105 Days with the Beatles

This isn’t new – it comes from back in December last year but I’ve only just discovered it and thought its worth passing on because it’s kind of interesting.

Its an interview on the Australian EMI site with Richard Lush – who worked at EMI during the 60’s as second engineer to Geoff Emerick recording the Beatles. As he says in a great quote from the article:”….I did 105 sessions; 105 days I walked across Abbey Road and went to work for the Beatles….”.  Not many people can make that claim.

“I was 18 years old and I had been there for 6 months. Before I started on “Revolver”, when we did “A Day in the Life”… Geoff and I, Geoff was 2 years older then me… Geoff would have been 20 and I was 18. I remember us in the control room joking to one another… isn’t amazing…they are actually trusting us… (We laughed)”

“People often ask me: “What’s the worst thing about working for the Beatles?” And I always said… The fact that they would always start late. Most bands in those days started in the morning (10am) but they would start around 2pm. So you would show up just before 2… There would be no fans, no screaming girls, so you knew they had not arrived yet. Then George Martin would show up about 4 o’clock, we would set up, still be waiting, and then the Beatles would roll in about 7 or 8pm and go to about 8 in the morning……I worked on “Pepper”, did a track on “Revolver”, about half   “The White Album”, some of “Magical Mystery Tour”.”

Anyway, check out the interview in full – its worth a read.

If you want to see Richard Lush in the studio here’s a short clip of him examining the piano and drum parts for the John Lennon track “God”, from his solo album Plastic Ono Band. This was part of the great “Classic Albums” video series:

Klaus Voormann – A Sidesman’s Journey

One of the great artists and session men and part of the inner-circle of the Beatles for many years is Klaus Voormann.

He’s been a long-time friend and sometime collaborator and he has an album out looking back and celebrating that association with the group. I stumbled across this video which pretty much tells the back story to the making of the record, which is called “A Sidesman’s Journey”:

As you can see “A Sideman’s Journey” features guest appearances by Paul McCartney and Ringo Starr, as well as Beatle-related songs like George Harrison’s “All Things Must Pass” – here sung by Yusef Islam (Cat Stevens).

Voormann has known the Beatles since the Hamburg days and is an artist and bass player. For example, he drew the legendary cover for “Revolver”:

The Beatles - Revolver (1966)

Later Voormann also played bass on numerous Beatles solo projects including, amongst many others,  Lennon’s “Walls and Bridges” and “Imagine”, Harrison’s “All Things Must Pass” and “Concert for Bangladesh”, and on the Ringo solo outings “Ringo” and “Goodnight Vienna”.  He was a founding member of the Plastic Ono Band.  See his biog entry in Wikipedia here.

Voormann’s new CD is made up of newly-recorded covers of some of the songs he helped make famous with the former Beatles plus many other artists over the years.

Well worth a listen.

New Beatles “Christmas Pack” of 4 Remasters

Its either a cynical marketing exercise in the lead up to Christmas, or a really helpful move for those who can’t afford the steep asking price of the full Remastered boxed sets…

EMI in Europe has announced it is issuing (on 7 December) a limited edition boxed set of four of the new stereo remasters called The Beatles Christmas Pack.

The Beatles "Christmas Pack: Limited Edition"

The set will contain “Rubber Soul”,  “Revolver”, “Sgt. Pepper’s Lonely Hearts Club Band” and “Abbey Road”.

Each album will include the bonus “Making Of” video that uses exclusive original footage from the Beatles’ own archive plus other rare footage and voice-overs by the Beatles and George Martin.