The Next McCartney Releases

Wogblog is one Beatles blogsite you can trust when it comes to accurate news and information about planned future releases. I don’t know where Roger Stormo (who is based in Norway) gets his information from, but it is usually correct well out from any officially released news. In his latest post Wogblog is saying that the next two confirmed releases in The Paul McCartney Archive Collection series will be Paul’s first solo album “McCartney”, and the album that came out ten years later (and was recorded in a similar fashion at home studios), “McCartney II”.

“McCartney” (1970) will be available in two forms: as a 2 CD set, and as a 2 CD plus 1 DVD deluxe set with a 100 page book.

“McCartney II” (1980) will also be available in two forms: as a 2 CD set, and as a 3 CD plus 1 DVD deluxe set with a 100 page book.

I’m guessing the books will be just like the book format used for the recent deluxe packaging of “Band on the Run” (2010). There is no talk of vinyl pressings yet – hopefully they will be announced soon. No release dates are yet available for both collections.

Wogblog had the inside running on all the details for that “Band on the Run” set very early. It was the first release in the Archive series, so there’s reason to believe he could be onto something here too.

Beatles on CD – “1962-1966” – the Red Album

Last time I posted on getting a bargain on the HMV box set of “Sgt Pepper”. This comes from back in 1987 when the Beatles catalogue was released on Compact Disc for the very first time. EMI used their UK record store chain HMV to release all the titles in special, limited edition 12″ box sets.

The other set I was able to get at the same time was “The Beatles 1962-1966” (which was issued later – in 1993).

This is a limited edition box with the catalogue number BEACD25/11. It contains the well-known Red Album double CD set, and comes with a large-format 12-page colour booklet featuring song reviews, a 16″ x 24″ colour poster of the band (posed in front of a big US flag), and a special metal badge.

The front of the box looks like this:

Note the original price sticker still attached. When you take off the lid, this is what you see:

This is the 12-page booklet, and it is different to the small booklet which comes with the CD itself. It features some great photos, a short essay, and a song-by-song commentary by Andy Davis from Record Collector magazine:

Next in the box there’s a large poster:

Then comes the CD itself, held in place by a special cardboard holder with a slot just right for the CD and it’s outer cardboard sleeve. There’s a small thumb-slot at the bottom to help you get the CD out. This box, by the way, is thicker so that it can accommodate the jumbo-sized double “Red” CD :

Also in the box is a small metal pin or badge:

As already mentioned, the CD’s which come with this are in the red jumbo-sized double CD holder – which comes with a booklet:

Inside the lid of the HMV box there’s a limited edition stamped number:

See also the “Sgt Pepper” HMV box set.

 

Beatles on CD – The “Sgt Pepper” Box Set

When the Beatles catalogue came out on Compact Disc for the first time back in 1987 it was a very big deal and the British record store chain HMV (which has close ties back to the Beatles record company EMI) released a series of limited edition 12” x 12″ box sets to mark the occasion. These boxes look just like those which contain 12″ LP’s so I guess there was a certain symbolism in releasing them in this way – the boxes containing CD’s indicating a move forward from the LP to the Compact Disc.

In all there were 12 individual box sets containing either individual or grouped CD’s, plus there was also a large (and expensive) HMV box housing every Beatle CD title then available.

You can see here all the “Beatles on CD” HMV Box Sets (minus “Abbey Road”) above. These (except for the 1962-1966 and 1967-1970 sets) all came out in 1987.

The box numbered BEACD25 contained “Please Please Me”, “With The Beatles”, “Hard Days Night” and “For Sale” on CD, plus a 224-page book ‘The Book Of Beatle Lists’, plus a Beatles fact sheet.

BEACD25/2 contained “Help”, “Rubber Soul” and “Revolver”, plus a reprint of Beatles Monthly No. 12 and a Beatles fact sheet.

“Sgt Peppers Lonely Hearts Club Band” (BEACD25/3) had the album with a slipcase, an 8-page ‘behind the scenes’ booklet, the 12″ cut-outs sheet and  a badge.

The “White Album” (BEACD25/4) featured an individually numbered double CD album, a 12-page glossy booklet and a badge.

BEACD25/5 was “Yellow Submarine” and came with an insert, a cut-out ‘Yellow Submarine’ model, and a fact-sheet, while “Magical Mystery Tour” (BEACD25/6) had a 12-page booklet, a large fold out colour poster and badge.

“Abbey Road”  (BEACD25/7) comprised the 17-track CD album, two different posters, a badge and an 8-page booklet.

The “Let It Be” HMV box has a 12-page booklet and badge, and has the catalogue number BEACD25/8.

The “Past Masters Vol.1” and “Vol. 2” came in separate boxes – each with a badge and a 12-page booklet with pictures and track-by-track details. These were numbered BEACD25/9 and BEACD25/10.

Finally, when they were released in 1993 the “Beatles 1962-1966” Red Album and the “Beatles 1967-1970″ Blue Album also came in separate boxes containing the double CD sets, a 12-page colour booklet featuring song reviews, a 16″ x 24” colour poster and a badge. These were numbered BEACD25/11 and BEACD25/12 respectively.

I got a bargain the other day – I was able to get the “Sgt Pepper” HMV box and the “Beatles 1962 – 1966” – both practically mint copies. I’ll give you a close up look at the “Sgt Pepper” box set here, and post on the “62-66” red box next time.

You can see the front of the box above – and it features a different photograph from the one used on the CD. When you take the lid off this is what you first see:

This is an 8-page booklet with lots of photographs taken at the photo shoot for the famous cover of “Sgt Pepper”. There’s also some text about each song. Here are couple of pages from the booklet:

Underneath that there’s the same “Sgt Pepper” cardboard cut-out sheet which came with the original copies of the LP version:

Then comes the CD itself, held in place by a special cardboard holder with a slot just right for the CD and it’s outer cardboard sleeve. There’s a small thumb-slot at the bottom to help you get the CD out:

Also in the box is a small metal pin or badge:

The CD that comes with this is the original release with the cardboard sleeve, booklet with additional info, and an insert that has details of all the faces used in the famous Peter Blake photograph of the band standing with all their heroes:

Inside the lid of the HMV box there’s a limited edition stamped number:

Next post we’ll take a look at the “Beatles 1962-1966” HMV Limited Edition box set.

The Lost Lennon Tapes – Rolling Stone Magazine

We’re a bit slow down here so pardon if you’ve got this info already – but the latest (February) Australian edition of Rolling Stone magazine has just hit news stands.

Don’t know if they waited  intentionally to release this into the Christmas/New Year holiday market here, or there was something more pressing to put on the front cover Down Under a few weeks ago. This content was seen in the US back in early December . It was timed to coincide with the anniversary of John Lennon’s death. Here’s the Australian cover:

As you can see, the feature article is the final print interview with Lennon, conducted by journalist and writer Jonathon Cott:

On December 5, 1980, three days before he was murdered, John Lennon sat down with Rolling Stone‘s Jonathan Cott for a nine-hour interview. Select excerpts from the interview ran in Rolling Stone‘s tribute to John Lennon the following month — but Cott never transcribed all of the tapes. For 30 years they sat in the back of his closet.

So, much of this content is seeing the light of day for the very first time, accompanied by some terrific photographs by Annie Leibovitz, Rolling Stone magazine chief photographer at the time. One of the most interesting, spread over two pages, is the Lennon’s at home in their Dakota apartment kitchen:

Its a great photo – one I’d not seen before and so homely and domestic. Clearly many of the photographs by Annie Leibovitz from this day’s shoot at the Dakota  have now been seen in many iterations, including the LP and CD cover for “The John Lennon Collection”, a best-of released in 1989:

The Rolling Stone “Last Interview” is accompanied by a lengthy piece called “John’s Last Days” written by Yoko Ono in London. It’s dated October 18th, 2010, and in it she says that one day during the recording of “Double Fantasy” they had some time to spare, and had some retail therapy:

“After being in the dark studio for ages, the outside made us squint. It was like spring! A beautiful, beautiful day. The sky was shining blue. We felt like two kids skipping class. John decided we would go into Saks Fifth Avenue. He went through a few counters and stopped at the glasses: “We should get one for you.” He picked a pair out – large black wraparound shades – and put them on me….”You should wear these all the time.” I thought that was silly and wanted to laugh, but stopped short. He was gazing. “Why?” I asked with my eyes. He just took my hand and we walked quickly toward the exit. It was time to get back to the studio. I immediately forgot the incident totally. Later, those were the glasses I used to face the world.”

I’m guessing that these are those same glasses – by Porsche Design – which Yoko was seen wearing in public frequently in the years after John’s murder. This is a cover from a 1981 edition of Rolling Stone. If you look closely you can see that she is also  wearing the same necklace that John is wearing in the “The John Lennon Collection” CD cover shot:

Rolling Stone have uploaded four audio extracts from the Jonathan Cott “Last Interview” here, and you can download an 18 minute podcast here. Also in this latest edition of the magazine Yoko Ono lists her ten best John Lennon songs.

Let It Be – Dialogue From the Beatles’ Motion Picture

This little item came into the collection last week:

It’s a one-sided 45rpm single with three tracks on the A side. These are as the label describes – three brief extracts of dialogue from the Beatles’ 1970 film Let It Be, which premiered in New York in May that year.  We’ve been looking around on the internet for some further information on it.

Fab 4 Collectables (which is a really interesting site by the way) says that this disc was issued to fan club members, but as it states on the the label “Beatles Promo – 1970”  you’d have to think it’s more likely a disc that was sent to radio stations to promote the Let It Be film which had only just been released in the United States. The dialogue was produced during the ill-fated recording and filming of the film in Twickenham studios in London in January, 1969.

The Apple By The Numbers site (no longer active) said that there are bootleg copies of this around: “….fakes exist which do not have machine stamped symbols in the matrix area of the run-out grooves. The original was on black vinyl. Fakes exist on colored vinyl. This record was made at Bell Sound Studios to promote the release of the Let It Be film documentary”. It was Bell Sound that pressed the official Let It Be LP for Apple Records in the USA.

This promo 45 here has symbols stamped in the run-out area, so I guess it could be an original. It says: “Promo  1970 . D – 1” then a symbol that looks like a circle within a circle, followed by a squiggle that looks like this:  ˜ (all hand-written).  As you can see, Apple is mentioned on the label, as is ABKCO, Allen Klein’s company which was managing the Beatles at the time.

It comes in a plain white sleeve, and the B-side is blank. There’s just a white label with no writing, and some groves stamped into the vinyl:

If anyone has any further information on this disc please leave a comment.

For other Let It Be posts see Label Variations – Part 2 ; Let It Be At 40 ; and At Last – A Genuine US “Let It Be” LP.

George Harrison – The Ole Black Gretsch

The Gretsch guitar site has been running an interesting teaser video for a couple of weeks now….The advertising spiel goes something like this:

“Gretsch is pleased to announce the GEORGE HARRISON product “teaser” that will grace their homepage website beginning at midnight, December 9, 2010. By clicking on the “watch video” icon, George will narrate a brief story about his “ole black Gretsch”. There’s no doubt it will cause a major stir in the global marketplace. Want to know more about this project? Please keep checking back on the website as it will be updated over time…”

Seems like there’s to be a new line of reproduction George Harrison “Duo Jet” model guitars – which was his very first decent axe, purchased second-hand back in 1961.

You can read more about this guitar here. According to this site the “friend” to whom George gave the Gretsch (and who subsequently gave it back to him years later) was none other than Klaus Voormann.

Another great source I have is a really interesting book by Andy Babiuk called “Beatles Gear – All The Fab Four’s Instruments, From Stage to Studio“, which came out in 2001.

This book goes into a lot more detail about Harrison and his guitars. After 1961 he went on to purchase other Gretsch models notably the “Chet Atkins Country Gentleman” – George owned two, and the “Chet Atkins Tessessean“.  His profile helped greatly in continuing the brand’s fame in the 1960’s.

Here are some shots of George with that first, now legendary “Duo Jet” guitar:

And probably most notably it makes an appearance on the cover of his 1987 solo album “Cloud Nine”:

The Ole Black Gretsch is featured with Harrison in all the  photos used in the “Cloud Nine”  CD booklet too. I guess we know now that we have Klaus Voormann to thank for re-uniting the pair.

How famous is the Gretsch “Duo Jet”? It even turned up as one of the instrument choices for buyers of The Beatles “Rockband” console game:

How many kids playing “Rockband” today would know they’re “strumming” away on a stylised version of a 1957 model guitar that a young George Harrison purchased in 1961 second-hand from a Liverpool sailor?

John Lennon – Double Fantasy (Stripped Down)

At long last my copy of the John Lennon and Yoko Ono “Double Fantasy – Stripped Down” two CD set has arrived.

I know, it was released way back in October as part of the Lennon 70th birth-date celebrations, along with the big Lennon “Signature” box set, the “Gimme Some Truth” 4 CD box set, and the two versions of the “best of” John Lennon compilations called “Power to the People – The Hits”.

The lengthy delay for me in getting “Double Fantasy – Stripped Down” was caused by a bad Ebayer who disappeared off the face of the earth after taking my (and many other peoples) money. After waiting weeks the item just didn’t turn up, and he didn’t reply to emails. Fortunately I’d paid  using PayPal and after lodging a refund claim with them I got my money back. I must say here that it was all very efficiently done by PayPal – so I’d recommend using them as a way to pay for anything you order on Ebay as it comes with this sort of buyer protection.

After quite a few weeks that dispute was solved and I placed another Ebay order – this time with a store in the US. I particularly wanted a US copy of “Stripped Down” to go with all the US versions of Lennon’s other titles contained in the “Signature” box set. They sent it surface mail or something and it also took a while to get here – but this time at least it has finally arrived.

You’ve probably gathered by now that I’m quite interested in the packaging, small print text, and the images used for the covers of LPs and CDs. (If you are too, you might like a page called “Sleevage” that specialises in album music, art and design of all types).

Clearly, this late in the day, this CD cover isn’t new to you. Its been out since October and everyone has come to terms with the fact that both the front and rear covers are cleverly based on sketches of the original LP’s black-and-white shots of John and Yoko taken back in 1980. I think its a nice touch that they asked Sean Lennon to do this. Yoko says in the booklet liner notes (quote):

“And thank you Sean, after many days of hesitation, you finally did the drawings for the front and back covers…for your dad and your mom. All sorts of memory of that time came back to you, you said.. I know how hard it must have been. This is a thank you from me and your dad.”

One other piece of information that caught my attention reading the small print in the cover notes was that two of the photographs used on the inside panels of the cover are actually significant. This shot of John and Yoko leaving the Dakota building was taken on their  way to the Hit Factory studios in New York on August 4, 1980, for the first day of recording for what would become the “Double Fantasy” album:

From inside the gatefold cover: John and Yoko leave the Dakota for the studio and the very first day of recording "Double Fantasy" - August 4, 1980

And this photo on another panel of the gatefold for “Stripped Down” was taken on 44th Street, New York on December 6, 1980 – the last day of recording:

Another image from the packaging: John and Yoko on 44th Street on the very last day of recording "Double Fantasy"

Its not the first time that photo of the pair leaving the Dakota Building has been used. It appeared as the picture sleeve for the US release of one of the three singles taken from the original “Double Fantasy” LP – the song called “Watching the Wheels”:

The same Dakota photograph was used for the vinyl single "Watching the Wheels", released on 27 March, 1981

Interestingly, when you purchase the Lennon “Signature Box“, which reissues all his original solo albums, you get “Double Fantasy” remastered in its original form – a single disc with the 1980 cover art and without the “Stripped Down”  version as an additional CD:

In the booklet for this edition of “Double Fantasy” you get a different short essay by Paul Du Noyer, but it has all the same photographs as those used in the booklet for the “Stripped Down” booklet.

Also, I’m not sure that you can purchase this single disc 2010 remastered version of “Double Fantasy” as a stand-alone item. I had a quick look around on the web and couldn’t find it for sale anywhere and so I think it may only be available by getting the “Signature” box. If anyone has any info on that one please let us know.

 

Phil Spector’s Christmas Album

Originally called “A Christmas Gift for You from Philles Records” and released in 1963, this Apple Records LP reissue of the same album came out in 1972 – with different cover art and retitled “Phil Spector’s Christmas Album”:

Phil Spector's "Christmas Album on Apple (front)

Phil Spector's "Christmas Album" on Apple (rear)

Funnily enough the Apple labels  list the title differently to the sleeve, calling it “The Phil Spector Christmas Album Various”….

This is the US pressing (APPLE SW 3400).  As well as listing the artists (Darlene Love, The Ronettes, The Crystals, etc.), the small print on the rear cover has a typically kooky quote from Spector:

“Because Christmas is so international it is certainly in keeping that these youngsters should record their Christmas gift to you, for this album is produced solely with you in mind. It comes with the sincere wish that you understand and appreciate this endeavour into something new and different”. (Phil Spector 1963)

There have been numerous other reissues of this record. I also have the disc with the same artwork (with a few small variations) on the Phil Spector International label:

Spector's "Christmas Album" on the Spector International Label

Notice the words “Phil Spector’s” is in black and superimposed over the words “Christmas Album”, and the artists featured are in written in white on the photo of Phil. On the rear the Apple logo is replaced by the Phil Spector International logo:

Spector's "Christmas Album" on Spector International (rear)

This is the UK pressing (SUPER 2307 005) and the label of my copy looks like this:

Thanks to the the lovely Chained and Perfumed blog for the Christmas inspiration for this one. If you want to see another label variation (this time for the original LP) click on the link.

Abbey Road – Crossing to be Heritage Listed

The zebra crossing made famous by the Beatles has just been designated a site of national significance by the British government. Fans from around the globe flock to the crossing every day to have their photo taken walking over Abbey Road, just down from the EMI studios of the same name. The Abbey Road studios became almost a home-away-from-home for the Beatles and was where they recorded just about all their greatest songs.

The story of the heritage listing (which means it will be preserved forever from change) has been picked up by media around the world.

Here’s how the BBC World Service covered it this morning:

Paul McCartney says he’s pleased with the news, and that for him it caps off what has been a run of recent success: “It’s been a great year for me and a great year for the Beatles and hearing that the Abbey Road crossing is to be preserved is the icing on the cake.”

The photo-shoot for the album which put the pedestrian crossing on the map took just ten minutes to complete. On a sunny day on August 8th, 1969 photographer Iain Macmillan took what would become one of the best-known, copied, and parodied album covers of all time.

Getting ready to cross

People today can’t get the exact same look as the Beatles got for their cover for two reasons. First is that the crossing is not in exactly the same place it was back in 1969, and second is that Iain Macmillan was about ten feet up on a ladder. He took just six photos and it was the fifth one that was used for “Abbey Road”.

Starting the famous walk. Paul is in bare feet and getting nicely out of step....

There is a webcam (run by Abbey Road Studios) that looks over the crossing now 24 hours a day –  so even if you can’t get to London you can experience it virtually any time you like. The latest release to bear the photo that put a zebra crossing on the map is the remastered CD of “Abbey Road” – which came out last year in the new look with the white strip down the left-hand side. The legend lives on:

Paul McCartney – Tripping the Live Fantastic (Highlights)

Well, there are always some surprises in the Beatles and Beatles-related collecting game.

I’ve had a vinyl copy of Paul McCartney’s “Tripping the Live Fantastic – Highlights” LP for many, many years. In fact my copy – in mint condition by the way – dates from the time it was first released way back in 1990. It’s a single LP with 12 tracks, a cut-down version of the full, triple-LP version. The cover looks like this:

The LP I have is on the Australian black and silver Parlophone/EMI label:

I always thought that the “Highlights” LP had an identical track-listing to the compact disc and so have never paid much interest in getting that particular disc….until about a week ago when I decided to look on the Internet for a copy of the full “Tripping the Live Fantastic” 3-LP version to add to the collection. (Turns out these are pretty rare and subsequently expensive, and so I am still looking….).

I did discover, by accident really, that the single CD version of  “Highlights” comes with additional tracks that are not on the single LP “Highlights” version I have had for twenty years now. In fact there are 17 tracks on the CD version, with six extra tracks than the LP (although the LP has one song not on the CD “Put It There”), and so I decided to bid for a copy online and here it is:

Tripping the Live Fantastic - Highlights CD (front cover)

Tripping the Live Fantastic - Highlights CD (rear cover)

“Tripping” is a live disc of songs McCartney recorded in different locations around the world, as he says “….from Rio to Glasgow, Tokyo, through most everywhere and back again…”.

The CD song list is:  1. Got To Get You Into My Life (Not on LP),  2. Birthday,      3. We Got Married (Not on LP),  4. Long And Winding Road,   5. Sergeant Pepper’s Lonely Hearts Club Band,  6. Can’t Buy Me Love,  7. All My Trials (Not on LP),  8. Things We Said Today (Not on LP),    9. Eleanor Rigby,  10. My Brave Face,  11. Back In The USSR (Not on LP),    12. I Saw Her Standing There,          13. Coming Up,   14. Let It Be,   15. Hey Jude,    16. Get Back,                                  17. Golden Slumbers/Carry That Weight/The End (Not on LP).

This is a really nice mint copy of the “Highlights” CD. Its a UK pressing – I think. I say that because the label is a bit confusing. In the small print around the CD outer is says “Manufactured in England by EMI”, but just under the catalogue number it says “Made in Austria”.  Weird.

I am still on the lookout for the 3-LP vinyl version, or maybe a nice copy of the double CD full version of the release. Or maybe both! Will let you know how I go….

Cool photo of Paul from the CD Booklet