Category Archives: John Lennon

Beatles With Records – Part 31

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The photos of George Harrison at home we published in Beatles With Records – Part 30 unleashed something of a flood of further images from readers depicting band members with LPs – especially George.

Additional images from what appears to be that same ‘at home’ photo session show him with even more records:

Specifically a well-stocked, three-tiered record rack seen on the right-hand side here (and thanks to our reader Lammert who sent these images through, plus many more across the whole Beatles With Records series):

Here, in the top left compartment you can just make out this 1966 album, Krishna Consciousness by A.C.Bhaktivedanta Swami, the Indian spiritual teacher and founder of the International Society for Krishna Consciousness (ISKCON), commonly known as the “Hare Krishna Movement”:

On the top right is Booker T and the M.G.’s Soul Limbo from 1968:

In the middle row, to the left is Woody Guthrie’s classic, Woody Guthrie Sings Folk Songs (with Leadbelly, Cisco Houston, Sonny Terry and Bess Hawes), first released in 1962:

Staying on the middle row – on the right-hand side is one of George’s all-time favourite bands, Smokey Robinson and the Miracles. This time with their Greatest Hits Volume 2 LP first issued in 1967:

And of course, in the bottom left compartment of his record holder George has his own Electronic Sound, released on the Zapple label in 1969:

We say Smokey Robinson is one of George’s favourites because when he got a big package of records delivered during the filming of the Let It Be documentary it contained more Smokey Robinson and the Miracles, as these images from the recent Peter Jackson Get Back film clearly show:

These are (in order of appearance) the aforementioned Smokey Robinson and the Miracles Greatest Hits Volume 2, and also the album Make It Happen (from 1967):

Plus there’s copy of Away We A Go Go, from 1966. (You can see the rear cover of this album in the last Get Back photo above):

For another image of George with a different Miracles LP check out Part 18.

Jumping back a few years, we’ve been sent this image by reader and regular contributor Andrey:

The caption reads: ‘EMI House, Manchester Square, London, October 5 1965. According to Beatles Book #28 the group went to the West End headquarters of their record company to collect four Russian-made acoustic guitars and to be photographed playing them for the benefit of the factory where they were made.’

A stack of jazz records just happened to also make it into the image – and we can see a mono pressing of the 1962 Oscar Peterson Trio release The Sound of the Trio clearly in shot:

In this photo the Beatles look a bit tired and jet-lagged. But they’re still carrying records!

Paul has a copy of Frankie Lymon’s Greatest All-Time Oldies from 1963:

And Ringo has a disc we saw him with in The Beatles With Records Part Seventeen – a ‘Best Of’ compilation called The Golden Goodies of 1963 – Volume 18:

Back to George, and a meeting with the secretaries of the Beatle Fan Club to sort through some of the fan mail. He has some more records on his lap, the top one of which is another of his all-time favourites, Chet Atkins:

And to end this installment, a photograph of John Lennon and Paul McCartney holding a picture sleeve EP cover:

What they have with them is this record:

Why? Because it’s a screen shot from The Music of Lennon & McCartney, a British TV special honoring the Lennon–McCartney songwriting partnership. Produced by Granada Television it first went to air on 16 December, 1965.

During the show The Beatles perform originals, and artists from around the world perform cover versions of their songs. The two are just about to introduce French singer Dick Rivers:

Wikepedia says that Hervé Forneri, known professionally as Dick Rivers, was a French singer and actor who began performing in the early 1960s. He was an important figure in introducing rock and roll music in France. He was an admirer of Elvis Presley, who influenced both his singing and looks.

There will be another Beatles With Records soon. We have been sent many more images since our last post on the subject. Check out all the previous installments here.

Beatles With Records – Part 30

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It has really been quite some time since we’ve done a Beatles With Records post.

Our Beatles With Records series is exactly that: photographs of the band actually holding those things they sold so many of: records and CDs. These can be Beatle discs, or discs by other artists.

The posts prompted quite a few readers to send in additional photographs, and also to do some amazing detective work on the sometimes mysterious records the Beatles are holding in photos. Sometimes the albums are easy to guess. Then there are others where you can only see a fragment of a cover, or the rear image of a sleeve, making it very difficult to identify – especially when the record is by an unrelated artist.

One recent photo to come to light is definitely in that latter camp. It comes from the recently released book by Paul McCartney’s brother, Mike McCartney (a.k.a. Mike McGear).

His book, published by Genesis Publications, is called Mike McCartney’s Early Liverpool and it contains some never-before-seen early photos of The Beatles, including this gorgeous one of John and Paul (and most probably George too, on the left). It is called Mathew Street, 1962 and hey are no doubt standing outside the famous Cavern Club:

This one had us intrigued. Paul is clearly looking at some 45’s, and John has under his arm what at first appears to be an LP of some kind. Further investigation though reveals it not to be a record but a bag containing a record from Liverpool’s NEMS record store. NEMS of course was owned by the family of their manager, Brian Epstein.

Wouldn’t it be great to know which LP John had purchased? What it is will probably never be known….

A couple of other items of interest have surfaced.

This one shows George Harrison in his kitchen at home at Kinfauns:

Quite interesting to see pinned up on the wall behind him a John Lennon/Yoko Ono album cover:

Here it is again, a different angle from the same photo shoot (click on image for a larger version):

It is Unfinished Music No.2: Life With The Lions, an experimental album on the Zapple label from 1969:

It appears to be an album slick opened out containing the rear cover image as well:

George seemed quite fond of putting up album covers, or elements of album covers, on his walls. If you look at the top left of this photo – taken in what seems to be a hospital ward – you can see two prints of the Linda Eastman photograph of Apple artist Mary Hopkin. That image was used for the front cover of the Hopkin LP Postcard:

(Turns out that George was at London’s University College Hospital, where he got his tonsils removed in February, 1969)

Here’s an image of Paul McCartney with what could be an early rendering of the Klaus Voormann cover for the Beatles Revolver LP. Either that or an attempt by a fan to replicate Voormann’s amazing artwork:

And finally, a still taken from the incredible Peter Jackson/Disney+ 3-part series Get Back on the making of the Let It Be album, this image of John Lennon taking a look at the latest Rolling Stones LP of the day:

See the other instalments of The Beatles With Records here.

Lennon Connection: The NFT Collection

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NFT’s, or digital artworks, have become all the rage. And it looks like John Lennon’s son Julian is using them to sell one-off digital representations of some of the Beatle treasures from his personal collection: five gifts he received from his father, and one from Paul McCartney.

NFT stands for Non-fungible token. “Non-fungible” means that it is something unique and can’t be replaced with something else. NFT’s can be anything digital (such as drawings or music), but a lot of the current excitement is around using the tech to sell digital art. Oh, and you pay for them in Ethereum – a cryptocurrency, like bitcoin or dogecoin.

The Lennon NFTs are being sold through YellowHeart, an online site specialising in the NFT space, and also through Julien’s Auctions – a more traditional auction house. As you can see on the Julien’s site all current bids have already either met or exceeded the estimated selling prices. The auction closes on February 7.

The pieces for sale are three of John Lennon’s Gibson Les Paul guitars, his Afghan jacket from Magical Mystery Tour, the hooded cape worn for the movie Help!, and Paul McCartney’s hand written notes for an arrangement of the song he wrote for Julian called ‘Hey Jude’ (it was originally called ‘Hey Jules’). Each NFT is animated and includes brief audio of Julian discussing the item with that voice-over being incorporated as a part of the NFT.

It should be noted that a portion of the proceeds from this auction will go to Julian’s White Feather Foundation which is active globally on issues relating to education, good health, the preservation of indigenous cultures, the environment and clean water.  

If, like us, you don’t have very deep pockets it might be cheaper to seek out a copy of the lovely book Beatles Memorabilia – The Julian Lennon Collection. Each of these items is detailed there, along with a host of other rare collectables.

If you’d like to hear Julian talking about his collection and why he’s gone down the NFT route, check out this video from the True AF Podcast with Eric Fuller:

The Ages of Everyone in Get Back

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These are the ages of all the key players in Peter Jackson’s Get Back documentary, set in January, 1969:

Paul McCartney – 26, John Lennon – 28, Ringo Starr – 28, George Harrison – 25.

Producer/Engineer Glyn Johns is 26, Director Michael Lindsay-Hogg – 28, and Producer George Martin – 43.

Yoko Ono is 35, Linda Eastman – 27. Her daughter Heather is 6.

Roadie Mal Evans is 33, Keyboard Player Billy Preston – 22, Photographer Ethan Russell – 23, and Tape Operator Alan Parsons – 20 (wouldn’t be 21 until December).

It is a fascinating glimpse into the world of The Beatles at that time. Catch it on Disney+ if you can.

Happy Xmas (War Is Over) – 50 Acetates for 50 Years

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In the lead up to Christmas what a fantastic idea from the John Lennon Estate to mark the 50th anniversary of the release of the Plastic Ono Band song, ‘Happy Xmas (War Is Over)’.

They have sent selected record stores and charities across the UK a very, very limited edition 12″ single of the song in the form of an acetate, each individually cut at Abbey Road Studios.

Only 50 of these have been produced – so they are instant rarities and valuable collectors items. The outer sleeve is stamped with the signature of Yoko Ono, and each recipient received a letter signed by Sean Ono Lennon outlining the Estate’s request that they use the disc (in which ever way they please) to help raise much needed funds for charity. Brilliant!

The entire idea is fully outlined on the John Lennon official site.

That got us curious to see how many of the 50 individually numbered acetates we could track down in the wild. We’ve pulled together these images of the discs – and sometimes their new owners who are charged with on-selling them for charity. Each recipient is doing this in their own way – so check out their details for how you could possibly secure one of these 50 rare acetates for yourself. You’ll be helping a good cause along the way!

03/50 Assai Records – Dundee, Scotland. They have decided to run an auction with bids lodged via email. Details here.

05/50 Dig Vinyl – Liverpool:

07/50 Five Rise Records – Bingley in Yorkshire. They’ve chosen the eBay option to raise funds for charity. See their eBay auction here.

10/50 Jacaranda Records – Liverpool. They have taken the online raffle route.

11/50 Kelly’s Records – Cardiff, Wales:

12/50 Monorail Music – Glasgow, Scotland: They are holding an eBay auction.

13/50 The Musical Box Records – Liverpool:

15/50 Probe Records – Liverpool:

16/50 Resident Music – in Brighton, UK. They’re running a raffle where every purchase at their store gets an entry. Money raised goes to the Gig Buddies charity.

18/50 RPM Music – Newcastle upon Tyne:

20/50 Skeleton Records – Liverpool. They’re auctioning their acetate on Boxing Day. Watch this space for more details.

21/50 Spillers Records – Cardiff, Wales. Spillers have given their record to Oasis, a charity doing good work with refugees and asylum seekers in Cardiff. They in turn are holding a raffle by donation. i.e. you make a donation and go in the draw to win! Details here.

22/50 Spinning Discs – Sheffield:

24/50 Kingbee Records – Manchester:

25/50 Vinyl Revival – Manchester:

26/50 The Vinyl Whistle – Headingly – Leeds (These guys have decided to sell raffle tickets. At £2 quid each you can buy as many as you like and go in the draw to win!):

27/50 Wax and Beans Records – Bury (near Manchester):

29/50 Attitude is Everything – a UK charity based in London working on giving deaf and disabled people better access to live music.

31/50 Collage Arts is in London. It works in the community and offers artist studios, creative enterprise training, young people’s arts programmes, live music and events. They joined in a group of seven other recipient charities and used Crowdfunder to raise £13,720!

32/50 went to Earth Percent, a charity set up in part by Brian Eno to raise awareness of climate change. Watch their Twitter account for plans on how they’ll use the gift to raise funds.

33/50 Glasgowbury – Northern Ireland’s emerging music festival, established from a need to support and develop homegrown artists. They’re HQ is located in Draperstown and they’re taking bids via email.

34/50 This acetate went to Help Musicians UK, an independent charity that provides support and opportunity for professional musicians of all genres and career stages. They also joined in a group of seven other recipient charities and used Crowdfunder to raise £13,720!

?/50 Sister Ray Records – Soho, London (Not sure of what number these guys got, but they decided to hold an auction across their various social media sites – for example Instagram). It raised £2,300. Not bad!

35/50 Hen Hoose – Scottish female and non binary songwriters and music producers. (They have also posted a lovely video unboxing on Twitter). Their auction via the Omega Auction house raised £4,320!

37/50 Karousel Music CIC – This is a London-based music industry hub promoting collaboration amongst artists, songwriters, musicians and industry. See their ticket raffle here.

39/50 Moving On Music – Located in Belfast, this is an independent, not-for-profit and registered charity. It provides an eclectic mix of music and education services to the entire community in Northern Ireland. See their eBay auction here.

40/50 Music Broth – Scotland’s musical instrument and equipment library. Social enterprise and charity improving access to music making for all:

41/50 The Music Venue Trust is a London-based registered charity which acts to protect, secure and improve grassroots music venues. They have uploaded a Facebook unboxing and appear to be totally surprised by what they find in the package! See their ticket raffle here.

42/50 Music Place North-West is a music therapy charity from Liverpool’s Merseyside and they are auctioning their acetate through Bonhams. It will be auctioned in the new year so watch their Twitter account for details.

45/50 Phoenix Arts Club is also located in London and they too have done a Facebook video unboxing in which they are absolutely bowled over by the generosity of Sean and Yoko in choosing them. Watch it. It’s great!

46/50 SWIM stands for Scottish Women In Music. It is a collection of music creators and industry professionals who identify as women working in all music industries. It’s committed to achieving a level playing field for women, pushing for gender equality. They’ve decided on an eBay auction for their acetate.

47/50 The Brain Charity is based in Liverpool and does amazing work helping those affected by neurological conditions to live longer, healthier, happier lives. They also decided to auction their ‘Happy Xmas (War Is Over)’ acetate disc on eBay – and it sold for £4,900. Wonderful effort!

48/50 The Glad Foundation is a charity in Glasgow. It provides a wide range of free and affordable music workshops for people of all ages and abilities:

?/50 The Coda Club in London seems to be associated with the Phoenix Arts Club (see 45/50 above) because their acetate disc is mentioned and seen still sealed in the Phoenix Arts Club Facebook video. The Coda Club is a meeting and support network for retirement-aged classical/jazz/session musicians to reconnect and meet and combat loneliness.

We reckon this is a fantastic initiative by Yoko Ono, Sean Ono Lennon and the John Lennon Estate to do some good in the world this holiday season. In it’s 50th anniversary year good on them for having the vision to use ‘Happy Xmas (War Is Over)’ in this creative way.

Song Exploder does Lennon’s ‘God’, and the McCartney Podcast ‘Take It Away’ is Back

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Song Exploder is one of the biggest music podcasts going around.

Host and creator Hrishikesh Hirway works with musicians to take apart their songs and, piece by piece, tell the story of how they were made – delving into the specific decisions that went into creating the work. Guests have included Fleetwood Mac, Billie Eilish, U2, Metallica, Solange, Lorde, Yo-Yo Ma, The Roots, Bon Iver, and more. Here’s the full list of episodes.

Now, Song Exploder has taken a deep dive into John Lennon’s song ‘God’, from his 1970 solo album Plastic Ono Band. It’s the first time Hrishikesh has unpacked a song posthumously, teaming up with the Lennon Estate for a special, first-of-its kind episode using demos, out-takes, multitracks and interviews from their vaults.

“Earlier this year, I got an amazing email—the estate of John Lennon said that they have a treasure trove of audio material from his life, and they were wondering if I would be interested in making an episode around the song ‘God‘. I’ve never tried making a posthumous episode before, because hearing directly from the artist is at the heart of Song Exploder. But with all the interview archives that they have of him speaking, plus all the isolated tracks from the recordings, and the original demo, it actually seemed possible. So this is a very different and special episode of the show.”

Speaking about the episode on Instagram Sean Ono Lennon said “I’m a big fan of Song Exploder and the way Hrishi analyzes songwriting and recording using the multitracks and sessions and the creator’s voice. The shows are always intelligent, well-researched and beautifully edited, so we felt comfortable and confident opening up the archive to them to tell the story of this important song’s creation. They’ve done an amazing job and I’m excited for everyone to hear this special episode.”

In the episode we hear from John Lennon, Ringo Starr, Klaus Voormann, Billy Preston, and psychologist Arthur Janov.

Meanwhile in other podcast news, the very good Take It Away: The Complete Paul McCartney Archive Podcast is back.

After the tragic death of co-host Ryan Brady last year in a motoring accident, his podcast partner Chris Mercer has (understandably) been lying low for a while. The good news is that the show has returned.

Two weeks ago Mercer posted on Facebook: “I’d like to take this opportunity to welcome Paul Kaminski as the new co-host of Take It Away. Many of you will have guessed as much already. When it comes to the Beatles, Paul Kaminski is the real deal. He’s also a highly accomplished podcaster, having worked on the Jack White-related Third Men Podcast, the Beatles podcast Yesterday and Today, The Lucy & Annabel Show, and Now Hear This!, which he co-founded with Ryan Brady. We‘ve already had a productive collaboration going for some time, and we can’t wait to talk everyone’s heads off about music we love!”

The new team of Mercer and Kaminski sound great together and have released the final episode of Season 4 in which they unpack Paul McCartney’s McCartney III Imagined.

And they’ve announced there’ll be a Season 5 coming this fall. “While we will honor the show’s roots by covering McCartney‘s latest projects and expanding our Macca-related offerings, Paul and I are eager to take TIA to new places, and we think you’ll enjoy what we have planned” said Mercer.

Lennon – Imagine 50

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On September 9, 2021, John Lennon’s Imagine LP turns 50 years-old.

With that anniversary comes a new logo, and a new opportunity to sell the LP to us once more….this is despite it having had something of a spectacular re-mix campaign reissue just three years ago in a wide range of formats.

To celebrate it’s 50th, Universal Music yesterday announced a 50th anniversary, limited-edition “collectors” white vinyl 2LP of Imagine.

This features the exact same 2018 “Ultimate Mix” of the album by engineer Paul Hicks and produced by Yoko Ono on disc 1, and the exact same set of album outtakes on disc 2.

When that 2LP set was issued in 2018 it was offered on a 2LP black vinyl:

And there was also a limited edition 2LP clear vinyl set:

As you can see, its now a case of “spot the difference” with this latest white vinyl iteration:

So, what do you think? Will you be buying it one more time?

The white vinyl version ships on September 10th. Here’s the track listing:

Side A
1. Imagine
2. Crippled Inside
3. Jealous Guy
4. It’s So Hard
5. I Don’t Wanna Be A Soldier Mama I Don’t Wanna Die

Side B
6. Gimme Some Truth
7. Oh My Love
8. How Do You Sleep?
9. How?
10. Oh Yoko!

Side C
11. Imagine (Original demo recorded at Ascot)
12. Imagine (Take 1)
13. Crippled Inside (Take 3)
14. Crippled Inside (Take 6 alternate guitar solo)
15. Jealous Guy (Take 9)
16. It’s So Hard (Take 6)

Side D
17. I Don’t Wanna Be A Soldier Mama I Don’t Wanna Die (Take 25)
18. Gimme Some Truth (Take 4)
19. Oh My Love (Take 6)
20. How Do You Sleep? (Takes 1 & 2)
21. Oh Yoko! (From Bed Peace footage – Sheraton Hotel, Bahamas 1969)

Rare John & Yoko Limted Edition Interview 10″ Vinyl

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As we eagerly await the release later this week of the Plastic Ono Band super deluxe editions it’s been interesting to listen to two rare John and Yoko interview discs recorded during the same era.

The two discs are John Lennon & Yoko Ono Special Interview (January 25, 1971, in Tokyo), and John Lennon & Yoko Ono Special Interview (September 2, 1971 in New York).

Both these were only made available recently, and only in Japan. The one place to purchase them was from the museum shop at the Double Fantasy – John & Yoko exhibition, held at the Sony Music Roppongi Museum in Tokyo in late 2020/early 2021. We were lucky as a family friend who lives there got both discs for us and sent them via snail mail to Australia. It took a while, but they eventually got here!

As the titles suggest, these recordings date back to 1971, and hearing John and Yoko talking about their then just-released Plastic Ono Band LPs (one from John, one from Yoko), and also about Lennon’s Imagine LP, adds to our understanding: what they were thinking and saying about the albums at the time.

As you can see, these have been lovingly created in the typical Japanese style. They both come in gatefold sleeves with Grapefruit OBI strips, and they’re both pressed on lovely 10″ clear vinyl.

Gatefold for John Lennon & Yoko Ono Special Interview January 25, 1971
Gatefold for John Lennon & Yoko Ono Special Interview September 2, 1971

Both album sleeves say “Printed in Japan”, and state that the vinyl is pressed in Czech Republic. However, inside the labels say “Made in USA”. Confusing.

Instead of Apple labels, these are on Grapfruit labels (just like the ones used for Yoko Ono’s album re-issue campaign with Secretly Canadian).

(Click on any images to see larger versions)

On the OBI strip and on the record labels there are Columbia Records logos (i.e. Sony Music), while on the covers there are Sony Music, Secretly Canadian and Chimera Music logos printed on the rear sleeves.

And of course being Japanese releases, these both have a paper sheet inserts printed on both sides with more detail and info (in Japanese!) about the EP and the Double Fantasy exhibition:

One of these interview discs at least (John Lennon & Yoko Ono Special Interview (September 2, 1971 in New York) has been previously released. This was back in 1971 in Japan – and it came out on the Apple label. This release was a fan-only, 7″ 45rpm EP. It has the same artwork throughout as this 2020 re-issue and came in a gatefold cover too. Apparently in Japan in 1971 the first 1,000 copies of of Imagine contained a postcard which the buyer could use to order the interview EP for free:

Seeing the original Japanese Apple labels from 1971 reminds us of the amazing attention to detail the Japanese go to when recreating re-issues. If you look closely you can see that even the lettering has been meticulously copied from the Apple original to the 2020 version on the Grapfruit label:

The interview on January 25, 1971 took place in Tokyo’s Teikoku or “Imperial” Hotel. It is conducted in English and Japanese – but mostly Japanese. The Lennon’s state that they are in the country to visit Yoko’s family and are trying to keep a low profile, so it is not an official visit as such. But they’ve obviously called a short press conference to talk briefly about what would have then been their latest releases, the two Plastic Ono Band LPs.

As you can see from the sleeve images above, the two are photographed holding these albums (and The Wedding Album) on the front, rear and gatefold covers.

Here’s a short extract from this disc to give you a feel for what it contains. John is asked about the direct nature of his lyrics on Plastic Ono Band. Is it something like Japanese Haiku poetry?  

John Lennon & Yoko Ono Special Interview January 25, 1971 c. 2020 Yoko Ono Lennon

“This album is shibui!” he declares. Shibui refers to a particular aesthetic of simple, subtle, and unobtrusive beauty. Like other Japanese aesthetics terms, it can apply to a wide variety of subjects, not just art or fashion (see Wikipedia).

There is a small amount of original music on the January 25, 1971 interview disc. At one point Yoko is busy speaking in Japanese to the interviewer while John Lennon in the background has obviously picked up an acoustic guitar and gently finger picks the melodies of ‘Sun King’ and then ‘Dear Prudence’. And at the very end of the press conference there is a short live version of ‘Give Peace A Chance’.

The interview on the second 10″ clear EP takes place in New York on September 2, 1971. Here they talk a lot more about Imagine as it has just been released, but John compares it to Plastic Ono Band, the LP which precedes it. Lennon says the Imagine album is more relaxed compared to Plastic Ono Band. And ‘Imagine’ the song, he says, has almost the the same story as the song ‘Working Class Hero’ from Plastic Ono Band, only ‘Imagine’ is expressed in a more “child-like” way. 

Sound-wise he says he wanted Plastic Ono Band to be very spare, but this time (on Imagine) he wanted strings and saxophone, and to work using more musicians. The other contrast between the two LPs he makes is along the lines of: “Last year [when I made Plastic Ono Band] I had long hair and a beard. Now I’ve got short hair and no beard. So it’s like shaving. It’s a bit cleaner looking, more acceptable to people”.

So, two interesting releases to have in the lead-up to the Plastic Ono Band The Ultimate Collection box sets and vinyl re-issues. These will sit alongside them quite nicely.

The Wait Is Over – Lennon/Plastic Ono Band Finally Announced

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The dream wait is over, what can I say? The dream wait is over, yesterday….

It’s taken a while (there’s even been an official countdown clock ticking down just for the announcement) but Yoko Ono and Sean Ono Lennon have at last revealed the release date (16 April), and the contents of the 50th anniversary box set of John Lennon’s legendary Plastic Ono Band solo album.

And it looks really good. The wait appears to have been worth it:

Rather than detail it all here it’s best to click through to the official John Lennon website which has all the information – and more – about what this 6 CD, 2 Blu-Ray Audio Disc Plastic Ono Band Ultimate Collection deluxe box set will contain. They’ve created a fantastic site with masses of information, images and memorabilia.

There is of course also a 2LP Half Speed Master release, a two CD edition, and a single CD release as well. Accurate track listings for each for each of these are also included on the Lennon site.

Also, for a great summary article, you can’t go past the great Super Deluxe Edition site.

The Lennon camp has embarked on a social media blitz to publicise the release, and there will be no doubt be more to come.

Given the tempo of the times, we particularly liked this image which appeared on Twitter and on Insta:

The caption reads: “What’s the meming of this?” 🙂