Announced yesterday out of the blue a new Wings “best of” compilation to accompany the forthcoming book, Wings – The Story of a Band on the Run (and possibly the new documentary film, Man On The Run):
WINGS – The Definitive Collection will contain purely Wings songs (in other words no Paul McCartney solo, or Paul and Linda McCartney releases) and it will come in the shape of a 3LP set, a 2CD set, a 1CD, and there’ll be a separate, exclusive Blu-Ray Audio Disc with Atmos mixes for the first time.
This 3LP set will also be offered as a McCartney Official Store limited edition coloured vinyl exclusive:
If you don’t want to pay US$20.00 for a lithograph and a sticker sheet then you can get a standard 3LP set without the trinkets:
And there’s a single LP on black vinyl containing 12 tracks in all:
The first “exclusive”, “limited edition” coloured vinyl release of the 1LP has been announced. It’ll be available on green vinyl through Target stores in the U.S., in FNAC stores in France, also from jpc in Germany and Austria, and at JB Hi Fi in Australia. In other words, it looks like one retailer per territory will get the “exclusive”. Will this be the first of many colour and cover art variations like we saw with McCartney III?
If CD is more your thing then the 2CD set has all the tracks from the 3LP sets, including the poster:
While the 1CD replicates the 1LP track running order:
The McCartney Store and the SuperDeluxeEdition site are offering an exclusive Blu-ray Audio disc which is likely to be the format that most excites McCartney fans. As site owner Paul Sinclair writes, “For the first time, tracks are available in Dolby Atmos on a physical product. The mixes are by Giles Martin and Steve Orchard. 14 of them have been available in recent times on streaming, but 17 of them are unheard in this format, including tracks from un-reissued latter albums, such as ‘With A Little Luck’, ‘London Town’ and ‘I’ve Had Enough’ (from 1978’s London Town) and ‘Getting Closer’ and ‘Arrow Through Me’ (from 1979’s Back to the Egg). 7 out of the 10 tracks from the US version of Band on the Run also feature on this compilation.
Blu-ray Audio audio streams summary:
Dolby Atmos Mix (48/24)
5.1 Surround Mix (48/24)
Hi-Res Stereo Mixes (96/24)
This blu-ray audio contains 32 tracks and is presented as a ‘softpack’ with a 16-page booklet:
The WINGS– The Definitive Collection packaging has been designed by Paul and Aubrey ‘Po’ Powell of the famous Hipgnosis design studio. The two have worked together extensively in the past, not only on album artwork but also the art direction for McCartney tours. The first thing that hit us though was that front cover with the word WINGS populated with a photo montage of the band, and the inner sleeve replicating that was a little bit derivative. Some other band from the past used a very similar idea way back when…..
Ever wondered why the concerts, which form the centrepiece of the forthcoming John Lennon/Yoko OnoPower to the People box set, were called the One To One concerts?
The BBC has just released a backgrounder as part of it’s Witness History podcast series explaining it. You may need to register to listen (it’s free), but it is well worth it for a very informative 9-minute listen.
In 1972, after leaving The Beatles, John Lennon and Yoko Ono performed in the United States at the One to One benefit concerts at Madison Square Garden, New York.
They were helping to raise money for children with disabilities from Willowbrook State School, after a television exposé by journalist Geraldo Rivera showed the conditions and failings. It was watched by millions of people and led to a public outcry.
Sean Allsop speaks with Geraldo Rivera about breaking the story and organising the concerts.
If you want to view Rivera’s original documentary that blew the lid off the pain and misery of the the young Willowbrook residents who were being so appallingly treated check it out here. (Warning: it contains some very confronting scenes). This is what motivated John and Yoko:
Geraldo Rivera kept in touch with John and Yoko. Later in his life he reflected on meeting the pair and how he worked with them on such an important cause:
When you witness injustice “It’s up to you, yeah, you!”
It’s now been announced. Here is the official press release with all the details on the Anthology Collection audio releases, the Beatles Anthology documentary series on Disney+, and the re-press of The Beatles Anthology book:
THE BEATLES ANTHOLOGY
Award-winning Documentary Series, Music Releases and Iconic Book
All Together Now for Release this Autumn. The Beatles Story… by The Beatles. On screen, on record, and in print.
London – August 21, 2025 – First released three decades ago, The Beatles’ eight-part Anthology series reinvented the music documentary. Instead of a standard treatment centred on an outside narrator and talking heads, The Anthology featured John Lennon, Paul McCartney, George Harrison and Ringo Starr candidly telling their own story, with all its complexities and contradictions. It introduced The Beatles to new generations of viewers and listeners and marked the start of a creative and commercial afterlife that continues to this day.
Now, The Beatles Anthology returns in its ultimate form for a comprehensive global release campaign—on screen, on record, and in print.
Now a Nine-Part Series Featuring a Brand-new Episode Nine Streaming Exclusively on Disney+ Beginning November 26
The Beatles’ landmark Anthology documentary series has been restored and remastered.
The series’ original eight episodes trace the legendary journey that began in Liverpool and Hamburg and soon captivated the world. They bring to life the timeless stories — of Beatlemania, the band’s groundbreaking arrival in the USA, their role at the forefront of the 1960s counterculture, their spiritual exploration in India, and their eventual breakup. And through it all, the constant thread: the music, always the music.
There is now a completely new Episode Nine, including unseen behind-the-scenes footage of Paul, George and Ringo coming together between 1994 and 1995 to work on The Anthology and reflecting on their shared life as The Beatles.
The restoration has been overseen by Apple Corps’ production team, working with Peter Jackson’s Wingnut Films & Park Road Post teams along with Giles Martin, who has created new audio mixes for the majority of the featured music.
The Beatles Anthology Music Collections
Restored & Expanded to Four Volumes: 12LP Vinyl, 8CD & Digital Collections Out November 21
The musical side of The Anthology Collection, originally curated by George Martin, now remastered by Giles Martin, in the form of three double albums of rare material, a shadow story to the one told in the documentaries. They are an enthralling insight into the early development of songs that became the recorded masterpieces that resonate just as loudly today as they did when they were first recorded.
It also has an important new element. Anthology 4, newly curated by Giles, includes 13 previously unreleased demos and session recordings and other rare recordings. It also includes new mixes of The Beatles’ Anthology-associated hit singles: the GRAMMY-winning “Free As A Bird” and “Real Love,” given new life by their original producer, Jeff Lynne, using de-mixed John Lennon vocals.
The original “Free As A Bird” music video has also been beautifully restored:
Both new mixes are placed alongside the band’s most recent UK No. 1 hit single, 2023’s GRAMMY-winning “Now And Then,” the last Beatles song. All three singles were created from rudimentary home demos John recorded in the 1970s, later completed with vocal and instrumental parts recorded by Paul, George and Ringo.
Across all the Anthology albums, there are 191 tracks which will be released on November 21 by Apple Corps Ltd./Capitol/UMG for digital purchase and streaming, and in deluxe 12LP 180-gram vinyl and 8CD box sets. Both box sets include the original sleeve notes for Anthology 1, 2 and 3; the new Anthology 4 includes track notes written by Kevin Howlett and an introduction compiled from 1996 interviews recorded with The Beatles’ close friend and adviser Derek Taylor. The Beatles Store’s exclusive editions for both box sets add four 12-inch band photo art cards in a numbered envelope.
The Beatles Anthology Book
The 25th Anniversary Edition Out October 14
Finally, the 25th Anniversary Edition of The Beatles Anthology book will be released on October 14th by Apple Corps Ltd. and Chronicle Books. Throughout its pages, John, Paul, George and Ringo share their honest, intimate and revelatory recollections of the band’s journey. Their memories are accompanied by impressions from their closest colleagues, including Neil Aspinall, George Martin, Derek Taylor and others. The bestselling 368-page book is beautifully illustrated with more than 1,300 photos, documents, artwork, and other memorabilia from the band’s archives.
Everything The Beatles did involved change. Listening to their songs and watching their story unfold brings us closer to the shifts in culture, ideas and music that they helped shape—and which continue to resonate today. TheAnthology was always about their past, but this new edition confirms its enduring place in the present and future. (ends)
The packaging of the 12LP and 8CD has come in for criticism as being a “low rent” looking for a proper Beatle release. It turns out that they are indeed using Klaus Voormann’s amazing original montage for the box on all editions. The image with that black and white photo is called a “belly band” or “O” card which slides over the outer case and wraps around the whole box. (This “belly band” is also on the Anthology book – if you look closely at the image above you can see it).
Here are some high res images of the Anthology box set configurations:
The four art photos shown in the pack-shot above come in a numbered envelope and are exclusive to the Beatles Store (or if you order through Universal Music). The photo pack:
The 12LP exclusive is limited to 8,500 in the UK and 8,500 in the U.S.
Other editions come without that photo pack:
And here it is with the “belly band” in place:
Below is the 8CD set with art photos only available from the official stores. This is limited to 8000 copies in the UK and 8,000 in the U.S.
And the standard issue, minus the art photo pack. (Click here for the full track listing):
It looks like The Beatles Anthology TV series is destined for a Disney+ streaming release as expected:
When it first aired in 1995 Anthology was a six-part series, so it looks to have been expanded somewhat given the advertising banner says it is now a nine-parter. And that it is due to go to air on November 26 with a three-part premier.
It also looks like those images we got for the accompanying audio box sets are coming true. But what will the final artwork look like? There are currently two different gifs doing the rounds showing variations to the outer box images for the CD set:
This was released in 1965, the year The Beatles produced the albums Help! and Rubber Soul. Plus the singles ‘Ticket To Ride’/’Yes It Is’, ‘Yesterday’/’Act Naturally’ and ‘We Can Work It Out’/’Day Tripper’…
Meanwhile, again in 1965, Brad put out this tune, ‘God, Country and My Baby’, which also sank without trace.
Thanks to our mate and regular reader Andrey for sending this one in. Should we do a series on tunes that failed to oust the Fab Four from the charts?
As he promised months ago, Sean Lennon and the Lennon Estate have this week formally announced the release (on 10 October, 2025) of a mega box set focusing on John Lennon playing (mostly) live in New York in the years 1971 and 1972.
The big box set comprises 9 CDs and no less than 3 Blu-Ray audio discs, all packaged in the 10-inch sized slipcase size that’s been the hallmark of all the Lennon super-deluxe re-issues so far. This one will come with a cool lenticular cover of John & Yoko’s faces, presenting a “dynamic 3D effect”.
The box set will come with a 204-page hardback book designed and edited by long-time Lennon Estate historian and archivist, Simon Hilton (he’s done all the box sets so far and is great). It will feature an oral history about all the included music through the words of John & Yoko and those involved, sourced from both archival and new interviews.
The book will be illustrated with previously unseen photos, lyrics, drawings, tape boxes and memorabilia. Additionally, the set includes a newspaper print poster, sticker sheets and a VIP envelope containing replica concert tickets plus backstage and after-show passes that have all been uniquely reproduced with textured, archival materials.
The centerpiece of Power To The People is the ‘One To One Concerts’, which were Lennon’s only full-length concerts after The Beatles, and his final shows with Yoko Ono. They raised more than US$1.5 million (2025 equivalent of $11.5 million) to support children with intellectual and developmental disabilities. Both the afternoon and evening performances are being released together for the first time, though they’re not complete (see below).
Alongside those two concerts, Power To The People (Super Deluxe Edition) offers an aural time capsule of John & Yoko’s first NYC era, when they traded Tittenhurst Park, their estate in Ascot, England, for a small apartment located at 105 Bank St. in Greenwich Village in Manhattan, and includes the music they were inspired to make during a time of great civil unrest and the deeply unpopular Vietnam War. As a result the set will contain 92 bonus tracks.
Paramount to their recorded musical endeavors at this time was their 1972 political blockbuster album, Sometime In New York City, recorded by John & Yoko with legendary drummer Jim Keltner and New York band, Elephant’s Memory.
For this special collection, songs from the album have been completely remixed from scratch, stripped of the overly heavy production sound that constrained such inspired and inspiring songs as ‘Attica State’, ‘Angela’, ‘New York City’, and ‘Born In A Prison’.
Noticeably missing though is the controversial song (back then and perhaps now even moreso), ‘Woman Is The N***** Of The World’. Some fans are upset about that but the song is still easily available on streaming services and on CD if you want it. Live versions from the ‘One To One’ concerts can also be had on the Lennon Anthology collection from 1998 (evening performance), and on John Lennon – Live in New York City released in 1986 (afternoon performance). For those hoping the song might be a secret hidden track in this new box, a note has been added to the official website pre-order page: NB – This is the full track listing. There are no hidden tracks on the CDs or Blu-Rays.
For this box set the tracks from Sometime In New York City have been re-ordered, rejuvenated and completely re-imagined as a new set of Ultimate Mixes, and is now simply entitled New York City. It includes extended versions of ‘John Sinclair’ and ‘Sunday Bloody Sunday’, so while we lose one song we gain longer versions of others.
In addition to the Deluxe 9 CD/3 Blu-Ray box there will be a four LP version with the afternoon and evening ‘One To One’ concerts:
You might know if you’re a regular reader that we’re quite interested in celebrating artists and creatives who sometimes go unsung, but have helped The Beatles as a band or solo to achieve their artistic vision.
One such talented and long-time collaborator passed away last week.
His name was Sir Brian Clarke, a British painter, architectural artist, designer and printmaker, best known for his large-scale stained glass, tapestry, ceramics and mosaic projects. He was also known for his symbolist paintings and stage designs.
His artistic collaborations have included work with David Bailey, Hugh Hudson, Malcolm McLaren, and also with Lindaand Paul McCartney. In fact, he was a firm friend of theirs and Paul has paid tribute to him this week in his socials:
Brian Clarke’s first public collaboration with McCartney was his striking cover and label art for Paul’s 1982 album, Tug of War.
Clarke designed the cover, producing an abstract painting in oil on canvas that incorporated a painted portrait into the cover from a photograph by Linda McCartney of Paul in the recording studio. The geometric elements of the painting, which he calls ‘reticules’, were used in promotional material for the release, incorporated throughout the vinyl and CD booklets by Hipgnosis, and also appeared on the vinyl labels:
Clarke also designed and fabricated a series of Tug of War stained glass panels in different colours and treatments:
Each artwork is made of mouth-blown glass and these stained glass panels make a cameo appearance in the music video for the single from the album, ‘Take It Away’. You can see them briefly from about 3’10 in, during the scene set in the bar:
Interestingly, the style Clarke used for Tug of War is also evident in his paintings from the time as well, for example this one from 1982 – a series called The Rome Paintings:
His concept again paired Clarke’s paintings and compositions (this time of of cut flowers) with Linda McCartney’s photography, producing a collaborative series of canvases and pictures. The photographs were shown at Linda’sFlowers in the Dirt exhibition at the Mayor Gallery, London, in 1989.
“I got the idea for the Flowers in the Dirt cover when I was staying at the Oriental Hotel in Bangkok. I did a sketch and a faxed it back to Paul. He said he was interested and wanted to see it developed. By then I was in New Delhi and I did the painting there. I flew back with it one Thursday night and Linda and I went into the studio the following day, laid the flowers on the canvas – which was still wet – and worked on it until we got it right.”
His art also adorned the press materials released to promote the album:
These were huge works that hung behind the band on stage:
Clarke’s stage designs were also incorporated into The Paul McCartney World Tour posters and souvenir concert tour programs:
His other record cover art from this time includes the design for the cover of the single ‘Figure of Eight’, taken from the Flowers in the Dirt LP:
Brian Clarke also created stage designs for The New World Tour in 1993. His painted stage sets and projections included collaged biographical pictures by Linda McCartney, a photographic history of stained glass, and appeared on promotional materials designed for the tour. Those hand-painted sets, on canvas and on acoustically transparent scrims, became the world’s largest-ever stage sets, and are Clarke’s largest ever paintings:
“The main sets were painted, and the projections included a collage I made of photographs of my favourite works in stained glass from the 11th century to the present day, used by Paul as the backdrop to ‘Let It Be’. Somehow the imagery and the rolling depth of colour across the enormous stage morphed perfectly with the religious mood that is always provoked when one listens to that remarkable song.”
Then in 1997, not long before Linda’s death, she and Clarke held a joint exhibition called Collaborations. It showed works by both artists and collaborative pieces in which Linda’s photos were silk screened onto mouth-blown glass using a process of their own devising.
“Linda McCartney, working with her friend, the artist Brian Clarke, is helping to spearhead a revival of an art form that has been dormant for more than 100 years – stained-glass photography. They have been secretly working for three years on reviving the technique, which was last in vogue in the 1880s, and which Clarke has experimented with once before. They have now produced a number of stained glass photographs, including a set of portraits of Sir Paul McCartney as well as other celebrities, friends, flowers and urban landscapes.” (The Independent, February 1998)
As a mark of the long friendship and artistic association he had with the McCartney family Brian was amongst a select few to deliver a message during Linda’s memorial service on June 8, 1998.
Then, in 1999, Paul McCartney released Working Classical, an album of his orchestral and chamber music. On it was a composition called ‘A Leaf’. In the CD booklet the notes about each work is accompanied by a creative image. For ‘A Leaf’ it was a photo of one of Linda and Brian’s stained glass works……
Jump forward another six years to the 2005 McCartney album, Chaos and Creation In The Backyard. The front cover image is a photo taken by Paul’s brother Mike McCartney. But inside the CD booklet, and in the vinyl edition, there are featured numerous line drawings by Brian Clarke:
The Special Edition CD came with a bonus DVD with a few extras, including an 11’30 animated film called Line Art featuring Brian’s drawings accompanied by instrumental tracks of the songs ‘Riding to Vanity Fair’, ‘At the Mercy’ and ‘Anyway’. The single that was taken from the album ‘Fine Line’ also featured Clarke’s work on the front cover:
Vale Brian Clarke, 2 July,1953 – 1 July, 2025.
His work in stained glass, painting and sculpture has been shown widely internationally, and can also be found in the permanent collections of the Victoria & Albert Museum and the Tate Gallery in London.
He was awarded a Knighthood in January 2024, becoming the first stained glass artist to be honoured for a medium that has significantly shaped the course of British art.
The Beatles have announced this week that the new CEO of their company, Apple Corps Ltd., will be Tom Greene. He replaces Jeff Jones, who ran the company for almost 18 years and decided to step away from the job last year.
In a group statement, Paul McCartney, Ringo Starr, Olivia Harrison and Sean Ono Lennon joined together to say: “We are thrilled to welcome Tom Greene as CEO. We have a lot of exciting plans and Tom’s experience and vision make him the perfect person to join us in making it all happen.”
Variety reports that while Greene (pictured above) has no music business experience, he comes to the role with a strong entertainment background having been Chief Operating Officer of BLAST “a competitive entertainment company working with the biggest video game developers and publishers in the world on the production, commercialization and audience growth of their e-sports programs”.
Prior to that Greene was at Wizarding World Digital and Pottermore, the official hubs and parent companies of the Harry Potter franchise – with “over 50 million members, supported by immersive digital experiences, daily content publishing and an innovative e-commerce offering.” Greene was Group Commercial Director for Pottermore from 2015 through 2018, then moved to Wizarding World Digital, where he acted as COO, then General Manager.
In taking on his new role, Greene will still maintain his position on the board of directors for both BLAST and Pottermore.
Greene, who won’t start until September, said “It is a huge honor to lead Apple Corps into this new phase of its history. Like so many people around the world, I grew up in a household obsessed with the Beatles and their music. At a time when the world might need more of the Beatles’ spirit, there are so many new and innovative ways to bring their unique magic to all generations of fans. I cannot wait to get started.”
It’s going to be very interesting to see where the company goes in the future. With his e-commerce background will this mean that physical product from The Beatles is set to take a back seat? Hope not.
This coming Wednesday is officially Global Beatles Day. How will you be celebrating?
25 June is increasingly being recognised as a day set aside to celebrate The Beatles and their music and cultural legacy around the world.
Why is GBD June 25?
Well, it was on this day in 1967 that the Beatles first premiered their song ‘All You Need Is Love’. And they did it live before an audience estimated to be between 400-700 million people. Those millions had tuned in their TV sets to the ground-breaking Our World broadcast – the first of its kind to link up national broadcasters from fourteen countries across the globe in one celebratory program using what was then-new satellite technology. The resulting two-hour show was seen across 24 countries. And when it came to the United Kingdom’s turn The Beatles allowed the TV cameras into the Abbey Road Studios and let the world witness them putting the finishing touches to a previously un-heard song, ‘All You Need Is Love’. It went something like this:
So, on Global Beatles Day why not dig out a few Beatle records or CDs and immerse yourself in the music one more time, and think about the phenomenon that somehow rolls on and on, from generation to generation.
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