Stumbled across a mint copy of this in our local discount bookstore the other day:
At just A$7.95, who could resist?
This book was originally released in 2011. The text about George is written by Marilyn Fu, who breaks her subject into five main chapter headings: “Remembering George“; “Joining John’s Band“; “Beatlemania“; “And In The End“; and “Liberated“. The book is filled with a selection of great photographs:
I don’t know if your’e into these tribute concert recordings where various musical luminaries are invited to pay their respects by singing favourite songs. I must say they don’t really do a lot for me, but there’s obviously a market out there for them.
To be released on February 26th, 2016, this live tribute will be available in 5 configurations including 2xCD/DVD, 2xCD/Blu-Ray, 3xLP (180 gram), digital, and a store exclusive bundle:
The artist line-up and songs include:
• OLD BROWN SHOE Conan O’Brien
• I ME MINE Britt Daniel (from Spoon)
• BALLAD OF SIR FRANKIE CRISP (LET IT ROLL) Jonathan Bates w. Dhani Harrison
• SOMETHING Norah Jones
• GOT MY MIND SET ON YOU Brandon Flowers (from The Killers)
• IF NOT FOR YOU Heartless Bastards
• BE HERE NOW Ian Asbury (from The Cult)
• WAH-WAH Nick Valensi (from The Strokes)
• IF I NEEDED SOMEONE Jamestown Revival
• ART OF DYING Black Rebel Motorcycle Club
• SAVOY TRUFFLE Dhani Harrison
• FOR YOU BLUE Chase Cohl w. Brian Bell (from Weezer)
• BEWARE OF DARKNESS Ann Wilson (from Heart)
• LET IT DOWN Dhani Harrison
• GIVE ME LOVE (GIVE ME PEACE ON EARTH) Ben Harper
• HERE COMES THE SUN Perry Farrel (from Jane’s Addiction)
• WHAT IS LIFE “Weird Al” Yankovic
• BEHIND THAT LOCKED DOOR Norah Jones
• MY SWEET LORD Brian Wilson (from The Beach Boys)
• ISN’T IT A PITY The Black Ryder
• ANY ROAD Butch Walker
• I’D HAVE YOU ANYTIME Karen Elson
• TAXMAN Cold War Kids
• IT’S ALL TOO MUCH The Flaming Lips
• HANDLE WITH CARE Brandon Flowers, Britt Daniel, Dhani Harrison, Jonathan Bates, Wayne Coyne, and “Weird Al” Yankovic
• ALL THINGS MUST PASS Ann Wilson, Dhani Harrison, Karen Elson and Norah Jones
“Handle Me With Care” has now been posted on YouTube:
For any musicians out there looking to recreate the exact piano sounds found on many iconic Beatle recordings, it is now possible.
A company called Cinesamples, working directly with Abbey Road Studios, has been given complete access to two of the vintage upright pianos in Studio 2.
One is called the Challen Studio piano (as played by the Beatles on several albums), and the other the “Mrs Mills” piano (again used extensively by the Beatles). Both pianos have also featured on countless recordings by numerous other famous acts:The samples were recorded in-house by Abbey Road’s studio engineers, in the same studio the Beatles used as well. You can’t get any better than that! These samples can now be purchased and played by anyone – using software developed by Cinesamples:
There are two pianos but three main sounds which can be reproduced: the Challen, the Challen Tack, and the Mrs Mills. Here Mike Patti from Cinesamples demonstrates the upright Abbey Road Challen pianos:
According to reviews, these two pianos – three if you count the harder-edged and more jangly Challen Tack version – sound flawless. These are really some pretty special instruments, with piano sounds that are just not available anywhere else. Given the impossibility of ever getting near one of these two pianos yourself, if you’re a musician this software provides a remarkable way to get the exact same sounds that the Beatles made onto your own recordings – or in live performances.
On the afternoon of 29 August, 1965 the Beatles gave a press conference at the famous Capitol Records Tower building in Hollywood. Alan Livingston, then President of Capitol, presented the band with gold discs for sales of the US edition of their Help! soundtrack LP:Afterwards an armored truck drove the Beatles to perform at the Hollywood Bowl, where 18,000 people attended.
See the other instalments of The Beatles With Records here.
Last year Andrey, our reader and an avid Beatle collector in Russia, sent in an amazing historical photo which closely resembled one particular iconic Beatle LP image:Andrey has just sent another contender for Russian Abbey Road lookalike. It’s a beauty and was taken in Surgut town in 1976. The picture was called “To drilling site with concert”:
They sure do have a lot of muddy roads over there!
A little earlier this year we found a New Zealand pressing of Paul McCartney and Wingscontroversial ‘Give Ireland Back to the Irish’ dating from 1972. As was the case in most of the rest of the world this was on a custom Apple label.
The other day at one of our local second-hand vinyl favourites (Audiomania) we found an original UK pressing, complete with its bright yellow custom Wings paper sleeve:
The single itself, also on custom Apple labels, is in near mint condition:
Following on from all the excitement of the last week, next month will see the double vinyl LP edition of The Beatles 1 in 2015 form featuring the new stereo remixes created by Giles Martin:
The 2015 version of TheBeatles 1 CD was released last week, along with numerous Blu-ray/DVD video iterations. The gatefold, 2LP 180g vinyl set looks to be packaged exactly the same as the two previous releases of this title (in 2011, and again in remastered form only just last year). Like them, it will come with four art cards (11′ x 8.5′), two inner jackets packed with images of original single sleeves, and a huge poster (33′ x 22′) featuring examples of more single sleeves from around the world:
Interestingly, all previous versions of The Beatles 1, featuring the 2009 remasters (first issued in 2011), are set to be quietly withdrawn and the new CD and vinyl versions with the new stereo remixes will permanently supersede them.
The Beatles 1 on 2LP vinyl will be released on 4 December 2015.
The final instalment in the five-part series backgrounding the work done to restore the Beatles 1 video collection has been uploaded to YouTube:
In it leading Australian Director of Photography Mike Molloy reminisces about his time with the Beatles. In 1968 he’d been living and working in London as a freelance cameraman for about a year when he was asked to go down to EMI’s Studio Three at Abbey Road and film a promo clip for “Lady Madonna”. Instead, what he came back with was unique footage of the band recording what was then a brand new song called “Hey Bulldog”.
As Mark Lewisohn says in his book The Complete Beatles Chronicle, “While the cameras whirred, the Beatles recorded ten rhythm track takes of “Hey Bulldog” and completed it with overdubs. Then, at the conclusion of this 4.00pm-2.00am session, after the filming had ended, they watched as it was mixed into mono.”
Mike Molloy says he spent all day with the Beatles. Mike told me that they were very easy to get along with, very friendly. “In the film, for effect, I superimposed a shot of a paisley tie over George Harrison’s face. It was George’s tie! He was great, and very open to trying the effect to see how it turned out.”
Molloy went on to work in London as a cameraman and Director of Photography on feature films for 29 years, before returning to Sydney, Australia, where he now lives. He’s worked with some of the greats, including Stanley Kubrick (on A Clockwork Orange and Barry Lyndon) and Nicolas Roeg (on Performance and Walkabout).
The Beatles 1 and Beatles 1+ DVDs and BluRays are released globally tomorrow, November 6. (Note that the “Hey Bulldog” video is only available on Disc 2 of the Beatles 1+ edition).
You can see the other four parts in the Restoration Series here. Just click on “The Restoration” tab at the top.