Category Archives: Beatles

Happy Xmas (War Is Over) – 50 Acetates for 50 Years

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In the lead up to Christmas what a fantastic idea from the John Lennon Estate to mark the 50th anniversary of the release of the Plastic Ono Band song, ‘Happy Xmas (War Is Over)’.

They have sent selected record stores and charities across the UK a very, very limited edition 12″ single of the song in the form of an acetate, each individually cut at Abbey Road Studios.

Only 50 of these have been produced – so they are instant rarities and valuable collectors items. The outer sleeve is stamped with the signature of Yoko Ono, and each recipient received a letter signed by Sean Ono Lennon outlining the Estate’s request that they use the disc (in which ever way they please) to help raise much needed funds for charity. Brilliant!

The entire idea is fully outlined on the John Lennon official site.

That got us curious to see how many of the 50 individually numbered acetates we could track down in the wild. We’ve pulled together these images of the discs – and sometimes their new owners who are charged with on-selling them for charity. Each recipient is doing this in their own way – so check out their details for how you could possibly secure one of these 50 rare acetates for yourself. You’ll be helping a good cause along the way!

03/50 Assai Records – Dundee, Scotland. They have decided to run an auction with bids lodged via email. Details here.

05/50 Dig Vinyl – Liverpool:

07/50 Five Rise Records – Bingley in Yorkshire. They’ve chosen the eBay option to raise funds for charity. See their eBay auction here.

10/50 Jacaranda Records – Liverpool. They have taken the online raffle route.

11/50 Kelly’s Records – Cardiff, Wales:

12/50 Monorail Music – Glasgow, Scotland: They are holding an eBay auction.

13/50 The Musical Box Records – Liverpool:

15/50 Probe Records – Liverpool:

16/50 Resident Music – in Brighton, UK. They’re running a raffle where every purchase at their store gets an entry. Money raised goes to the Gig Buddies charity.

18/50 RPM Music – Newcastle upon Tyne:

20/50 Skeleton Records – Liverpool. They’re auctioning their acetate on Boxing Day. Watch this space for more details.

21/50 Spillers Records – Cardiff, Wales. Spillers have given their record to Oasis, a charity doing good work with refugees and asylum seekers in Cardiff. They in turn are holding a raffle by donation. i.e. you make a donation and go in the draw to win! Details here.

22/50 Spinning Discs – Sheffield:

24/50 Kingbee Records – Manchester:

25/50 Vinyl Revival – Manchester:

26/50 The Vinyl Whistle – Headingly – Leeds (These guys have decided to sell raffle tickets. At £2 quid each you can buy as many as you like and go in the draw to win!):

27/50 Wax and Beans Records – Bury (near Manchester):

29/50 Attitude is Everything – a UK charity based in London working on giving deaf and disabled people better access to live music.

31/50 Collage Arts is in London. It works in the community and offers artist studios, creative enterprise training, young people’s arts programmes, live music and events. They joined in a group of seven other recipient charities and used Crowdfunder to raise £13,720!

32/50 went to Earth Percent, a charity set up in part by Brian Eno to raise awareness of climate change. Watch their Twitter account for plans on how they’ll use the gift to raise funds.

33/50 Glasgowbury – Northern Ireland’s emerging music festival, established from a need to support and develop homegrown artists. They’re HQ is located in Draperstown and they’re taking bids via email.

34/50 This acetate went to Help Musicians UK, an independent charity that provides support and opportunity for professional musicians of all genres and career stages. They also joined in a group of seven other recipient charities and used Crowdfunder to raise £13,720!

?/50 Sister Ray Records – Soho, London (Not sure of what number these guys got, but they decided to hold an auction across their various social media sites – for example Instagram). It raised £2,300. Not bad!

35/50 Hen Hoose – Scottish female and non binary songwriters and music producers. (They have also posted a lovely video unboxing on Twitter). Their auction via the Omega Auction house raised £4,320!

37/50 Karousel Music CIC – This is a London-based music industry hub promoting collaboration amongst artists, songwriters, musicians and industry. See their ticket raffle here.

39/50 Moving On Music – Located in Belfast, this is an independent, not-for-profit and registered charity. It provides an eclectic mix of music and education services to the entire community in Northern Ireland. See their eBay auction here.

40/50 Music Broth – Scotland’s musical instrument and equipment library. Social enterprise and charity improving access to music making for all:

41/50 The Music Venue Trust is a London-based registered charity which acts to protect, secure and improve grassroots music venues. They have uploaded a Facebook unboxing and appear to be totally surprised by what they find in the package! See their ticket raffle here.

42/50 Music Place North-West is a music therapy charity from Liverpool’s Merseyside and they are auctioning their acetate through Bonhams. It will be auctioned in the new year so watch their Twitter account for details.

45/50 Phoenix Arts Club is also located in London and they too have done a Facebook video unboxing in which they are absolutely bowled over by the generosity of Sean and Yoko in choosing them. Watch it. It’s great!

46/50 SWIM stands for Scottish Women In Music. It is a collection of music creators and industry professionals who identify as women working in all music industries. It’s committed to achieving a level playing field for women, pushing for gender equality. They’ve decided on an eBay auction for their acetate.

47/50 The Brain Charity is based in Liverpool and does amazing work helping those affected by neurological conditions to live longer, healthier, happier lives. They also decided to auction their ‘Happy Xmas (War Is Over)’ acetate disc on eBay – and it sold for £4,900. Wonderful effort!

48/50 The Glad Foundation is a charity in Glasgow. It provides a wide range of free and affordable music workshops for people of all ages and abilities:

?/50 The Coda Club in London seems to be associated with the Phoenix Arts Club (see 45/50 above) because their acetate disc is mentioned and seen still sealed in the Phoenix Arts Club Facebook video. The Coda Club is a meeting and support network for retirement-aged classical/jazz/session musicians to reconnect and meet and combat loneliness.

We reckon this is a fantastic initiative by Yoko Ono, Sean Ono Lennon and the John Lennon Estate to do some good in the world this holiday season. In it’s 50th anniversary year good on them for having the vision to use ‘Happy Xmas (War Is Over)’ in this creative way.

Some Original Let It Be Lobby Cards

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To celebrate the release this week of the Disney+/Peter Jackson marathon re-cut of the original Let It Be footage, here are some of the movie theatre lobby cards (and a poster) from the 1970 movie-length version, directed by Michael Lindsay-Hogg:

New Album and Soundtrack: The Beatles And India

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The Beatles And India documentary film (released last month) is an historical chronicle of the influence that India had on the Beatles – and how that in turn changed perceptions of that country in the West.

Through rare archival footage, recordings and photographs, eye-witness accounts and expert comments, along with location shoots across India, the film brings alive the journey’s of George, John, Ringo and Paul “from their high octane celebrity lives to a remote Himalayan ashram in search of spiritual bliss that inspired an unprecedented burst of creative songwriting. It is the first serious exploration of how India helped shape the development of the greatest ever rock band and their own pioneering role in bridging two vastly different cultures”.

The Guardian newspaper wrote of The Beatles And India: “The memory of the Beatles’ relationship with India is revived in this engaging documentary, and if there isn’t much really new here, it’s still salutary to be reminded of how these four young men…used their colossal influence, greater than any politician or movie star or religious leader, to direct the world’s attention to India.”

Now, following the release of the film, comes the original soundtrack to the film:

Not only that, there’s also a companion album called Songs Inspired By The Film The Beatles And India. This CD features interpretations by contemporary Indian artists of the songs the Beatles were inspired to write as a result of the time they spent there.

The album is evidence of the legacy of the enduring cultural and musical crossover which occurred and it features a diverse cast of Indian artists (Vishal Dadlani, Kiss Nuka, Benny Dayal, Dhruv Ghanekar, Karsh Kale, Anoushka Shankar, Nikhil D’Souza, Soulmate and many others) – each bringing their own musical styles, as well as contemporary and classical Indian influences and techniques to the record.

The companion CD release also includes a bonus disc of the original soundtrack score to the film. The music is composed by award-winning composer Benji Merrison and was recorded at Abbey Road Studio 2 (the legendary home of The Beatles recording sessions), and also in Budapest in Hungary and in Pune, India.

Here’s Nikhil D’Souza’s interpretation of John Lennon’s ‘India, India’, a song written by Lennon and recorded in 1980 as a home demo, but not released until 2010’s John Lennon Signature Box.

The Beatles, Get Back and London: On the Trail of a Timeless Story

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In the lead-up to the release next week of the Peter Jackson film The Beatles: Get Back, John Harris, editor of the new book of the same name, takes us on a fascinating journey to the three key locations in the making of the Let It Be album. It is delightful:

McCartney ‘The Lyrics’ – How Many Translations?

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While looking around the web shopping for Paul McCartney’s fabulous new book The Lyrics, we stumbled across a couple of different translations, and it got us wondering how many countries were getting versions of the book in their own language?

There are of course two main English editions. The two most common of these are the US edition in the green outer box:

And there’s the UK edition – which has exactly the same content as the US, but externally is quite different in design:

Also worthy of mention is a third English language version of the book: the Limited Edition. This one is actually signed by Sir Paul. There have reportedly been just 175 copies made available worldwide, though as one reader points out there have been two different signed books with the number #95 sold on eBay. Each had a different publishing logo, raising doubt on the accuracy of “175 worldwide”. Maybe it is 175 in the US, and 175 in the UK. Either way, it comes in a distinctive bright orange box with blue lettering. The design inside is quite unique too – including the two volumes inside which are also in that distinctive orange binding:

Then we get onto the translations, and those we’ve been able to uncover (to date) all seem to have the same outer box and book binding as the US green version above.

Here is the German:

And the Dutch language edition:

Next up is the Spanish:

And close by (in terms of geography) there is the Portuguese:

There is a French language edition too, and it seems to come with an outer box re-design as well:

The Italian translation has only just been released (9 November). There aren’t any great images of how it is packaged yet – but we’ve asked one of the translators and can confirm that this is the cover:

As you can see, like the French edition, the Italians have gone for a white outer box. The translation has been done by Franco Zanetti and Luca Parasi, who is author of the highly regarded Paul McCartney reference book Recording Sessions (1969-2013).

A further confirmation that this is the way the Italian edition is presented are the images in this advertisement that the publishers, Rizzoli Libri, was running on Amazon:

And finally, two unexpected translations – one in Finnish:

And the other in Swedish (thanks to reader Ole for sending this one in). Interesting that the front covers of the two books inside appear to have the images and super-imposed lyrics used for the rear covers of the books in the rest of the world:

Is that all? Do you know of any others?

Let us know using the ‘Leave a Reply’ link below if you have any updates and we’ll publish them here.

Third Man Records Release Film about the Making of McCartney III 333

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Paul McCartney and Third Man Records have just released a short film called McCartney/333.

The film is a mini-documentary detailing the vinyl pressing process for McCartney III 333, the extremely limited-edition version of McCartney’s 2020 solo album, McCartney III, manufactured at the Third Man Pressing plant in Detroit.

The mini doco goes into exactly how the project first came about, and exactly how the unique records were made. It shows just how multiple vinyl copies of the 1970 release McCartney and the 1980’s McCartney II were broken down and reformed into 333 limited-edition copies of McCartney III at Third Man Pressing.

Interestingly, it is revealed that it wasn’t old, second-hand copies of the original McCartney and McCartney II LPs that were ground up as part of the process. It was brand new pressings of these two albums.

Several Third Man Records employees, including co-founder Ben Swank, are interviewed for the film alongside Beatle author and Rolling Stone journalist Rob Sheffield, all spliced in alongside footage of Paul McCartney creating the album in his studio.

Click on the image below to view the mini documentary:

Grail Wings Picture Disc For Sale

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It’s not often you see one of these come onto the market, so it’s worth mentioning.

The UK online second-hand store eil.com currently has a Wings Back To The Egg vinyl picture disc for sale. This super-rare, 1979 UK original promotional-only picture disc is an exclusive in-house edition conceived by Paul McCartney’s company MPL Communications for distribution only to friends, family and label executives, and was never made available for retail sale.

Widely believed to be limited to just 200 copies, or fewer, this example comes from the archive collection of a retired music industry executive.

The picture record displays the same image on both sides. Only the printed matrix number at the end of the perimeter text differs from side one to side two. Here’s the rear cover:

It is a genuine original and near impossible to find, and comes with a cool £1,995.00 price tag. (That’s US$2,720.00, or around $3,640.00 Australian dollars).

Find out more at eil.com where there’s more detailed info and pictures.

Origins of the ‘Revolver’ Cover Art

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This collage detailing the source photos for Klaus Voormann’s legendary cover image for the Beatles’ 1966 release Revolver has been doing the rounds for a while but its worth returning to because it is awesome:

(Click on the image to enlarge) Those pictures with yellow circles are still being sought after. If you know, contact us in the comments section below.

There’s a great article on the genesis of the cover here. “Revolver was the first Beatles’ album that truly marked out the four distinct personalities of the group. Voormann’s illustration captures the band perfectly. Looking at it, you can see that the group is made up of four unique individuals, but they are also connected by kinship, a friendship and an affinity for one another. It is the perfect summation of the band’s relationship at that point in time.”

UPDATE: Thank you to reader Angel who sent us a link to the Dutch magazine Furore and the information that they did a major article on the Revolver cover. It really looks good.

For those interested the exact magazine issue is Furore No 22, from January 2012. and it appears that back-issues are still available to be purchased.

They pitch it as “an exhaustive ten-page story describes the genesis of Klaus Voormann’s iconic cover design of The Beatles’ Revolver album, now fifty years ago, and traces the source of each photograph used therein.”

You can see a teaser graphic on Furore’s back-issues page for the larger article that’s inside the magazine. It gives a hint of the detailed info they provide on the origins of the photographs that Klaus Voormann used. Here’s that teaser image:

Click on image to see a larger version.

And here are two pages from the article itself:

Again, click on the image to see a larger version.

Also, on Revolver, we’ve just discovered the very good I Am The Eggpod podcast. You really should have a listen. Check out the latest episode where host Chris Shaw and songwriter and musician Andy Bell discuss the1966 masterpiece.

Paul McCartney – ‘Grandude’s Green Submarine’ Book and Audio Book

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Two new McCartney items to add to the collection today.

Paul McCartney has written another children’s book. It follows on from his Hey Grandude!, kids story released in 2019.

This one is Grandude’s Green Submarine and once again the story has been illustrated by the talentented Canadian artist, Kathryn Durst.

And, as with the previous title, there’s also a separate audio book on CD – with McCartney not only reading his story but also providing the original music. This is along similar lines to the Hey Grandude! audio book, but the music is different and its played by him and band member, Paul ‘Wix’ Wickens.

Firstly, here’s the book cover, front and rear. It’s a large-format hardback with a protective dust jacket:

Just like the Hey Grandude! book, if you take the dust jacket off, there’s a completely different cover design underneath, front and rear:

The design of the book is stylishly done and has lots of nice touches. Here are two pages from inside to give you a feel for the contents:

And this is the audio book CD, which has Paul himself reading the book. Penguin Books has once again packaged this up nicely in a gatefold cover with a decent booklet. The CD takes all the elements from the book and carries them through the whole design. Here’s the front cover:

And the rear:

They’ve gone to some trouble, making it a gatefold:

And here’s the booklet containing the credits (and two biographies):

(As usual, click on the images to see larger versions)

Song Exploder does Lennon’s ‘God’, and the McCartney Podcast ‘Take It Away’ is Back

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Song Exploder is one of the biggest music podcasts going around.

Host and creator Hrishikesh Hirway works with musicians to take apart their songs and, piece by piece, tell the story of how they were made – delving into the specific decisions that went into creating the work. Guests have included Fleetwood Mac, Billie Eilish, U2, Metallica, Solange, Lorde, Yo-Yo Ma, The Roots, Bon Iver, and more. Here’s the full list of episodes.

Now, Song Exploder has taken a deep dive into John Lennon’s song ‘God’, from his 1970 solo album Plastic Ono Band. It’s the first time Hrishikesh has unpacked a song posthumously, teaming up with the Lennon Estate for a special, first-of-its kind episode using demos, out-takes, multitracks and interviews from their vaults.

“Earlier this year, I got an amazing email—the estate of John Lennon said that they have a treasure trove of audio material from his life, and they were wondering if I would be interested in making an episode around the song ‘God‘. I’ve never tried making a posthumous episode before, because hearing directly from the artist is at the heart of Song Exploder. But with all the interview archives that they have of him speaking, plus all the isolated tracks from the recordings, and the original demo, it actually seemed possible. So this is a very different and special episode of the show.”

Speaking about the episode on Instagram Sean Ono Lennon said “I’m a big fan of Song Exploder and the way Hrishi analyzes songwriting and recording using the multitracks and sessions and the creator’s voice. The shows are always intelligent, well-researched and beautifully edited, so we felt comfortable and confident opening up the archive to them to tell the story of this important song’s creation. They’ve done an amazing job and I’m excited for everyone to hear this special episode.”

In the episode we hear from John Lennon, Ringo Starr, Klaus Voormann, Billy Preston, and psychologist Arthur Janov.

Meanwhile in other podcast news, the very good Take It Away: The Complete Paul McCartney Archive Podcast is back.

After the tragic death of co-host Ryan Brady last year in a motoring accident, his podcast partner Chris Mercer has (understandably) been lying low for a while. The good news is that the show has returned.

Two weeks ago Mercer posted on Facebook: “I’d like to take this opportunity to welcome Paul Kaminski as the new co-host of Take It Away. Many of you will have guessed as much already. When it comes to the Beatles, Paul Kaminski is the real deal. He’s also a highly accomplished podcaster, having worked on the Jack White-related Third Men Podcast, the Beatles podcast Yesterday and Today, The Lucy & Annabel Show, and Now Hear This!, which he co-founded with Ryan Brady. We‘ve already had a productive collaboration going for some time, and we can’t wait to talk everyone’s heads off about music we love!”

The new team of Mercer and Kaminski sound great together and have released the final episode of Season 4 in which they unpack Paul McCartney’s McCartney III Imagined.

And they’ve announced there’ll be a Season 5 coming this fall. “While we will honor the show’s roots by covering McCartney‘s latest projects and expanding our Macca-related offerings, Paul and I are eager to take TIA to new places, and we think you’ll enjoy what we have planned” said Mercer.