New Beatles Book Released This Month – Looks Interesting

Pop culture historian Robert Rodriguez has a new Beatles book just out.

It’s the sequel to a previous title, “Fab Four FAQ: Everything Left to Know About the Beatles, and More!” This was released in 2007 and co-authored with Stuart Shea. It tells the story of the Beatles years in a new way – chronicling many previously unknown facts about the famous four and their recording career, friends, songs and lots of other stuff. It has its own dedicated web page.

Rodriguez newest is called “Fab Four FAQ 2.0: The Beatles’ Solo Years 1970-1980”.

As the title suggests this one looks at the group’s solo output over a ten-year period, and like the first book you can dip into it to discover facts and info that either you forgot or never knew about the recordings and lives of the Beatles as four individual artists. As with the first book, Rodriquez has created a stand-alone web page to accompany the book release. It is really worth a visit because it has some exclusive content not published in the book – including a free chapter you can download called “You Think You’re A Groove: Album Packaging”. In it Rodriguez takes a walk through some of the album art for many solo Beatles releases. Quite an interesting read for collectors of vinyl records and the often fascinating cover artwork they contained.

(The website for the first book is worth a visit too – it has an additional four free chapters to download and read). Rodriguez is nothing if not prolific.

Check out the latest book at Amazon. And there’s a review here.

“All Together Now” nominated for a Grammy

From the Beatles official news site:

“All Together Now”, the documentary about the making of  the Beatles and Cirque du Soleil’s “The Beatles: LOVE”, has been nominated for a Grammy Award in the Long Form Music Video category (Adrian Wills, video director; Martin Bolduc & Jonathan Clyde, video producers).

“All Together Now” details the story behind the unique partnership between The Beatles and Cirque du Soleil that resulted in the creation and 2006 launch of “LOVE”, the stage production still playing to packed houses at The Mirage in Las Vegas. The film also documents the creation of the show’s music, the experimental Beatles soundscape album of the same name which garnered two Grammy Awards for producers Sir George Martin and Giles Martin in the categories of Compilation Soundtrack Album for Motion Picture, Television or other Visual Medium and Surround Sound Album.

You can see two short trailers from “All Together Now” here.

The 52nd Annual Grammies will be presented Sunday, January 31, 2010 in Los Angeles.

The Film
“All Together Now” is a feature-Length documentary chronicles the making of “The Beatles’ LOVE” by Cirque du Soleil. The film details the story behind the unique partnership between The Beatles and Cirque du Soleil that resulted in the creation and launch of “LOVE” and the double Grammy-winning album of the same name. The film is dedicated to the memory of Neil Aspinall, an Executive Producer.

“All Together Now” faithfully recounts how the “LOVE” project came into being, borne from the personal friendship between George Harrison and Cirque du Soleil founder Guy Laliberte. George saw how the twin talents of Cirque’s artistry and The Beatles’ music could be fused into something new and totally original.

The director, Adrian Wills, records early meetings between the Cirque & Apple Corps Ltd. creative teams, as well as contributions from Sir Paul McCartney, Ringo Starr, Yoko Ono Lennon and Olivia Harrison discussing how The Beatles’ music can be used in a different way. We hear about the decision to utilize the combined talents of Sir George Martin and his son Giles Martin to produce what became a 90-minute soundscape created from The Beatles’ multi-track recordings and how this new audio adventure was being quietly worked on in the famous Abbey Road Studios in London, England whilst the first creative ideas for the show were being formulated in Montreal, Canada.

These early stages of the project were all filmed, as were the first rehearsals at the Mirage Hotel theatre in Las Vegas, which was completely rebuilt with a one-of-a-kind sound system and complex round staging to house the “LOVE” show. George and Giles Martin, the show’s Musical Directors, were involved every step of the way with the remarkable Cirque du Soleil creative team, performers and backroom staff.

It wasn’t all “plain-sailing” and there has been no attempt to disguise some of the disagreements that took place along the way regarding how some of the songs would be portrayed visually. These creative differences, a necessary part of the overall process of bringing “LOVE” to its most vibrant life, illustrate the participants’ love and respect for the music and vision of The Beatles.

The “All Together Now” documentary provides fascinating insight into the creative skills and passion that went into making this project a groundbreaking critical and commercial success.

UPDATE: It won!

How the Beatles Recorded Their Music

Have you ever wondered how the Beatles actually pieced together the masterpieces, instrument-by-instrument, track-by-track?

Well, here’s a fantastic insight thanks to blogger Andy Baio who has posted some all-too brief extracts from what looks to be a fascinating BBC 6 radio documentary called “The Record Producers: Extended Cut”.

The BBC was given free access to the original multi-track recordings of some of the Beatles most famous music, and the radio show begins to pick apart how the songs we know so well now were made in the studio way back when.

Andy has three short extracts from the show on his blog: “She’s Leaving Home”, “A Day In The Life”, and “Come Together”. Each of them is just amazing in the insights they give. Really worth a listen.

As Andy says, unfortunately the original BBC broadcasts are no longer available on their site.

Anyone who has access to where we can find the whole program please let us all know!

New Beatles Radio Special – Update

Regarding my previous post about the new Beatles radio special distributed to radio stations around the world, the Beatles official site today announced they are streaming Part One from their own site.

Click here to read more about the series and to hear Part One, which is called “Meet the Beatles!” , streamed in full.

The Beatles site will start streaming Part Two (which is called “Ask Me Why”) the week beginning December 7th, and Part Three (which is called “The Beatles on the Record”) the week beginning December 15th.

Just to keep you ahead of the game, here’s a short preview extract from Part Two – “Ask Me Why”:

New Three Part Beatles Radio Series – “Here, There & Everywhere”

Coming soon to a radio station near you – a new radio special about the Beatles as a musical phenomenon.

Officially sanctioned and distributed to radio stations by Apple and EMI Music, The Beatles: Here, There and Everywhere is a three-part radio special featuring exclusive new interviews with a variety of artists and producers talking about the influence of the The Beatles on their individual careers. Brian Wilson, Tom Petty, Dave Grohl, Jeff Lynne, Anne and Nancy Wilson, Peter Asher, Jackson Browne, Bob Seger, T-Bone Burnett, Cameron Crowe and Rick Rubin all take part. The series is narrated by veteran British presenter and music writer Paul Gambaccini.

Written and produced by Beatles historian Kevin Howlett (he researched and wrote all the liner notes for the new Remastered CDs), the three 48 minute installments each take a different thematic approach. The website eil.com has this summary of each episode:

Part One: Meet The Beatles!

The interviewees recorded exclusively for this series reveal the impact made upon them by The Beatles’ records from throughout their career. We hear Brian Wilson of The Beach Boys, Tom Petty, film director Cameron Crowe and Ann & Nancy Wilson (of Heart) talking about their first-hand experience of The Beatles’ phenomenal 1964 breakthrough in the United States. Dave Grohl, Mark Ronson and Slash discuss the enduring influence of albums such as Rubber Soul, Revolver and Abbey Road.

Part Two: Ask Me Why

The interviewees focus on the various elements within the group that combined to make The Beatles so musically powerful: their strengths as performers – both instrumentally and vocally – plus the brilliance of John Lennon, Paul McCartney and George Harrison as songwriters.

Part Three: The Beatles On The Record

We hear how The Beatles’ music was captured on record with the help of innovative arrangements and adventurous production by George Martin. Some of today’s leading record producers – Peter Asher, Joe Boyd, T-Bone Burnett, Jeff Lynne, Mark Ronson and Rick Rubin – marvel at the dazzling creativity evident in recordings made more than 40 years ago.

If you didn’t get to hear it over the Thanksgiving holiday, or its still to come to a radio station nearby, here is a short extract from the opening sequence from Part One:


New Beatles “Christmas Pack” of 4 Remasters

Its either a cynical marketing exercise in the lead up to Christmas, or a really helpful move for those who can’t afford the steep asking price of the full Remastered boxed sets…

EMI in Europe has announced it is issuing (on 7 December) a limited edition boxed set of four of the new stereo remasters called The Beatles Christmas Pack.

The Beatles "Christmas Pack: Limited Edition"

The set will contain “Rubber Soul”,  “Revolver”, “Sgt. Pepper’s Lonely Hearts Club Band” and “Abbey Road”.

Each album will include the bonus “Making Of” video that uses exclusive original footage from the Beatles’ own archive plus other rare footage and voice-overs by the Beatles and George Martin.

Beatles USB

Well, my last post just a day or so ago was about some new Beatles-related releases planned or rumored…..but they seem pretty minor now in the light of this one – which is official, is actual Beatles, and really takes the cake!

Apple/EMI have today announced that every stereo remastered Beatles album will be available on a specially-designed USB stick. So much for waiting around for iTunes digital downloads. Apple seems to have taken things in a completely new direction…

No need to write too much more because the Beatles’ official site has pretty much all the info we know so far. It’s limited to 30,000 world-wide and is released on December 8.

Details here: http://www.thebeatles.com and here.

Beatles USBThe Beatles USB - Partly OpenThe Beatles USB - Open

Ultra Rare Beatles Album Discovered?

I have Google Alerts snooping around the internet for me seeking out Beatles-related news and info. Mostly the links it turns up are pretty uninteresting, but this one today is worth reporting. If it’s true it is like the Beatles collector coincidence we all dream about: being in the right place at the right time and finding something truly special.

Firstly, take a look at this cover shot of the Sgt. Pepper album:

Beatles

The quality of the shot is not that good, but notice anything different?

Then read the text below. This indeed may be a truly rare official pressing of Sgt Pepper:

“There was something odd about the copy of The Beatles’ Sgt. Pepper’s Lonely Hearts Club Band LP John Tefteller was staring at.

The faces were different. Where John, Paul, George and Ringo were supposed to be, others had taken their place.

“At first look, I thought, ‘Okay, this is a standard Sgt. Pepper LP, but — hey, wait a minute, it’s still sealed. It’s not opened,’” relates Tefteller, owner of John Tefteller’s World’s Rarest Records. “And then as I look at it closely, I go, ‘Whoa, whoa. Wait a minute. There’s no Beatles on here. Who are all these people?’ ”

Those people worked for Capitol Records, and Tefteller was about to find out this particular Sgt. Pepper album was no ordinary Beatles record. In fact, it may be one of the rarest Fab Four LPs of all time, and at this writing, he is negotiating its sale to noted Beatles collector Stan “The Beatleman” Panenka.

According to Tefteller, while traveling earlier this year he received a call from a woman whose deceased husband was a Capitol Records executive who worked for the company in Los Angeles.

“He had a collection of mainly jazz and easy-listening LPs,” says Tefteller. “And I don’t normally go out to look at something like that because I’m not really into either of those categories, but I just thought, ‘Well, all right. Capitol Records? Maybe there’s something else in there.’ ”

So he made an appointment to see the records. The woman did say there was a bit of rock ’n’ roll in the collection, and “… as I’m going through the LPs, she says something about, ‘Well, there’s a Sgt. Pepper album in there,’” says Tefteller. “I’m like, yeah, okay. And I just figured, normal Sgt. Pepper album, no big deal, whatever. It’s cute to see one, but they’re not particularly rare unless they’re like factory-sealed in mono, or something. Or factory-sealed original stereo. They could have some value. Just in general I figured all these LPs look like they’re open and used. This is going to be just a standard Sgt. Pepper LP.”

But that was not the case. When Tefteller asked about the record, she replied, “This was one that was given to my husband. The other people on this cover are all Capitol Records executives.”

Tefteller admitted he’d never heard of this before, and he initially dismissed it. “I didn’t know what it was,” he says. “I thought, well, maybe it’s some kind of fake or repro, but it didn’t look like a fake and it didn’t look like a repro. So I just thought, ‘This is unique.’ So based on finding that in the collection, I bought the collection, ’cause she wanted to sell everything.”

When Tefteller got the records, including that strange version of Sgt. Pepper, home, he called Panenka to find out what he had. Panenka told him what he knew about it and said that there had been a couple like it that sold 20 or 30 years ago.

“None of these have turned up in the last 10 years or so,” says Tefteller. “And from what I understand, doing some further investigation, those copies were fairly well-used, whereas this one is factory-sealed in the original shrink and still in perfect condition.”

Tefteller and Panenka believe that only about 100 copies were ever made of this Sgt. Pepper rarity.

“We’re only speculating on that,” says Tefteller. ‘And the reason I say it’s a speculation and a guess is: One, there have only been three or four at most that have turned up over the last 30 years. That would lead you to think that there were very, very few of them made in the first place. Two, just in order to have one copy available to each of the people who are pictured on this front cover — and I would guess they would have more than one copy available to them, perhaps as many as two or three — you would be looking at a press run of around 100. In knowing what I know about how records are manufactured and the process that it takes to do that, it doesn’t make any sense for a record company, even one as large as Capitol, to go through all the trouble of making up a special cover, printing those covers and then factory sealing them and all that unless you’re going to do a minimum of a hundred.”

Since there is nothing really to compare it to at the present time, determining a value for this find is difficult. “I don’t even want to think about putting a specific dollar value on it,” says Tefteller.”

What do you think? Is this a fair dinkum special Capitol limited edition pressing, or a fake?

To see the original story click here.

To see another interesting story about a different series of unusual Beatles pressings owned by a former Capitol USA employee – click here. There are some great photos uploaded to the site – check them out.

Beatles Remastering Process & Mono v Stereo – Discussion

In my last post I was bemoaning the fact that the official Beatles radio special released to promote the new Remastered discs didn’t go into very much detail at all about the actual process of remastering, nor the differences between the Stereo and the Mono box versions.

Well, just after that I discovered the sort of detail I was looking for in a podcast from America.

It’s a weekly show called All Songs Considered. Produced by the National Public Radio network (NPR), the program looks at all aspects of newly released music – and they have over the last few weeks (perhaps understandably) run a couple of shows about the latest Beatles releases.

One of them features a lengthy (22 mins 32 secs) and very interesting interview with Beatles historian and writer Kevin Howlett.

Howlett is the man responsible for all the words in the new booklets that accompany the new remastered stereo discs, and he wrote the essay that appears in the booklet that can be found in the Mono box set.

So, he’s an insider who knows what he’s talking about!  The All Songs Considered podcast goes into quite a lot of detail and gives frequent audio examples of the remastering process AND the difference between the stereo and mono versions.

Here’s Kevin Howlett talking specifically about the differences between mono and stereo in Sgt Pepper – an album he says was made to be heard in MONO:

Beatles historian Kevin Howlett there talking to NPR’s Bob Boilen.

If you’d like to hear the whole NPR podcast click here.


Beatles Radio Special – The Beatles Remastered

A mate in the music business this week sent me a burn of an official Apple/EMI radio special produced for distribution to radio stations to promote the new Beatles Remastered box sets.

Its pretty interesting and is narrated by a cockney-accented Gary Crowley whom, from what I can gather from the web, usually works as a DJ and interviewer at the BBC Radio in London. The program runs 1 hour and 48 minutes in total, and is split into 6 segments. Crowley works his way though each official album release chronologically and the program uses interviews with John Lennon, Paul McCartney, George Harrison, Ringo Starr and George Martin to  paint a picture of how each record came about and in particular how the Beatles music changed and matured with each release.

Here’s how Gary Crowley opens the radio special, and the band talks about the early days, recording their first outing “Please Please Me”:

While there’s a lot of good stuff, the two main disappointments for me are that the program just looks at the albums, and doesn’t go into the singles that can be found on the “Past Masters” discs.  It also doesn’t go into any detail about the remastering process itself or how the whole 4 year project of painstakingly remastering each disc was run – which is a pity because I for one would have liked to have heard a bit about this aspect from those involved.

Anyway, its still a good addition to the collection and contains some really great interview extracts. One very interesting thing is that some of the music tracks are preceded by original studio banter by the band that I can only presume comes from the The Beatles Rock Band game, also released on 09.09.09.  I don’t have the game, but I’ve read that they use previously unreleased studio chat and out-takes extensively to make the experience of playing it more realistic. The makers had ready access to all the original master tapes and lifted off quite a lot of unique material. Some short grabs of that are used here I think.

Well, I guess if you are a mad keen collector you’d like to hear something else from the show.

This second extract brings us up to the “The White Album”, and the song “Helter Skelter”: