Let It Be – Dialogue From the Beatles’ Motion Picture

This little item came into the collection last week:

It’s a one-sided 45rpm single with three tracks on the A side. These are as the label describes – three brief extracts of dialogue from the Beatles’ 1970 film Let It Be, which premiered in New York in May that year.  We’ve been looking around on the internet for some further information on it.

Fab 4 Collectables (which is a really interesting site by the way) says that this disc was issued to fan club members, but as it states on the the label “Beatles Promo – 1970”  you’d have to think it’s more likely a disc that was sent to radio stations to promote the Let It Be film which had only just been released in the United States. The dialogue was produced during the ill-fated recording and filming of the film in Twickenham studios in London in January, 1969.

The Apple By The Numbers site (no longer active) said that there are bootleg copies of this around: “….fakes exist which do not have machine stamped symbols in the matrix area of the run-out grooves. The original was on black vinyl. Fakes exist on colored vinyl. This record was made at Bell Sound Studios to promote the release of the Let It Be film documentary”. It was Bell Sound that pressed the official Let It Be LP for Apple Records in the USA.

This promo 45 here has symbols stamped in the run-out area, so I guess it could be an original. It says: “Promo  1970 . D – 1” then a symbol that looks like a circle within a circle, followed by a squiggle that looks like this:  ˜ (all hand-written).  As you can see, Apple is mentioned on the label, as is ABKCO, Allen Klein’s company which was managing the Beatles at the time.

It comes in a plain white sleeve, and the B-side is blank. There’s just a white label with no writing, and some groves stamped into the vinyl:

If anyone has any further information on this disc please leave a comment.

For other Let It Be posts see Label Variations – Part 2 ; Let It Be At 40 ; and At Last – A Genuine US “Let It Be” LP.

George Harrison – The Ole Black Gretsch

The Gretsch guitar site has been running an interesting teaser video for a couple of weeks now….The advertising spiel goes something like this:

“Gretsch is pleased to announce the GEORGE HARRISON product “teaser” that will grace their homepage website beginning at midnight, December 9, 2010. By clicking on the “watch video” icon, George will narrate a brief story about his “ole black Gretsch”. There’s no doubt it will cause a major stir in the global marketplace. Want to know more about this project? Please keep checking back on the website as it will be updated over time…”

Seems like there’s to be a new line of reproduction George Harrison “Duo Jet” model guitars – which was his very first decent axe, purchased second-hand back in 1961.

You can read more about this guitar here. According to this site the “friend” to whom George gave the Gretsch (and who subsequently gave it back to him years later) was none other than Klaus Voormann.

Another great source I have is a really interesting book by Andy Babiuk called “Beatles Gear – All The Fab Four’s Instruments, From Stage to Studio“, which came out in 2001.

This book goes into a lot more detail about Harrison and his guitars. After 1961 he went on to purchase other Gretsch models notably the “Chet Atkins Country Gentleman” – George owned two, and the “Chet Atkins Tessessean“.  His profile helped greatly in continuing the brand’s fame in the 1960’s.

Here are some shots of George with that first, now legendary “Duo Jet” guitar:

And probably most notably it makes an appearance on the cover of his 1987 solo album “Cloud Nine”:

The Ole Black Gretsch is featured with Harrison in all the  photos used in the “Cloud Nine”  CD booklet too. I guess we know now that we have Klaus Voormann to thank for re-uniting the pair.

How famous is the Gretsch “Duo Jet”? It even turned up as one of the instrument choices for buyers of The Beatles “Rockband” console game:

How many kids playing “Rockband” today would know they’re “strumming” away on a stylised version of a 1957 model guitar that a young George Harrison purchased in 1961 second-hand from a Liverpool sailor?

Beatles iTunes Gift Cards

Not that it needed more advertising, but the marketing and commercial push around the Beatles becoming available for digital download on Apple’s iTunes continues.

In the lead-up to Christmas I noticed these point-of-sale display bins began appearing in some of the large record store chains here in Australia:

Seems that iTunes Beatles plastic gift cards of various denominations are being made available in the US,  Canada, Britain and Australia (and probably many more countries). These cards are also available for purchase via the official Apple iTunes site, which says the “special edition” cards with Beatle images on the design can go towards any purchase in the iTunes Store, not just Beatles songs.

As you can see in the image above the gift cards are available in $25 and $50 (US and AUS) amounts, and in the US there’s a $149 gift card variant specifically to purchase the entire catalogue as a so-called “box set”.  The same has been done for Canada, while in the UK there are gift cards for £25 pounds and £50 pounds.

On the Apple site there are also two “limited edition” cards of $100 and $50 US with different Beatle images:

"Limited Edition" $50 US iTunes Beatles Gift Card

"Limited Edition" $100 US iTunes Beatles Gift Card

Now I’ve noticed that the redeemed cards (i.e. they’ve been spent and are of no monetary value) have begun turning up on Ebay for sale as “collectable” items.

What do you reckon?  Would you like to have as set of US, British, Canadian and Australian iTunes cards in your Beatles collection? Take this quick poll and lets find out what people think:

 

John Lennon – Double Fantasy (Stripped Down)

At long last my copy of the John Lennon and Yoko Ono “Double Fantasy – Stripped Down” two CD set has arrived.

I know, it was released way back in October as part of the Lennon 70th birth-date celebrations, along with the big LennonSignature” box set, the “Gimme Some Truth” 4 CD box set, and the two versions of the “best of” John Lennon compilations called “Power to the People – The Hits”.

The lengthy delay for me in getting “Double Fantasy – Stripped Down” was caused by a bad Ebayer who disappeared off the face of the earth after taking my (and many other peoples) money. After waiting weeks the item just didn’t turn up, and he didn’t reply to emails. Fortunately I’d paid  using PayPal and after lodging a refund claim with them I got my money back. I must say here that it was all very efficiently done by PayPal – so I’d recommend using them as a way to pay for anything you order on Ebay as it comes with this sort of buyer protection.

After quite a few weeks that dispute was solved and I placed another Ebay order – this time with a store in the US. I particularly wanted a US copy of “Stripped Down” to go with all the US versions of Lennon’s other titles contained in the “Signature” box set. They sent it surface mail or something and it also took a while to get here – but this time at least it has finally arrived.

You’ve probably gathered by now that I’m quite interested in the packaging, small print text, and the images used for the covers of LPs and CDs. (If you are too, you might like a page called “Sleevage” that specialises in album music, art and design of all types).

Clearly, this late in the day, this CD cover isn’t new to you. Its been out since October and everyone has come to terms with the fact that both the front and rear covers are cleverly based on sketches of the original LP’s black-and-white shots of John and Yoko taken back in 1980. I think its a nice touch that they asked Sean Lennon to do this. Yoko says in the booklet liner notes (quote):

“And thank you Sean, after many days of hesitation, you finally did the drawings for the front and back covers…for your dad and your mom. All sorts of memory of that time came back to you, you said.. I know how hard it must have been. This is a thank you from me and your dad.”

One other piece of information that caught my attention reading the small print in the cover notes was that two of the photographs used on the inside panels of the cover are actually significant. This shot of John and Yoko leaving the Dakota building was taken on their  way to the Hit Factory studios in New York on August 4, 1980, for the first day of recording for what would become the “Double Fantasy” album:

From inside the gatefold cover: John and Yoko leave the Dakota for the studio and the very first day of recording "Double Fantasy" - August 4, 1980

And this photo on another panel of the gatefold for “Stripped Down” was taken on 44th Street, New York on December 6, 1980 – the last day of recording:

Another image from the packaging: John and Yoko on 44th Street on the very last day of recording "Double Fantasy"

Its not the first time that photo of the pair leaving the Dakota Building has been used. It appeared as the picture sleeve for the US release of one of the three singles taken from the original “Double Fantasy” LP – the song called “Watching the Wheels”:

The same Dakota photograph was used for the vinyl single "Watching the Wheels", released on 27 March, 1981

Interestingly, when you purchase the LennonSignature Box“, which reissues all his original solo albums, you get “Double Fantasy” remastered in its original form – a single disc with the 1980 cover art and without the “Stripped Down”  version as an additional CD:

In the booklet for this edition of “Double Fantasy” you get a different short essay by Paul Du Noyer, but it has all the same photographs as those used in the booklet for the “Stripped Down” booklet.

Also, I’m not sure that you can purchase this single disc 2010 remastered version of “Double Fantasy” as a stand-alone item. I had a quick look around on the web and couldn’t find it for sale anywhere and so I think it may only be available by getting the “Signature” box. If anyone has any info on that one please let us know.

 

Phil Spector’s Christmas Album

Originally called “A Christmas Gift for You from Philles Records” and released in 1963, this Apple Records LP reissue of the same album came out in 1972 – with different cover art and retitled “Phil Spector’s Christmas Album”:

Phil Spector's "Christmas Album on Apple (front)

Phil Spector's "Christmas Album" on Apple (rear)

Funnily enough the Apple labels  list the title differently to the sleeve, calling it “The Phil Spector Christmas Album Various”….

This is the US pressing (APPLE SW 3400).  As well as listing the artists (Darlene Love, The Ronettes, The Crystals, etc.), the small print on the rear cover has a typically kooky quote from Spector:

“Because Christmas is so international it is certainly in keeping that these youngsters should record their Christmas gift to you, for this album is produced solely with you in mind. It comes with the sincere wish that you understand and appreciate this endeavour into something new and different”. (Phil Spector 1963)

There have been numerous other reissues of this record. I also have the disc with the same artwork (with a few small variations) on the Phil Spector International label:

Spector's "Christmas Album" on the Spector International Label

Notice the words “Phil Spector’s” is in black and superimposed over the words “Christmas Album”, and the artists featured are in written in white on the photo of Phil. On the rear the Apple logo is replaced by the Phil Spector International logo:

Spector's "Christmas Album" on Spector International (rear)

This is the UK pressing (SUPER 2307 005) and the label of my copy looks like this:

Thanks to the the lovely Chained and Perfumed blog for the Christmas inspiration for this one. If you want to see another label variation (this time for the original LP) click on the link.

Abbey Road – Crossing to be Heritage Listed

The zebra crossing made famous by the Beatles has just been designated a site of national significance by the British government. Fans from around the globe flock to the crossing every day to have their photo taken walking over Abbey Road, just down from the EMI studios of the same name. The Abbey Road studios became almost a home-away-from-home for the Beatles and was where they recorded just about all their greatest songs.

The story of the heritage listing (which means it will be preserved forever from change) has been picked up by media around the world.

Here’s how the BBC World Service covered it this morning:

Paul McCartney says he’s pleased with the news, and that for him it caps off what has been a run of recent success: “It’s been a great year for me and a great year for the Beatles and hearing that the Abbey Road crossing is to be preserved is the icing on the cake.”

The photo-shoot for the album which put the pedestrian crossing on the map took just ten minutes to complete. On a sunny day on August 8th, 1969 photographer Iain Macmillan took what would become one of the best-known, copied, and parodied album covers of all time.

Getting ready to cross

People today can’t get the exact same look as the Beatles got for their cover for two reasons. First is that the crossing is not in exactly the same place it was back in 1969, and second is that Iain Macmillan was about ten feet up on a ladder. He took just six photos and it was the fifth one that was used for “Abbey Road”.

Starting the famous walk. Paul is in bare feet and getting nicely out of step....

There is a webcam (run by Abbey Road Studios) that looks over the crossing now 24 hours a day –  so even if you can’t get to London you can experience it virtually any time you like. The latest release to bear the photo that put a zebra crossing on the map is the remastered CD of “Abbey Road” – which came out last year in the new look with the white strip down the left-hand side. The legend lives on:

Paul McCartney – Tripping the Live Fantastic (Highlights)

Well, there are always some surprises in the Beatles and Beatles-related collecting game.

I’ve had a vinyl copy of Paul McCartney’s “Tripping the Live Fantastic – Highlights” LP for many, many years. In fact my copy – in mint condition by the way – dates from the time it was first released way back in 1990. It’s a single LP with 12 tracks, a cut-down version of the full, triple-LP version. The cover looks like this:

The LP I have is on the Australian black and silver Parlophone/EMI label:

I always thought that the “Highlights” LP had an identical track-listing to the compact disc and so have never paid much interest in getting that particular disc….until about a week ago when I decided to look on the Internet for a copy of the full “Tripping the Live Fantastic” 3-LP version to add to the collection. (Turns out these are pretty rare and subsequently expensive, and so I am still looking….).

I did discover, by accident really, that the single CD version of  “Highlights” comes with additional tracks that are not on the single LP “Highlights” version I have had for twenty years now. In fact there are 17 tracks on the CD version, with six extra tracks than the LP (although the LP has one song not on the CD “Put It There”), and so I decided to bid for a copy online and here it is:

Tripping the Live Fantastic - Highlights CD (front cover)

Tripping the Live Fantastic - Highlights CD (rear cover)

“Tripping” is a live disc of songs McCartney recorded in different locations around the world, as he says “….from Rio to Glasgow, Tokyo, through most everywhere and back again…”.

The CD song list is:  1. Got To Get You Into My Life (Not on LP),  2. Birthday,      3. We Got Married (Not on LP),  4. Long And Winding Road,   5. Sergeant Pepper’s Lonely Hearts Club Band,  6. Can’t Buy Me Love,  7. All My Trials (Not on LP),  8. Things We Said Today (Not on LP),    9. Eleanor Rigby,  10. My Brave Face,  11. Back In The USSR (Not on LP),    12. I Saw Her Standing There,          13. Coming Up,   14. Let It Be,   15. Hey Jude,    16. Get Back,                                  17. Golden Slumbers/Carry That Weight/The End (Not on LP).

This is a really nice mint copy of the “Highlights” CD. Its a UK pressing – I think. I say that because the label is a bit confusing. In the small print around the CD outer is says “Manufactured in England by EMI”, but just under the catalogue number it says “Made in Austria”.  Weird.

I am still on the lookout for the 3-LP vinyl version, or maybe a nice copy of the double CD full version of the release. Or maybe both! Will let you know how I go….

Cool photo of Paul from the CD Booklet

Fresh From Apple – The Apple Box Set Unboxed

The newly re-issued Apple Records compact discs are available separately, or if you really want to lash out, as a complete box set containing 17 discs. The box is called “Fresh From Apple Records“.

“Fresh From Apple” box (front)

Its a very flimsy box, printed to look like a wooden crate containing apples, and made of thin cardboard – so you need to take a lot of care when opening it and putting discs in and out. The rear of the box lists the content:

“Fresh From Apple” box (rear)

The box “lid” opens at the top only and there are two flaps either side:

“Fresh From Apple” top opening

As you can see, the cardboard is pretty thin and will tear easily…..Looking down on the box when it’s open here’s what’s inside:

“Fresh From Apple” – the CD’s

All the CD’s come in gatefold cardboard sleeves, and in the box set you get an “extras” double disc as a bonus, plus the “Come and Get – It Best Of Apple Records” disc:

This disc, which comes with a really nice booklet (as do all the CDs), contains some tracks replicated on albums in the box, but also a lot of previously difficult to find Apple singles that were never released on albums. These include songs like “Saturday Night Special” by The Sundown Playboys, “Give Peace a Chance” by the Hot Chocolate Band, “King of Fuh” by Brute Force and the instrumental “Thingumybob” by the Black Dyke Mills Band. Inside the gatefold of “Come and Get It” they have reproduced some original Apple Records press ads:

Just about every CD in the box has bonus material, but there also an extra two CD set (available only in the box) which contains all the bonus material that was initially only going to be available by digital download. There is one whole CD of bonus Badfinger material. The other CD of bonus tracks is shared by Mary Hopkin and Jackie Lomax. These two CDs come in a gatefold cover:

The front cover of the 2 CD “Extras” discs

This cover on the outside is plain white, with some intentional “yellowing” around the edges to make it look old. That Apple logo on the bottom right-hand corner isn’t printed on. Its a sticker:

Inside the gatefold they have reproduced the Apple Studios original tape boxes and used this look to give the track listings for both CDs:

Kinda nice.

There are two reissues in the box which contain two original Apple LPs. These are the Modern Jazz Quartet with “Under the Jasmine Tree” and “Space” both on one CD:

The other is classical musician and composer John Tavener, who had two LPs original released on Apple Records – “The Whale” and “Celtic Requiem”:

One of the late additions to the 2010 reissue plans was the disc by the Radha Krsna Temple. It was added after the initial announcement of the extensive Apple reissues back in August this year. It contains a single bonus track this time around – and (if you haven’t seen it before) it has a fantastic front cover:

There are two CDs from Billy Preston (“That’s The Way God Planned It” and “Encouraging Words”), two from Mary Hopkin (“Post Card” and “Earth Song-Ocean Song”), and no less than four CDs from Badfinger (“Magic Christian Music”, “No Dice”, “Straight Up” and “Ass”):

Other CDs come from Jackie Lomax (“Is This What You Want?”), James Taylor (“James Taylor”), and Doris Troy (“Doris Troy”).

It’s not the first time these titles have appeared as re-issues. There was a previous reissue program which started in 1991 and continued over a couple years.

All in all it’s a pretty nice set. It is good to have all these discs freshly re-mastered and gathered together in one place. I think though, for the money, they might have provided a more interesting (and sturdy) box to contain them…

Rolling Stone – 100 Greatest Beatle Songs – Australian Edition

Back in September I posted on the Rolling Stone magazine special edition release called “The Beatles – 100 Greatest Songs“.

Finally, its been released in its Australian and New Zealand version. This 122 page “book” has a different cover!

Clearly its a photo by Bruce McBroom from the same photo-session in London on April 9th, 1969 – but it is different to the one used for the front cover of the US version of this special edition Rolling Stone magazine:

Give Me A Chance – New Book

When Canadian Gail Renard was sixteen she had a life-changing experience. She lived in Montreal and in 1969 John Lennon and Yoko Ono came to town to stage their “Bed-In” protest for peace.

Give Me A Chance” is a new book out now and in it Gail Renard tells her story of meeting John and Yoko and spending eight amazing days with them as their guest and helper in room 1742 of the Queen Elizabeth Hotel, Montreal.

She babysits Yoko’s five-year-old daughter Kyoko, and she sits in on John and Yoko holding court as the press and the rich and famous make a beeline to their  bedside to interview them, to argue, to pay homage, and to hear about spreading the word of peace throughout the world. I really liked the book. While not full of revealing facts, its easy to read and has a genuine sense of fun and adventure. Gail writes in an endearing naive style and we get to experience the “Bed-In” for peace up close but very much through the eyes of a sixteen year-old girl. How did she get to spend eight days with the Lennon’s? We learn that when she called her mother to get permission there was a very awkward moment:

“Put John on the phone,” she demanded. I recognized her inquisitor’s voice and was mortified. “Oh Mum, you can’t!” I knew she could and she would, and that I didn’t have a choice….so I reluctantly handed the phone over to John. I tried not to cringe as Mum carefully spelt out her conditions to him. There was to be no funny business – no sex or drugs around her innocent daughter. As if that wasn’t enough, Mum also said that I could help at the Bed-In during the day but I’d have to be back at home by my bedtime every night. To my amazement, John agreed…

With permission from her mother out of the way Gail gets to sit in and sing as part of the rowdy chorus in the now historic recording of “Give Peace A Chance”. Every label for the song has the words “Recorded in Room 1742 Hotel La Reine Elizabeth, Montreal…”:

Afterwards, John gave her his hand-written lyrics for the song . These were written out with a black magic-marker pen on a big white cardboard square. These became the cue sheet for the crowd in the bedroom during the recording of the song in Suite 1742.

In 2008, Gail sold the “Give Peace A Chance” lyrics at a Christies auction for £350,000.  She says “Thank you, John. And thanks for not throwing them out, Mother!” She’s since been back to the room where it all happened over eight days in 1969 and writes about that visit here.

In many ways the book “Give Me A Chance” is very like an earlier book about a similar transformational experience with the Lennon’s – this time for a fourteen year-old boy named Jerry Levitan – who snuck into their Toronto hotel room and attended the Toronto version of the “Bed-In” for peace. He wrote a book about his experiences called “I Met the Walrus“.

Thank you to Beatles collector Bruce Hamlin for sending me a copy of this book. It’s richly illustrated with photographs and memorabilia and is a great little read!