We reviewed Volume 1 last year and can vouch for the level of research, knowledge and insight Perasi brings to the task. As an author he has credibility. Perasi one of the two official Italian translators of Paul McCartney’sThe Lyrics, and in 2022 he collaborated with MPL on the label copy for the massive The 7” Singles Box.
“Keeping in with the structure of the previous volume, this is the second part of the ‘musical biography’ of one of the most important song composers ever,” says the author. This latest volume covers the next 23 years (and 250 songs) in the McCartney catalogue.
The book consists of individual song entries across the period 1990-2012. It includes songs written by other composers as well as 26 unreleased tracks – each providing detailed information of musicians and recording dates, anecdotes and contemporary interviews, together with many exclusive interviews with key personnel by the author.
Paul’s classical works are also explored in detail. “I am very proud of the interview I did with Maestro Carl Davis a long time ago, there are some incredible insights into the process of the Liverpool Oratorio,” adds the author.
This book is enriched with almost 1,000 footnotes, with illustrations and QR codes for an even broader multimedia experience. Albums, tours and other events provide further background to the stories behind the songs.
As we said in our previous review, it all adds up to an intriguing mix of information that truly demonstrates that music is about ideas, and that the prolific PaulMcCartney is never short of them.
Music Is Ideas – The Stories Behind the Songs (Vol.2) 1990-2012 is guaranteed to inform, stimulate, and lead to further exploration of the music.
A rare acetate demo recording of the Lennon/McCartney song ‘I’ll Be On My Way’, from January 1963, is up for auction next week:
The single-sided, 7″ 45rpm disc has a Dick James Music Limited Demo Disc label which is pasted over a Melodisc label. It has typewritten recording details and is in its original paper sleeve.
This acetate was given to Mike Maxfield (1944-2023) by Paul McCartney. Maxfield was guitarist with The Dakotas, Billy J. Kramer’s backing band, and they recorded the song exclusively as the B-side of their debut single, ‘Do You Want To Know A Secret’ (also a Lennon/McCartney song) released in late April 1963.
Mark Lewisohn, in The Complete Beatles Chronicle, lists the song as being part of The Beatles live repertoire of 1961-62. While credited to Lennon/McCartney, this is a song written by Paul in1959, and he takes the lead vocal on this demo recording, although it is not known when and where it was recorded.
It’s thought the acetate was given to Maxfield around January 1963 for Billy J. Kramer and The Dakotas to learn and record their version, which took place in March. The only other known version by The Beatles was recorded to be played on the radio by the BBC at its Paris Studio in London. The band were guests on the show Side By Side. They recorded it “as live” on April 4, 1963 and it went to air on June 24. That Beatle recording was first officially released on the 1994 compilation album, Live At The BBC.
For further information on this lot please visit the lot listing at Bonham’s Auctions.
As you can see, along with producer T Bone Burnett, there are some heavy hitters helping out including Alison Krauss, Billy Strings and Molly Tuttle.
Variety has just published this in-depth article with a very recent interview with Ringo, and contributions from T Bone Burnett. Well worth a read.
And the online magazine JamBase is running this article with information about the background to Look Up as well:
Billy Strings is not only a star who can fill massive arenas with his band but has also become an in-demand studio musician. For example, Beatles legend Ringo Starr and fellow music icon T Bone Burnett called upon Strings to contribute to Starr’s forthcoming country album.
While Starr hasn’t officially announced Look Up, Ringo spoke about the album with Fox News Digital in July. “I met him [when] Olivia Harrison was reading poems for George. There was about 100 of us there listening, and he was one of them, and I bumped into him [off and on] since the ’70s,” Starr said of Burnett.
“He said, ‘What are you doing? I said, ‘Oh, well I’m doing this, EPs [extended play albums, which have more tracks than a single, but less than a record]. I’m getting people to write a song, put some music on it,” the Beatles legend continued. While Ringo Starr had several pop songs written for the project, he thought Burnett’s tune was “absolutely one of the most beautiful country songs I ever heard. So, I thought, ‘I’m going to do a country EP.’”
When Ringo talked to Burnett about cutting additional tracks, T Bone explained he had nine songs ready to go. “I thought let’s make a real CD, so I’m back making a CD,” Starr said about the decision to turn the EP into an LP.
In May, T Bone Burnett revealed he was working on a country album with Starr while speaking to Variety. Burnett had high praise for Ringo. “He’s such a beautiful singer. Ringo was in a band with two of the best singers in rock ‘n’ roll history, so people never took him as seriously as a singer as they should. If you listen to all the country stuff he did, ‘What Goes On’ and ‘Act Naturally’ and ‘Honey Don’t,’ he did so much great country music, even in the Beatles. And, you know, he’s called Ringo Starr because that’s a cowboy name, and he wanted to be a cowboy when he was a kid. As we all did back in those days; we always all wanted to be Gene Autry.”
Starr’s first solo foray with country was Beaucoup of Blues, an album of country covers he recorded in Nashville in 1970. “Yeah, it’s pretty good. I mean, they whipped it out really quickly; I think they did it in two days or so,” Burnett said of Beaucoup of Blues. “And we’re gonna do something a little more thorough. I mean, Ringo in his third act is deserving of a serious album… I want to make a classic Ringo Starr country record. I think we can,” T Bone added.
Ringo initially planned to put out the country album this fall as per his May chat with Variety. Starr gave a status report to the outlet. “We’ve done 90% of my work. He (Burnett) may want to put other stuff on it. And tomorrow I’m gonna finish off the odd lines I have to re-sing or think about, and then it should be done. As far as I’m concerned, the drums are good and the songs are good and, you know, I sing to the best of my ability, but sometimes I change the melody. That’s the way I am, and I had to back off a bit and do his melody, because he wrote it. So that’s what happened. It just came about and we’re just going with the flow. And now we’ve got a country record. The last country LP was… was it 1970? [Beacoups of Blues]. And now we’ve got one coming out probably in October. Because it’ll be coming out on vinyl and on CD, you’ve gotta get it in, and now it’s like five or six months before you put anything out. I mean, I’d like to finish it here and put it on the radio right now, but you can’t do that anymore.”
Ringo has also announced he’ll be supporting the new country album with two performances at the fabled Ryman Auditorium in Nashville. The shows will be filmed for a special. Check out the Ryman page for more.
And here’s the second teaser song, a co-write by Ringo and long-time collaborator Bruce Sugar. It features the great Alison Krauss on back-up vocals:
Why A Hard Day’s Night now? Why white vinyl? Why the stereo version? Why only in the UK?
It is part of the UK’s National Album Day – which, granted, has “Great British Groups” as it’s theme this year – but their official webpage doesn’t appear to know anything about a Beatle release. A Hard Day’s Night isn’t mentioned at all in the feature news item on their site that goes into great detail about all the releases associated with the day.
Yes, it has been announced on the official Beatles site. And yes, they say it is because it is the 60th anniversary, but there are no links to order it anywhere, and it comes out in 10 days time.
This looks to be the stereo version and not newly remixed by Giles Martin. The Beatles site makes no mention of the mastering, so we can only assume it is the stock-standard 2009 stereo remaster, which has been out since……well 2009 on CD and 2012 on vinyl.
It’s all just a bit odd!
The limited edition reissue on 180g White Vinyl will be released on October 19th. Will you be getting it?
The list for Record Store Day Black Friday 2024 has just been uploaded and there are two Beatle items of interest to collectors, plus one from Dark Horse.
This 7″ single was obviously chosen to tie in with the 60th anniversary of The Beatles’ arrival in the USA, and their subsequent conquering of the US popular music charts. Not to mention the release of the 8LP set The Beatles 1964 US Albums in Mono, as well as the six LPs that will be available individually. The single is limited to 10,000 copies and is cut from the original US version of the master tapes – the same masters used for the albums in that 1964 Mono box set. It is cut by Kevin Reeves in Nashville using an all-analog cutting process and on the same 1970 lathe at the Capitol studios. Read more about it here.
The other Beatle item slated for RSD Black Friday is another of those tiny 3″ vinyl singles designed to play on the similarly tiny Crosley record player.
‘All My Loving’ comes with a Beatle-branded carry case and it too celebrates the 60th anniversary of the group’s 1964 American Tour – and their appearance on The Ed Sullivan Show that year. With the release of this 3″ record all five of the songs the band played on the show is now complete. The other singles (released for Record Store Day proper earlier this year) were: ‘I Want To Hold Your Had’, ‘Til There Was You’, ‘She Loves You’ and ‘I Saw Her Standing There’. Like them, this 3” will be housed in a picture sleeve and includes a limited-edition poster.
Hymns of Christmas dates from 1995 and it’s the fIrst time this has been on vinyl.
RSD Black Friday is on November 29. Check out the home page for the full list and any updates (there are often additional titles added as the time gets closer).
Lots of Beatle items come up for auction and on quite a regular basis too. But it’s a little rare to have an entire auction dedicated entirely to Beatle or Beatle-related content.
TracksAuctions.com was established in the UK in 1989 and has developed a worldwide reputation in the field of pop memorabilia. They have over 35 years experience in trading at the highest level in Beatle and rock ‘n roll collectibles.
Their latest auction is a bit of a treasure trove of items. Anyone looking through the extensive list of lots will have a differtent set of highlights that jump out for them. Or maybe these are interest?
Well, here are the standout items for us.
Lot 7. Apple Employee Telephone and Address Book. This would be truly fascinating to flip through. It is a handwritten telephone and address book from the 1970s and contains Beatles addresses and phone numbers including George Harrison, Ringo Starr (Monte Carlo and L.A), and Paul McCartney.
In the photo above you can see an entry for former Apple Records boss, the late Neil Aspinall. Due to the wonders of Google Maps you can go and have look at where he once lived:
It looks like a very nice area, and if you go for a bit of a wander down the street you might notice the house across the road is called Strawberry Fields! Do you think the owners know they live opposite a former residence of a boss of the Beatles empire?
Other influential names in the book include Eric Clapton, Phil Collins, Nat Weiss, Robert Stigwood, Tony Barrow, Peter Brown, Ron Kass, Freda Kelly, Tony Palmer, Denis O’Dell, Derek Taylor, Timothy Leary, Victor Spinetti, Peter Sellers, and Eric Idle, along with numerous record companies, recording studios, media outlets, and other businesses frequented by the Fabs.
Lot 9. Various Artists Apple Records Acetate. This is a 12-inch acetate record containing 23 tracks by various artists. The acetate is on the Apple Corps Ltd. 3 Savile Row Custom Recording label. Was this compilation ever planned for release on Apple, or is it just a party disc put together for fun by the engineers at Apple Studios?
Lot 12. Delaney And Bonnie 1969 Apple Records Withdrawn Album. This one was definitely intended for release by Apple on 30th May 1969, but it was withdrawn due to contractual reasons. As such catalogue number SAPCOR 7 has become very rare indeed. What we have here is one of a small number of pre-release copies that were pressed. In his excellent book Those Were The Days – The Beatles And Apple, Stefan Granados says: “Apple had planned to release their album entitled ‘Accept No Substitute’ on 30th May. Copies of the album had been pressed and were waiting for covers when Apple cancelled….The plan may have been scuttled in part by Apple’s reluctance to pay advances but the inconvenient fact that Delaney and Bonnie were under contract to Elektra Records in the United States is likely to have played a more significant role in the non-appearance of a Delaney and Bonnie album on Apple. For the next year or so, lucky visitors to the Apple office would be given copies of the sleeveless Apple pressing of the album. Copies would also be given to any interested Apple staff and artists.“
Lot 41. The Beatles ‘Love Me Do’ A-Label Demonstration Record. Who wouldn’t want a copy of this in their collection. It takes you right back to just before it all began. This is the “demonstration record” sent out to radio stations in the UK heralding an unknown band from Liverpool. An extremely rare Parlophone white and red ‘A-label’ debut single of ‘Love Me Do’/’P.S. I Love You’. The single was released with the catalogue number 45-R 4949 on October 5, 1962. Even McCartney is misspelled as McArtney on both sides!
Lot 43. The Beatles ‘A Hard Day’s Night’/’Things We Said Today’ 78 RPM. Another grail item for many collectors. This an extremely rare 1964, 10-inch, 78rpm pressing from India of The Beatles single, ‘A Hard Day’s Night’/’Things We Said Today’. The record comes in an original Parlophone paper sleeve too.
Lot 114. The Beatles 1968 Mono ‘White Album’ Number 0000012. Yes, it’s a little beat up, but who wouldn’t want a copy of this rare, low numbered UK mono vinyl pressing of The Beatles’ White Album in their collection? It is number 0000012.
Lot 131. Freda Kelly’s Collection of Fan Club Flexi Discs 1963 to 1969. The Beatles UK Christmas flexi discs are collectable at any time. How much more then would be a complete set (all seven discs) from the woman who ran The Beatles Fan Club from1962 to 1972? Freda’s original flexis are housed in a 1960s hardback record case with her handwritten name and address inside.
Added to the value and collectability is that these exact same discs were used by Apple to produce From Then To You, the 1970 UK LP compilation of all the Beatles Fan Club Christmas messages. Freda recalled that when they came to produce the album EMI didn’t have a complete set of tapes, and nobody at Apple owned a complete set of the flexis. She remembers being asked by Peter Brown to take this exact same set down to Savile Row where they were copied in order to produce the Christmas Fan Club album.
Lot 139. The Beatles John Lennon and Paul McCartney Autographed ‘White Album’. This is a US album sleeve for the 1968 self-titled album The Beatles, aka the White Album. It has the second highest expected sale price in this Tracks auction of between £25,000 – £35,000 (US$33,000 – $47,000 or AUD$48,000 – $68,000). The reason? It is autographed on the gatefold by both John Lennon and Paul McCartney. John has signed in red felt tipped pen and Paul has autographed in black ballpoint pen. The autographs were signed in the USA in the 1970s. Lennon’s autograph dates to circa 1975 and McCartney’s to 1975/1976.
Lot 206. Paul McCartney ‘McCartney’ Album Press Release. This is an original US press release from April 1970. It is on Apple letterhead and is an important document in the history of the band because it became one of the first public signals that The Beatles were no more. Sent out with promo copies of Paul McCartney’s solo LP McCartney, it consists of four sides of questions and answers relating to the recording. The answers McCartney gave to some of the questions were directly responsible for the subsequent “Paul Quits The Beatles” newspaper headlines and a furore over the group splitting up. The final page bears a printed Paul McCartney signature. Also included are three black and white promotional photographs. One of Paul, one of Paul and Linda and one of Paul and his daughter Mary.
Lastly, to the most expensive lot likely in this auction…..
Lot 246. Paul McCartney November 1966 Hand Drawn Stage Designs For The Four Tops London Performance. In November, 1966 the US group The Four Tops were due to play London’s Saville Theatre, then owned by Beatle manager, Brian Epstein. In preparation for the shows he wanted some spectacular backdrops for the stage and commissioned none other than Paul McCartney to come up with the designs. Paul presented his ideas to Epstein and John Lyndon, a NEMS employee and Director of Productions at the Saville. On a large piece of white paper McCartney hand-sketched and annotated 12 images to be considered and one of these was used for the Four Tops first-ever UK performance.
This item is definitely unique and is expected to fetch in the vicinity of £40,000 – £60,000 (US$53,000 – $80,000 or AUD$78,000 – $117,000).
Well, these are some of the standout lots for us. Have a look through the four pages of treasure on the auction site and let us know which are yours. The Beatles Memorabilia Auction starts on September 27 and runs until October 6.
All items sold through TracksAuctions.com have a lifetime guarantee of authenticity and a money-back warranty.
Looks like the The Beatles camp is getting set to announce the vinyl re-issue of six US LP’s from released between January, 1964 and March, 1965 on Capitol and United Artists Records. They are Meet The Beatles, Something New, The Beatles’ Second Album, Beatles ’65, A Hard Days’ Night (Original Soundtrack), and The Early Beatles.
The official website briefly had pages published depicting pack shots of each album, but these have have since been taken down.
As you can see, each album comes with a replica inner sleeve from the time, and a sheet or booklet replicating the original tape box. It’s not yet known if the albums will only be available separately or if there’ll also be a box set containing all six LPs on the cards.
Speaking of those images of the tape boxes, before the pages were taken down each album had this Mastering Note text attached:
These albums were cut for vinyl from the original master tapes using a completely analog signal path and with constant reference to first generation pressings of the original albums. They were made using a Studer A80 master recorder with analog preview & program paths, and an Neumann VMS70 cutting lathe originally installed in Capitol Studios in 1971. This specific all-analog cutting technique allows faithful representation of the full musical range and dynamics present on the original tapes.
So, fully analogue AAA pressings is very welcome news. As to whether they’re the original Capitol Mono or Stereo mixes the images seem to confirm Mono as the albums above all show catalogue numbers starting with the “T” prefix – meaning Mono.
These releases tie in well with the 60th anniversary celebrations of the Beatles conquering America and the rumoured The Beatles: The First U.S. Tour re-issue of the famous Mayles brothers’ film – also expected to be announced soon.
UPDATE: It looks like an image of the box set (to be called The Beatles 1964 US Albums In Mono) has also been leaked. This confirms rumours that the box contains a bonus double disc in the form of The Beatles’ Story:
(click on images to see larger versions)
The discs will be on 180-gram vinyl cut from the original mono master tapes and will have a global release on November 22. They’ll feature faithfully replicated artwork and new four-panel inserts with essays written by American Beatle historian and author Bruce Spizer.
True to his word that there would be more Mind Games-related product released before the end of the year, Sean Ono Lennon has announced a 3 LP set called Mind Games – The Meditation Mixes. The tracks (out on October 11) will also be available to stream, but there’s no mention of a CD at the present time.
Watch the “unboxing” promo video:
These Mind Games – The Meditation Mixes were produced by Sean Lennon and came out as part of a consciousness-expanding app called Lumenate in the lead-up to the release of the Mind Games Ultimate Mixes box sets.
Sean Lennon: “You might say meditation is the ultimate mind game. These very abstract interpretations will hopefully assist you in exploring your ‘Innerverse’. I was both thrilled and surprised when UMG said they wanted to make a vinyl edition. This part of the Mind Games project evolved spontaneously and feels like it is sprinkled with just the right amount of good vibes and fairy dust. (Effects may vary).”
The meditation mixes will be released on vinyl as a limited edition 3LP set, pressed on 180-gram crystal clear vinyl and packaged in a triple gatefold mirrorboard sleeve. Side B on LP3 will feature nine unique 1.8 second mantras that will play continually in the vinyl’s run out grooves to create infinite loops.
Interestingly, and perhaps very frustrating for those who forked out the big bucks for the Super Deluxe Box Set, these albums are not included in that box. The Meditations set will have to be purchased separately if you want to have absolutely everything associated with this campaign.
Also, people who only collect CDs (and are not interested in vinyl at all) are also upset and already expressing their pain and dismay on some of the Beatle forums that this is vinyl-only in physical form…..
More on the release from the Universal Music Store site:
“Newly, radically re-imagined remixes, created from John Lennon’s classic song, Mind Games, these nine Meditation Mixes create their own space while maintaining firm, authentic roots in John Lennon’s original recording of the song. Each of them have been radically altered, slowed down and extended, ranging from 5 to 10 minutes to over 33 minutes, allowing for the musical soundtrack to wash over the listener and provide a relaxing, immersive, deep listening and meditative experience. Four of these tracks are presented as Binaural versions that each focus on different types of brain waves: Beta, Delta, Gamma and Theta. Named ‘Mind’, ‘Space’, ‘Spirit’ and ‘Love’, these tracks utilise the effect created when the ears hear left and right frequencies which combine to be perceived as a new frequency that can activate different brain patterns for scientifically proven therapeutic effects.
Of the original song, Mind Games, Yoko Ono Lennon said: “John was trying to convey the message that we all play mind games. But if we can play mind games, why not make a positive future with it – to be a positive mind game?”
Produced by Sean Ono Lennon, mixed and engineered by Sam Gannon with additional recording engineered by Scott Holingsworth, the song will now bring a new positive impact in the realm of meditation and mindfulness.”
Here’s a sample:
And the track listing:
LP1 Side A
Mind Games Meditation Mix – MIND (Binaural Gamma Waves 100Hz) (10:02)
Mind Games Meditation Mix – MAGIC (10:58)
LP1 Side B
Mind Games Meditation Mix – SPACE (8Hz Theta Binaural) (5:42)
Mind Games Meditation Mix – SEED (5:59)
Mind Games Meditation Mix – YES (6:03)
LP2 Side A
Mind Games Meditation Mix – SPIRIT (15Hz Beta Binaural) (5:36)
Mind Games Meditation Mix – LOVE ().5Hz Delta Binaural) (12:32)
Back before Christmas you might recall us running a story about Yoko Ono and Sean Ono Lennon sending out another batch of rare, specially cut acetates to a select group of 50 charities. You can read about that here.
Well, one of the charities has been in touch to let us know how they are using their acetate to raise much needed funds to promote the cause of peace. Here’s their press release:
Limited-edition John Lennon and Yoko Ono ‘Give Peace a Chance’ vinyl acetate available in prize draw to fight extreme poverty
International humanitarian organisation Concern Worldwide is running a prize draw for the exclusive vinyl acetate, newly released in 2023 and hand-cut at Abbey Road Studios. It is one of 50 that has been gifted by Yoko Ono and Sean Lennon to charities that support peace.
Funds raised from the prize draw will go directly towards Concern’s work across 26 countries to end hunger and extreme poverty.
“It’s amazing to be able to offer our supporters the chance to win such an exclusive item, with such an important and unique history, and we’re grateful to Sean and Yoko for including us,” says Lucy Voakes, Fundraising Innovation Manager at Concern.
“The prize draw will raise vital funds at a time when nearly 300 million people around the world need humanitarian assistance and protection, due to conflicts, climate emergencies and other economic factors.”
Concern delivers life-changing interventions in some of the world’s poorest and most vulnerable communities, including emergency response, health and nutrition, livelihoods and education.
The record bears a machine-printed signature from Yoko Ono and is a collector’s item. It also includes the B-Side ‘Remember Love.’
‘Give Peace a Chance’ was first produced fifty-five years ago in June 1969, during John Lennon and Yoko Ono’s “bed-in for peace” in Montréal, Canada. ‘Give Peace a Chance’ quickly became the anthem for the anti-war movement at the time.
To enter the prize draw, visit the charity’s crowdfunder page. Tickets are £5 for a single entry. To enter the draw for free, submit your entry via post. Visit the crowdfunder page for more information: https://www.crowdfunder.co.uk/p/give-peace-a-chance-vinyl
So, that means we know where limited edition acetate number 14 of 50 was sent, and how they intend to use it to help fight poverty.
But what of the other 49? We know where they’ve gone (scroll down the News page on the official John Lennon site to see the full list of charities), but what are they actually doing with them?
However, it’s proving a much more difficult task this time around because not many of the charities have (yet) openly publicised their intentions. Here’s our very short list to date:
9/50 Thanks to Discogs we know that this one went to British Red Cross. Not sure what they did with it, but here are a couple of small, somewhat fuzzy images we found:
45/50 War Child UK. They are holding a timed online auction 24 April – 16 May called Spring Clean for War Child. Lots of other rock and pop culture memorabilia is available to bid on, but you’ll need to register. Details on the acetate they were sent – it is Lot 59 – is available here. As of the date of publication the current bid is £500, and there are 13 bidders:
46/50 One of our readers won this disc! It was raffled by War Child Canada and Barry our reader made the winning bid. He’s kindly sent in a couple of photographs, probably the best close-up look at this collectible item we’ve seen yet:
50/50 This was sent to World Vision UK and Liverpool Lighthouse. After hanging on to it for almost a year and a half, they will auction it during a Liverpool Lighthouse event called the Liverpool Gospel Music Festival on Sunday, May 4, 2025 at the Liverpool Olympia. All proceeds will help transform the lives of vulnerable children worldwide:
And finally this one, which shows that the record is indeed a rare, specially cut acetate:
Last post we looked at how to go about identifying an unusual Australian pressing of Sgt. Pepper’s Lonely Hearts Club Band. This type of id task comes up all the time when collecting Beatle and solo discs. Exactly which pressing do I have, and what are the key things to look out for?
One of the big collectables with a range of variations is original pressings of Paul McCartney’sCHOBA B CCCP. So it was great to have sent to us this week a handy article describing the basics of identifying the key differences to look out for with this LP. It is penned by our mate, Andrey Lukanin:
As we know, the 1st and 2nd editions of the album СНОВА В СССР have the same catalogue and main matrix numbers. This led to Soviet Melodiya pressing plant employees getting confused about these editions. So a good deal of so-called “hybrid” albums went on sale – with the records having different covers/labels/vinyl.
Due to this same confusion with catalogue/matrix numbers, various plants released a number of mispressed editions too. These came with with 12 tracks (instead of 11 or 13) and such records are a great rarity. Their sleeves and labels could look the same as any other pressing, but the number of tracks on the actual disc is different. That’s why it is very important to always check the number of tracks on each side of the vinyl itself. If they add up to 12 tracks it is very rare and collectable.
Aside from the rare 12 track version, the most common variations out there are the 11 track and 13 track variations.
To purchase a truly complete 1st pressing (11 tracks) or truly complete 2nd pressing (13 tracks), you need to check these three main components of the album: 1) the sleeve, 2) the labels, and 3) the number of tracks on the vinyl itself.
How to do this quickly and accurately: 1) Sleeve, front side (without looking at the back side: which could be yellow or white): 1st edition – MPL logo is in the upper right corner 2nd edition – MPL logo is in the lower right corner
2) Labels (without reading/counting song titles): 1st edition – tracklist is in Russian 2nd edition – tracklist is in English
3) Number of tracks: 1st edition – the total number of tracks on both sides of the vinyl should be 11 2nd edition – the total number of tracks on both sides of the vinyl should be 13
There is another way as well – and that’s to examine the endings of the full matrix numbers on the vinyl, but this is not very convenient.
So, those who already own this Soviet-made album in their collection have a reason to check their copy.
Interestingly, in 2014 the Melodiya company celebrated its 50th anniversary. On the company’s website, a poll among music lovers was launched in advance: what records would they like Melodiya to re-release in limited quantities in honor of its anniversary? СНОВА В СССР appeared in the list of winners. But for some reason, like many other records from the list, the album has never been officially re-issued by Melodiya.
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