We knew that Record Store Day this year will have three Dark Horse titles available for collectors of this Beatle-related sub-brand, but did you know that Dark Horse Records is planning a further big push in late April and early May?
RSD will have:
George Harrison and Beck with ‘Be Here Now’:
This is Record Store Day’s “Song of the Year” and it will be on a 12″ single with George’s original version on one side, and Beck’s cover version on the other.
There’ll also be the next installment of George Harrison back-catalogue titles appearing as Zoetrope picture discs. This time its the turn of All Things Must Pass, so it is a 3 LP set in an individually numbered sleeve. It’s catalogue number is DH0037Z:
And for RSD in the UK comes another Cat Stevens back-catalogue item, Back To Earth (DH0027). Like the Cat Stevens releases the label put out for RSD last year, this one will also come in a special lenticular album sleeve:
Then, once we get RSD 2025 out of the way, on April 25 comes a brand new Billy Idol title, Dream Into It. This is his first new, full-length album of original material in over a decade. It will be available on black vinyl, as a limited edition purple vinyl, and on CD:
There’s also limited edition signed copies to be had:
The Idol release will be followed on May 9 with no less than 9 re-issues from Dark Horse that officially bring even more of the George Harrison back-catalogue under the Dark Horse/BMG umbrella. These include All Things Must Pass – 50th Anniversary mix as a 2CD set with Dark Horse and BMG on the label for the first time (instead of Capitol and Universal Music). It will be given the Dark Horse catalogue number DH0037:
All Things Must Pass will be joined by George’s 1974 title, Dark Horse on black vinyl and on CD, with the catalogue number DH0038:
There’s also Extra Texture (with the catalogue number DH0039) on black vinyl and on CD:
And Thirty Three & 1/3 (catalogue number DH0040) – but only on black vinyl at the moment for some reason:
Also on May 9 to bring Harrison more firmly under the BMG banner will be a CD re-issue of his Wonderwall Music (with the catalogue number DH0033). This joins the Zoetrope vinyl with the same catalogue number from Record Store Day last year:
Likewise, Electronic Sound gets the same CD treatment – joining its Zoetrope vinyl partner in carrying the catalogue number DH0034:
And lastly, one further May 9 release. It is Harrison’sEarly Takes Volume 1 on CD (catalogue number DH0047). It joins the black vinyl that was issued last year also under the Dark Horse/BMG label:
As if that isn’t enough, on May 16 comes two long-rumoured but also long delayed Jon Lord Dark Horse titles, re-issues of his albums Gemini Suite and Windows. Gemini Suite will be on a spectacular splatter vinyl (with the catalogue number DH0023):
While Windows comes on a cool orange vinyl:
So, collectors who like to keep up with everything Dark Horse is doing alongside their Beatle collecting are going to need deep pockets over the next two months.
Dark Horse Records celebrated George Harrison’s birth date this week with the release of a new tribute album by gypsy jazz guitarist Robin Nolan.
For The Love Of George can be streamed on all good streaming services and features some amazing gypsy jazz versions of classic George songs. Also included is a brand new composition crafted by Nolan from chords jotted down by George on an envelope and only discovered after his passing. Cementing to strong connections here, Nolan played three of George’s own guitars, and the recording was made in the studio George created at his home in Friar Park.
The album featuresten Gypsy Jazz interpretations of Harrison songs from across his Beatle and solo career, as well as the brand-new composition. Surprisingly they really lend themselves to the Django Reinhardt-style.
Nolan’s relationship with Harrison dates back to the 1990s, when George personally recognized and encouraged his playing. Since then, Nolan has remained a valued presence within the Harrison musical circle, making this tribute especially meaningful. And it’s not the first album Nolan has recorded at Friar Park. He released Gypsy Blue in 2013 on Dhani Harrison’s H.O.T. Records – and like this this one it was only available digitally but also a very limited CD. (H.O.T. of course stands for Henley-On-Thames, the town where Friar Park is located).
Talking about how the new album came about, Robin Nolan explains, “I was at Friar Park playing for Olivia’s birthday. We were all talking and then George’s Ramirez acoustic guitar appeared and I played ‘And I Love Her’ on it. It was a massive thrill to play the song on the same guitar he’d originally recorded it on with Olivia and everyone watching.”
“I had already been thinking about how cool it would be to do an album of George’s songs, but then to actually be playing one of his songs on that guitar. ‘That’s another level, you know, that’s another layer of awesomeness.’ So that was where the inspiration for the album was born.
“A few days later, I was working on the arrangements of how these songs could sound in the Gypsy Jazz style and Olivia texted me this picture of an envelope with some chords that George had written on it and said, ‘Check it out. I wonder if George ever did anything with that? Maybe you can look at the chords and tell?'”
“I stared at the envelope and studied the chords intently that George had written all those years ago and started to feel the magic. It was like unraveling a mystery, trying to imagine what George might have meant.
“At a certain moment I felt that the chords started to make sense and came alive as I strummed them on my guitar, ‘Ahh maybe that’s what he meant’, I remember thinking to myself.”
“After I’d figured out the chords a melody came to me. In my mind I could hear George humming a tune that sounded really beautiful. That’s when it all came together. The title track of this album For The Love Of George.
“I was really excited so I recorded a simple version on my phone and sent it to Olivia wondering what she might think. She responded, ‘Wow it sounds so much like George!’
“And, of course, it does sound like George, because there’s a few chord changes in there which are really unique to him, and then the melody I wrote is so inspired by him.”
“For this new track I used all three of George’s guitars that feature on the album. The intro is the 12-string Rickenbacker used on the bulk of the Hard Day’s Night album, and it’s just got that sound, you know? So I made the intro with that guitar, and some fills. The main melody is played on the Gibson J160, which is the guitar with a lot of history. It’s the only guitar that was used on every Beatles album. It’s tough to play, but it has so much character. I did the melodies on that one, and then there’s some backing lines on the Ramirez.”
Last week, as part of his warm-up for the Saturday Night Live 50th Anniversary Show, Paul McCartney played three small gigs (across three nights) at the relatively humble Bowery Ballroom in New York. It has a capacity of just 575 people, and tickets (at US$50.00 each) sold out immediately they went on sale – only if you showed up in person at the Bowery Ballroom’s box office.
The online announcements for each show were simple. Here’s the first:
🗽 PAUL McCARTNEY ROCKS THE BOWERY 🗽 Tuesday, February 11th. Bowery Ballroom, New York.
5:00pm Doors 6:30pm Showtime
Tickets on sale now only at Bowery Ballroom box office. No tickets sold online. First come, first served. One ticket per person.
These intimate shows quickly became an event in themselves, taking even a place like New York City by storm:
After the concerts, reviewers swooned too. Variety was effusive:
Paul McCartney Electrifies New York’s 575-Capacity Bowery Ballroom With Career-Spanning Surprise Set
Even the tragically hip and usually cynical, hard-to-please Pitchfork Magazine was besotted:
Paul McCartney’s Magical Mystery Bowery Ballroom Show
Understandable really because who wouldn’t want to be at an intimate venue to see and hear Paul McCartney and his band play, up close and personal?
Anyways, apart from all the above, one thing that really resonated with fans on social media and in the forums was the amazing poster that was produced to help promote the event.
Lots of comments began to appear, praising the artwork and asking if it was for sale. Also, who was the artist who’d created it?
This poster was resonating with people because it encapsulates so well a journey in three distinct phases – starting with a young Paul McCartney in the middle and blossoming out to a recognisable profile image of the legend and man we see before us today.
But then again, it also radiates inwards as well: from the clouds and the universe on the outside profile, into the New York skyline and the Big Apple at the centre. How brilliant.
Well, it turns out the artist is an Argentinian named Santi Pozzi.
Pozzi is a graphic designer, art director, illustrator and screen printer from Buenos Aires. He graduated in Graphic Design at the University of Buenos Aires, and learned screen printing technique at The Firehouse Kustom Rockart Co. in Oakland, California. He later introduced gig poster art to Argentina and South America by putting together his own screen printing studio, Imprenta Chimango. He’s designed and printed official posters for Pearl Jam, Tame Impala, Jack White, Queens of the Stoneage, Primus and many others.
From this fan photo of the merch stand at the Bowery Ballroom last week, it looks like the poster and a tote bag bearing Pozzi’s design were briefly available for sale:
The folks at Friday Music have just announced two coloured, limited edition vinyl editions of a 2007 Ringo Starr title, Live At Soundstage.
One is on burgundy swirl vinyl:
The other is on gold metalic:
It’s the first time this live performance has been on vinyl. It was originally a CD-only release which came out in 2007.
Recorded in 2005 for a televised Live At Soundstage concert held at the beautiful old Genesee Theatre in Waukegan, Illinois, it features Ringo with his band The Roundheads – Greg Bissonette, Matt Bissonette, Gary Burr, Steve Dudas, Mark Hart & Mark Hudson.
The band work their way through some great tracks including ‘It Don’t Come Easy’, ‘Photograph’, ‘With A Little Help From My Friends’, ‘I Wanna Be Your Man’, ‘Don’t Pass Me By’, ‘Back Off Boogaloo’ and this one, ‘Octopus’s Garden’:
The venue looks amazing, Ringo is clearly in fine voice, and the band is tight:
The records come in a gatefold sleeve and both are available for pre-order now. They’ll ship in Spring. The burgundy swirl LP is here, and the gold metalic is here.
George Harrison’s song ‘Be Here Now’ has been named theRSD Song of the Year for 2025’s Record Store Day on April 12.
To celebrate the honor, a double A-Side 12” Single of ‘Be Here Now’ will be released featuring the 2024 mix of George’s original version. The flip-side will contain Beck’s recent cover of the track. Proceeds will go to the Material World Foundation.
It’s another hefty RSD for the Dark Horse label. It will also release a limited Zoetrope picture disc pressing of George’s All Things Must Pass. It is the next part in the plan to eventually issue Zoetrope picture disc pressings of George’s entire studio album catalogue:
The limited edition 3LP Zoetrope set will be the third title in this RSD series and follows Wonderwall Music and Electronic Sound from 2024. Like them, All Things Must Pass will come in an individually numbered sleeve.
The Lennon Estate has also entered the RSD fray. They’re no strangers to using Record Store Day to give publicity to other projects they have on the go (see our article “Record Store Day and The Beatles – A History” for proof of this over many years).
This time it’s the turn of the new documentary film One to One: John & Yoko which looks at the couple’s life in 1970’s New York, exploring their musical, personal, artistic, social, and political world. Directed by Kevin Macdonald and set in 1972, the film has at it’s core the story of The One to One Concerts, John Lennon’s only full-length performances after The Beatles, accompanied by Yoko Ono, The Plastic Ono Band, Elephant’s Memory and a range of special guests. Together they headlined two historic benefit concerts at Madison Square Garden in New York City. The performances, held before a combined audience of 40,000 people, raised over $1.5 million to support schoolchildren with special needs.
The film has newly remastered and remixed sound from those concerts, produced by Sean Ono Lennon and mixed and engineered from the original tapes by Paul Hicks and Sam Gannon and for RSD 2025 they’re releasing what is described as an “extremely limited edition” 12″ EP featuring four tracks from the afternoon and evening concerts, including three previously unreleased performances. The EP is pressed on 180g yellow vinyl.
The 2025 GRAMMYs, officially known as the 67th GRAMMY Awards, is airing live and already The Beatles and the Lennon Estate have won big:
Best Rock Performance WINNER: The Beatles – Now and Then The Black Keys – Beautiful People (Stay High) Green Day – The American Dream Is Killing Me Idles – Gift Horse Pearl Jam – Dark Matter St. Vincent – Broken Man
The award was accepted on stage by Sean Ono Lennon.
By the way, ‘Now and Then’ has also been nominated for Song of the Year in the prestigious Brit Awards in the UK.
Also tonight Sean Ono Lennon and art director Simon Hilton have accepted the Grammy Award for…….
Best Boxed or Special Limited Edition Package Alpha Wolf – Half Living Things WINNER: John Lennon – Mind Games Kate Bush – Hounds of Love (The Boxes of Lost at Sea) Nirvana – In Utero Unsuk Chin & Berliner Philharmoniker – Unsuk Chin 90 Day Men – We Blame Chicago
The Beatles were also GRAMMY nominated, indirectly, in the category below:
Best Audio Book, Narration, and Storytelling Recording Barbra Streisand – My Name Is Barbra Dolly Parton – Behind the Seams: My Life in Rhinestones George Clinton – …And Your Ass Will Follow WINNER: Jimmy Carter – Last Sundays in Plains: A Centennial Celebration Various Artists – All You Need Is Love: The Beatles in Their Own Words
All You Need is Love is an oral history of The Beatles (available digitally as an audiobook) from never-before-heard interviews. The material is comprised of interviews with Paul McCartney, Yoko Ono, George Harrison, Ringo Starr, their families, friends and business associates that were conducted by Beatles intimate Peter Brown and author Steven Gaines in 1980-1981 – during the preparation of their international bestselling book, The Love You Make.
Record of the Year The Beatles – Now and Then Beyoncé – Texas Hold ’Em Billie Eilish – Birds of a Feather Chappell Roan – Good Luck, Babe! Charli XCX – 360 WINNER: Kendrick Lamar – Not Like Us Sabrina Carpenter – Espresso Taylor Swift Featuring Post Malone – Fortnight
The GRAMMY’s are using this year’s ceremony to raise much-needed funds for those impacted by the terrible greater Los Angeles wildfires. You can donate by visiting MusiCares Fire Relief.
Much as was expected the Paul McCartney camp has announced there will be a commemorative 50th anniversary edition released this year of Wings’ fourth studio album, Venus and Mars. Also as expected it will take the form of a Half Speed Master, out on March 21, 2025.
The special 50th-anniversary vinyl edition will be cut at half speed using a high-resolution transfer of the original master tapes from 1975 by Miles Showell at Abbey Road Studios. The album will be presented as a meticulous reproduction of the original UK pressing, with recreations of the original “Venus and Mars are alright tonight” circular sticker and “comparative sizes of sun and planets” bookmark sticker. Just like the original it will come with two posters with photography by Aubrey Powell and Sylvia de Swaan. The iconic album artwork by Hipgnosis has been meticulously recreated and presented in a gatefold sleeve.
Venus and Mars will also be available in Dolby Atmos for the first time, newly mixed by Giles Martin and Steve Orchard.
Intriguingly, the official press release says“The first Wings release for 2025, Venus and Mars follows 2024’s theatrical release of the rare Wings live-in-studio performance film One Hand Clapping……”
And, “More exciting celebratory Wings’ activities and announcements are soon set to follow”, clearly implying that there are other Wings goodies in the pipeline for 2025.
Could this mean the LONG awaited London Town and Back to the Egg archive box sets are not far off?
Wishing all our readers a very Happy Holidays and a prosperous New Year!
Thank you to the talented artist, illustrator and musician Alvaro Ortega who has produced many a clever Beatle-inspired animation. Check out his website.
Of course for avid collectors there’s a sub-category of releases that come out on these two days per year that are essential as well. These are records in some way associated with The Beatles. These can be from artists that have rubbed shoulders with the band, have been produced by them, or who appear on labels owned by them. So, here’s a history of these records for your enjoyment. As usual, if you spot anything we’ve missed please get in touch!
The first of the “associated” records dates back to Record Store Day 2016 and the re-issue of a 7″ single by the band Grapefruit. This featured two previously unreleased tracks recorded for Apple in 1968, with one track (the A-side called ‘Lullaby’) produced by John Lennon and Paul McCartney. Only 750 of these were pressed:
Being produced by John Lennon also put Harry Nilsson’s Pussy Cats LP on the “must seek out” list for RSD 2018. This was the first time the album had been re-issued since it’s 1974 debut. It came out on brown and black marbled “hardwood” vinyl in a print run of 1500 copies:
Also for RSD 2018, producer and ‘Fifth Beatle’George Martin scored a release of his instrumental album Beatles to Bond and Bach (also originally from 1974). It was re-issued as a collectable, limited edition of 2500. Each LP was individually numbered and on 180g blue vinyl:
Sitar maestro and long-time friend and mentor of George Harrison, Ravi Shankar, had an amazing album produced by the Beatle in 1997. Chants of India was originally released (only on CD) on Angel Records, one of the EMI stable of classical labels. But by 2020 George’s son Dhani had re-launched Dark Horse Records, the label his father first started back in 1974. The very first LP in the revived catalogue was Chants of India – on vinyl for the first time. It earned the catalogue number DH0001 and came out as part of the RSD ‘Drops’ in that pandemic year of 2020. It was on red vinyl, housed in a gatefold sleeve with an exclusive photo print, and limited to 3000 copies:
Dark Horse then proceeded to have a bit of a run of Record Store Day releases. The next was the following year for the first of the RSD ‘Drops’ that year (June, 2021), and it was the first of many Joe Strummer titles to be reissued on the label. It was a 12″ picture disc single featuring ‘Junco Partner’, an ultra-rare acoustic home recording of the song famously recorded by The Clash. The B-side was a live version of the song recorded at the Brixton Academy in 2001 by Joe Strummer and The Mescaleros. Bearing the catalogue number DH0003 there were 3500 copies pressed:
Also in 2021, this time for RSD Black Friday, came another Joe Strummer title. It was a 12″ single on pink vinyl. The hype sticker said it all: “Dark Horse Records | Joe Strummer | ‘Johnny Appleseed’ | 12″ Single B/W ‘At The Border, Guy’ | Celebrating the 20th Anniversary of the Classic Album Global A Go-Go | Limited Edition Pink Vinyl | DH0006″. 4500 copies:
On to RSD 2022 now and a Dark Horse Records re-issue from Shankar Family and Friends: ‘I Am Missing You’, a 12″ single on blue vinyl. This is a track taken from their originalDark Horse self-titled LP, released in 1974 and produced by George Harrison. It was issued as a 7″ single back then. 2700 copies:
Record Store Day Black Friday 2022 saw two more Dark Horse Records titles issued. One was Dark Horse Records – The Best 1974-1977, with 12 remastered selections from across the catalogue including Ravi Shankar, Splinter, Attitudes, Henry McCullough and Kenny Burke. This was on black vinyl – 2150 copies:
Another RSD Black Friday for 2022 was Joe Strummer’s Live at Music Millennium. Recorded on November 2, 1999 this was a previously unreleased, rare acoustic in-store performance at a Portland, Oregon music shop called Music Millennium. On black vinyl on the Dark Horse label, there were 3600 copies pressed:
2023 saw an absolute flurry of activity on the Record Store Day front – for both RSD proper, and for Black Friday later in the year.
First up the band Stairsteps. Once signed to the original Dark Horse Records, they got a remastered re-release of their 1976 album, 2nd Resurrection (co-produced by Billy Preston) on gold vinyl. 1410 copies:
Once again Joe Strummer featured heavily, with Dark Horse adding to an ever-lengthening series of reissues. For 2023 RSD it was the turn of Streetcore as a “Limited 20th Anniversary Edition”. It came in a gatefold sleeve and looked great on white vinyl. It includes a colour printed inner sleeve and 1,760 copies were pressed (according to the Record Store Day website).
And also for RSD 2023 came one Beatle-related release with a somewhat tenuous link – the original soundtrack album for the 1971 spaghetti western movie, Blindman – starring none other than Ringo Starr. 1000 copies of this came out on “blood splatter” vinyl. And yes, the vinyl does look as gruesome as it sounds:
First up was a Black Friday reissue of the 1974 Splinter LP The Place I Love, produced by George Harrison:
Black Friday also saw the re-issue of a title originally released by Apple Records back in 1973 – Ravi Shankar and Ali Akbar Khan’s In Concert 1972. Co-produced by George Harrison, this was a 2LP set with 1280 copies being pressed:
The third Black Friday 2023 release was Leon Russell in country mode with Hank Wilson Vol. II. This was a red vinyl reissue of his 1984 country album, originally released on Paradise Records. Dark Horse Records was reissuing the album on vinyl for the first time since 1984. It includes a duet with Willie Nelson on ‘Wabash Cannonball’. 1700 copies:
And that brings us to 2024. Earlier this year Record Store Day for Beatle-related titles was pretty big and, it must be said, a drain on the wallets of completists! There were four releases in all – and this was in addition to no less than ten Beatle and solo releases.
Dark Horse was again busy. They had out a remastered 25th anniversary edition of the Joe Strummer and the Mescaleros double LP, Rock Art & The Ex-Ray Style. This was the debut album by the band in limited pink vinyl. 1800 were pressed with the original gatefold artwork by Damien Hirst being “meticulously reproduced”:
One fairly obscure Dark Horse LP was listed as a RSD Limited Run/Regional Focus release – with only 800 copies on offer on the day. It was was a very interesting LP called Dreamers In The Field by Huun-Huur-Tu, Carmen Rizzo and Dhani Harrison on clear vinyl:
Cat Stevens (Yusuf Islam) has been signed to Dark Horse for almost 2 years now and the label last year released a new, original record from him called King of a Land. For RSD 2023 they also reissued two of his back-catalogue titles, Numbers – A Pythagorean Theory Tale (originally from 1975), and Izitso (originally from 1977). These both came with spectacular lenticular gatefold cover art.
So, Dark Horse was prolific for RSD this year with no less than six records – one of them a double. There were also two solo George Harrison Zoetrope releases to add into the mix.
For RSD Black Friday just passed, things calmed down somewhat. There was only one Dark Horse title to chase down if you were keen, Leon Russell’s Hymns for Christmas. This is on emerald green vinyl. It’s another “first time on vinyl” and 1300 copies:
So, that’s it for the Beatle-related titles. As we said, if you have any thoughts, corrections, or items we’ve missed please get in touch.
Been looking for information on just how the six newly-reissued Beatles1964 U.S. Albums in Mono LPs were originally compiled back in the day by Capitol Records?
For those who like a visual to help take in complex information, this chart is a fantastic resource showing exactly which songs from the original UK albums were used to create the records that Capitol produced for US audiences. It’s like a Beatles Parlophone/Capitol family tree!
(click on image to see a larger version, or download below)
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