Let It Be at 40

Can you believe it?

Let It Be turned 40 last weekend.

Here’s the Wikipedia extract with a brief detail of the album:

Let It Be  was the twelfth and final studio album released by The Beatles. It was released on 8 May, 1970 by the band’s Apple Records label shortly after the group’s announced breakup.

Most of Let It Be was recorded in January 1969, before the recording and release of the album Abbey Road. For this reason some critics and fans, such as Mark Lewisohn, argue that Abbey Road should be considered the group’s final album and Let It Be the penultimate. Let It Be was originally intended to be released before Abbey Road during mid-1969 as Get Back, but the Beatles were unhappy with this version, which was mixed and compiled by Glyn Johns, and it was temporarily shelved. A new version of the album was created by Phil Spector in 1970 and finally released as Let It Be, serving as the soundtrack album for the 1970 motion picture of the same name.

Let It Be - film lobby card

Let It Be - lobby card - Paul

While three songs from the sessions were released as singles before the album’s release, “Get Back”/”Don’t Let Me Down” and “Let It Be”, the songs were remixed by Spector for the album.

The rehearsals and recording sessions for the album did not run smoothly. The acrimony that began during the recording of the previous year’s White Album resumed soon after the rehearsals began. At one point, George Harrison walked out and quit the group after severely arguing with both Paul McCartney and John Lennon, only to be coaxed back some days later. The film version is famous for showcasing a number of conflicts between the group members and has frequently been referred to as a documentary intended to show the making of an album but instead showing “the break-up of a band”.

Despite a largely negative review from Rolling Stone magazine at the time of its release, the album was ranked number 86 in the magazine’s list of the 500 greatest albums of all time in 2003.

Let It Be… Naked was released in 2003, an alternative version of the album stripping much of Phil Spector’s production work and using some different versions of songs.

Let It Be - Naked (2003)

Here’s an article from Rolling Stone magazine this week:

Forty years ago this weekend, the greatest band of all time gave the world their final album together: On May 8th, 1970, the Beatles released Let It Be, the Phil Spector-produced LP that featured hits like the title track, “The Long and Winding Road” and one of John Lennon’s most famous compositions, “Across the Universe.” While the album was recorded during the band’s caustic final days, Let It Be would go on to become one of their most celebrated records: it ranked Number 86 in Rolling Stone‘s 500 Greatest Albums of All Time.

The story behind Let It Be is almost as mythic as the Beatles themselves. The band originally intended to record it as a live-in-the-studio album and movie in 1969. But the ambitious undertaking left the Beatles so weary, they abandoned the project to make Abbey Road instead. Later, Phil Spector added oversweetened orchestral overdubs to many of the album’s tracks — even though the record features some of the band’s strongest rock songs ever (including “Get Back”). In 1970, the Beatles released the documentary film of the same name, which captured the group’s iconic performance atop the Apple Studios building in January 1969. Perhaps due its controversial and detailed look at the Beatles’ interpersonal problems, the film itself remains unavailable on DVD.

Despite the album’s status in rock history, Paul McCartney was never a fan of Phil Spector’s production flourishes on Let It Be. In Rolling Stone‘s original review of the album, writer John Mendelsohn also criticized Spector’s superfluous additions, saying the famed Wall of Sound producer rendered “The Long and Winding Road” “virtually unlistenable with hideously cloying strings and a ridiculous choir” when compared to the version that appeared on the Get Back bootlegs in May, 1969. After years of dissatisfaction with the released version, McCartney announced plans to put out Let It Be… Naked in November 2003, which stripped the Let It Be songs of Spector’s ornate production.   (Daniel Kreps – Rolling Stone)

Finally, here’s the sound of  “Get Back” in an early incarnation, in rehearsal with John singing lead instead of Paul, and clearly the words to the song are still coming together….

See also: Label Variations – Part Two – Let It Be

Abbey Road Not For Sale – Says EMI

EMI has moved to allay fears that it was about to sell its famous Abbey Road studio complex (see my post on this last week).

On the contrary, the company says it is seeking partners to revitalise the historic building.

The Guardian newspaper is quoting an EMI press release stating:

“In mid-2009, we did receive an offer to buy Abbey Road for in excess of £30m but this was rejected since we believe that Abbey Road should remain in EMI’s ownership.”

Pretty unequivocal.

If you’d like to see the full statement you can read it at Wog Blog’s site (a site which I really like – thanks Roger).

So, not for sale after all….

Goodbye, Abbey Road

I just got home and opened my emails to find this post by Brandonblog, a guy who writes with great wit and authority on music matters. Couldn’t really say it better myself, so here are Brandon’s words as-is:

Just heard news of the ultimate bit of Beatles memorabilia, although, you can bet it isn’t about to be offered on ebay.

If Michael Jackson were still around, he’d probably be vying for it but, most likely, it will go to some cashed-up entrepreneur who will want to open it up for tours. Let’s hope it isn’t turned into a restaurant: “Would sir like the Savoy Truffle? Or, the Yellow Matter Custard, perhaps?”

Anyhoo, for better or worse – and I fear it may be the latter – EMI is about to sell the historic Abbey Road Studios where the Fabs recorded the greater bulk of their astonishing legacy.

But it wasn’t just The Beatles who recorded there. Abbey Road also played host to the likes of Pink Floyd who delivered their landmark opus, ‘Dark Side Of The Moon’ in those hallowed studios.

How cool would it be if the British Government chipped-in for it and registered Abbey Road with The National Trust? Former Kinks frontman, Ray Davies recently lamented the gradual disappearance of his city’s iconic landmarks in the song he recorded with Chrissie Hynde, “Postcard From London”.  Imagine what he must think of this.

In it’s current financial predicament, I can’t blame EMI one bit but if Abbey Road is allowed to disappear, or to be so transformed as to become virtually unrecognizable, then England will lose something of significant cultural value.

Let’s hope not. 

Brandon accompanied his post with this groovy photograph – an angle of the boys in concert that I’d certainly never seen before…

How the Beatles Recorded Their Music

Have you ever wondered how the Beatles actually pieced together the masterpieces, instrument-by-instrument, track-by-track?

Well, here’s a fantastic insight thanks to blogger Andy Baio who has posted some all-too brief extracts from what looks to be a fascinating BBC 6 radio documentary called “The Record Producers: Extended Cut”.

The BBC was given free access to the original multi-track recordings of some of the Beatles most famous music, and the radio show begins to pick apart how the songs we know so well now were made in the studio way back when.

Andy has three short extracts from the show on his blog: “She’s Leaving Home”, “A Day In The Life”, and “Come Together”. Each of them is just amazing in the insights they give. Really worth a listen.

As Andy says, unfortunately the original BBC broadcasts are no longer available on their site.

Anyone who has access to where we can find the whole program please let us all know!

New Beatles “Christmas Pack” of 4 Remasters

Its either a cynical marketing exercise in the lead up to Christmas, or a really helpful move for those who can’t afford the steep asking price of the full Remastered boxed sets…

EMI in Europe has announced it is issuing (on 7 December) a limited edition boxed set of four of the new stereo remasters called The Beatles Christmas Pack.

The Beatles "Christmas Pack: Limited Edition"

The set will contain “Rubber Soul”,  “Revolver”, “Sgt. Pepper’s Lonely Hearts Club Band” and “Abbey Road”.

Each album will include the bonus “Making Of” video that uses exclusive original footage from the Beatles’ own archive plus other rare footage and voice-overs by the Beatles and George Martin.

New Releases – Coming Up or Out Now

Time to detail a couple of new releases expected very soon…some definite, some pure speculation, and one that’s already out.

Paul McCartney this month will release a new CD and vinyl in a variety of editions.

It’s called “Good Evening New York City” and is a live set recorded at the newly-opened CitiField venue in New York on July 17, 18 and 21 this year. The concert was symbolic because CitiField is built on the site of the famous Shea Stadium where the Beatles played way back in 1965.

“Good Evening New York City” will be available in three formats:  a 3-disc (2 CD + 1 DVD) standard edition and a 4-disc (2 CD + 2 DVD) deluxe version featuring expanded packaging and a bonus DVD including McCartney’s July 15 live street performance on the David Letterman Late Show. The set will also be released on vinyl LP. Collectors get ready to dig deep into those pockets again…

It comes out 17 November (US) and 23 November (UK).

You can see a very short teaser for the album on Paul’s official YouTube site. And here is a cover image:

Good Evening New York City

Good Evening New York City

Another release that’s supposedly pending is a special 40th Anniversary box set vinyl edition of the Beatles “Abbey Road”.  No one is sure if this is to be the newly remastered version of the disc or the previous mix. You can find out a bit more here, and the Record Store Day site says that the box set will include the vinyl album, a t-shirt, and a poster. The limited edition deluxe package will, according to them, be released on November 7th in the US and will be limited to 5000 copies worldwide. Intriguingly, Amazon has a holding place for the record here.  Someone has produced this cover image, so I’m not sure if this release is really happening or not:

418453424510 550

Abbey Road 40th Anniversary Deluxe Box Set?

Speaking of vinyl, rumors persist that there is to be a full box set of ALL the Beatles Remastered albums made available in Mono and Stereo on vinyl.  The respected Mojo magazine carried this article on its website yesterday saying that the box sets are on the way, but there are no firm release dates just yet. Watch this space….

And finally Beatles’ long-time friend and sometime collaborator Klaus Voormann has a new album out now. Its called “A Sideman’s Journey”, and features appearances by Paul McCartney and Ringo Starr.  Voormann has known the Beatles since the Hamburg days and is an artist and bass player. He drew the cover of “Revolver”, and has played on numerous tracks for Beatles solo projects (including, amongst many others,  Lennon’s “Walls and Bridges” and “Imagine” and Harrison’s “All Things Must Pass” and “Concert for Bangladesh”). See his biog entry in Wikipedia here.

His new CD is made up of newly recorded covers of some of the songs he helped make famous with the Beatles and others over the years.