It looks like The Beatles Anthology TV series is destined for a Disney+ streaming release as expected:
When it first aired in 1995 Anthology was a six-part series, so it looks to have been expanded somewhat given the advertising banner says it is now a nine-parter. And that it is due to go to air on November 26 with a three-part premier.
It also looks like those images we got for the accompanying audio box sets are coming true. But what will the final artwork look like? There are currently two different gifs doing the rounds showing variations to the outer box images for the CD set:
This was released in 1965, the year The Beatles produced the albums Help! and Rubber Soul. Plus the singles ‘Ticket To Ride’/’Yes It Is’, ‘Yesterday’/’Act Naturally’ and ‘We Can Work It Out’/’Day Tripper’…
Meanwhile, again in 1965, Brad put out this tune, ‘God, Country and My Baby’, which also sank without trace.
Thanks to our mate and regular reader Andrey for sending this one in. Should we do a series on tunes that failed to oust the Fab Four from the charts?
As he promised months ago, Sean Lennon and the Lennon Estate have this week formally announced the release (on 10 October, 2025) of a mega box set focusing on John Lennon playing (mostly) live in New York in the years 1971 and 1972.
The big box set comprises 9 CDs and no less than 3 Blu-Ray audio discs, all packaged in the 10-inch sized slipcase size that’s been the hallmark of all the Lennon super-deluxe re-issues so far. This one will come with a cool lenticular cover of John & Yoko’s faces, presenting a “dynamic 3D effect”.
The box set will come with a 204-page hardback book designed and edited by long-time Lennon Estate historian and archivist, Simon Hilton (he’s done all the box sets so far and is great). It will feature an oral history about all the included music through the words of John & Yoko and those involved, sourced from both archival and new interviews.
The book will be illustrated with previously unseen photos, lyrics, drawings, tape boxes and memorabilia. Additionally, the set includes a newspaper print poster, sticker sheets and a VIP envelope containing replica concert tickets plus backstage and after-show passes that have all been uniquely reproduced with textured, archival materials.
The centerpiece of Power To The People is the ‘One To One Concerts’, which were Lennon’s only full-length concerts after The Beatles, and his final shows with Yoko Ono. They raised more than US$1.5 million (2025 equivalent of $11.5 million) to support children with intellectual and developmental disabilities. Both the afternoon and evening performances are being released together for the first time, though they’re not complete (see below).
Alongside those two concerts, Power To The People (Super Deluxe Edition) offers an aural time capsule of John & Yoko’s first NYC era, when they traded Tittenhurst Park, their estate in Ascot, England, for a small apartment located at 105 Bank St. in Greenwich Village in Manhattan, and includes the music they were inspired to make during a time of great civil unrest and the deeply unpopular Vietnam War. As a result the set will contain 92 bonus tracks.
Paramount to their recorded musical endeavors at this time was their 1972 political blockbuster album, Sometime In New York City, recorded by John & Yoko with legendary drummer Jim Keltner and New York band, Elephant’s Memory.
For this special collection, songs from the album have been completely remixed from scratch, stripped of the overly heavy production sound that constrained such inspired and inspiring songs as ‘Attica State’, ‘Angela’, ‘New York City’, and ‘Born In A Prison’.
Noticeably missing though is the controversial song (back then and perhaps now even moreso), ‘Woman Is The N***** Of The World’. Some fans are upset about that but the song is still easily available on streaming services and on CD if you want it. Live versions from the ‘One To One’ concerts can also be had on the Lennon Anthology collection from 1998 (evening performance), and on John Lennon – Live in New York City released in 1986 (afternoon performance). For those hoping the song might be a secret hidden track in this new box, a note has been added to the official website pre-order page: NB – This is the full track listing. There are no hidden tracks on the CDs or Blu-Rays.
For this box set the tracks from Sometime In New York City have been re-ordered, rejuvenated and completely re-imagined as a new set of Ultimate Mixes, and is now simply entitled New York City. It includes extended versions of ‘John Sinclair’ and ‘Sunday Bloody Sunday’, so while we lose one song we gain longer versions of others.
In addition to the Deluxe 9 CD/3 Blu-Ray box there will be a four LP version with the afternoon and evening ‘One To One’ concerts:
The Beatles have announced this week that the new CEO of their company, Apple Corps Ltd., will be Tom Greene. He replaces Jeff Jones, who ran the company for almost 18 years and decided to step away from the job last year.
In a group statement, Paul McCartney, Ringo Starr, Olivia Harrison and Sean Ono Lennon joined together to say: “We are thrilled to welcome Tom Greene as CEO. We have a lot of exciting plans and Tom’s experience and vision make him the perfect person to join us in making it all happen.”
Variety reports that while Greene (pictured above) has no music business experience, he comes to the role with a strong entertainment background having been Chief Operating Officer of BLAST “a competitive entertainment company working with the biggest video game developers and publishers in the world on the production, commercialization and audience growth of their e-sports programs”.
Prior to that Greene was at Wizarding World Digital and Pottermore, the official hubs and parent companies of the Harry Potter franchise – with “over 50 million members, supported by immersive digital experiences, daily content publishing and an innovative e-commerce offering.” Greene was Group Commercial Director for Pottermore from 2015 through 2018, then moved to Wizarding World Digital, where he acted as COO, then General Manager.
In taking on his new role, Greene will still maintain his position on the board of directors for both BLAST and Pottermore.
Greene, who won’t start until September, said “It is a huge honor to lead Apple Corps into this new phase of its history. Like so many people around the world, I grew up in a household obsessed with the Beatles and their music. At a time when the world might need more of the Beatles’ spirit, there are so many new and innovative ways to bring their unique magic to all generations of fans. I cannot wait to get started.”
It’s going to be very interesting to see where the company goes in the future. With his e-commerce background will this mean that physical product from The Beatles is set to take a back seat? Hope not.
This coming Wednesday is officially Global Beatles Day. How will you be celebrating?
25 June is increasingly being recognised as a day set aside to celebrate The Beatles and their music and cultural legacy around the world.
Why is GBD June 25?
Well, it was on this day in 1967 that the Beatles first premiered their song ‘All You Need Is Love’. And they did it live before an audience estimated to be between 400-700 million people. Those millions had tuned in their TV sets to the ground-breaking Our World broadcast – the first of its kind to link up national broadcasters from fourteen countries across the globe in one celebratory program using what was then-new satellite technology. The resulting two-hour show was seen across 24 countries. And when it came to the United Kingdom’s turn The Beatles allowed the TV cameras into the Abbey Road Studios and let the world witness them putting the finishing touches to a previously un-heard song, ‘All You Need Is Love’. It went something like this:
So, on Global Beatles Day why not dig out a few Beatle records or CDs and immerse yourself in the music one more time, and think about the phenomenon that somehow rolls on and on, from generation to generation.
Yes it’s back, but unless you were very quick you might have missed out because The Beatles In Mono 14 LP box set (out of print since 2014) is already showing as SOLD OUT on both the UK and US official stores. However, there is some confusion as to whether this is just the exclusive pre-order allocation made to subscribers to the The Beatles mailing list. There may be more copies available from Friday, 30 May.
Regarded as something a grail item for collectors now, the original box set is super expensive on the second-hand market. This new release will replicate that original exactly with 180-gram LPs in a boxed edition, along with a very nice hardbound book.
To quote the website: “In an audiophile-minded undertaking, The Beatles’ acclaimed mono albums were mastered in 2014 for vinyl from quarter-inch master tapes at Abbey Road Studios by engineer Sean Magee and mastering supervisor Steve Berkowitz.
While The Beatles In Mono CD boxed set released in 2009 was created from digital remasters, for this vinyl project, Magee and Berkowitz cut the records without using any digital technology. Instead, they employed the same procedures used in the 1960s, guided by the original albums and by detailed transfer notes made by the original cutting engineers.
Working in the same room at Abbey Road where most of The Beatles’ albums were initially cut, the pair [used] a rigorously tested Studer A80 machine to play back the precious tapes, the new vinyl was cut on a 1980s-era VMS80 lathe. Manufactured for the world at Optimal Media in Germany, The Beatles’ albums are presented in their original glory, both sonically and in their packaging. The boxed collection’s exclusive 12-inch by 12-inch hardbound book features new essays and a detailed history of the mastering process by award-winning radio producer and author Kevin Howlett. The book is illustrated with many rare studio photos of The Beatles, fascinating archive documents, and articles and advertisements sourced from 1960s publications.”
Check out this (very long) YouTube for more details about the release, and info on if there’ll be more copies for sale soon:
The entertainment bible Variety is reporting that at last there is definite movement on Paul McCartney’s on-again, off-again animated children’s feature film, High In The Clouds.
The magazine says that “Celine Dion, Himesh Patel and Hannah Waddingham will lead the voice cast of High in the Clouds….which [production company] Gaumont (“Ballerina”) is producing and repping internationally.”
“Inspired by the children’s adventure book by Paul McCartney, Geoff Dunbar and Philip Ardagh, High in the Clouds will also bring together Idris Elba, Lionel Richie, Ringo Starr, Jimmy Fallon, Clémence Poésy, Pom Klementieff and Alain Chabat.”
There’ll also be six original songs by McCartney in the film, which – back in 2023 – was budgeted at €28 million (US$31.7 million). It’ll be directed by Toby Genkel (The Amazing Maurice), and will have a screenplay by Jon Croker (Paddington 2), with Patrick Hanenberger (The Croods, Lego Movie 2) as production designer. Paul McCartney will also voice one of the main characters.
And here’s the exciting bit. Oscar winner Michael Giacchino (Ratatouille, Up, Inside Out, Coco) will score the feature with the original soundtrack set to be released by Universal Music Group. So, we’ll be getting at least six new Paul McCartney songs.
The cast and the characters they voice are:
Himesh Patel (Yesterday) as the main character, Wirral Céline Dion (Academy Award winner for Best Song) as Sugartail Hannah Waddingham (Ted Lasso) as Gretsch Paul McCartney as McKenzie Idris Elba (Luther) as Barrel Lionel Richie as Gladstone Ringo Starr as Roy Jimmy Fallon (The Tonight Show) as Froggo Clémence Poésy (Harry Potter) as Doris Pom Klementieff (Mission: Impossible – The Final Reckoning) as Mina Alain Chabat (Night at the Museum) as Bigsby
Two things to note:
You’ll notice on the official poster (above) it says “Coming 2027“, so we’ve still got a while to wait.
Secondly, if you’re wondering about someone who is missing in all this latest reporting on the film, you’re not wrong. When we said this has been an on-again, off-again project across a number of years we weren’t kidding.
Way back in 2015 there were prolific reports on social media showing Paul working with none other than Lady Gaga on one of the key songs for the film. This photo from Instagram dates back to February that year. So, High In The Clouds the movie has been on the boil at least 10 years now. In fact first reports of an animated film based on the book date back to 2013.
This doesn’t mean that Gaga’s contribution has been ditched. She’s just not in a speaking role. Maybe her song will be in the opening and closing credits? Here’s a happy-snap from the same 2015 recording session with Gaga, with Paul and all the musicians in the studio. You can also see Paul’s regular drummer Abe Laborial Jr. at his left shoulder.:
As is the way with these things ideas, concepts and themes morph. The synopsis of the book now looks distinctly different to that of the film.
Plot of the book (as per the 2005 book cover): “Forced to leave his woodland home, destroyed by the expansion plans of the evil Gretsch, Wirral the squirrel vows to find the fabled land of Animalia, where all the animals are said to live in freedom and without fear. Wirral’s personal quest turns into a full-blown plan to save enslaved animals everywhere.”
Plot of the film (as per the 202 Variety article): “Follows the journey of a headstrong teenage squirrel, Wirral, who lives in Gretschville, a city where music has been banned by a diva-owl, Gretsch, who wants to be the only singer in town. Determined to overthrow Gretsch and bring music back to his town, Wirral joins forces with an underground band of legendary musicians who hide high in the clouds, in a secret place called Harmonia.”
Quite different, don’t you think?
Still, this promises to be a fun watch with a special soundtrack album as an added bonus.
As a first generation Beatle fan who fell hook, line and sinker for the band when they took Australia by storm back in 1964, it constantly amazes how subsequent generations come to hear about and love their music – over and over again.
Just take a look at faces in the crowd at any of Paul McCartney’s 2024 Got Back tour dates. Yes, you’ll see a fair smattering of grey hair in there, but his audiences around the world are a true cross-section of the ages – from the Builders and Baby Boomers, to Gen Z and now Gen Alpha.
And here’s a new Beatle book (released today, 6 May) aimed directly at the youngest of those Gen Alpha’s.
We Are the Beatles is the latest in Meltzer’s Ordinary People Change the World series of kids books where historic heroes come to life to inspire young readers to greatness themselves.
Born out of a desire to give his own kids real people to look up to, Meltzer’s books highlight notable figures from around the world. These have included people like Walt Disney, Dolly Parton, Frida Kahlo, Gandhi, Anne Frank, Rosa Parks, Marie Curie, and many others. By showing what each of these inspiring people were like as children, and exploring who they grew up to be gives kids to opportunity to emulate the traits that made them great – and to realize their own huge potential.
Now it’s the turn of John, Paul, George and Ringo to again inspire a new generation. It’s the first time in this long-running book series (there are 36 titles in all, so far) that a group has been highlighted rather than a single person.
Meltzer and Eliopoulos pack a lot of accurate detail into this little book, and their story of four ordinary kids from Liverpool who loved music, who became the best of friends, and who grew up to become the most famous band in the world, is told with whimsy and a beautiful eye for detail.
We Are The Beatles begins by taking us through the four individual Beatle childhoods, how they found their instruments and each other, shared a love of music, practiced, practiced, practiced, get their break into the business, and the familiar tale of success heaped upon success worldwide. The message is “Whatever your dream is, keep chasing it!” and “The best music is the music you make together. And the essential message will never change: Love. It really is all you need.”
Meltzer has really done his research as the list of his impeccable sources at that back of the book reveals: The Beatles Anthology by The Beatles; Tune In: The Beatles: All These Years, by Mark Lewisohn; Paul McCartney: Many Years from Now by Barry Miles; Love Me Do! The Beatles’ Progress by Michael Braun; John Lennon: The Life by Philip Norman; The Fifth Beatle: The Brian Epstein Story by Vivek J. Tiwary; and The Beatles: Get Back documentary, directed and produced by Peter Jackson.
He’s even included a handy further reading and viewing for kids list: Who Were The Beatles? by Geoff Edgers; What Is Rock and Roll? by Jim O’Connor; Imagine by John Lennon and illustrated by Jean Jullien; and the Yellow Submarine movie, directed by George Dunning.
I can imagine reading this book to my own grandchildren (aged 7 and 4). And then we’d listen to some Beatles tracks together. Such is the power of the music these four young men made. It can still capture new young audiences as the years roll by.
We Are The Beatles is published by Rocky Pond Books, a division of Penguin Books. Get your copy here. Here’s to the next generation of fans!
BOOK GIVEAWAY COMPETITION (open to our U.S. readers only)
With thanks to Penguin Books we have four copies of Brad Meltzer’s We Are The Beatles to give away to four of our U.S. readers.
All you need to do is provide us your name and email address below, and then have a go at answering three easy Beatle-related questions. Good luck!
Please note that due to the high cost of shipping this competition is open only to residents of the United States.
I’m sure most of us have at least a couple of copies of The BeatlesSgt. Pepper’s Lonely Hearts Club Band in our collections – either on CD, LP, cassette, or all three!
But an email today from the folks at eil.com (the UK purveyor of premium quality rare used and new vinyl) got us wondering about which pressing of this LP is the most valuable?
eil.com is currently offering for sale an unusual Nimbus Records “Supercut” edition of the Pepper LP. They say it was “….pressed exclusively for readers of Practical Hi-Fi and Hi-Fi Today magazine by Nimbus, with ‘Nimbus England’ machine stamped in the run-outs. Limited to 1000 copies only, the Nimbus Supercut of Sgt. Pepper has since gained legendary status within audiophile circles and is arguably the most sought after Nimbus title on the market today”.
The asking price? £3,995.00 (AUD$8,309).
And that sounds about right, because there’s another for sale on the Discogs site for the same money.
But what about the very famous (and equally rare) Australian “Audiophile” pressing?
This came into existence when EMI Australia decided to try their hand at half-speed mastering for a reissue series. The LP never went on sale in regular record stores, but was made exclusively available to the public at the Sydney Hi-Fi and Audio Show in July 1983. Just 497 numbered copies were released with unique label artwork, mirroring the black and silver one EMI box Parlophone labels of 1969, and housed inside a single pocket picture cover with AUDIOPHILE designated on the back. Each LP had an individually numbered sticker fixed to the top right corner of the back cover.
There are currently none for sale on Discogs, but the highest price paid in the past was £2,640 (AUD$5,500). For more on this release see the very good Australian Beatle record collector page I Am The Platypus, and if you want to see a nice story about the tapes used for this pressing, check out this YouTube video:
Of course authentically autographed copies of this LP will always sell for big $$$. Take this one with all four Beatle signatures on it’s gatefold inner. We reported way back in 2013 it had sold for an incredible US$290,500.
But probably the doozy with the biggest difference on the cover of the LP is the very rare “Capital Records executives” copy. In a nutshell, a bunch of top guys at Capitol officially had their faces inserted onto the iconic front image for a very limited edition of Sgt. Pepper’s. It’s estimated that only 40-50 copies of this record exist. The covers were printed up and distributed at a Capitol Sales Executive meeting held in Florida in late 1967:
Beatles Blog 