Those interested in the Beatle-related label Dark Horse Records will know that the Benmont Tench LP, The Melancholy Season has been something of a mystery in the catalogue. People seemed to know about its existence for a couple of years now, but exactly when it would see the light of day has remained a complete unknown. Until now.
The long-awaited album has finally been officially announced and assigned a release date of March 7 – on LP, CD and digital download.
Nearly fifty years ago keyboardist Tench was one of the three founding members (along with Tom Petty and Mike Campbell) of Tom Petty and the Heartbreakers, and he stayed with that legendary band right the way through.
The Melancholy Season is only his second solo album and Tench “couldn’t be happier” about finding a home for the record at Dark Horse, describing it as “an emotionally resonant label for me” through Petty’s close friendship with George Harrison. “I met George maybe three times. But I have that connection through Dhani to his dad, through Tom to George. And they have George’s music, Cat Stevens, Joe Strummer – these are writers. To be in that company, it’s perfect.”
The Melancholy Season is available in physical form for pre-order on Limited Edition blue vinyl (through Tench’s official store):
On standard black vinyl:
And on CD:
Benmont Tench has just released an official video of the first single from the new record. It’s the title track, “The Melancholy Season”.
The LP, CD and digital download are out on March 7.
Also, as an aside in case you’re wondering about the striking artwork used on the cover, it’s a painting from around 1907 called Fisherman’s Cottage by Norwegian neo romantic artist, Harald Oskar Sohlberg (1869 – 1935). It suits the album title perfectly!
Of course for avid collectors there’s a sub-category of releases that come out on these two days per year that are essential as well. These are records in some way associated with The Beatles. These can be from artists that have rubbed shoulders with the band, have been produced by them, or who appear on labels owned by them. So, here’s a history of these records for your enjoyment. As usual, if you spot anything we’ve missed please get in touch!
The first of the “associated” records dates back to Record Store Day 2016 and the re-issue of a 7″ single by the band Grapefruit. This featured two previously unreleased tracks recorded for Apple in 1968, with one track (the A-side called ‘Lullaby’) produced by John Lennon and Paul McCartney. Only 750 of these were pressed:
Being produced by John Lennon also put Harry Nilsson’s Pussy Cats LP on the “must seek out” list for RSD 2018. This was the first time the album had been re-issued since it’s 1974 debut. It came out on brown and black marbled “hardwood” vinyl in a print run of 1500 copies:
Also for RSD 2018, producer and ‘Fifth Beatle’George Martin scored a release of his instrumental album Beatles to Bond and Bach (also originally from 1974). It was re-issued as a collectable, limited edition of 2500. Each LP was individually numbered and on 180g blue vinyl:
Sitar maestro and long-time friend and mentor of George Harrison, Ravi Shankar, had an amazing album produced by the Beatle in 1997. Chants of India was originally released (only on CD) on Angel Records, one of the EMI stable of classical labels. But by 2020 George’s son Dhani had re-launched Dark Horse Records, the label his father first started back in 1974. The very first LP in the revived catalogue was Chants of India – on vinyl for the first time. It earned the catalogue number DH0001 and came out as part of the RSD ‘Drops’ in that pandemic year of 2020. It was on red vinyl, housed in a gatefold sleeve with an exclusive photo print, and limited to 3000 copies:
Dark Horse then proceeded to have a bit of a run of Record Store Day releases. The next was the following year for the first of the RSD ‘Drops’ that year (June, 2021), and it was the first of many Joe Strummer titles to be reissued on the label. It was a 12″ picture disc single featuring ‘Junco Partner’, an ultra-rare acoustic home recording of the song famously recorded by The Clash. The B-side was a live version of the song recorded at the Brixton Academy in 2001 by Joe Strummer and The Mescaleros. Bearing the catalogue number DH0003 there were 3500 copies pressed:
Also in 2021, this time for RSD Black Friday, came another Joe Strummer title. It was a 12″ single on pink vinyl. The hype sticker said it all: “Dark Horse Records | Joe Strummer | ‘Johnny Appleseed’ | 12″ Single B/W ‘At The Border, Guy’ | Celebrating the 20th Anniversary of the Classic Album Global A Go-Go | Limited Edition Pink Vinyl | DH0006″. 4500 copies:
On to RSD 2022 now and a Dark Horse Records re-issue from Shankar Family and Friends: ‘I Am Missing You’, a 12″ single on blue vinyl. This is a track taken from their originalDark Horse self-titled LP, released in 1974 and produced by George Harrison. It was issued as a 7″ single back then. 2700 copies:
Record Store Day Black Friday 2022 saw two more Dark Horse Records titles issued. One was Dark Horse Records – The Best 1974-1977, with 12 remastered selections from across the catalogue including Ravi Shankar, Splinter, Attitudes, Henry McCullough and Kenny Burke. This was on black vinyl – 2150 copies:
Another RSD Black Friday for 2022 was Joe Strummer’s Live at Music Millennium. Recorded on November 2, 1999 this was a previously unreleased, rare acoustic in-store performance at a Portland, Oregon music shop called Music Millennium. On black vinyl on the Dark Horse label, there were 3600 copies pressed:
2023 saw an absolute flurry of activity on the Record Store Day front – for both RSD proper, and for Black Friday later in the year.
First up the band Stairsteps. Once signed to the original Dark Horse Records, they got a remastered re-release of their 1976 album, 2nd Resurrection (co-produced by Billy Preston) on gold vinyl. 1410 copies:
Once again Joe Strummer featured heavily, with Dark Horse adding to an ever-lengthening series of reissues. For 2023 RSD it was the turn of Streetcore as a “Limited 20th Anniversary Edition”. It came in a gatefold sleeve and looked great on white vinyl. It includes a colour printed inner sleeve and 1,760 copies were pressed (according to the Record Store Day website).
And also for RSD 2023 came one Beatle-related release with a somewhat tenuous link – the original soundtrack album for the 1971 spaghetti western movie, Blindman – starring none other than Ringo Starr. 1000 copies of this came out on “blood splatter” vinyl. And yes, the vinyl does look as gruesome as it sounds:
First up was a Black Friday reissue of the 1974 Splinter LP The Place I Love, produced by George Harrison:
Black Friday also saw the re-issue of a title originally released by Apple Records back in 1973 – Ravi Shankar and Ali Akbar Khan’s In Concert 1972. Co-produced by George Harrison, this was a 2LP set with 1280 copies being pressed:
The third Black Friday 2023 release was Leon Russell in country mode with Hank Wilson Vol. II. This was a red vinyl reissue of his 1984 country album, originally released on Paradise Records. Dark Horse Records was reissuing the album on vinyl for the first time since 1984. It includes a duet with Willie Nelson on ‘Wabash Cannonball’. 1700 copies:
And that brings us to 2024. Earlier this year Record Store Day for Beatle-related titles was pretty big and, it must be said, a drain on the wallets of completists! There were four releases in all – and this was in addition to no less than ten Beatle and solo releases.
Dark Horse was again busy. They had out a remastered 25th anniversary edition of the Joe Strummer and the Mescaleros double LP, Rock Art & The Ex-Ray Style. This was the debut album by the band in limited pink vinyl. 1800 were pressed with the original gatefold artwork by Damien Hirst being “meticulously reproduced”:
One fairly obscure Dark Horse LP was listed as a RSD Limited Run/Regional Focus release – with only 800 copies on offer on the day. It was was a very interesting LP called Dreamers In The Field by Huun-Huur-Tu, Carmen Rizzo and Dhani Harrison on clear vinyl:
Cat Stevens (Yusuf Islam) has been signed to Dark Horse for almost 2 years now and the label last year released a new, original record from him called King of a Land. For RSD 2023 they also reissued two of his back-catalogue titles, Numbers – A Pythagorean Theory Tale (originally from 1975), and Izitso (originally from 1977). These both came with spectacular lenticular gatefold cover art.
So, Dark Horse was prolific for RSD this year with no less than six records – one of them a double. There were also two solo George Harrison Zoetrope releases to add into the mix.
For RSD Black Friday just passed, things calmed down somewhat. There was only one Dark Horse title to chase down if you were keen, Leon Russell’s Hymns for Christmas. This is on emerald green vinyl. It’s another “first time on vinyl” and 1300 copies:
So, that’s it for the Beatle-related titles. As we said, if you have any thoughts, corrections, or items we’ve missed please get in touch.
A rare acetate demo recording of the Lennon/McCartney song ‘I’ll Be On My Way’, from January 1963, is up for auction next week:
The single-sided, 7″ 45rpm disc has a Dick James Music Limited Demo Disc label which is pasted over a Melodisc label. It has typewritten recording details and is in its original paper sleeve.
This acetate was given to Mike Maxfield (1944-2023) by Paul McCartney. Maxfield was guitarist with The Dakotas, Billy J. Kramer’s backing band, and they recorded the song exclusively as the B-side of their debut single, ‘Do You Want To Know A Secret’ (also a Lennon/McCartney song) released in late April 1963.
Mark Lewisohn, in The Complete Beatles Chronicle, lists the song as being part of The Beatles live repertoire of 1961-62. While credited to Lennon/McCartney, this is a song written by Paul in1959, and he takes the lead vocal on this demo recording, although it is not known when and where it was recorded.
It’s thought the acetate was given to Maxfield around January 1963 for Billy J. Kramer and The Dakotas to learn and record their version, which took place in March. The only other known version by The Beatles was recorded to be played on the radio by the BBC at its Paris Studio in London. The band were guests on the show Side By Side. They recorded it “as live” on April 4, 1963 and it went to air on June 24. That Beatle recording was first officially released on the 1994 compilation album, Live At The BBC.
For further information on this lot please visit the lot listing at Bonham’s Auctions.
As you can see, along with producer T Bone Burnett, there are some heavy hitters helping out including Alison Krauss, Billy Strings and Molly Tuttle.
Variety has just published this in-depth article with a very recent interview with Ringo, and contributions from T Bone Burnett. Well worth a read.
And the online magazine JamBase is running this article with information about the background to Look Up as well:
Billy Strings is not only a star who can fill massive arenas with his band but has also become an in-demand studio musician. For example, Beatles legend Ringo Starr and fellow music icon T Bone Burnett called upon Strings to contribute to Starr’s forthcoming country album.
While Starr hasn’t officially announced Look Up, Ringo spoke about the album with Fox News Digital in July. “I met him [when] Olivia Harrison was reading poems for George. There was about 100 of us there listening, and he was one of them, and I bumped into him [off and on] since the ’70s,” Starr said of Burnett.
“He said, ‘What are you doing? I said, ‘Oh, well I’m doing this, EPs [extended play albums, which have more tracks than a single, but less than a record]. I’m getting people to write a song, put some music on it,” the Beatles legend continued. While Ringo Starr had several pop songs written for the project, he thought Burnett’s tune was “absolutely one of the most beautiful country songs I ever heard. So, I thought, ‘I’m going to do a country EP.’”
When Ringo talked to Burnett about cutting additional tracks, T Bone explained he had nine songs ready to go. “I thought let’s make a real CD, so I’m back making a CD,” Starr said about the decision to turn the EP into an LP.
In May, T Bone Burnett revealed he was working on a country album with Starr while speaking to Variety. Burnett had high praise for Ringo. “He’s such a beautiful singer. Ringo was in a band with two of the best singers in rock ‘n’ roll history, so people never took him as seriously as a singer as they should. If you listen to all the country stuff he did, ‘What Goes On’ and ‘Act Naturally’ and ‘Honey Don’t,’ he did so much great country music, even in the Beatles. And, you know, he’s called Ringo Starr because that’s a cowboy name, and he wanted to be a cowboy when he was a kid. As we all did back in those days; we always all wanted to be Gene Autry.”
Starr’s first solo foray with country was Beaucoup of Blues, an album of country covers he recorded in Nashville in 1970. “Yeah, it’s pretty good. I mean, they whipped it out really quickly; I think they did it in two days or so,” Burnett said of Beaucoup of Blues. “And we’re gonna do something a little more thorough. I mean, Ringo in his third act is deserving of a serious album… I want to make a classic Ringo Starr country record. I think we can,” T Bone added.
Ringo initially planned to put out the country album this fall as per his May chat with Variety. Starr gave a status report to the outlet. “We’ve done 90% of my work. He (Burnett) may want to put other stuff on it. And tomorrow I’m gonna finish off the odd lines I have to re-sing or think about, and then it should be done. As far as I’m concerned, the drums are good and the songs are good and, you know, I sing to the best of my ability, but sometimes I change the melody. That’s the way I am, and I had to back off a bit and do his melody, because he wrote it. So that’s what happened. It just came about and we’re just going with the flow. And now we’ve got a country record. The last country LP was… was it 1970? [Beacoups of Blues]. And now we’ve got one coming out probably in October. Because it’ll be coming out on vinyl and on CD, you’ve gotta get it in, and now it’s like five or six months before you put anything out. I mean, I’d like to finish it here and put it on the radio right now, but you can’t do that anymore.”
Ringo has also announced he’ll be supporting the new country album with two performances at the fabled Ryman Auditorium in Nashville. The shows will be filmed for a special. Check out the Ryman page for more.
And here’s the second teaser song, a co-write by Ringo and long-time collaborator Bruce Sugar. It features the great Alison Krauss on back-up vocals:
Lots of Beatle items come up for auction and on quite a regular basis too. But it’s a little rare to have an entire auction dedicated entirely to Beatle or Beatle-related content.
TracksAuctions.com was established in the UK in 1989 and has developed a worldwide reputation in the field of pop memorabilia. They have over 35 years experience in trading at the highest level in Beatle and rock ‘n roll collectibles.
Their latest auction is a bit of a treasure trove of items. Anyone looking through the extensive list of lots will have a differtent set of highlights that jump out for them. Or maybe these are interest?
Well, here are the standout items for us.
Lot 7. Apple Employee Telephone and Address Book. This would be truly fascinating to flip through. It is a handwritten telephone and address book from the 1970s and contains Beatles addresses and phone numbers including George Harrison, Ringo Starr (Monte Carlo and L.A), and Paul McCartney.
In the photo above you can see an entry for former Apple Records boss, the late Neil Aspinall. Due to the wonders of Google Maps you can go and have look at where he once lived:
It looks like a very nice area, and if you go for a bit of a wander down the street you might notice the house across the road is called Strawberry Fields! Do you think the owners know they live opposite a former residence of a boss of the Beatles empire?
Other influential names in the book include Eric Clapton, Phil Collins, Nat Weiss, Robert Stigwood, Tony Barrow, Peter Brown, Ron Kass, Freda Kelly, Tony Palmer, Denis O’Dell, Derek Taylor, Timothy Leary, Victor Spinetti, Peter Sellers, and Eric Idle, along with numerous record companies, recording studios, media outlets, and other businesses frequented by the Fabs.
Lot 9. Various Artists Apple Records Acetate. This is a 12-inch acetate record containing 23 tracks by various artists. The acetate is on the Apple Corps Ltd. 3 Savile Row Custom Recording label. Was this compilation ever planned for release on Apple, or is it just a party disc put together for fun by the engineers at Apple Studios?
Lot 12. Delaney And Bonnie 1969 Apple Records Withdrawn Album. This one was definitely intended for release by Apple on 30th May 1969, but it was withdrawn due to contractual reasons. As such catalogue number SAPCOR 7 has become very rare indeed. What we have here is one of a small number of pre-release copies that were pressed. In his excellent book Those Were The Days – The Beatles And Apple, Stefan Granados says: “Apple had planned to release their album entitled ‘Accept No Substitute’ on 30th May. Copies of the album had been pressed and were waiting for covers when Apple cancelled….The plan may have been scuttled in part by Apple’s reluctance to pay advances but the inconvenient fact that Delaney and Bonnie were under contract to Elektra Records in the United States is likely to have played a more significant role in the non-appearance of a Delaney and Bonnie album on Apple. For the next year or so, lucky visitors to the Apple office would be given copies of the sleeveless Apple pressing of the album. Copies would also be given to any interested Apple staff and artists.“
Lot 41. The Beatles ‘Love Me Do’ A-Label Demonstration Record. Who wouldn’t want a copy of this in their collection. It takes you right back to just before it all began. This is the “demonstration record” sent out to radio stations in the UK heralding an unknown band from Liverpool. An extremely rare Parlophone white and red ‘A-label’ debut single of ‘Love Me Do’/’P.S. I Love You’. The single was released with the catalogue number 45-R 4949 on October 5, 1962. Even McCartney is misspelled as McArtney on both sides!
Lot 43. The Beatles ‘A Hard Day’s Night’/’Things We Said Today’ 78 RPM. Another grail item for many collectors. This an extremely rare 1964, 10-inch, 78rpm pressing from India of The Beatles single, ‘A Hard Day’s Night’/’Things We Said Today’. The record comes in an original Parlophone paper sleeve too.
Lot 114. The Beatles 1968 Mono ‘White Album’ Number 0000012. Yes, it’s a little beat up, but who wouldn’t want a copy of this rare, low numbered UK mono vinyl pressing of The Beatles’ White Album in their collection? It is number 0000012.
Lot 131. Freda Kelly’s Collection of Fan Club Flexi Discs 1963 to 1969. The Beatles UK Christmas flexi discs are collectable at any time. How much more then would be a complete set (all seven discs) from the woman who ran The Beatles Fan Club from1962 to 1972? Freda’s original flexis are housed in a 1960s hardback record case with her handwritten name and address inside.
Added to the value and collectability is that these exact same discs were used by Apple to produce From Then To You, the 1970 UK LP compilation of all the Beatles Fan Club Christmas messages. Freda recalled that when they came to produce the album EMI didn’t have a complete set of tapes, and nobody at Apple owned a complete set of the flexis. She remembers being asked by Peter Brown to take this exact same set down to Savile Row where they were copied in order to produce the Christmas Fan Club album.
Lot 139. The Beatles John Lennon and Paul McCartney Autographed ‘White Album’. This is a US album sleeve for the 1968 self-titled album The Beatles, aka the White Album. It has the second highest expected sale price in this Tracks auction of between £25,000 – £35,000 (US$33,000 – $47,000 or AUD$48,000 – $68,000). The reason? It is autographed on the gatefold by both John Lennon and Paul McCartney. John has signed in red felt tipped pen and Paul has autographed in black ballpoint pen. The autographs were signed in the USA in the 1970s. Lennon’s autograph dates to circa 1975 and McCartney’s to 1975/1976.
Lot 206. Paul McCartney ‘McCartney’ Album Press Release. This is an original US press release from April 1970. It is on Apple letterhead and is an important document in the history of the band because it became one of the first public signals that The Beatles were no more. Sent out with promo copies of Paul McCartney’s solo LP McCartney, it consists of four sides of questions and answers relating to the recording. The answers McCartney gave to some of the questions were directly responsible for the subsequent “Paul Quits The Beatles” newspaper headlines and a furore over the group splitting up. The final page bears a printed Paul McCartney signature. Also included are three black and white promotional photographs. One of Paul, one of Paul and Linda and one of Paul and his daughter Mary.
Lastly, to the most expensive lot likely in this auction…..
Lot 246. Paul McCartney November 1966 Hand Drawn Stage Designs For The Four Tops London Performance. In November, 1966 the US group The Four Tops were due to play London’s Saville Theatre, then owned by Beatle manager, Brian Epstein. In preparation for the shows he wanted some spectacular backdrops for the stage and commissioned none other than Paul McCartney to come up with the designs. Paul presented his ideas to Epstein and John Lyndon, a NEMS employee and Director of Productions at the Saville. On a large piece of white paper McCartney hand-sketched and annotated 12 images to be considered and one of these was used for the Four Tops first-ever UK performance.
This item is definitely unique and is expected to fetch in the vicinity of £40,000 – £60,000 (US$53,000 – $80,000 or AUD$78,000 – $117,000).
Well, these are some of the standout lots for us. Have a look through the four pages of treasure on the auction site and let us know which are yours. The Beatles Memorabilia Auction starts on September 27 and runs until October 6.
All items sold through TracksAuctions.com have a lifetime guarantee of authenticity and a money-back warranty.
We’re all used to seeing the occasional photograph showing glimpses of Friar Park – the mansion, extensive grounds and amazing gardens that George purchased in 1970. The most famous would have to be this album cover:
So it is interesting to read a contemporary article about how the gardens, in particular the topiary section, are doing now. When Harrison first moved in they were in a very poor state, having been let go by the previous occupants for more than 30 years:
George became a very keen gardener and determined to put not only the house (which had also fallen into disrepair) but all the gardens back to rights. He was so hands-on that his son Dhani once said: ‘My earliest memory of my dad is probably of him somewhere in a garden covered in dirt… just continuously planting trees. I think that’s what I thought he did for the first seven years of my life. I was completely unaware that he had anything to do with music.’
His widow Olivia has maintained that dream and, to be honest, from the images in this article the topiary section today is looking magical.
The article ends:
In short, the impeccably maintained topiary garden at Friar Park today is a masterpiece—one of the most important in all Europe.
Well, we knew that all the previous marketing for McCartney III (and McCartney III Imagined) has revolved around the number 3.
After all, the first (and very limited) release of McCartney III was made at Jack White’s Third Man Records. Symbolically, 333 copies were pressed. Then came the myriad of coloured vinyl editions, many limited to 3000 copies (again to tie into the 3 theme). There were also the dice sets you could buy from the official McCartney store, which had the number 3 on all sides, etc, etc.
So the marketing gurus thought (no doubt over a long lunch), “Why not celebrate 3 years since McCartney III came out with yet another limited edition? And while we’re at it, let’s not make it just one limited edition, but three limited editions!”
Yes. Three morevariations will be joining the 32 iterations already out there of this title across vinyl, CD, and cassette. That’s right, we said 32 variations (see the table below).
Today the McCartney camp announced that the McCartney III 3×3 Edition will be joining them:
The idea is you place your order for a limited edition coloured vinyl disc. One of the three variations available will then be randomly selected and sent to you. Your LP will come in a newly designed Ed Ruscha cover. It will have a lyric printed inner sleeve plus an Ed Ruscha sketch poster for the cover design of McCartney III included:
Also randomly included will be a smaller replica Paul McCartney handwritten print. From the images released so far this will either be the handwritten lyric to ‘Pretty Boys’, ‘The Kiss of Venus’, or what looks like an early sketch of McCartney’s album logo/cover ideas.
So, to summarise: each customer gets 1 LP, a handwritten replica print and a poster in the newly designed cover, with the record in a lyric/credits inner sleeve. However, the colour of the LP and the print pairing is random. If you purchase more than one copy, the store won’t guarantee you will receive two or three different variants.
If you want to have all three unique colours and all three prints you will have to take your chances. Most stores are limiting pre-sales to 4 copies per customer. However, here in Australia the official store limit was initially set at two copies per customer (though this seems to have been removed entirely now).
At this stage we don’t know how “limited” these sets are.
McCartney III 3×3 Edition ships on December 15, 2023 (but for Australia make that January 12, 2024).
Do we really need another three McCartney III coloured vinyl in the world? No. Here’s our running total of all the variations to date (click on image to see a larger version):
The first YouTube unboxing of McCartney III 3×3? Got to admit, he was quick:
Seems this blog is becoming more about Dark Horse Records records than the Beatles lately!
That’s because the label has had a bit of a rush of activity while the Beatle camp has been relatively quiet – unless of course you count all the speculation about a mysterious new release slated for later this year supposedly employing Artificial Intelligence. That’s something the mainstream media jumped on in a big way as AI is a topic du jour at the moment. So much so that Paul McCartney himself took to social media to hose the whole thing down a bit, something he almost never does when it comes to forthcoming releases:
Anyways, while we await news of just what that project is (or is it projects – meaning more than one?), we can focus on Dark Horse as it is Beatle-related, and something many of us collectors like to add into our libraries.
Earlier this week we got this email from Juno, a record store in the UK:
Looks like this will be the next Dark Horse title to look out for, available for pre-order now and out on August 18.
Joe Strummer & the Mescaleros Live at Acton Town Hall is remastered by Paul Hicks (The Beatles, The Rolling Stones, George Harrison) and will be available on 2LP “cloudy clear” vinyl. It will also be issued for the first time on CD.
Recorded on November 15, 2002, the concert was a benefit for striking fire fighters and would be one of Strummer’s last performances as he passed away from a heart condition just a month later. The performance features a 3-song reunion with his former band mate from The Clash, Mick Jones, who reunited on stage for the first time in almost twenty years. It would also be their last time on stage together.
The double LP will be packaged in a gatefold sleeve featuring never-before-seen photos from the show, plus new liner notes from former Fire Brigade Union Secretary Andy Gilchrist, who introduced the band at the show and led the strikes Joe was supporting.
This will also be the first time the concert has been properly released with full packaging on vinyl, with its extremely limited previous incarnation being a very limited Record Store Day exclusive in 2012 featuring just a DIY-inspired clear plastic sleeve.
While we are STILL awaiting a release date from Mobile Fidelity for their audiophile vinyl re-issue of the George Harrison-produced Shankar Family & Friends, Dark Horse has decided to put it out on CD, and as a limited edition “orchid” purple coloured vinyl – remastered by Paul Hicks.
One of the first albums to be released on George’s original Dark Horse Records, its East-meets-West musical styles put Western musicians such as Ringo Starr, Billy Preston, Jim Keltner, Klaus Voormann, and Nicky Hopkins side-by-side with Indian-music pioneers Alla Rakha, Ashish Khan, Shivkumar Sharma and Hariprasad Chaurasi.
Shankar Family & Friends is released in 2023 for the first time as a “stand alone” CD (though it was on CD part of this lovely Collaborations box set from 2010).
The purple vinyl and CD were initially slated for a June 9 release, but the date has recently been pushed back to July 14.
There could also be a black vinyl version but we’re not exactly sure. This image is appearing on some store sites:
Image (from l to r): Dhani Harrison and Yusuf with David Zonshine (Dark Horse) and Yoriyos Adamos (Yusuf’s son and manager) at F.P.S.H.O.T.
A number of digital back catalogue albums were almost immediately put up on the Dark Horse releases site indicating they were now available on streaming services. These are all what might be considered his second tier works, definitely not his top-selling LPs. So the wait has been on to see what new content from Yusuf/Cat Stevens might be made available for the first time – and on physical media.
In March the label made this announcement about a brand new studio work and now the wait for that release is almost over because next month (June 16) sees King Of A Land issued on Dark Horse:
The album’s artwork is created by award-winning Canadian children’s illustrator Peter H. Reynolds. As well as the cover art he has created illustrations for each song portraying the album’s lyrical themes in an accompanying 36 page booklet. The vinyl and booklet are housed in a gatefold sleeve.
Dark Horse, with it’s direct association with founder George Harrison, seems to be a natural home for Yusuf. “George has been an immense influence on me, spiritually, from the very beginning. He pioneered certain thoughts and ideas, which stretched way east, and that was very important. He was beginning to explore Eastern mysticism around the time I was hospitalised with TB, in 1968. Lying in bed, I had a lot of time on my hands and ended up reading a Buddhist book called The Secret Path. That was the beginning of my own search for the light.”
“Looking at the jagged journey of my music, beginning as I did in the 60’s, I would say this new record is a mosaic. A very clearly defined description of where I’ve been and who I am.”
In welcoming the singer to the Dark Horse Record label, Dhani Harrison said “I’m thrilled to welcome Yusuf/Cat Stevens to the Dark Horse Records family. Not only is he a great musical legend but his songs could not fit the Dark Horse mythos any better. From his back catalogue, through to the new music we can’t wait for you to hear. Yusuf is without question one of the most influential singer-songwriters of all time. It is a great honour to be able to give his music a home on our humble yet historic label.”
Yusuf has started to tease King Of A Land with some very charming lyric videos:
King Of A Land sounds like it could be something special, very reminiscent of his early 1970’s work. Definitely looking forward to this one.
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