It’s been a bit quiet on the new Beatle product front for a while. Then comes the 2020 Record Store Day official lists – and not one, but three titles that will be of ineterst to collectors.
First up, Paul McCartney and yet a further re-issue of his first solo album from 1970, simply called McCartney:
This time around, for it’s 50th anniversary, McCartney is getting the Half Speed Master treatment. There will be just 7000 copies produced. If you’d like to know more about Half Speed Mastering UMe has produced this article. Abbey Road Studios engineer Miles Showell (who worked on this 2020 re-issue of McCartney) explains more here:
And, as one wag said on one of the better re-issue forums (Super Deluxe Edition – which we love): “Just as he did fifty years ago, Paul’s making sure his solo album gets released before Let It Be hits the streets…” That’s actually very funny. History repeats.
Also on this year’s Record Store Day list, a Ravi Shankar Centennary Edition of his Chants of India album, produced by George Harrison in 1997. In what is the first physical product to come out of the new distribution relationship between BMG and Harrison’s Dark Horse Records, this LP is being issued for the first time on vinyl – and it will be on red coloured vinyl to boot! 3000 copies are being pressed, and the 2LP set will come in a gatefold cover with an exclusive photo print:
Finally, a John Lennon title is included in the 2020 RSD list. A 7″ black vinyl single of his 1970 hit ‘Instant Karma!’ is being billed as the 2020 Ultimate Mixes. The single will feature newly mixed audio and a faithful reproduction of original UK sleeve artwork. 7000 copies are being pressed:
Record Store Day this year is on Saturday, April 18. Check here for the full list of what is planned for release. You can find the US RSD store here. The official RSD UK store is here.
We attended the quarterly fundraiser for a Sydney community radio station last week. About every three months the classical music station Fine Music 102.5 set up a hall full of tables loaded with donated books, CDs, DVDs, sheet music and a small number of vinyl records.
In the book section there was a very interesting Beatle-related book and a John Lennon book too. In the CD section we found two CD’s – both variations of titles already in the collection – by The Beatles and Paul McCartney. And amongst the DVDs a fun item featuring one Ringo Starr…..
First up, the Beatle-related book:
It Was Twenty Years Ago Today came out thirty years ago as part of what was then the 20th anniversary of the 1967 Summer of Love. It uses the release of The Beatles’Sgt. Pepper’s Lonely Hearts Club Band LP as a stepping off point to build an historical appreciation of what was a fairly wild and crazy year in music, art, fashion, politics, religion, relationships and generational change.
Written by a genuine Beatle insider (former Apple press officer Derek Taylor), this book is also associated with a television program of the same name released that year.
Derek Taylor is witty, erudite and clever at pulling together a massive amount of information to give a detailed impression of what was going on around the world in a year of countercutural change. The book includes lots of archive interviews, observations, and photographs as well as extensive transcripts from the Granada TV documentary. Really interesting.
Jump ahead about twenty-five years and you have the second book we discovered. It’s also a reminiscence of times past, evident in the title: Days That I’ll Remeber -Spending Time with John Lennon and Yoko Ono. Author Jonathan Cott has been a contributing editor at Rolling Stone and has written for The New York Times and The New Yorker. He is the author of 19 books on a wide range of topics, including works on Bob Dylan, classical music, children’s literature, and poetry – but especially music. Cott’s relationship with John Lennon and Yoko Ono dates back to 1968 when he went to interview them in their London flat.
During that meeting a friendship was born that lasted for the rest of Lennon’s life, and continues today between Cott and Yoko Ono. It was Jonathan Cott who conducted what was to become the final Lennon print interview before his death. In Days That I’ll Remember Cott is presenting – for the first time – complete versions of all his significant interviews with the pair, and as such this is an important and significant work to have in the collection.The other finds are probably of lesser importance or interest, but we’ll detail them here for you anyway!
First up a CD version of The Beatles’ compilation album from 2000. Simply called 1 it contains (as the hype sticker on the front states) “27 No.1 singles on 1 CD”. Millions of these were sold around the world. So what’s new/different here? Only that this copy comes from South Africa, and there are a few distinguishing differences, namely the words “Made in the RSA” near the bar code on the rear:
There’s also a different, country-specific catalogue number there (CDPCSJ (WE) 7213), and it is also printed on the CD inside:
Plus there’s a really small logo on the left at the bottom. It has a musical note in it’s design, with some lettering that is tiny and difficult to read, but it says “A.S.A.M.I. Seal of Approval”. We’re guessing that is (or was) some sort of South African recording industry association that vouched for the autheticity of the pressing:
Otherwise all other presentation and content will be very familiar if you already have this CD:
Also on the CD tables was Paul McCartney’s 1997 large-scale classical recording, Standing Stone:
Above is the front and back of the outer cardboard slipcase which holds the CD jewel case and thick booklet with lyrics, photos, reproduced artworks, and an essay about the compostion and performance of the work. The one we found here is the UK pressing (we already have US and Canadian pressings of this which both have small variations on what you see here):
Here are the front and rear covers of the booklet:
The beautiful cover images are by Linda McCartney, and here is a peek inside. This artwork is by Paul:Finally, to end on a lighter note, a little kid’s DVD called Thomas & Friends:
If you look closely at the credits you can see listed there as Storyteller – Ringo Starr:
It’s great to have an example of Ringo’s work narrating this classic kids animation series. He did the voice-overs for the first two series only.
(As usual, click on images to see larger versions)
Got the chance on the weekend to visit Melbourne Museum and the second-to-last day of a significant exhibition (mounted in conjunction with The Victoria and Albert Museum in London) called Revolutions: Records + Rebels – Five Years That Shook the World.
This extensive collection explores five explosive years between 1966–1970, focussing on the immense cultural shifts being experienced around the world by a liberated, post-war generation coming of age. It’s the 60s we’ve heard about brought to life with a massive amount of memorabilia, fashion, books, art, posters and music.
And of course, The Beatles are scattered liberally throughout.
The project highlights many of the key subject areas that shaped the late 60s: revolution, fashion, drugs, sub-cultures, human rights, feminism, war, protests, consumerism, festivals… all the while set against an awesome rock & roll soundtrack of the time.
On display are some iconic Beatle items, including original posters advertising their albums:
Beside this poster for the album Revolver (above – eye reflections are in the glass) is another one called ‘A is For Apple’, designed by the Dutch artists The Fool whose psychedelic and colourful work was highly influential on The Beatles. This poster promoted the band’s short-lived Apple Boutique on Baker Street in London:
Also on display were John Lennon’s hand-written lyrics for ‘Tomorrow Never Knows’:
And the brocade frock coat he wore while filming the historic 1967 Our World broadcast of the Beatles song ‘All You Need Is Love’:
Of course Lennon’s original Sgt Pepper’s Lonely Hearts Club Band uniform drew a big crowd:
There were also two original, hand-lettered Hair Peace and Bed Peace signs from 1969 and the ‘Bed-In For Peace’ events held by John Lennon and his newly-married bride Yoko Ono. The one in the Queen Elizabeth Hotel in Montreal, Canada was where they recorded ‘Give Peace a Chance’ with Timothy Leary, Allen Ginsberg and others. These two come from the collection of Yoko Ono:
Another item from her collection is this notepad sheet from the The New York Hilton containing hand-written lyrics to Lennon’s ‘Imagine’:
And just across from it, the jacket that John wore when filming the song at the white piano in the couple’s lounge room in their Tittenhurst Park estate:
Official details are slowly emerging about the new album from Ringo Starr.
It is to be called What’s My Name, and it will feature Paul McCartney on one track (the John Lennon penned Grow Old With Me). Universal Music this morning leaked the title track onto YouTube:
For those of us who still like their music in physical form it looks like there’ll be a CD and black vinyl, plus there’ll also be a limited edition blue vinyl as well – available through Ringo’s own store, plus a few selected retailers.
What’s My Name is due to hit record stores on October 25th.
Around this time last year we came across a library having a bit of a clean out of duplicated titles. They’d set up a small tresle table outside and had a pile of books for sale at bargain prices (i.e. for free!).
Well, it happened again – this time at a different library. Picking through about a hundred or so books we discovered a vintage paperback edition of John Lennon’sA Spaniard in the Works:
Initially released in 1965, this was a 1980 UK paperback re-press. The pages are a little browned with age, but otherwise this is in near mint condition:The $1.50 sticker on the front appears to be the original price here in Australia!
Written by McCartney and Philip Ardagh, and with delightful illustrations by Geoff Dunbar, this hardback edition was released in 2005 and is in excellent condition. This is a US first edition. The dust jacket is a little scuffed, but otherwise the book looks unused:(As usual click on images to see larger versions)
Last year when the John Lennon Estate re-issued the extensive, multi-disc and book Ultimate Collection of his Imagine album we thought we had it all. Multiple CD’s, Blu-ray’s and LP’s of audio alongside a coffee table style book, and the re-release of the two original documentaries, Imagine and Gimme Some Truth on DVD and Blu-ray.
But at the time that massive re-issue program was unfolding there was a third, new documentary also doing the rounds – on subscription TV and eventually on free-to-air TV in various countries around the world.
The doco was called Above Us Only Sky and while it features a lot of footage from the two previous documentaries, these were supplemented and inter-cut with never-before-seen footage of John and Yoko, new interviews and archive material. It was made with the full cooperation from and exclusive access to Yoko Ono and the Lennon Estate.
Now Above Us Only Sky is coming to a store near you. On September 13 it will be issued on DVD, Blu-ray, and digital download.The Universal Music and Eagle Rock Entertainment press release says:
“The feature-length film, directed by the Emmy Award-winning Oscar nominee Michael Epstein, tells the untold story of John Lennon and Yoko Ono’s unique and enduring relationship and the creation of the 1971 album Imagine….Unseen film of the time is complemented by archive and brand new interviews, including an exclusive new conversation with Yoko.
Others featured in new interviews in the film include John’s son Julian Lennon and photographer David Bailey, who took the 1971 image of John and Yoko that was on the cover of Vogue. Also contributing their memories are gallerist John Dunbar, the man who set up Ono’s first art show in London in 1966 and introduced the couple there; her neighbour and later personal assistant Dan Richter; and studio design pioneer Eddie Veale, who build Ascot Sound Studios at the couple’s home in Tittenhurst Park in Berkshire.
Lennon’s musical collaborators Klaus Voorman, Alan White and Jim Keltner, all of whom played on Imagine, are also featured in new interviews. They add to a vivid insight into the making of the album, alongside the newly-seen film footage, audio and rare images.”
Our copy of the John and YokoWedding Album arrived today – but if there’s anyone who is entitled to do an unboxing video of the box set contents, it’s this guy:
Universal Music and the organisers of Record Store Day have announced that John Lennon’s Imagine [Raw Studio Mixes] will be released as a Limited Edition on heavyweight 180-gram black vinyl for Record Store Day 2019:
“These mixes capture the exact moment John and The Plastic Ono Band recorded each song raw and live on the soundstage located at the center of Ascot Sound Studios at John & Yoko’s home in Tittenhurst. The tracks are devoid of effects (reverb, tape delays, etc.) offering a unique, unparalleled insight & an alternate take on the record. These mixes have been pressed in the original album sequence appearing for the first time on vinyl.”
Side A
• Imagine – Take 10 / Raw Studio Mix
• Crippled Inside – Take 6 / Raw Studio Mix
• Jealous Guy – Take 29 / Raw Studio Mix
• It’s So Hard – Take 11 / Raw Studio Mix
• I Don’t Wanna Be A Soldier, Mama – Take 4 / Raw Studio Mix
Side B
• Gimme Some Truth – Take 4 / Extended / Raw Studio Mix
• Oh My Love – Take 20 / Raw Studio Mix
• How Do You Sleep? – Take 11 / Raw Studio Mix
• How? – Take 40 / Raw Studio Mix
• Oh Yoko! – Take 1 / Raw Studio Mix
The official Record Store Day release list is a little confusing as it lists this as a 2xLP package, but in other places it is referenced as definitely just one disc. There will be 5,500 copies made available worldwide.
Rob Stevens, who worked on the Raw Studio Mixes for the John LennonImagine: The Ultimate Collection box set from last year says:
“The Raw Studio Mixes are the basic track performances of the musicians playing together in the same rather cramped room….There are no effects placed on the instruments or vocal, e.g. chamber reverb and tape slap for example. Just a bit of EQ and compression when the nature of a particular track warranted it.
John was notorious for wanting his voice bathed in both, and mixed as part of, rather than above the track, so at times you had to really focus your ears and mind to hear his nuances and lyrics clearly.
In the Raw Studio Mixes, there is none of that. John is front and center – clear, unadulterated, live and raw.
Whereas Double Fantasy Stripped Down does have some production enhancements and overdubs, The Imagine Raw Studio Mixes are completely raw and unadorned – they capture the sessions before the gloss was added. The unique challenge in mixing the songs with Yoko was to balance the instruments in a way that fused them into a whole while keeping each individual performance clear, but without the benefit of reverb and effects to do so.”
On her 86th birthday Yoko Ono has announced that the next installment in her lengthy album re-issue project will be the often-maligned John Lennon/Yoko OnoUnfinished Music No.3:Wedding Album from 1969.
The release date of March 22, 2019 will be two days after the 50th anniversary of the couple getting married in Gibraltar, near Spain (see “The Ballad of John and Yoko”):
The new box set (issued via Secretly Canadian and Chimera Music) will re-create the original, which in typical fashion was well ahead of its time in offering a plethora of extras along with the album inside. It was a white box filled with souvenirs of John and Yoko’s nuptials: photographs; a replica of their marriage certificate; their own drawings of the wedding and famous Bed-in honeymoon/peace event which followed; a picture of a slice of wedding cake; more sets of photos; and a booklet of press clippings about the couple.
The box and it’s contents were created by graphic designer John Kosh who is probably better known for his work with The Beatles (he did the cover of Abbey Road, and the lavish box and book that accompanied early editions of Let It Be).The ongoing Yoko Ono Reissue Project was launched in 2016. It aims to remaster and reissue all eleven of Ono’s studio recordings between the years 1968 and 1985. Each will painstakingly reconstruct the original vinyl packaging. There have been six releases to date: Unfinished Music No. 1: Two Virgins (1968, with John Lennon); Unfinished Music No. 2: Life With the Lions (1969, with John Lennon); Yoko Ono/Plastic Ono Band (1970); Fly (1971); Approximately Infinite Universe(1973); and Feeling the Space (1973). Still to come are Season of Glass (1981); It’s Alright (I See Rainbows) (1982); Starpeace (1985); and A Story (1997, but recorded in 1974).
The Wedding Album is available on white vinyl, on CD, and as digital download, and there are a very limited number (300 copies) being made available on clear vinyl exclusively through the British record store chain, Rough Trade Records.
Here are two interview-based articles – one featuring Paul McCartney, the other the John LennonImagine re-issue box set from late last year. If you haven’t seen these already they are both worth a look.
The first is from GQ magazine and dates back to September, 2018 when Paul McCartney was very much in publicity mode for his then new album Egypt Station.
In it he’s quite revealing and, as the opening hype paragraph states, the article takes in some familiar ground, but traverses some very new territory too:
“He’s as famous and accomplished as a man can be. He could just stay home, relax, and count his money. But Paul McCartney is as driven as ever. Which is why he’s still making music and why he has loads of great stories you’ve never heard—about the sex life of the Beatles, how he talked John Lennon out of drilling holes in his head (really), and what actually happened when he worked with Kanye.”
One pertinent section deals with his brand new song ‘Get Enough’, which was only made public earlier this month (on New Years Day actually).
The song is right now polarizing listeners because of the heavy use of Auto-Tune as an effect on the vocal. At the time of the interview the song wasn’t yet in the public domain, but what McCartney says about it in the interview gives some valuable context now, shedding light on where he was coming from, why he recorded it, and why he released it:
“McCartney proceeds to tell me that he recently used Auto-Tune on a song—one that’s not even on his new album—and how he worried for a moment about it. “Because I know people are going to go, ‘Oh no! Paul McCartney’s on bloody Auto-Tune! What have things come to?’… At the back of my mind I’ve got Elvis Costello saying, ‘Fucking hell, Paul!'” But then he considered it some more, and what he thought was: “You know what? If we’d had this in the Beatles, we’d have been—John, particularly—would be so all over it. All his freaking records would be…”
McCartney demonstrates a version of how he’d imagine a modern-day John Lennon singing in an extreme Auto-Tune warble, and then he gets out his iPhone and plays me some of the song in question, another collaboration with Ryan Tedder, called “Get Enough”, which has an emphatically full-on Auto-Tuned McCartney vocal, plenty more than would be required to horrify any passing purists. It also sounds pretty good.”
The GQ article is accompanied by photographs of McCartney modelling some stylish and expensive menswear. It’s also associated with a lengthy YouTube video the magazine uploaded to its channel where the songwriter steps through the background to some of his best-known works, both solo and Beatle:
The second article is an interesting (if a little rough around the edges) insight into the recording of John Lennon’s classic Imagine LP – which was beautifully remixed, remastered and re-issued late last year in a number of formats. It provides fans with cleaned-up sound and a wealth of previously un-heard outtakes, demos and more.
The article comes from Rock Cellar magazine and takes the form of interviews with three of the musicians who made key contributions to the iconic recording: bass player Klaus Voormann; drummer Jim Keltner; and guitarist Joey Molland.
In contrast to the GQ offering, Rock Cellar is an online magazine operated by volunteers so the attention to detail is a bit lacking in places. They could really use a good sub-editor to lift the quality of simple things like spell-checking and grammar. But there are some really valuable recollections, insights and information here on how Imagine came together from three artists directly involved at the time:
What were the things that most impressed you about John as an artist, both professionally and personally?
Jim Keltner: Well, he was John Lennon. He always found it interesting and funny when I told him I never liked rock and roll. When he was a young guy, we were all around the same age, Ringo’s a little bit older than me, Klaus is a little bit older too — John was older than me by just a little bit. As we were coming up he was a rocker. Along with Paul and George and Ringo, he loved American blues and rock more than anything, it affected their lives big time.
They dedicated their whole lives to that, and we know what happened. But for me, over here during that same time I was just listening to Miles (Davis) and (John) Coltrane; I didn’t want to have anything to do with any rock and roll. I hated it. John just thought that was so funny. And then when I started playing with him I could tell that he liked my feel. I could feel it because we shared the same kind of attitude about feel. By the time I had gotten with him I made a commitment to understand this rock and roll thing. So I was doing it from my gut, plus I had listened to Ringo so much.Whether you wanted to or not, if you were a drummer you were influenced by Ringo. Whether you even knew it or not you definitely were influenced by Ringo because any Beatles music you listened to it was all about Ringo’s feel.
John and George both told me, John especially, that Ringo was his very favorite drummer. I loved hearing him say that, because he was my favorite drummer too. John was the easiest person to play with. It’s interesting for me because John and Bob Dylan and were on my radar right at the same time. I played with Bob right around that same time with Leon (Russell) and Carl Radle and Jesse Ed (Davis) in New York. I got the same feeling from both of them. They were so strong in the way they played and sang and of course when you’re talking about rising to the level of a good song, if you’re talking about John Lennon or Bob Dylan it’s a no-brainer. You knew the songs were gonna make you wanna play at your best.
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