The lead up to the release of John Lennon’sMind Games, the next of his back-catalogue LPs to get the deluxe and super deluxe box set treatment, is proving that this time around they are having some fun with the “mind games” of the title.
There have been quite a few firsts in the marketing, and in what we can expect in the content of the Super Deluxe, Deluxe, 2LP and 2CD sets, released on July 12.
Probably the best summary of the known fun and games to date comes from well-known YouTuber Andrew Dixon. Here’s Andrew with a summary of where we’re at so far:
Back before Christmas you might recall us running a story about Yoko Ono and Sean Ono Lennon sending out another batch of rare, specially cut acetates to a select group of 50 charities. You can read about that here.
Well, one of the charities has been in touch to let us know how they are using their acetate to raise much needed funds to promote the cause of peace. Here’s their press release:
Limited-edition John Lennon and Yoko Ono ‘Give Peace a Chance’ vinyl acetate available in prize draw to fight extreme poverty
International humanitarian organisation Concern Worldwide is running a prize draw for the exclusive vinyl acetate, newly released in 2023 and hand-cut at Abbey Road Studios. It is one of 50 that has been gifted by Yoko Ono and Sean Lennon to charities that support peace.
Funds raised from the prize draw will go directly towards Concern’s work across 26 countries to end hunger and extreme poverty.
“It’s amazing to be able to offer our supporters the chance to win such an exclusive item, with such an important and unique history, and we’re grateful to Sean and Yoko for including us,” says Lucy Voakes, Fundraising Innovation Manager at Concern.
“The prize draw will raise vital funds at a time when nearly 300 million people around the world need humanitarian assistance and protection, due to conflicts, climate emergencies and other economic factors.”
Concern delivers life-changing interventions in some of the world’s poorest and most vulnerable communities, including emergency response, health and nutrition, livelihoods and education.
The record bears a machine-printed signature from Yoko Ono and is a collector’s item. It also includes the B-Side ‘Remember Love.’
‘Give Peace a Chance’ was first produced fifty-five years ago in June 1969, during John Lennon and Yoko Ono’s “bed-in for peace” in Montréal, Canada. ‘Give Peace a Chance’ quickly became the anthem for the anti-war movement at the time.
To enter the prize draw, visit the charity’s crowdfunder page. Tickets are £5 for a single entry. To enter the draw for free, submit your entry via post. Visit the crowdfunder page for more information: https://www.crowdfunder.co.uk/p/give-peace-a-chance-vinyl
So, that means we know where limited edition acetate number 14 of 50 was sent, and how they intend to use it to help fight poverty.
But what of the other 49? We know where they’ve gone (scroll down the News page on the official John Lennon site to see the full list of charities), but what are they actually doing with them?
However, it’s proving a much more difficult task this time around because not many of the charities have (yet) openly publicised their intentions. Here’s our very short list to date:
9/50 Thanks to Discogs we know that this one went to British Red Cross. Not sure what they did with it, but here are a couple of small, somewhat fuzzy images we found:
45/50 War Child UK. They are holding a timed online auction 24 April – 16 May called Spring Clean for War Child. Lots of other rock and pop culture memorabilia is available to bid on, but you’ll need to register. Details on the acetate they were sent – it is Lot 59 – is available here. As of the date of publication the current bid is £500, and there are 13 bidders:
46/50 One of our readers won this disc! It was raffled by War Child Canada and Barry our reader made the winning bid. He’s kindly sent in a couple of photographs, probably the best close-up look at this collectible item we’ve seen yet:
50/50 This was sent to World Vision UK and Liverpool Lighthouse. After hanging on to it for almost a year and a half, they will auction it during a Liverpool Lighthouse event called the Liverpool Gospel Music Festival on Sunday, May 4, 2025 at the Liverpool Olympia. All proceeds will help transform the lives of vulnerable children worldwide:
And finally this one, which shows that the record is indeed a rare, specially cut acetate:
Unless you’ve been living under a rock you are probably aware by now that Paul’s 1961 Höfner 500/1 bass guitar, which was stolen in 1972, has been….
In September last year we reported on a concerted new effort to trace the missing instrument – and it seems that the case has well and truly been solved. In fact, the bass is already back in the hands of its original owner – Paul McCartney.
The instrument is a little worse for wear but, according to an expert from Höfner called in to examine it, it shouldn’t be all that difficult to once again get it going again.
One of the most informative articles about what state it is in and the intriguing back story as to where the bass has been all this time is in the Dutch music magazine, De Bassist. They interviewed Höfner expert Nick Wass about finding The Lost Bass. Their article is well worth a read!
Apologies, but we’re a little slow of the mark with the Record Store Day 2024 news from last week. However, it has given us a bit more time to research and hopefully provide a few more details – so here goes.
First up, from Apple Records is another unique format first for The Beatles. It is a tiny The Beatles Limited Edition RSD3 Turntable, featuring a Beatle-branded dustcover and turntable facing. Each turntable is Bluetooth-enabled and housed in a Beatles’ box that includes four super small 3″ records featuring the four songs they performed 60 years ago on The Ed Sullivan Show: ‘I Want To Hold Your Hand’, ‘Til There Was You’, ‘She Loves You’, and ‘I Saw Her Standing There’. Each record is housed in an outer box and comes in a picture sleeve. There is also a poster for each. The package also includes a bright yellow Beatle-branded carrying case, which can hold up to ten 3” records. These little discs apparently play at 331/3 rpm.
If you don’t want the record player, the four 3″ singles will be sold separately, also housed in an outer box, with a picture sleeve and poster. The records only have music on one side:
The concept of these 3″ singles and their accompanying tiny record player have been around for a while (think the Foo Fighters, The White Stripes, or The Doors as recently as last year for RSD). However, they represent a limited format The Beatles have not yet embraced, making them a bit like those cards from last year containing special editions of the Red and Blue albums for kids to play on their Yoto players. So they could potentially reach a whole new younger audience. If you want to get an idea of just how small the turntable and discs are check out this Youtube unboxing.
Next up, from the John Lennon camp, comes a 4 track, 12″ EP teaser for the forthcoming Mind Games Ultimate Mixes box sets – due in June. Two versions of this will be available – one on “glow-in-the-dark” 140g luminous vinyl, and one described as “black ‘audiophile’ 180g vinyl”:
Gotta say the cover for the EP is great. The track list is:
Side A: 1. Mind Games (Ultimate Mix) 2. I’m The Greatest (Ultimate Mix) – feat. George Harrison & Ringo Starr
Side B: 3. Aisumasen (I’m Sorry) (Ultimate Mix) 4. You Are Here (Outtake, Take 5)
Ringo Starr will have an RSD 12″ 45 EP called Crooked Boy available on exclusive black & white marble vinyl – and also in a really cool cover:
Written and produced by Songwriter’s Hall Of Famer Linda Perry, Crooked Boy features four brand-new tracks from Ringo. The EP also includes guitar performances on every song from Nick Valensi of The Strokes.
On a recent video Ringo showed the inside cover:
And a quick shot of what looks like a green vinyl edition. Maybe that is coming later?
Zoetrope picture discs seem to be all the rage this RSD. There are no fewer than nine LPs being released, including artists like Blur, Marc Bolan and T.Rex, Fatboy Slim, Lily Allen, and even one from Doctor Who.
What is a Zoetrope Picture disc? They look fantastic spinning on a turntable. Have a look at this YouTube from last year of Blur’s ‘The Ballad of Darren (Zoetrope Vinyl)’:
Dark Horse Records and Record Store Day have announced a multi-year partnership to release limited Zoetrope picture disc pressings of George Harrison’s entire studio album catalogue. The first two titles in the RSD exclusive series – Wonderwall Music and Electronic Sound – will be available on Record Store Day in April 2024. Limited to 8,000 units globally and exclusive to Record Store Day, each is individually numbered in silver foil and will include an insert reproducing the original artwork. The front cover will look like this – with a cut-out window showing off the LP plus a hype sticker and limited edition numbering also on show:
As mentioned there’ll be an insert in each LP with the original cover artwork included:
Dark Horse is once again extremely busy this RSD. They’ll also have out a 25th anniversary edition of Joe Strummer and the Mescaleros’Rock Art & The Ex-Ray Style, the debut album by the band in a limited pink vinyl Record Store Day exclusive 2LP pressing. The remastered 1999 album, which was Strummer’s first album release in a decade, is spread over 2 LP’s for optimal sound quality, and the original gatefold artwork by Damien Hirst will be meticulously reproduced:
One obscure Dark Horse release can be found only on the US RSD list as a Limited Run/ Regional Focus release with only 800 copies made. Its an album called Dreamers In The Field by Huun-Huur-Tu, Carmen Rizzo and Dhani Harrison:
From Wikipedia: Huun-Huur-Tu are from Tuva, a Russian federative republic situated on the Mongolia–Russia border. Their music includes throat singing, in which the singers sing both a note and its overtones, thus producing two or three notes simultaneously. The overtone may sound like a flute, whistle or bird, but is solely a product of the human voice. They also play traditional Tuvan instruments. However, in recent years, the group have begun to selectively incorporate Western instruments and electronic music.
Carmen Rizzo is an American record producer, mixer, programmer, DJ, remixer and recording artist. A two-time Grammy nominee, he’s worked with Seal, Coldplay, Dido, Ryuichi Sakamoto, and Pete Townshend. In addition to collaborating with Huun Huur Tu, Rizzo co-founded the world/electronic act Niyaz with Azam Ali and Loga Ramin Torkian (with three #1 iTunes albums). He’s released his own solo electronic albums too, so this RSD release looks to be an eclectic sound mix!
And lastly, on the UK and Australian RSD sites, there are two Dark Horse Yusuf/Cat Stevens LP re-issues listed (….can’t seem to find these on the US list).
They are (from 1975) Numbers on black vinyl LP – which will be limited to 2,000 units globally, and reissued for RSD with a lenticular gatefold cover. Included will be a reproduction of the original 16-page book with lyrics and illustrations:
And also (from 1977) Izitso – again, limited to 2,000 units globally and presented in a lenticular gatefold cover:
So, a lot of product from Dark Horse for RSD 2024…..
It was for Best Music Video for the song ‘I’m Only Sleeping’ – the film clip made to promote last year’s re-issue of the Revolver album.
The award went to Em Cooper, video director, and Jonathan Clyde, Sophie Hilton, Sue Loughlin and Laura Thomas, video producers.
Artist and director Em Cooper explored the space between dreaming and wakefulness, working on an animation rostrum on sheets of celluloid. She painted every frame individually in oil-paint, a labourious process which took many months.
(Interestingly Revolver won an award for Best Album Cover in 1966. That honour went to Klaus Voormann. And the Song of the Year Grammy in 1966 went to John Lennon and Paul McCartney for ‘Michelle’. McCartney also won the Best Contemporary Solo Vocal Performance, Male or Female, for ‘Eleanor Rigby’.)
Also in the hunt for awards recognition is another short animated film with Beatle connections – this time for Sean Ono Lennon and War Is Over!, a film inspired by the music of John and Yoko.
War Is Over! is nominated in the 96th Oscars, to be announced on Sunday, March 10. You can view the trailer here:
Set in an alternate WWI reality where a senseless war rages on, two soldiers on opposite sides of the conflict play a joyful game of chess. A heroic carrier pigeon delivers the soldiers’ chess moves over the battlefield as the fighting escalates. Neither soldier knows his opponent as the game and the war builds to its climatic final move. Whoever wins the game, one thing is for certain: there are no winners in war.
The eleven-minute short animated film is made by the animation company ElectroLeague. Its anti-war story is by Sean Ono Lennon and Dave Mullins, and it features original music composed by Thomas Newman plus the song ‘Happy Xmas (War Is Over)’. The film is directed by Dave Mullins and produced by Brad Booker. It is executive produced by Yoko Ono and Sean Ono Lennon, and is created as a production of Lenono Music, ElectroLeague, WetaFX and Epic Games.
Here’s some more background on how the project came about, and what to expect when you get to see it:
And check out this filmmakers’ panel discussion about the Oscar-nominated War Is Over! It features writer/director Dave Mullins, producer Brad Booker, executive producer Sean Ono Lennon, and composer Thomas Newman. They’re in conversation with executive producer Karen Dufilho:
Yoko Ono and Sean Ono Lennon have donated specially created Limited Edition acetates to 50 charities for them to raise money for peace and love this holiday season.
The pair, in association with Abbey Road Studios and Universal Music, commissioned 50 rare and strictly limited 12″ vinyl acetates of the Ultimate Mixes of the Plastic Ono Band single ‘Give Peace A Chance’/’Remember Love’.
This is a repeat of what they did in 2021 when 50 ultra-rare 12″ copies of ‘Happy Xmas (War Is Over)’ acetates where made. They sent these discs to 50 independent record stores, asking each to sell, auction, or creatively fundraise in any way they saw fit and donate the money to a charity of their choice. We tried to follow what happened to each of those discs and you can read about that here.
This time the discs are going direct to 50 charitable organisations to use as they please. In a note accompanying each record, Sean Ono Lennon says:
‘Happy Holidays. To raise the spirit of Peace and Love this December, here is one of only fifty Limited Edition acetates that have been hand-cut at Abbey Road. It’s yours – to sell, auction, raise money to help your charity or to fund your Xmas party – to GIVE PEACE A CHANCE and REMEMBER LOVE.
We’d like to follow the journey these acetates take and the goodwill that they spread – please use the hashtag #GivePeaceAChance and we’ll re-tweet and share their progress on social media to help promote the good causes and good vibes.’
The 50 double-sided 12” acetates have been individually hand-cut on the lathe at Abbey Road Studios by mastering engineer Sean Magee. The acetates use the latest ‘Ultimate Mix’ version of the songs, produced by Sean, mixed by Paul Hicks, engineered by Sam Gannon and executive produced by Yoko Ono.
Each edition is stickered and numbered out of 50 and includes a machine printed signature from Yoko Ono Lennon, making them incredibly collectable.
As we said back in 2021, we reckon this is a fantastic initiative by Yoko, Sean, Abbey Road Studios, UME, and the John Lennon Estate to do some good and promote some much-needed peace in the world this particular holiday season. Good on them for using ‘Give Peace A Chance’ in this creative way.
“It wasn’t like we were following a trend; we were in the trend.” — PAUL MCCARTNEY
There’s no doubt that clothing is one of the most visible aspects of the development of a culture. A new book that’s just hit the shelves, Fashioning the Beatles – The Looks That Shook the World, is a well-researched and thoughtful exploration on how The Beatles played a leading role in shaping the fashion, attitudes and social change going on around them throughout the 1960s and beyond.
Author Deirdre Kelly wisely begins her book with a brief preliminary section called ‘Dressing for Pepperland’. That’s because during this period the band reached the zenith of their flamboyant style. Designers on Carnaby Street and around the world were influencing, and were in turn being influenced by, The Beatles in something of a symbiotic relationship. They were in their heyday.
We then journey back to the year 1960 and in chronological order, chapter by chapter, visit key fashion moments with quite a detailed examination year-by-year of what the band were wearing through to 1970, and beyond. We learn who was helping, advising, and being commissioned to come up with new looks for them, but also importantly, how The Beatles themselves played a central role in defining their style. Kelly then uncovers how that style in turn influenced whole industries and often swung the pendulum of the fashion world in new directions.
After a stint as “the savage young Beatles” which (in their early Hamburg/Liverpool days) saw the band sporting a tough look (black leather pants and jackets, black shirts, black t-shirts), in 1961 the group underwent a complete makeover. At the suggestion of their new manager, Brian Epstein, the band took on a suited, clean-cut, almost boy-next-door look that was carefully designed to help them break through in the pop world. They weren’t forced into this. It was something the group agreed was the right thing, as they too saw it as a way to achieve their goal of becoming the “toppermost of the poppermost!”. It was a makeover that worked, one where even the footwear they chose was considered. Kelly goes into detail about how the band had input into the evolution of the famous “Beatle Boots” and how this too became part of their defining look, and a fashion icon of the time. Soon manufacturers where knocking off copies and The Beatles were well on their way to becoming major influencers.
1963 was the year of the now iconic collarless suit – created for the band by UK tailor, Dougie Millings, whom we learn went on to make over 500 outfits for the group. His collarless creation was conceived in a brainstorming session involving Paul McCartney, who’d originally proposed the idea. Their suits were modeled on an original design by Pierre Cardin, but tweaked to make it a distinctively Beatles’ garment. Kelly writes: “It established the Beatles as fashion forerunners”:
It continued what was to become a trend. What a Beatle wore today would soon turn up as the latest hot trend in the shops tomorrow:
However, as with their music, The Beatles never stood still, always pushing the boundaries and never repeating themselves. Once a particular fashion look they’d pioneered started catching on, they’d already moved on.
Fashioning The Beatles is meticulously researched and contains fascinating detail around how the designs they wore came to be. The book also turns up interesting side observations along the way. Take this 1965 photograph taken during the filming of Help!:
In the movie, the band mixed British and US clothing styles. Denim wasn’t yet the ubiquitous fabric it would become and was regarded as something of a novelty. Notice though that George has bleached his jeans, prefiguring the acid wash jean trend that proliferates to this day.
By this mid-decade period and beyond The Beatles largely discard the suits (and boots) and begin to dress to please themselves. In doing so they have a further profound influence on the way young people dress and behave too. What the band wears is an extension of their innate creativity: their personal taste, their natural sense of style – and it was being followed closely by millions.
Tony Palmer (director of the documentary series All You Need is Love: The Story of Popular Music) says in his Preface to the book that The Beatles didn’t set out to be trendsetters. They were innately stylish young men and by simply wearing what they wanted to wear, became the leading style-makers of their day. Their huge, worldwide fame ensured that whenever they were photographed, filmed, or simply seen out and about in public, people took notice of their sartorial style, and those looks helped influence the culture of the day.
By the mid to late 60s The Beatles were now routinely mixing stage clothes with items from their personal wardrobes, and even (albeit briefly) starting up commercial fashion outlets of their own. Kelly provides great detail and context to these ill-fated forays into the fashion retail world via the Apple Boutique store and Apple Tailoring. And herein lies an Australian connection (and yet another example of The Beatles’ questionable choice in business partners), in the form of one John Crittle, proprietor of a business often frequented by the band called Dandie Fashions. They eventually came to own a 50% stake in the store and re-branded it Apple Tailoring (Civil and Theatrical). They opened a hair salon in the premises too, presided over by Leslie Cavendish (who’d been cutting the hair of Paul, George and John). However it turned out that the brains and style behind the clothing part of the venture was really Crittle’s fashion-savvy wife Andrea, who is perhaps better known as the mother of British prima ballerina, Darcey Bussell. Just how Crittle sullied Apple Tailoring’s reputation is something you’ll need to buy the book to read about. It’s not pretty.
Fast forward to today and the influence and spirit of The Beatles still ricochets around the fashion world. Take for example this 2023 collaboration between fashion house Rabanne and the multinational, mass market clothing retailer, H&M. The look could easily owe its inspiration to 1967 and the famous foursome’s adoption of the militaristic uniforms from their Sgt. Pepper era:
We here at beatlesblogger.com have a mountain of books about The Beatles. Amongst them is just one other book on Beatle fashion, Fab Gear – The Beatles and Fashion by Paolo Hewitt – and it’s long out of print. That is proof that very little has been written about this aspect of the band’s creativity and their huge impact on fashion and culture. It is why Fashioning The Beatles – The Looks That Shook the World is an important piece of scholarship. Deirdre Kelly’s new work is a very welcome addition to the library. Grab a copy while you can.
Hot on the heels of a huge two weeks of Beatle announcements and expectation comes just a little bit more vital detail on the John LennonUltimate Collection box set of his 1973 album Mind Games.
This builds on the scant detail in an October 9 Tweet (for John’s birthday) teasing that the Lennon estate would indeed be releasing “….a brand new, completely remixed Mind Games (The Ultimate Collection) in the summer of 2024, featuring an incredible six albums worth of material, followed by even more surprises later in the year.”
Today’s news makes it very clear that the June 2024 box set follows in the format footsteps of Imagine and Plastic Ono Band, two highly acclaimed reissues already out there. Good news for Lennon fans and collectors!
We can also confirm that, as was done for Imagine and Plastic Ono Band, there will be a separate accompanying hardback book to go with Mind Games.
It was always odd that there wasn’t a CD single of “the Beatles last ever single” included in the long-awaited big release announcement last week.
Well, now there is.
A CD single, in what looks to be a simple cardboard slipcase, has belatedly appeared on the official UK Beatles site:
Like all other formats, the CD will feature ‘Now and Then’, plus the 2023 stereo remix of ‘Love Me Do’.
The release date is 3 November – exactly the same date as all the other formats – which suggests that physical product has been prepared and is ready to go out to stores. So why was it not part of the launch last week? Did somebody at Apple/Universal Music stuff up?
So far the CD single only appears on the UK Beatle store site but we’d expect it to pop up elsewhere during the day.
