A ‘Magical Mystery Tour’ Collector Extraordinaire

Most collectors of Beatles (and solo) records, CDs, books, magazines and the like will have a broad cross-section of albums and items, ranging from the earliest Please Please Me LP in 1963, right up to the latest Paul McCartney coloured vinyl variation.

Sometimes though a collector will get fixated on one particular thing.

That’s what happened to one of our readers named Simon.

A few weeks ago Simon sent us a photograph of the cassette variations he owns of one particular album – Magical Mystery Tour. They are laid out on the floor and to reproduce them here it is going to take two photographs to show you:

And that is just the cassettes.

Simon has what he believes to be one of the world’s most extensive if not the largest collections of Magical Mystery Tour items (hereafter referred to simply as MMT).

He owns over 60 MMT EP records from different countries around the world, as well as around 150 different versions from the MMT LP. And that’s not to mention the piles of MMT VHS movie tapes, 4-Track and 8-Track recordings, PlayTapes, DVDs, and CDs….He also has Betamax video tapes of the movie, and Reel-to-Reel music rarities.

So, we had to ask him two things.

One is why did the Magical Mystery Tour become Simon’s main thing, the one he must have more and more copies of?

Two is could he send some images of a couple of the more interesting EP versions he has of MMT from around the world?

For the first question here is his answer:

The reason for me collecting Magical Mystery Tour items is because as children in 1967 my sister and I took part in the film as extras. We were in the “Tug of War” and “The Marathon” scenes, and also in “Your Mother Should Know” in the hanger at the RAF West Malling Airfield Base, in Kent, England.

However, my story actually took off in 1978. That year I had to have surgery on both knees. Because the ward where I should have been sent for recovery was being repainted I was instead operated on and put in a ward for children who were terminally ill with cancer. Needless to say these children died.

I said to myself if possible I will try to do something in my life to give aid to children with cancer.

I then met my wife in 1982 and she just happened to be a Beatles fan. Of course the subject of me being involved in the MMT film came up and my wife asked if we could see the film on video. So one day we went to a video store and bought a video tape.

This led to buying an LP, then an EP, and a cassette.….

During this time we were also both very much into Volkswagen Beetles and in 1996 I organized what was to become the largest, most well-known vintage VW show of its kind.

The proceeds were donated to a hospital ward in Hanover in Germany to aid children with cancer.

In the meantime my Beatles MMT collection was growing.

In the early 2000s I left the VW hobby and decided to concentrate entirely on my MMT hobby instead – and to try to put my collection to good use.

I  am always looking for  items that I don’t have yet from MMT. I do not sell anything from my collection. 

Any doubles are swapped for other MMT items that I don’t have yet in my collection.

So, I have been collecting MMT for the past 40 years and nothing else from The Beatles.

I have only ever looked at the entire film once in one go! But I’ve spent hundreds of hours going frame by frame through DVDs and outtakes looking for tiny details on the famous MMT bus as I bought an original Bedford VAL Plaxton Panorama (the exact same model as the MMT bus) from Liverpool. It’s being restored in the UK and hopefully will be used world wide in aid of different cancer charities. Today I also hold not for profit exhibitions of my collection to help charities, such as for children with cancer.

So, as you can see it is quite a story!

What about some of the gems, some of the rarities from just the MMT EP part of his vast collection?

As already mentioned Simon has over 60 copies of this release from different countries. Of course he’s got many of the Made in Great Britain variations (he owns around 15 different versions of these in Mono and in Stereo), but we asked him to show us some of the more unusual examples. You know this one, most often it comes in a gate fold cover with two 45rpm EPs (or extended play) vinyl discs and a booklet with the story and lyrics stapled inside:

To begin, Simon sent us images of four different examples from Argentina which has a number of different versions of the MMT EP. These below (in order) are from 1968, 1970, 1973, and one of unknown year of release. It’s the one on the red and brown EMI label (it is probably 1975). The song titles are translated from English to Spanish:

Greece has two different versions – one with a large jukebox center (which Simon doesn’t own yet), and the other with a smaller push-out centre: 

From Uruguay, Simon owns two versions. There’s the regular release, and this rare blue test pressing below that he has never seen for sale again in 40 years:

One really cool looking label is this Odeon version from Brazil, released in 1968. It is the Mono version:

Italy has a number of different pressings on Parlophon in blue, black, and this Juke Box one on a beige label:

Germany has at least three different versions, as does Denmark. Here’s one of them – a Stereo most probably from 1967:

One of the more unusual and hard to find is this one from Israel. Simon says Israel has two variations. One came as a 2 EP set in a cover much like the rest of the world. The records inside are like the Stereo example below). For the other Israel released the two discs as separate singles in picture sleeves (which Simon doesn’t have yet):

Holland two different editions, France has four versions at least, and Finland has two variations, of which Simon only owns one, this one – a Stereo pressing – is from 1967:

Japan has many different versions on both black vinyl, and this one, from 1968, on red wax:

Spain has at least three versions. This is one of the later re-issues on a teal coloured Odeon label. Notice it is the Mono edition:

Yugoslavia has at least four versions. Africa has several versions (with round and triangular push-out centres) that Simon still doesn’t own yet. But he does have this example from the Philippines, issued in Mono in 1967:

In regards to the lyric sheets stapled inside the MMT EP gatefold cover, these too have their variations from country to country, and across the different re-issue years. Simon sent us an image that illustrates this as well:

In the photo above you can see some of the different colour variations of the lyric pages. There are of course several different shades of each of the colours too.

This is just a taste of Simon’s collection, but he writes that there are still numbers more that he still does not own yet. For example Chile, Greece with larger centre, Rhodesia with the triangle push-out centre, and the very first Japanese version. He’s not sure if Turkey and India ever pressed a set.

Should anyone have an EP or anything else rare from MMT that may help Simon complete his collection he would love to hear from you. They will all be put to good use in aid of others less fortunate in the world. Drop us a line using the Leave a Reply link below and we can put you in touch.

Also, if you or someone you know has a specific area of Beatle collecting – where someone has concentrated on just one particular release – please let us know! We’d love to hear from you and see some of your collection too.

More Beatle/Peter Jackson Projects + McCartney’s ‘Get Back’ to be Re-issued

Looks like New Zealand film director Peter Jackson could have at least two other Beatle projects brewing.

He’s told the online magazine Deadline that he is cooking up another film – or films plural – with involvement from Paul McCartney and Ringo Starr.

Jackson revealed that one of the new projects is taking a different approach.

“I’m talking to The Beatles about another project, something very, very different than Get Back,” Jackson said. “We’re seeing what the possibilities are, but it’s another project with them. It’s not really a documentary … and that’s all I can really say. We are never in a position where we have to do anything, but we’ve got a few things percolating.”

Jackson said there is also a big narrative film on the cards, and like his Middle-Earth films, his ambitions will test existing technology. Which means part of his task is to develop the tools to make his vision a reality.

“One of them could be big scale, but it’s so technically complicated I’m trying to work how exactly I’ll do it,” he said. “It’s a live-action movie, but it needs technology that doesn’t quite exist at the moment, so we’re in the middle of developing the technology to allow it to happen. I’m trying to anticipate what I might be able to do, before it even exists. They’re not fantasy epics, but they’re pretty interesting.”

Jackson was tight-lipped about any further details, but fans have already started the guessing game and speculation is rife over the possibility of McCartney and Starr’s direct involvement. 

Meanwhile, long-time Beatle collaborator Richard Lester (he directed them in the movies A Hard Day’s Night and Help!) will have a film he made of Paul McCartney’s 1989/1990 Get Back world tour re-issued on Blu-ray and DVD next month:

Apparently Lester came out of retirement to document that Get Back tour, and his film features highlights from concerts across the globe. The band is Paul, Linda McCartney, Hamish Stewart, Robbie McIntosh, Paul ‘Wix’ Wickens and Chris Whitten.

It’s not really clear just why this is being re-issued now. Perhaps it’s because of the success of the whole Peter Jackson Get Back documentary? Or maybe it is trying to ride on the coat tails of Paul’s current Got Back tour…..?

Reviews of the film when it was first released back in 1991 weren’t kind: “Under the best of circumstances, Get Back will never be a very good concert film. The movie fails to offer a clear and compelling rendition of Paul McCartney’s live shows as it features too much extraneous material. The performances of the songs themselves are fairly solid but they lack much life, and McCartney’s weak vocals don’t help. Add to that a high level of visual gimmickry imposed by the filmmakers and you have a flawed representation of the concert experience.”

ViaVison Entertainment says Paul McCartney’s Get Back will be released on Blu-ray and DVD on August 17.

To give you taste here’s an advertisement from when it was originally released back in 1991:

On Again, Off Again. ‘The Beatles: Get Back’ Now On Again

The mysterious curse of The BeatlesLet It Be sessions seems to have permeated across 50 years, all the way to 2022 with the inability to get to a release date that everyone was happy with…..

Disney and Apple have experienced huge issues in getting Peter Jackson’s wonderful three-part opus out to the public on physical media (i.e. Blu-ray and DVD). There have been a few false starts this year but it seems finally the release is definitely on again. Hence this email from the official US Beatle store in our inbox this morning:

The official Beatle page also trumpets that The Beatles Get Back is definitely on again. At least on Blu-ray. It’s hard to find on either site a reference or images of the DVD…….

As previously announced before it was withdrawn, the Blu-ray will come in a ‘Collector’s Pack’:

This contains a tri-fold inner holding the three discs, one for each of the three parts that have been available as a stream on Disney+:

And also included are four Get Back collector’s cards, one for each Beatle:

There’s no bonus material however. It could be argued though that we’re already getting lots of that ‘bonus’ material on these discs as the original Get Back film (as initially planned for streaming release last year) had many extra hours added to it by director, Peter Jackson before it made it to Disney+.

Rooftop Concert Comes to IMAX – and Blu-ray/DVD

This image popped up on the official Beatles website and on social media overnight:

It was accompanied by the words: “The Rooftop Concert is coming to @IMAX. Experience the unforgettable performance in a special 60-minute presentation of Peter Jackson’s docuseries in a one night event on January 30. Get tickets now: http://tickets.imax.com

Reaction on social media has been angst that (initially) the film is only to be available in IMAX theatres in the United States:

Pls not only for the US! The Beatles are from Europe, this whole movie plays in London..

Nothing in the country they’re from and where this happened? 😦

US only?? Kinda rude tbh

Pls not only for the US! The Beatles are from Europe, this whole movie plays in London…..

Fantastic! Shame that it’s only in the US though…

But only in the US?! 🤔 you do realise the Beatles are English yeah? 😡

However, the real news was on the Beatles site:

1. That a global theatrical engagement for the 60-minute rooftop only film is to to follow in February 11-13, 2022

and,

2. The complete docuseries is to be released on Blu-ray and DVD on February 8, 2022.

Now, that’s the first official confirmation that a Blu-ray and DVD will be made available to fans of the whole Peter Jackson The Beatles: Get Back film. However, the three-disc set will only feature the exact same content available to stream on Disney+. There’s no bonus features, no rooftop concert in full, no original-cut of Let It Be (which was promised when Get Back was announced).

‘Concert For George’ – on LP and Two Deluxe Edition Boxes

To mark what would have been George Harrison’s 75th birthday in February there’s to be a major re-issue of the great 2003 Concert For George recordings and film.

For the first time the concert will be available on vinyl (as a four LP box set); new CD/DVD and CD/Blu-ray combo packages; plus not one – but two – super deluxe boxed special editions.

On the official George Harrison site you can pre-order now two different “Exclusive” deluxe limited editions.There are just 1000 copies worldwide of the “basic” box:

Both boxes come with these contents: a gold-colored, fabric-wrapped box with a die-cut mandala window to display a numbered cutting from the original hand-painted on-stage tapestry backdrop used during the Royal Albert Hall concert on November 29, 2002; the complete sound and film recordings from the concert (on four 180-gram audiophile LPs, 2 CDs, 2 DVDs and 2 Blu-ray discs); plus a 12”x12” hard-bound 60-page book. The sets also include a note from Olivia Harrison, explaining the story behind the tapestry. The “basic” set costs US$350.

However, for an extra $100 you can get that same deluxe box, plus what is described on the site as a complete set of “…authentic Test Pressings (4-discs), pressed at Quality Record Pressings (QRP)”. There are only 15 copies of these Test Pressing sets available worldwide.

For those after the new vinyl pressing of the Concert For George here’s the pack image with its contents:    

As you can see above the four LP set only stretches across 7 sides, and so Side 8 on LP 4 features a cool-looking etched mandala.

The new 2CD sets with either 2 Blu-ray or 2 DVD included look like this:

These bundles are identical in content except for the Blu-ray which contains an additional ‘Drummers’ featurette not available on the DVD version.

The original two CD set is also being re-issued:All these Concert For George versions will be reissued on February 23. Proceeds from the sale of these products support The Material World Foundation.

The Beatles Cartoons

As a child I can remember watching The Beatles cartoons on TV.

I don’t think they’ve ever been officially released. This six DVD set is decidedly dodgy, but it contains every episode, plus the sing-along “bouncing ball” songs, trailers and intro’s and outro’s as extras:

Beatle Cartoons 1

Here’s the rear cover:Beatle Cartoons 2

The discs are fairly obviously burned onto printable blank DVDs (read: “manufactured at home”), but they are of a reasonable quality and the makers have gone to a little bit of trouble with the graphics:Beatle Cartoons 3

The quality on screen is similar (possibly even a little bit better) to this example on YouTube:

Rolling Stone magazine has a good article on the background to The Beatles TV cartoon series.

Fifth and Final Instalment of “Restoration of The Beatles 1 Video Collection” Released

The final instalment in the five-part series backgrounding the work done to restore the Beatles 1 video collection has been uploaded to YouTube:

In it leading Australian Director of Photography Mike Molloy reminisces about his time with the Beatles. In 1968 he’d been living and working in London as a freelance cameraman for about a year when he was asked to go down to EMI’s Studio Three at Abbey Road and film a promo clip for “Lady Madonna”. Instead, what he came back with was unique footage of the band recording what was then a brand new song called “Hey Bulldog”.

As Mark Lewisohn says in his book The Complete Beatles Chronicle, “While the cameras whirred, the Beatles recorded ten rhythm track takes of “Hey Bulldog” and completed it with overdubs. Then, at the conclusion of this 4.00pm-2.00am session, after the filming had ended, they watched as it was mixed into mono.”

Mike Molloy says he spent all day with the Beatles. Mike told me that they were very easy to get along with, very friendly. “In the film, for effect, I superimposed a shot of a paisley tie over George Harrison’s face. It was George’s tie! He was great, and very open to trying the effect to see how it turned out.”

Molloy went on to work in London as a cameraman and Director of Photography on feature films for 29 years, before returning to Sydney, Australia, where he now lives. He’s worked with some of the greats, including Stanley Kubrick (on A Clockwork Orange and Barry Lyndon) and Nicolas Roeg (on Performance and Walkabout).

The Beatles 1 and Beatles 1+ DVDs and BluRays are released globally tomorrow, November 6. (Note that the “Hey Bulldog” video is only available on Disc 2 of the Beatles 1+ edition).

You can see the other four parts in the Restoration Series here. Just click on “The Restoration” tab at the top.

Beatles 1 and Beatles 1+ – Two Days to Go

Just two more days before fans can get their hands on The Beatles 1 and The Beatles 1+.

CNN’s Paul Vercammen reports “in detail” on the new DVD and BluRay sets, due for release on November 6. In this segment he talks briefly to Michael Lindsay-Hogg, one of the film directors the Beatles worked with on a number of their promotional clips (and of course the Let It Be movie).

Notice that Paul Vercammen already has his copy of The Beatles 1+ on the desk.

Worth a look:

CNN

(click on the image to go there)

A Visit to Some San Francisco Record Stores – Part 3

The final instalment of the recent visit to San Francisco. Last time we looked at the vinyl purchases. This time it’s the CDs and DVDs. Both Rasputin, Recycled Records and Amoeba Music have lots of vinyl. They also have lots of CDs and also (Rasputin Music in particular) many, many DVDs to choose from.

First to the CD’s and at Rasputin I found a US copy of Paul’s Choba B CCCP on CD:

Choba B 1Choba B 2

I already have a UK version of this on Parlophone, but a US copy on the Capitol label to join it (at a very low price) was too much to resist.Choba B 3

Also at Rasputin I found a copy, released by 20th Century Fox, of Paul McCartney’s 1984 ill-advised excursion into the world of movie-making Give My Regards to Broad Street:Regards 1Regards 2The movie had a less-than-enthusiastic reception when it first came out. To quote one user review from IMDB: “I wouldn’t go so far as to call this movie a ‘crap-fest’. I have definitely sat through much worse….I wouldn’t call it a guilty pleasure, either. Though it wasn’t a complete waste of time, it was awfully trite and clichéd. It plays like an extended music video….Although it didn’t completely suck, Sir Paul really should stick to writing songs and leave screen writing to professionals.”

Hmmm. I can only vaguely remember seeing the film once when it was first released. So when I saw this DVD (which came out in 2004 in this version) for just $3.99 I grabbed it. At that price it is well worth the cost of admission for another viewing. The disc itself is one of those two-sided DVD’s. One side has the full screen version, and the other a wide screen version – so the DVD itself looks pretty bland:

Regards 4

However, there’s an insert inside the case with a great photo of Paul and Ringo in costume:Regards 3

The other DVD I got at Rasputin was also $3.99, and also from Paul McCartney:Back in US 1Back in US 2

This is the 2002 concert film Back in the U.S. I’ve got the two CD set of this concert, but never actually seen the video. Again, that that low price well worth adding to the collection.Back in US 3

Before leaving Rasputin Music’s Powell Street store I also discovered a nice, sealed CD copy of Electric Arguments by The Fireman (a.k.a. Paul McCartney and Youth).Electric 1Electric 2

Now, regular readers of Beatles Blog will know I have a bit of a passion for collecting versions and variations of this particular CD – and this was a variation I’d not seen before. Originally this disc came out when Paul was not signed to any particular label, and so in the UK it was distributed on the One Little Indian label. In the US it came out on ATO Records. More recently though Paul has been signed to the Hear Music label, part of Concord Music Group, and they have re-issued a few titles from that time when he was “between labels” – including Electric Arguments. The giveaway is that white barcode sticker on the rear cover where you can see the disc has been given a different catalogue number and there are tiny logos for MPL (McCartney’s company) as well as Hear Music and Concord:Electric 3Next stop was Recycled Records on Haight Street, and a very nice US copy of the CD Working Classical:Working C 1Working C 2

This came out on the EMI Classics label in back in 1999. I have the vinyl (now worth quite a bit as it is rare, in mint condition, and long out of print). A CD copy for the princely sum of $8.00 was worth it:

Working C 3

The final CD purchase came from Amoeba Music, also on Haight Street. For some time now I’ve been on the lookout for a CD copy of the 2001 McCartney “best of” release Wingspan – Hits and History. It originally came in a cardboard slipcase which has a holographic front cover. Getting copies in good condition is difficult because the slipcase is sometimes missing, or it’s in poor condition. This one I found has the holographic cover and its in pretty good nick too:Wingspan 1Wingspan 2Wingspan 3Wingspan 4

So, that’s it – the results of a holiday visit to the US city of San Francisco. A great city with some great record stores to boot.

McCartney’s “Live Kisses”

This just a quick follow up to an earlier post pointing to Paul McCartney’s “Live Kisses” coming out on DVD, BluRay and digital video.

I got a copy of the BluRay today so I thought I’s share some photos of the packaging and what’s inside:

That’s it still in it’s shrink wrap. The front cover photo is taken by Mary McCartney. Here it is released from the plastic:

It is really quite a nicely put together package. It’s not in a standard BluRay plastic cover but is more like a small, bound  hardback book. (The DVD comes in the same packaging only in a slightly larger format). That dark black stripe you can see down the left-hand side is embossed with a shiny finish. Quite stylish. Here’s the rear cover:

There’s a 41 page book inside which contains some nice photos and the stylish layout begun on the exterior continues:

The design is reminiscent of the “Kisses on the Bottom” CD packaging, but is also quite distinctive in itself. There’s a Foreword from Mr Diana Krall –  none other than Elvis Costello:

Costello also conducts an extensive interview with Paul McCartney about the project and the recording and this takes up the bulk of the book. At the rear are a couple of pages containing info on the composers, the song publishing details, and the recording personnel for each track. The disc contents and the bonus features are detailed, and the final page is a thin slot container for the BluRay disc itself:

(click on images to see larger versions)

So, all in all, quite nicely put together. Now to go and watch it! For those wanting a preview, McCartney’s MPL site has just put up an extended promo video package.

Meanwhile, a Paul McCartney Christmas track (which sounds like it may have been recorded during the “Kisses” sessions) is part of a new holiday CD compilation called “Holiday’s Rule” featuring a variety of artists. It’s a project coordinated by Paul’s record companies Hear Music/Concord Music and MPL. He does the classic “The Christmas Song (Chestnuts Roasting on an Open Fire)”. You can hear the song if you visit the MPL site – it is featured on their embedded music player at the moment.