Just got a copy of the 1988 limited edition, box set single “When We Was Fab” by George Harrison. Here’s the outer cover:
Inside the little box is the vinyl single in a picture sleeve:
As you can see, the picture used for the outer box is slightly different in a number of areas to the one used for the record picture sleeve inside. If the artwork for the both the box and the picture sleeve looks familiar its because part of it is taken from the drawings of the Beatles for the “Revolver” cover – done by long-time friend of the band, Klaus Voormann.
There’s also a fun cutout sheet of George in his Sgt Pepper uniform in the box (which is obviously paying homage to the Sgt Pepper cutout sheet); and also a fold-out colour poster:
The box set label for the “When We Was Fab” single is different to the one used for the standard vinyl single release – notice on the standard issue there are multiple Dark Horse logos as opposed to the single Dark Horse logo on the box set version:
There was also a 12″ extended play vinyl single and a CD single release of this song as well. Graham Calkin’s Beatle pages has all the details on these.
And just to remind you of the song and the official video (directed by Godley and Creme):
What has to be the cutest little Beatles book ever:
It’s a small-format hardback book. Measuring just 12.5cm x 18.5cm (5ins x 7ins) and written by legendary music journalist Dave Marsh. This book tells, in 184 pages, the story behind this album:
Its the 1964 Capitol Records US LP release “The Beatles Second Album”, and for Dave Marsh and millions of Americans, when it came out (despite its manifold flaws) it was a paradigm shift in music.
I say “despite its many flaws” because Marsh outlines numerous arguments as to why “The Beatles’ Second Album” was indeed flawed – from the poor sound transfers from the original UK master tapes of individual songs; the way the song running order differs from those being released on the Beatles original albums in Britain; because in it’s 22 minutes so many of the songs are not original compositions but cover versions; right down to the shoddy, slapdash cover art. However, putting all that aside, it’s an album which still had the power to turn a young teenage boy onto rock music – a passion which remains to this day more that 45 years later…
Marsh writes:
“There’s a story here. I mean to tell it. It has a beginning, a centre, an aftermath….Because of all the contrdictions of its creation, and becasue it unwittingly came closer to describing the shape of the Beatles’ musical roots than anything else they did in the recording studio, “The Beatles’ Second Album” tracks on several other levels. Also because of the response of fans now and the Beatles then to how it and its other bastard American brethren, spawned from greed and greatness in near equal measure, because of what it says about who the Beatles could have been and what they were and who we could have been and what we were, too…..What we were left with pretty much traveled on a single track: the story of the Beatles as a grand triumph of good cheer and fellowship, teen idols turned into heroic artists.”
If you want to see more the front and rear covers, plus the first chapter in full (and half the second chapter), are available online.
While it’s a cute little book, it is an odd one in that it is published by Rodale Books. Rodale, from what I can gather from the web, are the publishers of magazines like “Men’s Health”, “Women’s Health”, and “Runner’s World” etc., as well as a range of health and lifestyle books – so its unusual that they ventured into the world of popular music back in 2007 when they published this one. It definitely sounds like there’s a bit of an intriguing back story about just how it came to be published….
“Those of you who were there for the European Tour will have heard our DJ, Freelance Hellraiser, cooking up some mixes before we came on and people have been enquiring about these mixes ever since. Well the good news is he’s put together an album called ‘Twin Freaks’ using fragments from my original multi-tracks which we hope will rock your little cotton socks!” Paul McCartney.
That’s how Paul McCartney introduced listeners to his 2005 project, “Twin Freaks”:
The front and rear covers (above) of “Twin Freaks”. The cover image is a painting actually called “Twin Freaks” which is featured on page 69 of Paul’s book of his artworks entitled “Paintings“.
Back in June, 2005 one of the increasingly frequent experimental releases by Paul McCartney, using a nom de plume like his Fireman records, came out. It was a 2 LP, vinyl-only release of twelve remixed McCartney tracks by British DJ and producer Freelance Hellraiser (a.k.a. Roy Kerr).
The Wikipedia entry for the disc sums it up pretty well saying McCartney and Kerr “….created the double vinyl album as a continuation of Kerr’s collaboration with McCartney from a 2004 tour. Kerr had previously released the mash-up album “A Stroke of Genius” in 2002. The format of the mashup is that of an extreme remix in which two disparate musical and recording experiences are combined in a manner that goes beyond remix to literally merge or mashup the two songs so that they emerge as something unique or hybridized. The technique sometimes obscures the original source material or so seamlessly blends the divergent elements that disentangling the grafted parts becomes nearly impossible.
Kerr performed a half-hour set prior to McCartney’s 2004 gigs in which the DJ remixed various McCartney solo tracks into some unusual and often unrecognizable forms. “Twin Freaks” was the outgrowth of these manipulations.
All the McCartney tracks are revised and reinvented in the process. Who is responsible for what aspects of the works or their reinvention is unclear.
The album was produced as a double vinyl release and as a digital download. The cover and interior artwork, which feature paintings by Paul, are similar in tone and style to artist Willem de Kooning. McCartney knew the late artist, with whom he shared a similar painting style.” (ex Wikipedia)
The LP (on Parlophone Records) comes in a nice thick cardboard gate-fold cover. The images above are from inside the gate-fold and show more McCartney-painted faces and a track-listing (with writer’s credits) for each record. The labels on each of the LPs are custom-designed with one side having the track-listing for both sides, and the other a painted face:
If you want to hear the type of thing DJ Roy Kerr does with the McCartney tunes here’s a YouTube example of “Maybe I’m Amazed”:
The album spawned two – and possibly three (see below) – 12-inch vinyl singles. The first was a promo-only release of the song “Really Love You”. It was limited to 500 copies worldwide and came out in a clear plastic sleeve that was heavily screen-printed on both sides (the printing is different on each side), with the repeated words “Twin Freaks”:
The “Really Love You” 12-inch promo came out on MPL/Graze Records and carried the catalogue number GRAZE 010. It has just the one song on Side A:
The other side was entirely blank – no grooves, just smooth vinyl – but it had a simple label:
“Really Love You” also had a commercial as a 12-inch single. This came out teamed with another song from the Twin Freaks album – a new McCartney song called “Lalula”. It carried the catalogue number GRAZE 012 and came in a clear plastic sleeve, screen-printed on just one side:
“Really Love You” and “Lalula”, like the promo single, was a one-sided 12-inch single – but this time the “B” side carried what was described as an acid-etched image of the “Twin Freaks” faces painting. It was apparently limited to 2500 copies. It’s quite difficult to capture in a photograph but I’ve had a go below:
Side A carried this label:
I think there was a third, very limited 12-inch vinyl single released from “Twin Freaks”. It was the song “What’s That You’re Doing”, a song co-written by McCartney and Stevie Wonder. I remember at the time seeing a few copies of this for sale on Ebay, but they were expensive and always quickly snapped up. I think it carried the catalogue number GRAZE 011. These have disappeared from trace now and must be real collectors items. If you have any more information on this 12-inch vinyl single please let me know using the comments box below, or email me at beatlesblogger@gmail.com
Did the “Twin Freaks” LP ever come out on CD? You see them occasionally on Ebay, but I don’t think this one was ever officially released by McCartney. Please let me know if this is wrong.
Below is the full 2005 Press Release for “Twin Freaks”:
TWIN FREAKS SET TO RELEASE SELF-TITLED DEBUT ALBUM TWIN FREAKS OUT 13TH JUNE, 2005
The TWIN FREAKS eponymous debut album is released through Parlophone Records on the 13th of June. TWIN FREAKS is a collection of some of Paul McCartney’s best-loved classics alongside some hidden gems from music’s most envied back catalogue.
TWIN FREAKS features the studio wizardry of DJ and producer The Freelance Hellraiser, best known for his unforgettable mash-up the 2002 bootleg ‘A Stroke Of Genius’. Hellraiser has since become one of the most sought after remixers and last year he came to the attention of music legend Paul McCartney.
In the summer of 2004 The Freelance Hellraiser joined Paul McCartney’s 13 date European stadium tour, opening each show with a twenty-five minute set of remixed McCartney tunes, which culminated in the famous headline performance at Glastonbury. At the time The Freelance Hellraiser said, “There is such an amazing album to be made of some of Paul’s unknown tracks from the late Seventies and early Eighties. He was doing some utterly cool stuff then that the young audience would lap up now”.
Causing quite a stir on the underground club scene throughout the UK TWIN FREAKS has already received airplay on Radio One’s prestigious show The Blue Room as well as support from Zane Low, Annie Mac, Huw Stephens and XFM. The album is packed with dance-floor epics that span Paul McCartney’s illustrious career. From his solo debut album McCartney (“Maybe I’m Amazed”) through to 2003’s Driving Rain (“Rinse The Raindrops”) and including electro-pop rediscovered classics such as “Temporary Secretary” from 1980’s Coming Up album. TWIN FREAKS is an alternative take on the greatest back catalogue in music.
TWIN FREAKS will be released as a double vinyl
(Catalogue Number: 3113001)
12-inch single Press release:
TWIN FREAKS NEW SINGLE ‘REALLY LOVE YOU’ RELEASED ON GRAZE – 6TH JUNE
6th of June sees the release of the debut single ‘Really Love You’ from TWIN FREAKS on the new underground label Graze Records.
‘Really Love You’, a twelve inch only release, is the debut from TWIN FREAKS, featuring the studio wizardry of London based DJ and Producer The Freelance Hellraiser AKA Roy Kerr. Best known for his unforgettable mash-up the 2002 bootleg ‘A Stroke Of Genius’. Hellraiser has since become one of the country’s most sought after remixers and last year caught the eye of music legend Paul McCartney.
In the summer of 2004 Hellraiser toured Europe with Paul McCartney, opening each show with a twenty-five minute set of remixed McCartney tunes, which culminated in the famous headline performance at Glastonbury.
‘Really Love You’ is a remix of the original track taken from Paul McCartney’s 1997 hit album Flaming Pie. TWIN FREAKS are set to take this McCartney classic to a new audience in clubs across the country this summer.
TWIN FREAKS are in the process of putting the finishing touches to their first full album to be released later in the year. ‘Really Love You’ and ‘Lallula’ are just a taste of what’s to come.
Release date: June 6, 2005 Label: MPL/Graze GRAZE012 (12″)
I use this great photo of the Beatles standing in front of an impressive all-white Phantom V Rolls Royce in my blog banner from time to time:
This 1969 photo reminded me of a similar car that John Lennon took ownership of in 1965 – and had substantially and dramatically re-painted:
Or if you prefer it in colour for the full effect:
Lennon’s psychedelic Roller wound up in 1993 as a display item at the Royal British Columbia Museum in, of all places, the city of Victoria, British Columbia in Canada. How did it get to be in Canada? You can read the full story here. It is still owned the Royal British Columbia Museum, but is now on display at the motor shop which takes care of it’s maintenance and servicing.
How do I know this? Well, when I posted on Paul McCartney and the portable Sony TV set which can be seen on the front cover of the famous “Sgt Pepper” album, it prompted some comments including one from the very knowledgeable WogBlog, who said that the TV was actually owned by John Lennon. WogBlog’s post then got a comment from Jim Walters, who is a volunteer at the museum in Victoria, saying that he looks after maintenance on the Rolls. He says the restoration work is all done at Bristol Motors in British Columbia which now credits itself as “the home of John Lennon’s Rolls“.
Anyway, the volunteers are looking for a replacement portable Sony TV. The original from the Rolls had gone missing (you can see it in the black and white YouTube clip above) – and it indeed looks just like a Sony TV9-306UB – the one on the “Sgt Pepper” cover:
Jim Walters is determined to find a replacement TV. He also posted on a Sony collectors page called Sony Insider saying of the little portable TV:
Paul McCartney bought two while they were on tour in Japan. One was used on the cover and I think the other was for John Lennon. I look after John Lennon’s yellow Rolls-Royce Phantom V for the owner, the Royal British Columbia Museum in Victoria, BC, Canada. This same model was installed in the rear seat console when JP Fallon Coachworks painted the car yellow and had artist Steve Weaver do the Romany style scrolls and flowers in 1967. The TV went missing from his car over 25 years ago. I am trying to find the same model of TV so I can donate it to the museum to fill the big hole in the console where it used to be. If you can think of anyone who may be able to help please forward this message to them.
This kind of fits with what I wrote about the TV on the cover of “Sgt Pepper”, that it was actually owned by Paul. It kind of makes sense because John’s TV of course would have been installed in the Rolls Royce at the time of the photo shoot. The article I was quoting from the Japan Times in my post said that the Okazaki City Mindscape Museum would be displaying the actual receipt for the purchase of the TV in an exhibition called “Swingin’ London” from January 2011. So, I decided to look and see if the Okazaki City Mindscape Museum in fact has that “Swingin’ London” exhibit on at the moment. And it does!
My Japanese is non-existent so I put some text from the site into Google Translate and it came back with:
“Famous Beatles record jacket ・ (・ サージェント・ペパーズ・ロンリー・ハーツ Club Band) that was captured on television unravel the mystery of the “bill signed by Paul McCartney (invoice).”
So I reckon we are still working out the mystery of the who owned the TV set. Seems it might have been Paul McCartney after all……
I got to go to a garage sale (or where you live they might call them “yard sales”) last Saturday morning. I try whenever I can to have a brief look at garage sales because you just never know what people might have out for sale….and this time I was in luck.
There was only one Beatle item there, but it was a beauty:
It was copy of a large and heavy book called “The Beatles – Then There Was Music”. This book was published in Australia by New Holland Press in November, 2007. It was first published in the UK by Transatlantic Press the same year.
“The Beatles – Then There Was Music” is written by Tim Hall and it’s illustrated with hundreds of photographs from the archive of London’s Daily Mail newspaper. The cover also says: “The complete story of four lads who shook the world. Classic, rare and unseen photographs. Memorabilia. Chronicle. Original news coverage”.
I picked this up for just $5.00. And it is practically brand new. You can see at the publisher’s official Australian website that it actually retails for $49.95.
As I said, lots of interesting photographs, and at the bottom of every page is a timeline. For example, in August, 1964 the Beatles North American tour started when they arrived in San Francisco and played the first of 25 dates with a show at the Cow Palace on Geneva Avenue. On August 20 they traveled to Las Vegas Nevada and played two shows at the Convention centre there:
From Vegas the band traveled to Washington state, and then on August 22 they appeared at the Empire Stadium in Vancouver. The next day they played the now famous Hollywood Bowl concert in Los Angeles. You can see the ticket stubs for both these concerts in the in picture above.
Scattered throughout the book there are also small vignettes of those who were a part of the Beatles inner circle – including one for long-time Beatles minder Mal Evans, who’d been with the band from the very earliest of days in Liverpool. You can see that entry for Mal below, along with a photo of the band rehearsing for a performance on the BBC’s “Top of the Pops” TV show:
This book has lots of great newspaper photographs from the Daily Mail – including these two below. Paul and Linda celebrating the 20th anniversary of “Sgt Pepper” with a big slice of cake, and George playing at a tribute concert to one of his rock’n’roll heroes, Carl Perkins:
There’s also a complete discography (from 1962 up to 2006) beginning with January 5, 1962 and “My Bonnie” right through to the Beatles “Love” in 2006. Here’s the page for the year 1980 including entries for the “Rarities” album, “The Beatles Ballads” release, and the Beatles Box set (UK release):
So, thats it. “The Beatles – Then There Was Music”. A collectors item discovered at a garage sale. I always say that one person’s trash is another person’s treasure. Let me know of any great second-hand Beatles finds you’ve made.
See also the recent post on another similar, but probably not as comprehensive book, simply called “The Beatles“.
Beatles Examiner reports that the two new iTunes exclusive “Love” tracks aren’t new – they date back to 2006 when George and Giles Martin originally mixed the music for the Cirque du Soleil Las Vegas theatrical production. To get the additional new tracks (“Fool on the Hill” and “Girl”) you have to download the whole Beatles “Love” album from the iTunes Store……that’s the only way they are officially available.
That got me thinking about how many more tracks might have been given the “Love” treatment back then and are just awaiting an opportune time for release.
And that reminded me of an interview Giles Martin gave on Australian radio when he was doing the worldwide publicity rounds for the “Love” CD back in 2006.
When explaining how they made “I Want To Hold Your Hand” he told The Music Show host Andrew Ford on the Australian Broadcasting Corporation that there were quite a few more tracks sitting in the can ready to go:
Did you hear that? He said there’s a whole swag of Beatles rock songs that were prepared for Cirque du Soleil that were never used in the show and quote: “….maybe we’ll stick them out later on.” Giles specifically mentions “Love” versions of “Twist and Shout”, “She Loves You”, “Can’t Buy Me Love” and “A Hard Day’s Night”. I think we can look forward to more releases in the future.
This is the US cover of the hardback edition of “FAB: An Intimate Life of Paul McCartney” by well-known biographer Howard Sounes.
I posted previously on this book when I got a copy of the Australian edition in softback. If you click on the link you can see it was published with a very different cover to the rather subdued and conservative North American edition.
It has really taken me some time to actually read the book and write this appraisal.
What happened was I’d published that earlier post and then Da Capo Press, the US publishers of the book, saw the post and wrote offering me a review copy of the US release. It took a while to get here via snail mail and then, at 634 pages, it took me a while to read it from cover-to-cover.
I found it a pretty good read actually. Sounes writes in an engaging style and the book had just enough new details to keep me coming back. All-in-all it really was a great summer holiday read (its still summer here in Australia!). The book is not sensationalist – it pretty much sticks to the facts and tells it like it is – and that is refreshing.
One thing does stand out though – like many books on the Beatles it’s still written from an outsiders perspective. No matter how many interviews you do with some of the main players in and around McCartney’s life (and Sounes did many – he says he interviewed over 220 people for the book), he didn’t interview McCartney himself and so you still get this feeling of an outsider looking in.
Having said that, “FAB: An Intimate Life of Paul McCartney” is very revealing of the man himself, showing us aspects of the Paul personality we’ve perhaps thought were there but were never really sure. What we tend to see is the facade Paul wants us to see: “Macca”, the thumbs-up, positive, likable guy. This book goes deeper and reveals his his perfectionism; the fact that he he doesn’t suffer fools lightly; that for a wealthy man he was often quite frugal (for example paying Wings band members a very basic wage); that he wants above all to be remembered for having made a mark and leaving some sort of legacy; that family is very, very important; and that his mother (and her early death) has played a central role in his life, in his creative work, and in his relationships.
Sounes’s book is also good because it brings the reader right up to the present day. Its not just about the pre-Beatles and Beatles glory days. It includes a lot of detail about the Wings years, and about Paul’s solo career right up to 2009’s “Good Evening New York City“. In fact a good half of the book deals with the post-Beatles life of Paul.
It also gives a hint of what it must be like to live, practically for your whole life, as one of the most famous and wealthy people in the world. Paul is a man who is used to getting his way and getting what he wants. Its not a life to be envied really. Everyone around you agrees with you because you are Paul McCartney. They suck up to you, they pay their respects. It must be incredibly difficult to keep a handle on what is real.
The gratifying thing about this book is that it’s not sensationalist. To be sure there’s plenty of opportunity to do that – particularly in that period of his later life (post Linda McCartney) when McCartney made some really bad relationship choices – but Sounes wisely sticks to the facts.
The book also has some great photographs. Who better to step us through the contents using some of those than the author Howard Sounes himself:
My post about the many label variations of Paul McCartney’s 1988 Russian album “Choba B CCCP” prompted a response from a reader named Vadim who gave me some links to an absolutely fantastic website that deals specifically with Beatles and Beatles-related releases from the former USSR and Russia.
You can find the site here and, if you’re not careful, it will open up a whole new world of Beatles record collecting to you. I don’t read Russian and so many parts of the site are a mystery – it looks like it has been created by three friends and Beatles fans: Andrey Lukanin, Vadim Legkokonets and Valentin Isaikin, who run something called The Beatles Association. It also appears that The Beatles Association puts out a regular magazine called “From Me To You”. There are links on the Foreword page of the site to download two recent issues.
The site is huge and so comprehensive with details of seemingly every USSR/Russian release and variation – complete with pictures of the covers, labels, catalogue numbers and heaps of other fascinating information for the collector. It is truly mind-blowing and well worth a look. Put aside some time – you’ll need it to have a good look around. Once you figure out how the site is constructed and linked you can delve into more and more detail about individual releases.
It got me thinking about other Russian releases I have in my own collection – apart from the McCartney “Choba B CCCP” ones. I had a bit of a look and found these (and I must say its very meagre compared to Vadim’s treasures). The first is “A Hard Days Night”. This is on EMI/Melodiya and comes in a single sleeve with a plastic inner. It has one less track than the British release. Its also stated that this is a “Direct Metal Mastered” pressing and it has a small official DMM logo on the rear cover:
[You can see the exhaustive details for this pressing on the amazing Russian Vinyl records site here. It looks like my copy is pressed at the Riga pressing plant.]
Then comes “Help”. This is on AnTrop Records from St Petersburg, and has a plain white paper inner sleeve:
[You can see the exhaustive details for this pressing on the amazing Russian Vinyl records site here. It looks like my copy came out in 1991 and is sleeve and label Variation 2.]
Also on AnTrop Records is “Let It Be”. This comes in a single, quite thin, cardboard sleeve with a plain white paper inner sleeve:
[You can see the exhaustive details for this pressing on the amazing Russian Vinyl records site here. This was released in 1992 and is sleeve Variation b., and label Variation 2.]
There are more “Let It Be” label variations on my site here.
The final Russian Beatles pressing I have is a unique compilation of early material called “A Taste of Honey” (1986). It is on the Melodiya label (and there’s also an EMI logo on the front cover). This is another “Direct Metal Mastered” pressing and it has an official DMM logo on the rear cover. Its in a single sleeve and a plain white inner bag:
[You can see the exhaustive details for this pressing on the amazing Russian Vinyl records site here and here. It looks like my copy is pressed at the Riga pressing plant.]
There is one other in my collection. Its Paul McCartney – “Flowers in the Dirt” (1989). This is on the white Melodiya label and has a plastic inner bag:
[You can see the exhaustive details for this pressing on the amazing Russian Vinyl records site here. It was pressed in 1991, and it looks like my copy was manufactured at the Aprelevka pressing plant, with sleeve variation 1d., and label variation White 2.]
Just after Christmas I posted that the Gretsch guitar company was flagging they’d soon be releasing a very special, exact recreation of the guitar George Harrison owned back in the early Liverpool Cavern days of the Beatles – the Ole Black Gretsch.
The guitar is a Gretsch Duo Jet that George purchased back in 1961 for £90.00:
Gretsch guitars in the United States has measured every dimension, every detail right down to the scratches and dings and even the rust on the metal of the pick-ups so that each of the limited edition of just sixty guitars is accurate in every respect.
Another Beatles book has recently come into the collection. Again, it’s from a discount book store that is just near where I work. They specialise in selling remaindered stock at greatly reduced prices and I’ve picked up some interesting titles from there over the years. This one is simply called “The Beatles“:
There’s a great photo of the band on the front cover – it’s highly colourised but quite striking in its effect. The title words “The Beatles” are printed in silver and so don’t show up too well in this scanned image. Interestingly, nowhere on the front or rear covers, or even the spine, is there mention of the author. You have to go to the publishers details page inside where in the fine print it says “Written by Mike Evans”. I’m not sure why Mike doesn’t get a mention anywhere on the outside of the book. A quick Google search reveals Evans is actually quite prolific having written or edited, amongst many other titles, “The Beatles: Paperback Writer: 40 Years of Classic Writing“, “The Art of British Rock: 50 Years of Rock Posters, Flyers and Handbills“, and “The Beatles: On Camera, Off Guard 1963 – 1969“, so the guy has form.
“The Beatles” is chronological in nature and, over 21 chpaters and 224 pages traces the evolution of the band from the early years through to the final chapter called “The Beatles’ Legacy” which brings the story up to 2009 and the release of the newly remastered CD sets – so I’d say it came out in late 2009, although again the book itself does not have a publication date on it. Strange.
In a lot of ways its a pretty standard Beatles book – but a nicely produced one – one that has at least been done with some care. Its a hardback with lots and lots of photographs (some of them unusual and interesting), and quite detailed text covering each important Beatle release, from “Please Please Me” (1963) through to “Let It Be” (1970). Mike Evans deals with the tours as well – including the troubled 1966 tour to Japan and Philippines where the Beatles were lucky to escape with their lives. In this news photo in the book they, along with manager Brian Epstein, look pretty happy to be back in London in one piece, their smiles belying the danger they faced after a perceived offense to the President of the Philippines and his wife:
As well as terrific photos there are lots of other worthwhile visual additions scattered throughout, like colour reproductions of Beatles memorabilia like movie posters, concert tickets, Beatles stamps, and this US concert poster from August, 1966 for the concert at Candlestick Park, San Francisco:
The photos inside are often unusual, like this one of Paul in the studio in January, 1968 with Cilla Black, taking her through the song he’d written for her called “Step Inside Love“. It became the theme for Black’s successful TV show of the same name:
Author Mike Evans deals with both the up-side of the Beatles’ success, and the down-side, including the ill-fated Beatles foray into selling fashion. Described by Evans as “..the biggest disaster for Apple….The idea was to sell trendy items; Paul McCartney described it as “a beautiful place where beautiful people can buy beautiful things.” In reality, though, it was a clothes store, and became known as the “Apple Boutique”. By the middle of 1968, the shop had made a loss of nearly US$500,000/£250,000, a fortune in those days and on July 30 it closed.” In this photo crowds gather outside to grab a bargain and to witness the Apple Boutique’s last day of business:
“The Beatles” is published in Australia by Hinkler Books.
Beatles Blog 