Promo Sample” is printed in Japanese around the hub. The catalogue number on the disc is PCD-3275.

LOVE single - the Japanese promo writing around hub

Sincere thanks to collector Ned for all the info and photos. Here’s a clearer picture of the black  promo writing around the center of the CD single’s hub:

LOVE single - promo hub close-up

Beatles “Love” – Lots of Collectable Variations

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At the Beatles own official website there’s a lot of info about “Love” their 2006 album, which is not only the soundtrack to the Cirque du Soleil performance show celebrating the Beatles music, but also a controversial departure for the Beatles in that its made up of some of their best-known songs remastered and re-mixed with sounds and songs from across their extensive catalogue. “Love” is produced by longtime Beatles producer Sir George Martin and his son Giles, and it won two Grammy Awards in the categories Best Compilation Soundtrack Album for Motion Picture, Television or other Visual Medium, and Best Surround Sound Album.

For dedicated Beatles fans and collectors it proved to be a bit of of a challenge. Firstly, had the Beatles done the unthinkable and started to mess with the canon? Debate still continues as to whether this was a smart move, or a folly. Additionally, there were numerous release variations to buy if you were an avid collector. Two CD versions, promotional CDs, and other bits and pieces to track down for the completists amongst us…

To start with there was a single disc with the standard stereo mix in a standard jewel case:

“Love” single CD – front cover

“Love” single CD – rear

“Love” CD – with the single CD artwork

Then there was a two-disc set that came with more elaborate packaging. It’s a double fold-out Digipac in a thick slipcase. The package contains the single CD with the standard stereo mix (but with a slightly different printed image on the CD to the single version CD shown above). Added to this is a separate DVD disc containing the 5.1 surround sound mix. Same track list and songs – but if you have a 5.1 stereo set-up at home, the songs and sound effects surround you. It has the same booklet as the single CD release.

“Love” two disc edition – front cover

“Love” two disc edition – rear of slipcase

The final official commercial release (which came out a few weeks after the CD’s) was the vinyl LP. It arrived in a deluxe, 2 disc, gate-fold package. Mine is still sealed, so these images I’ve borrowed from the web.

“Love” vinyl LP set

“Love” gatefold open

“Love” vinyl LP – rear

As you can see the vinyl edition came with custom labels for each LP, and is contained in a gate-fold cover with a large-format book. Its similar to the CD booklet, but because of the large format – complete with rich colour images from the Cirque du Soleil production – it is way more impressive.

There was also a four-song radio sampler released to stations around the world. This was done in an effort to generate publicity and conversation about the forthcoming new Beatles release for 2006. The songs on it were “Strawberry Fields Forever”, “Octopus’s Garden”, “Lady Madonna” and “While My Guitar Gently Weeps” (which was one of the most anticipated tracks from the whole album as it was George Harrison’s original demo tape of the song accompanied by a completely new string arrangement composed by George Martin for the new “Love” record). This promo CD was sent out with a press release containing quotes from Sir George Martin and his son Giles – who co-produced the album – talking about the four tracks on the promo CD. They describe how those songs were selected and give some of the background to the production techniques employed in mashing together different parts of Beatles songs to pretty much make completely new versions -a radical thought at the time. The cover of the radio sampler promo CD looks like this:

“Love” radio sampler promo CD – front

And the rear:

“Love” radio sampler promo CD – rear

Apple/EMI was obviously determined to give “Love” the full promotional and marketing treatment because they also pressed and distributed (in limited numbers) a special “Interview Disc” featuring Paul McCartney, Ringo Starr and George and Giles Martin in conversation about “Love”. The interviews were recorded in October 2006, and they are all stand-alone statements about dirrent aspects of the work that went into producing “Love”, and the running order works through the release track-by-track. Its an interesting historical artifact to have in the collection. And definitely an authentic, original release. As you can see, again it has a colour variation of the “Love” artwork common to all releases:

“Love” promotional interview disc – front cover

“Love” promotional interview disc – rear cover and CD art

This disc is entirely spoken word and contains edited voices only. No music. The idea was that radio stations would get the songs from the official CD and make their own radio specials. For a time there on the web, via Ebay and the like, there was also a disc called “The Beatles Love – Radio Special”, purportedly distributed by Capitol in the US. I got a copy of this but, while someone has gone to a lot of trouble to make it look authentic, there is something suspicious about this one. The special is hosted by a DJ named Andre Gardner. If you Google him he seems legit, very much associated with covering Beatles news, hosting a show on WMGK in Philadelphia and having a Facebook page dedicated to the Beatles. Now, Capitol may well have commissioned this radio special and hired Andre to host it. It does have additional material to the official “Interview Disc” in that there are comments on “Love” by Olivia Harrison and Yoko Ono in addition to Paul, Ringo, and George and Giles Martin. And it comes with an official-looking running sheet, with track details and outcues. Here’s a short extract from the program:

There are some images of this CD below. If anyone can shed any more detail on this release – drop me a comment and let me know….

“Love” Capitol Records Radio Special – front cover – genuine?

“Love” Capitol Records Radio Special – CD

Meanwhile….at the time of the “Love” release the Beatles official website had not long been launched (it looked quite different to it’s present incarnation), and Apple used the new site to deliver a series of five down-loadable podcasts to further promote “Love”. Each was between six to seven minutes in duration, and like the official “Interview Disc” above, it contained extracts of Paul, Ringo, George Martin and Giles Martin talking about “Love”. Hosted by UK presenter Robert Lindsay, it contains music extracts mixed with the spoken word extracts. Quite nice to have.

Yet another spin-off for collectors was the DVD “All Together Now”, a documentary film about the creation of the Cirque du Soleil show and the accompanying soundtrack CDs. Earlier this year took out a Grammy Award for Best Long Form Music Video. (I posted about this at the time).

“Love” – the “All Together Now” DVD documentay

You can still see “Love” by Cirque du Soleil at The Mirage Casino in Las Vegas. MTV reviewer Gil Kaufman saw the show just last month (April, 2010) and had this to say. The Beatles own site has some fun facts about the “Love” show.

Finally, an official printed promotional cardboard flyer for the two CD releases came my way. It’s about foolscap size, and is four pages in all – the front looks like this:

“Love” cardboard promotional flyer – front cover

Let It Be at 40

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Can you believe it?

Let It Be turned 40 last weekend.

Here’s the Wikipedia extract with a brief detail of the album:

Let It Be  was the twelfth and final studio album released by The Beatles. It was released on 8 May, 1970 by the band’s Apple Records label shortly after the group’s announced breakup.

Most of Let It Be was recorded in January 1969, before the recording and release of the album Abbey Road. For this reason some critics and fans, such as Mark Lewisohn, argue that Abbey Road should be considered the group’s final album and Let It Be the penultimate. Let It Be was originally intended to be released before Abbey Road during mid-1969 as Get Back, but the Beatles were unhappy with this version, which was mixed and compiled by Glyn Johns, and it was temporarily shelved. A new version of the album was created by Phil Spector in 1970 and finally released as Let It Be, serving as the soundtrack album for the 1970 motion picture of the same name.

Let It Be - film lobby card

Let It Be - lobby card - Paul

While three songs from the sessions were released as singles before the album’s release, “Get Back”/”Don’t Let Me Down” and “Let It Be”, the songs were remixed by Spector for the album.

The rehearsals and recording sessions for the album did not run smoothly. The acrimony that began during the recording of the previous year’s White Album resumed soon after the rehearsals began. At one point, George Harrison walked out and quit the group after severely arguing with both Paul McCartney and John Lennon, only to be coaxed back some days later. The film version is famous for showcasing a number of conflicts between the group members and has frequently been referred to as a documentary intended to show the making of an album but instead showing “the break-up of a band”.

Despite a largely negative review from Rolling Stone magazine at the time of its release, the album was ranked number 86 in the magazine’s list of the 500 greatest albums of all time in 2003.

Let It Be… Naked was released in 2003, an alternative version of the album stripping much of Phil Spector’s production work and using some different versions of songs.

Let It Be - Naked (2003)

Here’s an article from Rolling Stone magazine this week:

Forty years ago this weekend, the greatest band of all time gave the world their final album together: On May 8th, 1970, the Beatles released Let It Be, the Phil Spector-produced LP that featured hits like the title track, “The Long and Winding Road” and one of John Lennon’s most famous compositions, “Across the Universe.” While the album was recorded during the band’s caustic final days, Let It Be would go on to become one of their most celebrated records: it ranked Number 86 in Rolling Stone‘s 500 Greatest Albums of All Time.

The story behind Let It Be is almost as mythic as the Beatles themselves. The band originally intended to record it as a live-in-the-studio album and movie in 1969. But the ambitious undertaking left the Beatles so weary, they abandoned the project to make Abbey Road instead. Later, Phil Spector added oversweetened orchestral overdubs to many of the album’s tracks — even though the record features some of the band’s strongest rock songs ever (including “Get Back”). In 1970, the Beatles released the documentary film of the same name, which captured the group’s iconic performance atop the Apple Studios building in January 1969. Perhaps due its controversial and detailed look at the Beatles’ interpersonal problems, the film itself remains unavailable on DVD.

Despite the album’s status in rock history, Paul McCartney was never a fan of Phil Spector’s production flourishes on Let It Be. In Rolling Stone‘s original review of the album, writer John Mendelsohn also criticized Spector’s superfluous additions, saying the famed Wall of Sound producer rendered “The Long and Winding Road” “virtually unlistenable with hideously cloying strings and a ridiculous choir” when compared to the version that appeared on the Get Back bootlegs in May, 1969. After years of dissatisfaction with the released version, McCartney announced plans to put out Let It Be… Naked in November 2003, which stripped the Let It Be songs of Spector’s ornate production.   (Daniel Kreps – Rolling Stone)

Finally, here’s the sound of  “Get Back” in an early incarnation, in rehearsal with John singing lead instead of Paul, and clearly the words to the song are still coming together….

See also: Label Variations – Part Two – Let It Be