Rarest, Most Expensive ‘Sgt. Pepper’?

I’m sure most of us have at least a couple of copies of The Beatles Sgt. Pepper’s Lonely Hearts Club Band in our collections – either on CD, LP, cassette, or all three!

But an email today from the folks at eil.com (the UK purveyor of premium quality rare used and new vinyl) got us wondering about which pressing of this LP is the most valuable?

eil.com is currently offering for sale an unusual Nimbus Records “Supercut” edition of the Pepper LP. They say it was “….pressed exclusively for readers of Practical Hi-Fi and Hi-Fi Today magazine by Nimbus, with ‘Nimbus England’ machine stamped in the run-outs. Limited to 1000 copies only, the Nimbus Supercut of Sgt. Pepper has since gained legendary status within audiophile circles and is arguably the most sought after Nimbus title on the market today”.

The asking price? £3,995.00 (AUD$8,309).

And that sounds about right, because there’s another for sale on the Discogs site for the same money.

But what about the very famous (and equally rare) Australian “Audiophile” pressing?

This came into existence when EMI Australia decided to try their hand at half-speed mastering for a reissue series. The LP never went on sale in regular record stores, but was made exclusively available to the public at the Sydney Hi-Fi and Audio Show in July 1983. Just 497 numbered copies were released with unique label artwork, mirroring the black and silver one EMI box Parlophone labels of 1969, and housed inside a single pocket picture cover with AUDIOPHILE designated on the back. Each LP had an individually numbered sticker fixed to the top right corner of the back cover.

There are currently none for sale on Discogs, but the highest price paid in the past was £2,640 (AUD$5,500). For more on this release see the very good Australian Beatle record collector page I Am The Platypus, and if you want to see a nice story about the tapes used for this pressing, check out this YouTube video:

Of course authentically autographed copies of this LP will always sell for big $$$. Take this one with all four Beatle signatures on it’s gatefold inner. We reported way back in 2013 it had sold for an incredible US$290,500.

But probably the doozy with the biggest difference on the cover of the LP is the very rare “Capital Records executives” copy. In a nutshell, a bunch of top guys at Capitol officially had their faces inserted onto the iconic front image for a very limited edition of Sgt. Pepper’s. It’s estimated that only 40-50 copies of this record exist. The covers were printed up and distributed at a Capitol Sales Executive meeting held in Florida in late 1967:

We first wrote about this in 2009. And see our article here for more background on this one.

Weird Sgt. Pepper “Radio Station Promo” – Anyone Seen It Before?

One of our readers has been in touch asking about how to get a valuation on a very unusual promo copy of Sgt. Pepper’s Lonely Hearts Club Band.

They write: “I have a radio station promo copy of Sgt. Pepper I won from them in a contest in 1967. Black/white label, songs in a different order from the released album. Etched serial numbers are SS10077-01A and SS10077-01B. Have you any suggestions for getting it appraised?”

While we don’t know the exact name of the radio station which ran the promotion, you can see some handwriting on the label that indicates it might possibly have come from a station called WCFL. According to Wikipedia WCFL is located in Chicago and is today on the airwaves there broadcasting as a Christian Adult Contemporary station. However, there’s also an online WCFL run by some nostalgia buffs with a sound similar to what it would have sounded like when it was one of Chicago’s leading Top 40 music stations. Back in the sixties WCFL’s coverage of the Beatles 1965 and 1966 U.S. tours was provided by a disc jockey named Jim Stagg, who traveled extensively with the group.

The station also began a weekly British Countdown program with British DJ Paul Michael, so it is quite feasible they had some sort of exclusive record giveaway competition in 1967.

The mystery around this one though is that no one else seems to have ever seen this record. It is not listed amongst Discogs’ 1176 versions for example and, having asked around the community, others have doubts about its authenticity and also can’t find any information about it. Some of the concerns raised include:

  • no promo markings of any kind on the labels
  • no performers printed anywhere
  • no record company, composers, or publishers listed
  • a minor spelling mistake in the LP title itself
  • several not quite correct song titles
  • two tracks missing (‘Sgt. Pepper’s Lonely Hearts Club Band (Reprise)’ & ‘A Day In The Life’)
  • and several song timings that differ with the originals

One friend thinks it’s not even a «Not For Sale» record, but simply a pirate vinyl.

It would be interesting to know if the music on the disc is actually the Beatles, and not a cover group or even orchestral/instrumental versions of the songs – though that would have been difficult to pull off quickly if the album was genuinely a 1967 radio “giveaway” at the same time as the Pepper LP US release.

As you can see, the disc looks like it has had a hard life but would probably clean up and play OK if you had a record cleaning machine.

So, what do you think? Very interested to hear your thoughts! Is this a genuine collectors item?

P.S. We suggested the owner get in touch with Perry Cox, the well-regarded valuation expert in all things Beatle. If anyone has any other suggestions on who to speak to, thoughts or knowledge about this one please chime in.

Two Books, Two CD Variations, and One DVD – Beatle Finds

We attended the quarterly fundraiser for a Sydney community radio station last week. About every three months the classical music station Fine Music 102.5 set up a hall full of tables loaded with donated books, CDs, DVDs, sheet music and a small number of vinyl records.

In the book section there was a very interesting Beatle-related book and a John Lennon book too. In the CD section we found two CD’s – both variations of titles already in the collection – by The Beatles and Paul McCartney. And amongst the DVDs a fun item featuring one Ringo Starr…..

First up, the Beatle-related book:Derek Taylor front

It Was Twenty Years Ago Today came out thirty years ago as part of what was then the 20th anniversary of the 1967 Summer of Love. It uses the release of The Beatles’ Sgt. Pepper’s Lonely Hearts Club Band LP as a stepping off point to build an historical appreciation of what was a fairly wild and crazy year in music, art, fashion, politics, religion, relationships and generational change.

Written by a genuine Beatle insider (former Apple press officer Derek Taylor), this book is also associated with a television program of the same name released that year.

Derek Taylor is witty, erudite and clever at pulling together a massive amount of information to give a detailed impression of what was going on around the world in a year of countercutural change. The book includes lots of archive interviews, observations, and photographs as well as extensive transcripts from the Granada TV documentary. Really interesting.

Jump ahead about twenty-five years and you have the second book we discovered. It’s also a reminiscence of times past, evident in the title: Days That I’ll Remeber -Spending Time with John Lennon and Yoko Ono. Author Jonathan Cott has been a contributing editor at Rolling Stone and has written for The New York Times and The New Yorker. He is the author of 19 books on a wide range of topics, including works on Bob Dylan, classical music, children’s literature, and poetry – but especially music. Cott’s relationship with John Lennon and Yoko Ono dates back to 1968 when he went to interview them in their London flat. 

During that meeting a friendship was born that lasted for the rest of Lennon’s life, and continues today between Cott and Yoko Ono. It was Jonathan Cott who conducted what was to become the final Lennon print interview before his death. In Days That I’ll Remember Cott is presenting – for the first time – complete versions of all his significant interviews with the pair, and as such this is an important and significant work to have in the collection.The other finds are probably of lesser importance or interest, but we’ll detail them here for you anyway!

First up a CD version of The Beatles’ compilation album from 2000. Simply called 1 it contains (as the hype sticker on the front states) “27 No.1 singles on 1 CD”. Millions of these were sold around the world. So what’s new/different here? Only that this copy comes from South Africa, and there are a few distinguishing differences, namely the words “Made in the RSA” near the bar code on the rear:

There’s also a different, country-specific catalogue number there (CDPCSJ (WE) 7213), and it is also printed on the CD inside:

Plus there’s a really small logo on the left at the bottom. It has a musical note in it’s design, with some lettering that is tiny and difficult to read, but it says “A.S.A.M.I. Seal of Approval”. We’re guessing that is (or was) some sort of South African recording industry association that vouched for the autheticity of the pressing:

Otherwise all other presentation and content will be very familiar if you already have this CD:

Also on the CD tables was Paul McCartney’s 1997 large-scale classical recording, Standing Stone:

Above is the front and back of the outer cardboard slipcase which holds the CD jewel case and thick booklet with lyrics, photos, reproduced artworks, and an essay about the compostion and performance of the work. The one we found here is the UK pressing (we already have US and Canadian pressings of this which both have small variations on what you see here):

Here are the front and rear covers of the booklet:

The beautiful cover images are by Linda McCartney, and here is a peek inside. This artwork is by Paul:Finally, to end on a lighter note, a little kid’s DVD called Thomas & Friends:

If you look closely at the credits you can see listed there as Storyteller – Ringo Starr:

It’s great to have an example of Ringo’s work narrating this classic kids animation series. He did the voice-overs for the first two series only.

(As usual, click on images to see larger versions)

Beatles “White Album” 50th Anniversary Turntable

There’s another Beatle-themed turntable out there: 

Turntable manufacturer Pro-Ject Audio Systems, in association with Universal Music, has launched a Beatles White Album model to help celebrate the 50th anniversary of the release of the legendary recording.

Based on a Pro-Ject 2Xperience SB model, the limited White Album version really is all-white, down to the platter, tonearm, switch gear, and even a specially produced white-bodied Ortofon 2M cartridge pre fitted at the factory:The company now has seven Beatle-related record players: the Yellow Submarine model; two Sgt Pepper’s Lonely Hearts Club Band models (in Drum and Limited Edition versions); a Beatles 1964 edition; a George Harrison turntable , and now a Ringo Starr “Peace and Love” turntable as well:

PeaceAndLoveTurntable-1-1024x684 2The Beatles White Album turntable is limited to 500 pieces worldwide. It looks to have a limited edition number stamped on it, just like the original LP covers did back in 1968, but it’s not clear if these are individual or not:The Pro-Ject White Album Limited Edition is up at the higher end of Pro-Ject’s turntable offerings and retails for US$1799 (and in Australia for $2699). You can read the official press release here.

New Book: The Beatles Recording Reference Manual – Volume 3

If you’ve got the first two volumes in this impressive (and growing) body of work, then you’ll definitely want to have Jerry Hammack’s latest installment, The Beatles Recording Reference Manual – Volume 3: Sgt. Pepper’s Lonely Hearts Club Band through Magical Mystery Tour (late 1966-1967) as part of your collection:

Hammack is a Canadian-American musician, producer and recording engineer known for his in-depth knowledge of vintage recording techniques. You can learn more about Jerry at his website jerryhammack.com

Like previous volumes, this book contains song-by-song reconstructions of the session work (for both performance and technical) that went into each of The Beatles’ singles, EPs and albums – from the start of the Sgt. Pepper’s Lonely Hearts Club Band era to the release Magical Mystery Tour.

Hammack’s reconstructions of what went down come from his painstaking examination of the most reliable and authoritative resources, including original EMI studios documentation; recollections and interviews with the original engineers who worked on the sessions; photographic and film evidence of the band at work; and of course analysis of the actual recordings themselves, including the many out-takes, session recordings and remixes available. Where there’s doubt or conflicting information, Hammack tries to document and reconcile discrepancies and offers well-considered justifications for the views he is putting forward.

The particular period covered in this volume offers rich pickings because The Beatles had recently given up touring in preference to immersing themselves entirely in the recording process and learning to make the studio itself another one of their instruments. As Hammack writes: “Spanning 189 days between November 24th, 1966 and June 1st, 1967 the Sgt. Pepper’s Lonely Hearts Club Band era forever set The Beatles apart from any other band in the history of popular music. If Revolver had freed the band from the four-piece format that best suited live performance, Pepper shattered those shackles entirely.”

A good example comes from the first song to be recorded in the Pepper sessions, ‘Strawberry Fields Forever’. This required work, on and off, over a 35 day period with 12 different recording sessions before it was completed.

What we find for each song is when and where each recording session took place; which instruments were played; what type of microphones were used; what signal processing was in place; what effects units were used; even details on the types of speakers in the studios and control rooms used to listen back to and mix the recordings. The detail here for those who are into the minutiae of this sort of stuff is extraordinary. Added to the detail are informative, song-by-song visual representations of how each song came together:Looking ahead, Hammack has only Volume 4 to go. It will be the final book in the series and covers off the LPs The Beatles (a.k.a. The White Album) through to Abbey Road (1968-1970). The plan is to release that volume in about 6 months time.

See also our review of Volume 1 and Volume 2 in the series, plus Jerry Hammack’s official Beatles Recording Reference Manuals website for the book, and Amazon’s Look Inside if you’d like to get a better idea of the format and what each book contains.