And he wrote and directed the new 50 minute Episode 9 of the Disney+ series, so Apple is obviously sending quite a bit of work his way. Hopefully soon we’ll get the Oliver Murray take on the making of ‘Real Love’, with even more previously unseen footage?
Woke up this morning to a couple of intriguing emails.
First was big news from Apple. Seems they’ve listened to fan reaction and have decided to offer Anthology 4 as a separate purchase:
By popular demand, Anthology 4 is now available as a standalonetriple LP and double CD — 36 tracks including 13 previously-unreleased demos, rare sessions from 1963–69, the band’s 2023 final single ‘Now and Then’, and new mixes by Jeff Lynne of ‘Free As a Bird’ and ‘Real Love’.
This means collectors won’t have to buy the box set just to get the much sought after 4th installment in the Anthology series. Good news!
Then came a mysterious email from the official John Lennon Store saying that the ‘Happy Xmas (War Is Over)’ 7″ single on green vinyl was now available for pre-order:
A “What?”, closely followed by a “Why?” was heard. Hmmm. “Must investigate this some more. There has to be a reason this has randomly appeared out of nowhere.”
Then, scrolling further down the morning’s emails came this, with the headline: Introducing The Classic Holiday’s Singles Box Set!
Clicking through takes you to Universal’s udiscovermusic.com site and the announcement of a box set of 14 coloured vinyl Christmas singles from across the ages:
Of course it includes the John & Yoko/Plastic Ono Band green vinyl single, but also in there is the Paul McCartney holiday fave, ‘Wonderful Christmastime’ – on canary yellow vinyl:
The box set is kinda expensive but fortunately for those of you who collect coloured vinyl, as was just announced for Anthology 4, these too are available for purchase separately. Yay!
You can find ‘Happy Xmas (War Is Over)’ here or here, and ‘Wonderful Christmastime’ here or here. Release date is October 31.
And, while we’re on the subject of coloured vinyl, last week Apple announced there’s to be a green vinyl release of Abbey Road:
This comes on heavyweight 180g green vinyl and is pressed using the version remixed from the original 8-track tapes by Giles Martin in 2019. In the UK this is exclusive to HMV stores, Target in the US, JB HiFi in Australia, Bravado in Germany, FNAC in France, Tower Records in Japan, The Circle in Denmark, etc. In other words, there will be one retailer per territory. It is released on October 10.
The Beatles have announced this week that the new CEO of their company, Apple Corps Ltd., will be Tom Greene. He replaces Jeff Jones, who ran the company for almost 18 years and decided to step away from the job last year.
In a group statement, Paul McCartney, Ringo Starr, Olivia Harrison and Sean Ono Lennon joined together to say: “We are thrilled to welcome Tom Greene as CEO. We have a lot of exciting plans and Tom’s experience and vision make him the perfect person to join us in making it all happen.”
Variety reports that while Greene (pictured above) has no music business experience, he comes to the role with a strong entertainment background having been Chief Operating Officer of BLAST “a competitive entertainment company working with the biggest video game developers and publishers in the world on the production, commercialization and audience growth of their e-sports programs”.
Prior to that Greene was at Wizarding World Digital and Pottermore, the official hubs and parent companies of the Harry Potter franchise – with “over 50 million members, supported by immersive digital experiences, daily content publishing and an innovative e-commerce offering.” Greene was Group Commercial Director for Pottermore from 2015 through 2018, then moved to Wizarding World Digital, where he acted as COO, then General Manager.
In taking on his new role, Greene will still maintain his position on the board of directors for both BLAST and Pottermore.
Greene, who won’t start until September, said “It is a huge honor to lead Apple Corps into this new phase of its history. Like so many people around the world, I grew up in a household obsessed with the Beatles and their music. At a time when the world might need more of the Beatles’ spirit, there are so many new and innovative ways to bring their unique magic to all generations of fans. I cannot wait to get started.”
It’s going to be very interesting to see where the company goes in the future. With his e-commerce background will this mean that physical product from The Beatles is set to take a back seat? Hope not.
Apple and Disney+ have announced Beatles ’64, an all-new documentary film from producer Martin Scorsese and director David Tedeschi. It will stream exclusively on Disney+ beginning November 29.
The film captures the moment of The Beatles’ first visit to America and will feature never-before-seen footage of the band and their legions of fans. Beatles ’64 is to include lots of the footage filmed by the famous documentarians Albert and David Maysles, restored in 4K by Peter Jackson’s company, Park Road Post in New Zealand. There will be live performances from The Beatles first American concert at the Washington, DC Coliseum and their Ed Sullivan appearances – demixed by WingNut Films (also a Peter Jackson company). The sound is remixed by Giles Martin.
Beatles ’64 will of course be supported by the November 22 release of seven American Beatles albums, analog cut for 180-gram audiophile vinyl from their original mono master tapes. They include Meet The Beatles!, The Beatles’ Second Album, A Hard Day’s Night (Original Motion Picture Soundtrack), Something New, The Beatles’ Story (2LP), Beatles ’65, and The Early Beatles, available for preorder as a vinyl box set titled The Beatles: 1964 U.S. Albums In Mono. Six of the titles are also available individually.
Lots of Beatle items come up for auction and on quite a regular basis too. But it’s a little rare to have an entire auction dedicated entirely to Beatle or Beatle-related content.
TracksAuctions.com was established in the UK in 1989 and has developed a worldwide reputation in the field of pop memorabilia. They have over 35 years experience in trading at the highest level in Beatle and rock ‘n roll collectibles.
Their latest auction is a bit of a treasure trove of items. Anyone looking through the extensive list of lots will have a differtent set of highlights that jump out for them. Or maybe these are interest?
Well, here are the standout items for us.
Lot 7. Apple Employee Telephone and Address Book. This would be truly fascinating to flip through. It is a handwritten telephone and address book from the 1970s and contains Beatles addresses and phone numbers including George Harrison, Ringo Starr (Monte Carlo and L.A), and Paul McCartney.
In the photo above you can see an entry for former Apple Records boss, the late Neil Aspinall. Due to the wonders of Google Maps you can go and have look at where he once lived:
It looks like a very nice area, and if you go for a bit of a wander down the street you might notice the house across the road is called Strawberry Fields! Do you think the owners know they live opposite a former residence of a boss of the Beatles empire?
Other influential names in the book include Eric Clapton, Phil Collins, Nat Weiss, Robert Stigwood, Tony Barrow, Peter Brown, Ron Kass, Freda Kelly, Tony Palmer, Denis O’Dell, Derek Taylor, Timothy Leary, Victor Spinetti, Peter Sellers, and Eric Idle, along with numerous record companies, recording studios, media outlets, and other businesses frequented by the Fabs.
Lot 9. Various Artists Apple Records Acetate. This is a 12-inch acetate record containing 23 tracks by various artists. The acetate is on the Apple Corps Ltd. 3 Savile Row Custom Recording label. Was this compilation ever planned for release on Apple, or is it just a party disc put together for fun by the engineers at Apple Studios?
Lot 12. Delaney And Bonnie 1969 Apple Records Withdrawn Album. This one was definitely intended for release by Apple on 30th May 1969, but it was withdrawn due to contractual reasons. As such catalogue number SAPCOR 7 has become very rare indeed. What we have here is one of a small number of pre-release copies that were pressed. In his excellent book Those Were The Days – The Beatles And Apple, Stefan Granados says: “Apple had planned to release their album entitled ‘Accept No Substitute’ on 30th May. Copies of the album had been pressed and were waiting for covers when Apple cancelled….The plan may have been scuttled in part by Apple’s reluctance to pay advances but the inconvenient fact that Delaney and Bonnie were under contract to Elektra Records in the United States is likely to have played a more significant role in the non-appearance of a Delaney and Bonnie album on Apple. For the next year or so, lucky visitors to the Apple office would be given copies of the sleeveless Apple pressing of the album. Copies would also be given to any interested Apple staff and artists.“
Lot 41. The Beatles ‘Love Me Do’ A-Label Demonstration Record. Who wouldn’t want a copy of this in their collection. It takes you right back to just before it all began. This is the “demonstration record” sent out to radio stations in the UK heralding an unknown band from Liverpool. An extremely rare Parlophone white and red ‘A-label’ debut single of ‘Love Me Do’/’P.S. I Love You’. The single was released with the catalogue number 45-R 4949 on October 5, 1962. Even McCartney is misspelled as McArtney on both sides!
Lot 43. The Beatles ‘A Hard Day’s Night’/’Things We Said Today’ 78 RPM. Another grail item for many collectors. This an extremely rare 1964, 10-inch, 78rpm pressing from India of The Beatles single, ‘A Hard Day’s Night’/’Things We Said Today’. The record comes in an original Parlophone paper sleeve too.
Lot 114. The Beatles 1968 Mono ‘White Album’ Number 0000012. Yes, it’s a little beat up, but who wouldn’t want a copy of this rare, low numbered UK mono vinyl pressing of The Beatles’ White Album in their collection? It is number 0000012.
Lot 131. Freda Kelly’s Collection of Fan Club Flexi Discs 1963 to 1969. The Beatles UK Christmas flexi discs are collectable at any time. How much more then would be a complete set (all seven discs) from the woman who ran The Beatles Fan Club from1962 to 1972? Freda’s original flexis are housed in a 1960s hardback record case with her handwritten name and address inside.
Added to the value and collectability is that these exact same discs were used by Apple to produce From Then To You, the 1970 UK LP compilation of all the Beatles Fan Club Christmas messages. Freda recalled that when they came to produce the album EMI didn’t have a complete set of tapes, and nobody at Apple owned a complete set of the flexis. She remembers being asked by Peter Brown to take this exact same set down to Savile Row where they were copied in order to produce the Christmas Fan Club album.
Lot 139. The Beatles John Lennon and Paul McCartney Autographed ‘White Album’. This is a US album sleeve for the 1968 self-titled album The Beatles, aka the White Album. It has the second highest expected sale price in this Tracks auction of between £25,000 – £35,000 (US$33,000 – $47,000 or AUD$48,000 – $68,000). The reason? It is autographed on the gatefold by both John Lennon and Paul McCartney. John has signed in red felt tipped pen and Paul has autographed in black ballpoint pen. The autographs were signed in the USA in the 1970s. Lennon’s autograph dates to circa 1975 and McCartney’s to 1975/1976.
Lot 206. Paul McCartney ‘McCartney’ Album Press Release. This is an original US press release from April 1970. It is on Apple letterhead and is an important document in the history of the band because it became one of the first public signals that The Beatles were no more. Sent out with promo copies of Paul McCartney’s solo LP McCartney, it consists of four sides of questions and answers relating to the recording. The answers McCartney gave to some of the questions were directly responsible for the subsequent “Paul Quits The Beatles” newspaper headlines and a furore over the group splitting up. The final page bears a printed Paul McCartney signature. Also included are three black and white promotional photographs. One of Paul, one of Paul and Linda and one of Paul and his daughter Mary.
Lastly, to the most expensive lot likely in this auction…..
Lot 246. Paul McCartney November 1966 Hand Drawn Stage Designs For The Four Tops London Performance. In November, 1966 the US group The Four Tops were due to play London’s Saville Theatre, then owned by Beatle manager, Brian Epstein. In preparation for the shows he wanted some spectacular backdrops for the stage and commissioned none other than Paul McCartney to come up with the designs. Paul presented his ideas to Epstein and John Lyndon, a NEMS employee and Director of Productions at the Saville. On a large piece of white paper McCartney hand-sketched and annotated 12 images to be considered and one of these was used for the Four Tops first-ever UK performance.
This item is definitely unique and is expected to fetch in the vicinity of £40,000 – £60,000 (US$53,000 – $80,000 or AUD$78,000 – $117,000).
Well, these are some of the standout lots for us. Have a look through the four pages of treasure on the auction site and let us know which are yours. The Beatles Memorabilia Auction starts on September 27 and runs until October 6.
All items sold through TracksAuctions.com have a lifetime guarantee of authenticity and a money-back warranty.
After a five year wait since Apple first promised to re-release this film, the teaser above appeared on various social media over the last couple of days. What was it all about? All the details can now be found on the official Beatles website.
As someone who last saw this movie in full at the cinema in 1970, I’m genuinely keen to see it again. It will be doubly interesting because the three-part Peter Jackson epic called Get Back is about the making of the film. We can only hope for a physical release at some stage that includes bonus materials like a Michael Lindsay-Hogg commentary track, and (please!) the famous rooftop concert – uninterrupted and in full.
In the meantime, Let It Be streaming on Disney+ is a very welcome development.
Just in time for some holiday listening The Beatles have quietly launched a new official 6-part podcast celebrating the legacy of the band.
Written, produced and presented by someone close to the band, music historian Kevin Howlett, it features interviews with John, Paul, George and Ringo, as well as many other musicians and producers including George and Giles Martin, Dave Grohl and Mark Ronson,
The podcast documentary ties in with the 50th anniversary reissues of the ‘Red’ and ‘Blue’ compilations and also unpacks the story behind the band’s final single, ‘Now And Then’.
Part 1 of The Beatles’ Legacy is divided into three chapters and deals with The Beatles 1962-1966. You can find it here.
One of our readers (Guy in the USA) prides himself on securing every possible variation and often sends us a tantalising image or two. For ‘Now and Then’ he points out that most collectors only show pictures of the outer covers. Here, he says, are the contents – photographed all together:
For collectors in the west there are no fewer than 9 variations to seek out. If you add in unique Japanese editions that number creeps up to 14.
Because there are enough different pressings we thought we’d create another visual representation to capture them all (we have previously created these for McCartney III and McCartney III Imagined too):
(Click on the image to see a larger version)
The Japanese ‘Now and Then’ vinyl pressings are unique in that they have a rear cover written in Japanese. They also come with a special lyric sheet with the lyrics in English and Japanese:
Additionally, the SHM-CD single comes with an OBI strip (and also the extra lyric insert):
To add to the onslaught on collector wallets there was also Black Friday Record Store Day.
Also released on that day were further coloured vinyl editions (in “Yellow Submarine Yellow”) of Ringo Starr’sOld Wave and Stop and Smell the Roses. Here’s Guy again:
You can see there on the bottom row the little Yoto kids toy card editions of the 2023 Red and Blue albums, plus a unique Paul McCartney card containing a selection of his hits for kids which also contains two hard-to-get instrumentals.
“It wasn’t like we were following a trend; we were in the trend.” — PAUL MCCARTNEY
There’s no doubt that clothing is one of the most visible aspects of the development of a culture. A new book that’s just hit the shelves, Fashioning the Beatles – The Looks That Shook the World, is a well-researched and thoughtful exploration on how The Beatles played a leading role in shaping the fashion, attitudes and social change going on around them throughout the 1960s and beyond.
Author Deirdre Kelly wisely begins her book with a brief preliminary section called ‘Dressing for Pepperland’. That’s because during this period the band reached the zenith of their flamboyant style. Designers on Carnaby Street and around the world were influencing, and were in turn being influenced by, The Beatles in something of a symbiotic relationship. They were in their heyday.
We then journey back to the year 1960 and in chronological order, chapter by chapter, visit key fashion moments with quite a detailed examination year-by-year of what the band were wearing through to 1970, and beyond. We learn who was helping, advising, and being commissioned to come up with new looks for them, but also importantly, how The Beatles themselves played a central role in defining their style. Kelly then uncovers how that style in turn influenced whole industries and often swung the pendulum of the fashion world in new directions.
After a stint as “the savage young Beatles” which (in their early Hamburg/Liverpool days) saw the band sporting a tough look (black leather pants and jackets, black shirts, black t-shirts), in 1961 the group underwent a complete makeover. At the suggestion of their new manager, Brian Epstein, the band took on a suited, clean-cut, almost boy-next-door look that was carefully designed to help them break through in the pop world. They weren’t forced into this. It was something the group agreed was the right thing, as they too saw it as a way to achieve their goal of becoming the “toppermost of the poppermost!”. It was a makeover that worked, one where even the footwear they chose was considered. Kelly goes into detail about how the band had input into the evolution of the famous “Beatle Boots” and how this too became part of their defining look, and a fashion icon of the time. Soon manufacturers where knocking off copies and The Beatles were well on their way to becoming major influencers.
1963 was the year of the now iconic collarless suit – created for the band by UK tailor, Dougie Millings, whom we learn went on to make over 500 outfits for the group. His collarless creation was conceived in a brainstorming session involving Paul McCartney, who’d originally proposed the idea. Their suits were modeled on an original design by Pierre Cardin, but tweaked to make it a distinctively Beatles’ garment. Kelly writes: “It established the Beatles as fashion forerunners”:
It continued what was to become a trend. What a Beatle wore today would soon turn up as the latest hot trend in the shops tomorrow:
However, as with their music, The Beatles never stood still, always pushing the boundaries and never repeating themselves. Once a particular fashion look they’d pioneered started catching on, they’d already moved on.
Fashioning The Beatles is meticulously researched and contains fascinating detail around how the designs they wore came to be. The book also turns up interesting side observations along the way. Take this 1965 photograph taken during the filming of Help!:
In the movie, the band mixed British and US clothing styles. Denim wasn’t yet the ubiquitous fabric it would become and was regarded as something of a novelty. Notice though that George has bleached his jeans, prefiguring the acid wash jean trend that proliferates to this day.
By this mid-decade period and beyond The Beatles largely discard the suits (and boots) and begin to dress to please themselves. In doing so they have a further profound influence on the way young people dress and behave too. What the band wears is an extension of their innate creativity: their personal taste, their natural sense of style – and it was being followed closely by millions.
Tony Palmer (director of the documentary series All You Need is Love: The Story of Popular Music) says in his Preface to the book that The Beatles didn’t set out to be trendsetters. They were innately stylish young men and by simply wearing what they wanted to wear, became the leading style-makers of their day. Their huge, worldwide fame ensured that whenever they were photographed, filmed, or simply seen out and about in public, people took notice of their sartorial style, and those looks helped influence the culture of the day.
By the mid to late 60s The Beatles were now routinely mixing stage clothes with items from their personal wardrobes, and even (albeit briefly) starting up commercial fashion outlets of their own. Kelly provides great detail and context to these ill-fated forays into the fashion retail world via the Apple Boutique store and Apple Tailoring. And herein lies an Australian connection (and yet another example of The Beatles’ questionable choice in business partners), in the form of one John Crittle, proprietor of a business often frequented by the band called Dandie Fashions. They eventually came to own a 50% stake in the store and re-branded it Apple Tailoring (Civil and Theatrical). They opened a hair salon in the premises too, presided over by Leslie Cavendish (who’d been cutting the hair of Paul, George and John). However it turned out that the brains and style behind the clothing part of the venture was really Crittle’s fashion-savvy wife Andrea, who is perhaps better known as the mother of British prima ballerina, Darcey Bussell. Just how Crittle sullied Apple Tailoring’s reputation is something you’ll need to buy the book to read about. It’s not pretty.
Fast forward to today and the influence and spirit of The Beatles still ricochets around the fashion world. Take for example this 2023 collaboration between fashion house Rabanne and the multinational, mass market clothing retailer, H&M. The look could easily owe its inspiration to 1967 and the famous foursome’s adoption of the militaristic uniforms from their Sgt. Pepper era:
We here at beatlesblogger.com have a mountain of books about The Beatles. Amongst them is just one other book on Beatle fashion, Fab Gear – The Beatles and Fashion by Paolo Hewitt – and it’s long out of print. That is proof that very little has been written about this aspect of the band’s creativity and their huge impact on fashion and culture. It is why Fashioning The Beatles – The Looks That Shook the World is an important piece of scholarship. Deirdre Kelly’s new work is a very welcome addition to the library. Grab a copy while you can.
Beatles Blog 