Back in April we posted a list of the physical variants (to date) of the forthcoming McCartney III Imagined.
Since then there have been a few additions, so here’s an update about. It includes a standard cassette (available fairly widely), plus a more limited pink cassette and two ‘Limited Edition Mini Jacket’ CD versions. These appear to be only available via the US official Paul McCartney website.
There have also been two low-cost ‘mini jacket’ CD alternates added too – much like the ones made available in the initial McCartney III release program. These are just simple cardboard sleeves. One is available with the standard McCartney III Imagined cover:
Apple, Walt Disney Studios and Wingnut Films have just gone public on their plans for the release of the Peter Jackson-directed film, The Beatles: Get Back.
What many thought would be something like a 2-hour cinema release has morphed into something much, much bigger. It is to be a three-part documentary series, screened over three days on the Disney+ channel. Each episode is around two hours in duration.
Journalist Joe Hagan has been given an exclusive preview and his article about what he saw is in the magazine Vanity Fair. He describes it as “a mindblower”.
Over Six Hours of Never-Before-Seen Restored Footage, Including The Beatles’ Last Live Performance, to Roll Out on Disney+ Over Three Days, November 25, 26 and 27, 2021
BURBANK, Calif. (June 17, 2021) – The Walt Disney Studios, Apple Corps Ltd. and WingNut Films Productions Ltd. announced today that Disney+ will bring “The Beatles: Get Back,” a Disney+ Original documentary series directed by Peter Jackson, to fans and music lovers worldwide.
Because of the wealth of tremendous footage Peter Jackson has reviewed, which he has spent the past three years restoring and editing, “The Beatles: Get Back” will be presented as three separate episodes. Each episode is approximately two hours in length, rolling out over three days, November 25, 26 and 27, 2021, exclusively on Disney+.
“As a huge Beatles fan myself, I am absolutely thrilled that Disney+ will be the home for this extraordinary documentary series by the legendary filmmaker Peter Jackson,” said Bob Iger, Executive Chairman and Chairman of the Board, The Walt Disney Company. “This phenomenal collection of never-before-seen footage offers an unprecedented look at the close camaraderie, genius songwriting, and indelible impact of one of the most iconic and culturally influential bands of all time, and we can’t wait to share ‘The Beatles: Get Back’ with fans around the world.”
Peter Jackson commented, “In many respects, Michael Lindsay-Hogg’s remarkable footage captured multiple storylines. The story of friends and of individuals. It is the story of human frailties and of a divine partnership. It is a detailed account of the creative process, with the crafting of iconic songs under pressure, set amid the social climate of early 1969. But it’s not nostalgia – it’s raw, honest, and human. Over six hours, you’ll get to know The Beatles with an intimacy that you never thought possible.”
He added, “I’m very grateful to The Beatles, Apple Corps and Disney for allowing me to present this story in exactly the way it should be told. I’ve been immersed in this project for nearly three years, and I’m very excited that audiences around the world will finally be able to see it.”
Directed by three-time Oscar®-winning filmmaker Peter Jackson (“The Lord of the Rings” trilogy, “They Shall Not Grow Old”), “The Beatles: Get Back” takes audiences back in time to the band’s intimate recording sessions during a pivotal moment in music history. The documentary showcases the warmth, camaraderie and creative genius that defined the legacy of the iconic foursome, compiled from over 60 hours of unseen footage shot in January 1969 (by Michael Lindsay-Hogg) and more than 150 hours of unheard audio, all of which has been brilliantly restored. Jackson is the only person in 50 years to have been given access to these private film archives. “The Beatles: Get Back” is the story of John Lennon, Paul McCartney, George Harrison and Ringo Starr as they plan their first live show in over two years, capturing the writing and rehearsing of 14 new songs, originally intended for release on an accompanying live album. The documentary features – for the first time in its entirety – The Beatles’ last live performance as a group, the unforgettable rooftop concert on London’s Savile Row, as well as other songs and classic compositions featured on the band’s final two albums, Abbey Road and Let It Be.
An exciting new collaboration between The Beatles and Jackson presented by The Walt Disney Studios in association with Apple Corps Ltd. and WingNut Films Productions Ltd., “The Beatles: Get Back” is directed by Peter Jackson, produced by Clare Olssen (“They Shall Not Grow Old”) and Jonathan Clyde (“Eight Days a Week”), with Ken Kamins (“The Hobbit” trilogy) and Apple Corps’ Jeff Jones (“Eight Days a Week”) serving as executive producers. Jabez Olssen (“Rogue One: A Star Wars Story”) serves as the documentary’s editor, and the music is mixed by Giles Martin (“Rocketman”) and Sam Okell (“Yesterday”).
“The Beatles: Get Back” is being made with the enthusiastic support of Paul McCartney, Ringo Starr, Yoko Ono Lennon and Olivia Harrison.
Ahead of the documentary’s Disney+ debut, Apple Corps Ltd./Callaway Arts & Entertainment will release The Beatles: Get Back book on October 12. Beautifully designed and produced, the 240-page hardcover complements the “Get Back” documentary with transcriptions of The Beatles’ recorded conversations and hundreds of exclusive, never before published photos from the three weeks of sessions. The collectible book will be published in nine international language editions, including English. (ends)
No news yet about a physical release of the 6-hour plus documentary for fans, nor of any Super Deluxe box set of the music. Watch this space.
Seems the McCartney and Rick Rubin documentary series examining the former Beatles’ musical history has landed at Hulu.
It’ll be a fascinating six-part series that will launch on the streamer on July 16. News that two were working together on a documentary series first broke in December last year.
“Never before have fans had the opportunity to hear Paul McCartney share, in such expansive, celebratory detail, the experience of creating his life’s work – more than 50 years of culture-defining music,” said Craig Erwich, president, Hulu Originals and ABC Entertainment. “To be an observer as Paul and Rick Rubin deconstruct how some of the biggest hits in music history came to be is truly enlightening. It is an honor that Paul chose to return to Hulu to share this one-of-a-kind series.”
As we eagerly await the release later this week of the Plastic Ono Band super deluxe editions it’s been interesting to listen to two rare John and Yoko interview discs recorded during the same era.
The two discs are John Lennon & Yoko Ono Special Interview (January 25, 1971, in Tokyo), and John Lennon & Yoko Ono Special Interview (September 2, 1971 in New York).
Both these were only made available recently, and only in Japan. The one place to purchase them was from the museum shop at the Double Fantasy – John & Yoko exhibition, held at the Sony Music Roppongi Museum in Tokyo in late 2020/early 2021. We were lucky as a family friend who lives there got both discs for us and sent them via snail mail to Australia. It took a while, but they eventually got here!
As the titles suggest, these recordings date back to 1971, and hearing John and Yoko talking about their then just-released Plastic Ono Band LPs (one from John, one from Yoko), and also about Lennon’s Imagine LP, adds to our understanding: what they were thinking and saying about the albums at the time.
As you can see, these have been lovingly created in the typical Japanese style. They both come in gatefold sleeves with Grapefruit OBI strips, and they’re both pressed on lovely 10″ clear vinyl.
Both album sleeves say “Printed in Japan”, and state that the vinyl is pressed in Czech Republic. However, inside the labels say “Made in USA”. Confusing.
On the OBI strip and on the record labels there are Columbia Records logos (i.e. Sony Music), while on the covers there are Sony Music, Secretly Canadian and Chimera Music logos printed on the rear sleeves.
And of course being Japanese releases, these both have a paper sheet inserts printed on both sides with more detail and info (in Japanese!) about the EP and the Double Fantasy exhibition:
One of these interview discs at least (John Lennon & Yoko Ono Special Interview (September 2, 1971 in New York) has been previously released. This was back in 1971 in Japan – and it came out on the Apple label. This release was a fan-only, 7″ 45rpm EP. It has the same artwork throughout as this 2020 re-issue and came in a gatefold cover too. Apparently in Japan in 1971 the first 1,000 copies of of Imagine contained a postcard which the buyer could use to order the interview EP for free:
Seeing the original Japanese Apple labels from 1971 reminds us of the amazing attention to detail the Japanese go to when recreating re-issues. If you look closely you can see that even the lettering has been meticulously copied from the Apple original to the 2020 version on the Grapfruit label:
The interview on January 25, 1971 took place in Tokyo’s Teikoku or “Imperial” Hotel. It is conducted in English and Japanese – but mostly Japanese. The Lennon’s state that they are in the country to visit Yoko’s family and are trying to keep a low profile, so it is not an official visit as such. But they’ve obviously called a short press conference to talk briefly about what would have then been their latest releases, the two Plastic Ono Band LPs.
As you can see from the sleeve images above, the two are photographed holding these albums (and The Wedding Album) on the front, rear and gatefold covers.
Here’s a short extract from this disc to give you a feel for what it contains. John is asked about the direct nature of his lyrics on Plastic Ono Band. Is it something like Japanese Haiku poetry?
“This album is shibui!” he declares. Shibui refers to a particular aesthetic of simple, subtle, and unobtrusive beauty. Like other Japanese aesthetics terms, it can apply to a wide variety of subjects, not just art or fashion (see Wikipedia).
There is a small amount of original music on the January 25, 1971 interview disc. At one point Yoko is busy speaking in Japanese to the interviewer while John Lennon in the background has obviously picked up an acoustic guitar and gently finger picks the melodies of ‘Sun King’ and then ‘Dear Prudence’. And at the very end of the press conference there is a short live version of ‘Give Peace A Chance’.
The interview on the second 10″ clear EP takes place in New York on September 2, 1971. Here they talk a lot more about Imagine as it has just been released, but John compares it to Plastic Ono Band, the LP which precedes it. Lennon says the Imagine album is more relaxed compared to Plastic Ono Band. And ‘Imagine’ the song, he says, has almost the the same story as the song ‘Working Class Hero’ from Plastic Ono Band, only ‘Imagine’ is expressed in a more “child-like” way.
Sound-wise he says he wanted Plastic Ono Band to be very spare, but this time (on Imagine) he wanted strings and saxophone, and to work using more musicians. The other contrast between the two LPs he makes is along the lines of: “Last year [when I made Plastic Ono Band] I had long hair and a beard. Now I’ve got short hair and no beard. So it’s like shaving. It’s a bit cleaner looking, more acceptable to people”.
After more dice being mailed out to certain fans and a short social media teaser campaign, it’s just been officially announced that there’s to be an album of McCartney III covers and remixes – called McCartney III Imagined.
The details are here and it looks to be a REALLY eclectic and inventive choice of artists:
It’s a 2LP set – and the coloured vinyl whirlwind begins all over again……
Barnes and Noble (in the US) has added blue to the rainbow:
While Target has announced a silver vinyl exclusive with “alternate artwork” enclosed:
Meanwhile, back over at the McCartney Store (only in the US) they now have a limited edition pink vinyl available, 2500 copies only:
And the official store in the US has also added a dark green vinyl variant. It comes in the same unique cover as the splatter and pink. This green is darker than the Spoitfy vinyl, and there are only 2000 copies available apparently:
There’ll be a single CD too:
And Target stores (US only) will have the CD “with alternate artwork enclosed”:The first YouTube video has also hit. It is Dominic Fike’s version of ‘The Kiss of Venus’. Interesting!
So, what is your take on it? Let us know in the comments below.
Some sites are saying the digital release is April 16. Looks like physical media won’t ship until July 23 though, which is a long way off.
Keep an eye on our site for more details (and vinyl colour variations) as they emerge!
The dream wait is over, what can I say? The dream wait is over, yesterday….
It’s taken a while (there’s even been an official countdown clock ticking down just for the announcement) but Yoko Ono and Sean Ono Lennon have at last revealed the release date (16 April), and the contents of the 50th anniversary box set of John Lennon’s legendary Plastic Ono Band solo album.
And it looks really good. The wait appears to have been worth it:
Rather than detail it all here it’s best to click through to the official John Lennon website which has all the information – and more – about what this 6 CD, 2 Blu-Ray Audio Disc Plastic Ono Band Ultimate Collection deluxe box set will contain. They’ve created a fantastic site with masses of information, images and memorabilia.
There is of course also a 2LP Half Speed Master release, a two CD edition, and a single CD release as well. Accurate track listings for each for each of these are also included on the Lennon site.
Speaking of books, here’s the little one that Paul McCartney referenced as part of the inspiration for his song ‘The Kiss of Venus’, found on the recently-released McCartney III.
“I had a cool little book Jools Holland’s wife had given me, kind of an astrology book, all about the planets and the movements and the fantastic synchronicity of it all. A fascinating book, actually, when the planets go through all the little things, if you look at a graph, as it were, of them all, it like makes a lotus. It’s trippy. There was some great little phrases – “the kiss of Venus” was one of them. So I was loving that book and I was making up a song about that, but that was an instance of forcing myself to write. And I felt good after it. I thought, ‘Yeah that’s a pretty good little song.’ I haven’t had time to record it, but I will.”
It is indeed a lovely little paperback by John Martineau called A Little Book of Coincidence in the Solar System, which examines geometry and harmony in the universe and yes, there is a chapter entitled The Kiss of Venus.
Martineau is the publisher and editor of the award-winning Wooden Books pocket liberal arts series, which has been translated into 20 languages worldwide.
The “kiss” of Venus with the Earth occurs every 584 days and, over an eight year period (exactly!), that movement of the heavenly body as it moves around the Earth draws a beautiful geometric pattern.
Meanwhile, the song features Paul on vocals and guitar, and there’s a neat little harpsichord solo included as well:
A demo “phone” version of ‘The Kiss of Venus’ is one of the four bonus tracks on the Japanese CD edition of McCartney III. It’s can also be found as a single bonus track (Track 12) on one of the four “budget” CD versions of the album released in the UK and in the US:
I wonder if we’ll learn anything more about the origins of ‘The Kiss of Venus’ in McCartney’s forthcoming The Lyrics book?
The latest content announced from the ever-prolific Paul McCartney is to be a comprehensive, two-volume book examining the lyrics to 154 of his songs dating back to 1956 and progressing to the present day. And it really looks like is going to be something special.
Simply called The Lyrics, the 960 pages will feature never-before seen photographs, letters, drafts, and more.
The Lyrics is edited by the Irish Pulitzer Prize–winning author and poet Paul Muldoon, who also penned the introduction. It is based on conversations with McCartney about his songs and his songwriting craft, conducted over a five year period.
“These commentaries are as close to an autobiography as we may ever come,” Muldoon said in press materials. “His insights into his own artistic process confirm a notion at which we had but guessed—that Paul McCartney is a major literary figure who draws upon, and extends, the long tradition of poetry in English.”
Rather than a traditional autobiography, the book will cover the inspiration behind the lyrics and McCartney’s reflections on them. It won’t be in chronological order, but alphabetical.
The book itself is two hardcover volumes that slide into an outer slipcase. The volumes will not be available separately and each one is 480 pages in length. The outer slipcase of the UK edition features the same photograph, taken by Paul’s brother Mike, that was used as the cover to McCartney’s 2005 album Chaos and Creation in the Backyard.The US edition appears to have a different, plain green outer slipcase, and a different spine: