A Christmas theme for the next installment in our occasional Label Variations segment.
This time it’s John Lennon, Yoko Ono and the Plastic Ono Band, with the Harlem Community Choir and the 1971/1972 song ‘Happy Xmas (War is Over)’. Early versions (and some re-issues) were on green vinyl to suit the season.
The US Bell Sound test pressing:
Other US variations:
Some of the UK releases:
And Australia/New Zealand:
Here are some European releases. First Spain ‘Feliz Navidad’:
The Netherlands:
Italy:
France:
Greece:
Sweden:
An EU-made CD single from 2003:
Back to vinyl, this one is from Yugoslavia:
And a couple of South American countries, including Venuzuela ‘Felices Pascuas (Se Acabo La Guerra)’:
Brazil:
Mexico ‘Feliz Navidad (La guerra termino)’:
Here’s one from Japan ‘ハッピークリスマス戦争は終わった’:
Later on, when John Lennon was signed briefly to Geffen Records, that label released ‘Happy Xmas (War is Over)’ too:
(As usual, click on most images to see larger versions)
Please note that not all these are from our collection! Check out this link to a ‘Happy Xmas (War is Over)’ 40th Anniversary page. Catch some others in the Label Variations series here. And visit the Imagine Peace (War is Over!) site.
Merry Christmas and a Happy New Year to all our readers.
With the holidays upon us, and to celebrate the release of the 2017 remix of Sgt. Pepper’s Lonely Hearts Club Band (on 180 gram vinyl) in single LP form – plus the Sgt. Pepper vinyl picture disc, here are a couple of Pepper-related items for your listening pleasure.
For the 50th anniversary of Sgt. Pepper earlier this year The Music Show spoke to singer Barb Junger (whom you’ll hear has a record of Beatle covers out) and writer Joyce Morgan about their memories of first hearing the album back when it was first released in the Summer of Love:
The Music Show also spoke to Beatle biographer extraordinaire, Mark Lewisohn:
The program’s final Pepper installment came from Joanne Petersen, Brian Epstein’s personal assistant. Petersen, who now lives in Australia, recalls the time she heard a test pressing of Sgt. Pepper’s; details some of the launch activities (including John Lennon’s psychedelic Rolls Royce); and George Harrison refusing to cuddle British DJ Kenny Everett:
Their Pepper special also came with a special bonus. It’s a link to a fantastic mini documentary on the background to the people (and horses!) mentioned in the poster John Lennon used to inspire his song, ‘Being for the Benefit of Mr Kite’. And, believe it or not, there’s another Australian connection:
All audio is ex ABC Radio National. Visit The Music Showwebsite for more of their great programs.
The newest stamp in its Music Icons series will honor singer and songwriter John Lennon (1940–1980), “….a rock ’n’ roll hero successful both as a founding member of the Beatles and as a solo artist.”
If the photograph for the stamp looks familiar, it was most recently used on the cover of Philip Norman’s book John Lennon – The Life, which came out in 2008. The image is by legendary rock photographer Bob Gruen who knew Lennon well and has taken many iconic images of him. The photograph comes from a photo shoot for the cover of his 1978 album Walls and Bridges:
The Postal Service has previously honoured The Beatles as a group on a 1999 postage stamp as part of its Celebrate the Century series. That issue depicted the Yellow Submarine from the animated movie and soundtrack Yellow Submarine. The upcoming Lennon release will be the first to feature an actual likeness of one of the Beatles on a U.S. stamp.
In 2007 Britain’s Royal Mail issued ten different stamps celebrating the importance of The Beatles to Britain and the world. These depicted album covers (With The Beatles; Help!; Revolver; Sgt. Pepper; Let It Be; and Abbey Road, plus the single ‘Love Me Do’), along with images of Beatle memorabilia. For more detail on those releases click here.
Detailed information and the issue date for the Lennon US Postal Service stamp will be revealed later. The stamp design is preliminary and subject to change until issuance dates.
After a battle with local authorities The Salvation Army has finally received a full planning go-ahead to build a much-needed training and work placement hub for young people with learning disabilities at its Strawberry Field site in Liverpool. The site, which has been closed to the public for years, will also house an exhibition centre where visitors can find out more about John Lennon and his connection to the parklands, as well as a place to explore spirituality. It’ll look something like this:
The next phase of the project is to raise the money needed to move the Salvos plans from vision to reality. And that’s where you come in.
You’ll be helping young people like Jordan Clark to overcome their learning difficulties, get jobs, and make a real contribution to the community:
One of the fundraising projects launched recently saw a group of young people from the City of Liverpool College and the Salvos’ Steps to Work programme come together to form a choir to record a version of John Lennon’s legendary ‘Strawberry Fields Forever’. They did it at the Abbey Road Studios in London, no less:
Jules Sherwood, Development Manager for The Salvation Army, said: “We believe Strawberry Field is the final piece of the Beatles jigsaw in Liverpool and once open will offer a magical experience to visitors who will be able to follow in the footsteps of the young John Lennon.”
“The very latest technologies will be adopted to create an exhibition where visitors will enter a space where “nothing is real” as they experience the wondrous, intertwined histories of the house, John Lennon and the writing and recording of the iconic song. The gardens will be filled with messages of peace and love which we hope will inspire visitors as Lennon himself was inspired.”
Strawberry Field is an iconic part of Liverpool’s history, as well as an important part of the local community in Woolton. The Salvation Army has owned the site since the 1930s and ran a children’s home there until 2005. JohnLennon was inspired to write ‘Strawberry Fields Forever’ after climbing over the wall and playing in the grounds. For him, it was a special place which had a lasting impact on his life.
Using the research and insights of mathematician and Beatle fan Professor Jason I. Brown, and personal experiences at Abbey Road Studios by Canadian musician Randy Bachman, the podcast un-picks just how The Beatles (with producer George Martin) achieved a chord that has tantalised musicians now for over fifty years…..
There is also a very short Sum of All Parts “bonus” episode, ‘Slow Down, George Solo-son’. Also well worth a listen.
We received an email from a New Zealand reader named Mike who sent through the photograph below. A Pinterest post says “John Visiting A Long Lost Relative In New Zealand, 1964/5?”: Mike writes:
“I am trying to find any information on who this little boy is with John in this photo. I have tried the below websites but have come up with nothing. I have asked Lynda Matthews, John’s second cousin living in New Zealand and she sure it’s not anyone on the New Zealand side of the family.”
Do any beatlesblogger.com readers have any further information? If so, please let us know.
We did a little bit of snooping around the Internet and found the same photo on the very interesting and informative Meet the Beatles For Real website. The consensus from those who made comments on the site is that this is not New Zealand at all. Rather, the photograph was taken in Scotland on April 30, 1964. The little boy is not a relative at all, but a boy who was staying at the same hotel as the Beatles and who also happened to be named John Lennon! That would seem to be backed up by this article on the Mersey Memories site (see the Lennon and Lennon section).
Here’s a little holiday listening enjoyment for you.
Australia’s Radio National station (RN – part of the Australian Broadcasting Corporation) has just aired a great little documentary about the John Lennon song ‘Being for the Benefit of Mr Kite!‘. It is part of their PocketDocs series.
You can listen to it here, or download it to your desktop to listen to later.
There’s also an article written by the documentary’s maker, Sunil Badami.
My daughter was at a big market in Melbourne a couple of weeks back. There was a guy selling records and so she bought this for me:
It’s the 12″ single release of John Lennon’s ‘Jealous Guy’, taken from his Imagine album. As far as I can tell the single was released in 1985. Discogs doesn’t have this particular release listed, but it does have entries for the UK and Europe which look to be the same.
This is the Australian release and as you can see it’s backed with ‘Going Down On Love’ (from Walls and Bridges), and ‘Oh Yoko!’ (also from Imagine).
(click on the labels for a larger version)
The cover is a bit worn and creased and there’s a slight tear on the back, but the vinyl inside is in absolute mint condition. It’s nice when your kids buy you presents!
We’ve just come across a young British artist who does a cool range of Beatle art.
His name is Jay Kelly and he’s recently put out three new Beatles/music collections: Beatles pop art, a Lennon collection, and a sketch collection.
The series we love most are these four Pop Art images:
Good, huh?
Based in Dorset, England, Kelly is a home-schooled and self-taught artist. He’s a graduate of the London Art College with a Diploma of Distinction completed in under seven months at the age of only 15. He is a fan of the 1960s, especially The Beatles.
“I always liked to draw, but got into art more seriously at the age of 13,” says Kelly. “I discovered The Beatles about a year before that when I saw a tribute band play while on holiday. You could say they changed my life, particularly John Lennon.”
“I used to draw only cartoons and caricatures, but The Beatles inspired me to do more than that,” he continues. “I love drawing and painting musicians, and I’m constantly trying to perfect my craft.”
Jay’s works across a range of media including acrylics on canvas, hand-drawn illustrations, caricature, portraiture, graphic design, and acrylic paintings on guitars. His latest works are a collection of pop art canvases featuring various 1960-70s music icons including John Lennon, Jim Morrison, Elton John, as well as a line art collection featuring Paul McCartney, Jimi Hendrix and David Bowie.
Jay Kelly’s art is for sale online, and he also takes specific requests. You can connect with him on:
We attended a huge charity bookstall is support of the very important work done by the Lifeline organisation. They hold these book sales regularly and there’s always a very good selection of music books, Compact Discs, and sometimes vinyl LP’s.
This time around we scored three nice Beatle books.
The first we spied in the stacks was The Beatles Album by Julia Delano:
Published by Bison Books in the UK, this dates from 1991 and is a large-ish hardback book with a dustcover. Inside it is a chronological re-telling of the Beatle story, mostly pictorial:The rear cover:
The second book we found was Geoffrey Giuliano’s The Illustrated John Lennon, published by Sunburst/PRC in 1993:
It is a thin hardback with a dustcover.
The book is part of a series and an accompanying item to Giuliano’s similarly formatted The Illustrated George Harrison. (There’s also an Illustrated Paul McCartney in the set – which we don’t have).
The final book we found was David Sheff’sLast Interview: All We Are Saying – John Lennon & Yoko Ono. This version waspublished by Sidgwick & Jackson in 2000:It is the UK release in hardback, and is a revised and updated edition of Sheff’s original publication from back in 1981 which was called The Playboy Interviews with John Lennon and Yoko Ono (which we also have in paperback, published by New English Library press in the United States).
As Google Books says: On the 21st anniversary of his death, a poignant John Lennon document back in print [detailing] Lennon’s last interview before his assassination on December 8, 1980. It was first published in Playboy in a 20,000 word format in November that year. It saw limited distribution in the US in its full form as a 200-page book, reflecting 20 hours of tapes made that September, but was never seen elsewhere, and is now a collector’s item. This new, revised edition is published with the rare participation of Yoko Ono.