Cleaning up a closet today we rediscovered a large collection of vintage Rolling Stone and other music magazines. Flipping through them casually revealed three artefact print advertisements. The first is from Rolling Stone magazine. This is an Australian 1983 Yearbook edition. The advertisement is topical, with the 2015 re-issue of Pipes of Peacecurrently on music store shelves:
The next also comes from Rolling Stone, again one of their Yearbooks, this time from 1985. Again, this is an Australian edition and it’s an advertisement for sales of an original poster from The Beatles’Let It Be movie originally released in 1970. The ad copy says “We have a limited number of these full colour original movie posters for sale at $19.95 each plus $3.50 for postage. This is an opportunity to own an item of pop memorabilia that is guaranteed to appreciate in value over the years…..”:
Just where the company located their Let It Be original movie posters isn’t clear, but if these were indeed genuine Let It Be posters then $19.95 was probably a good investment even back in 1985.
The final is a full-page ad which appeared in Billboard magazine in June, 1991. It’s for Paul McCartney’sUnplugged – The Official Bootleg album, released that year:
I don’t know if your’e into these tribute concert recordings where various musical luminaries are invited to pay their respects by singing favourite songs. I must say they don’t really do a lot for me, but there’s obviously a market out there for them.
To be released on February 26th, 2016, this live tribute will be available in 5 configurations including 2xCD/DVD, 2xCD/Blu-Ray, 3xLP (180 gram), digital, and a store exclusive bundle:
The artist line-up and songs include:
• OLD BROWN SHOE Conan O’Brien
• I ME MINE Britt Daniel (from Spoon)
• BALLAD OF SIR FRANKIE CRISP (LET IT ROLL) Jonathan Bates w. Dhani Harrison
• SOMETHING Norah Jones
• GOT MY MIND SET ON YOU Brandon Flowers (from The Killers)
• IF NOT FOR YOU Heartless Bastards
• BE HERE NOW Ian Asbury (from The Cult)
• WAH-WAH Nick Valensi (from The Strokes)
• IF I NEEDED SOMEONE Jamestown Revival
• ART OF DYING Black Rebel Motorcycle Club
• SAVOY TRUFFLE Dhani Harrison
• FOR YOU BLUE Chase Cohl w. Brian Bell (from Weezer)
• BEWARE OF DARKNESS Ann Wilson (from Heart)
• LET IT DOWN Dhani Harrison
• GIVE ME LOVE (GIVE ME PEACE ON EARTH) Ben Harper
• HERE COMES THE SUN Perry Farrel (from Jane’s Addiction)
• WHAT IS LIFE “Weird Al” Yankovic
• BEHIND THAT LOCKED DOOR Norah Jones
• MY SWEET LORD Brian Wilson (from The Beach Boys)
• ISN’T IT A PITY The Black Ryder
• ANY ROAD Butch Walker
• I’D HAVE YOU ANYTIME Karen Elson
• TAXMAN Cold War Kids
• IT’S ALL TOO MUCH The Flaming Lips
• HANDLE WITH CARE Brandon Flowers, Britt Daniel, Dhani Harrison, Jonathan Bates, Wayne Coyne, and “Weird Al” Yankovic
• ALL THINGS MUST PASS Ann Wilson, Dhani Harrison, Karen Elson and Norah Jones
“Handle Me With Care” has now been posted on YouTube:
The Hollywood Vampires album, which contains a guest appearance from Paul McCartney, has been officially released:Here’s the press release:
In 1972, on the Sunset Strip at a club called the Rainbow Bar & Grill, the Hollywood Vampires were born in the upstairs bar. It was a gathering place for the rock stars living in or passing through L.A. “To join the club, one simply had to out drink all of the members,” says Alice Cooper, a founding member of the Vampires. “I would walk in on a typical night” Alice says, “and John Lennon, Harry Nilsson, Keith Moon—who would usually be in a costume like a maid or a chauffeur—Bernie Taupin, Jim Morrison and Mickey Dolenz would be there. The next week might be Bernie Taupin, Jimi Hendrix, Jim Morrison and Mickey Dolenz.”
Three years ago, Alice and good friend Johnny Depp got together and decided the spirit of the Hollywood Vampires should live again (minus the drinking). An environment for great artists to hang, laugh and play together. The Hollywood Vampires live again with the release of the Hollywood Vampires new album. Alice and Johnny were joined by Joe Perry, who is an old friend of both of them, and the recording began: a tribute to the original Hollywood Vampires.
For the next two years, Alice, Joe and Johnny, joined by producer Bob Ezrin and an amazing group of modern day vampires, including Perry Farrell, Dave Grohl, Sir Paul McCartney, Joe Walsh, Slash, Robbie Krieger, Zak Starkey, Brian Johnson and Kip Winger, recorded tracks by their dead friends and heroes. Also included are two original songs that tell the story of the Vampires, one of which, “Raise The Dead,” has an intro by Sir Christopher Lee, recorded just prior to his death.
The album package, an antique book, was created by noted men’s fashion designer (and rock fan) John Varvatos in his signature vintage style. Alice and Varvatos, both Detroit natives, have been partners in fashion for several years with Alice lending his classic rock style as a brand ambassador.
A sneak peek at the liner notes, penned by original Hollywood Vampire Bernie Taupin, “I’m not here to defend their vices. Over-indulgence of any sort does not ultimately constitute for a healthy mind and body. And while on the periphery of those involved, wives may have come and gone, career choices may have been deemed dubious, and heartbreak in some cases stalked a dark corridor, but in the lair of the Hollywood Vampires only joy and laughter reigned.”
“I’m not completely sure what constituted bad behavior back then, but in this lair it existed in a bubble, a hermetically sealed dome of fun. It may not have been the round table at the Algonquin, but these were witty, intelligent guys who often got raucous and loud, but rest assured there were no bystanders or animals hurt in the making of the Hollywood Vampires.”
All artist proceeds will be donated to MusiCares.
And here’s the track listing:
1. The Last Vampire (Hollywood Vampires)
2. Raise The Dead (Hollywood Vampires)
3. My Generation (The Who)
4. Whole Lotta Love (Led Zeppelin)
5. I Got A Line (Spirit)
6. Five to One/Break On Through (The Doors)
7. One/Jump Into The Fire (Harry Nilsson)
8. Come And Get It (Badfinger)
9. Jeepster (T.Rex)
10. Cold Turkey (John Lennon)
11. Manic Depression (Jimi Hendrix)
12. Itchycoo Park (Small Faces)
13. School’s Out / Another Brick In The Wall pt.2 (Alice Cooper / Pink Floyd)
14. Dead Drunk Friends (Hollywood Vampires)
As you can see, the band tackle a version of John Lennon’s ‘Cold Turkey’. The main McCartney performance is Badfinger’s ‘Come And Get It‘, which of course he wrote and produced for that Apple band – way back in 1969!
News is just coming in that Cilla Black has died at the age of 72.
Cilla was a great mate of the Beatles andwas a central part of their manager Brian Epstein’s bevy of talented Liverpool artists. Because of those close relationships Cilla Black was the recipient of unique songs composed by Lennon and McCartney (for example her debut single ‘Love of the Loved’, as well as ‘It’s For You’ and ‘Step Inside Love’ – which became the theme song for one of her TV shows).
And of course she was signed to the Parlophone label. Her many hits were produced by the great George Martin.
Cilla Black leaves behind a fifty-year career in the entertainment business. Following her singing successes of the 1960s Cilla entered the world of British television and became a household name and much-loved icon.
Last year there was a terrific 3-part television docu-drama simply called Cilla (starring Sheridan Smith) covering her life in Liverpool, early career, and rise to fame. Well worth seeing.
We were contacted recently by the Bloggerhythms site about one of their recent posts.
It’s all about former Beatle drummer Pete Best appearing on a then-popular US game show called I’ve Got A Secret. Panelists have to guess the back-story to a particular guest.
Fascinating to see this over fifty years since it was filmed and so relatively close to his departure from the Beatles. And of course so close to their meteoric rise….
Just back from a holiday in Europe where we picked up some nice Beatle treasure for the collection. This is the fourth and final instalment…
Ever since it was released way back in 2011 we’ve been on the lookout for a reasonably priced copy of the book Linda McCartney: Life in Photographs, published by the creative and interesting Taschen book company.
This book actually came out in four versions: a standard edition; a larger-format standard edition; a collectors edition (limited to 750 copies); and two art editions (of 125 copies each with a photographic print provided). The collector and art editions were always going to be way out of our price range (at £1,750 for the collectors edition, and £3,500 for an art edition!). But because we’ve always liked Linda McCartney’s photography a standard edition presenting some of her best images would be nice….
On the day we accidentally stumbled across this very groovy-looking bookshop they just happened to be having a big clearance. All stock was drastically reduced, and on the shelf was a sample copy of the of Linda McCartney: Life in Photographs (the standard edition). True, it’d been in the store a while and was a little shop-soiled – but not badly. It was on sale for €14.99 (that’s about $22.00 Australian, or US$16.00):
The striking cover image of Paul McCartney was taken in Los Angeles by Linda McCartney in 1968.
Inside the book traces Linda’s photographic career, beginning around 1966 and up to 1997, with images selected from her archive of over 200,000 photographs. It is edited by Alison Castle and produced in close collaboration with Paul McCartney and their children. Included are forewords by Paul, Stella, and Mary McCartney. There are also two appreciations of Linda’s work, one by the celebrated photographer Annie Leibovitz, and the other by art historian Martin Harrison.
Linda McCartney was one of the leading artists documenting the mid-to-late 1960s music scene:The book contains great photos of the Rolling Stones, Janis Joplin, Hendrix, B.B. King, Neil Young and Pete Townsend – to name just a few. There are of course some great Beatle shots, still-life, movie stars and landscapes. But the bulk are of Paul McCartney and the couple’s family – all beautifully composed and interesting in their own right:
Really like this one below of Paul working with John in 1968–one of the happier times during the recording of the White Album no doubt:
For some reason this shot from 1970 of Paul writing amidst a domestically crowded table in Scotland reminds us of something:
Could it have been at least part inspiration for Linda’s work three years later for the rear cover of Band on the Run?
And we also like this one of Paul, with artist Willem de Kooning, taken in East Hampton, New York in 1983:Here’s the rear cover – the sticker says €29.99, but we got it for less than that….
On the eve of a major new retrospective exhibition of her art, Vogue magazine has published an interesting article about the importance of Yoko Ono as an artist in the 1960’s.
Of course any discussion about Ono inevitably comes around to her relationship with John Lennon and the Beatles. As Vogue says about this exhibition: “….even though John Lennon is visible and mentioned, it is gently done. On these gallery walls, we see him less as a Beatle and more as a fellow artist.”
And: “If you grew up with the Beatles, it can be difficult to like Yoko Ono. People like to accuse her of turning Lennon into a humorless hippie, the two of them tweaked out on too much acid, calling for peace. They like to point out that he stopped making music to be a dad, while Ono pursued her career as an artist. Lennon loved her—their chemistry is unmistakable—but this alone didn’t get his fans to love her, too. We like our idols unattached, even if they’re unavailable.”
You’ll notice that the Illy coffee company is a sponsor of the MOMA exhibition. As part of that Yoko Ono has produced seven, limited edition espresso coffee cups as part of the company’s Art Collection series by famous artists. You can learn more about these here.
Our CD copy of Ringo’sPostcards From Paradise has finally arrived. Apparently Australia Post has recently installed new automated machines which sort packages – and they are not going well…..
It has cost A$500 million to install the new system, but since then over 20% of parcels are being delivered to the wrong address! I’m blaming this on the length of time it took this little CD to get from Canada to my front door…..
It’s actually a pretty good listen with some really catchy hooks, clever lyrics and musical ideas. Here’s Ringo himself with a YouTube update:
It’s been more than 50 years since Ringo Starr declared himself a fan of Beethoven — “especially his poems.” But all that time, he’s reigned as one of rock & roll’s most beloved sages. Postcards From Paradise, his 18th solo effort, is a masterful summary of Ringo-ness: his cheer, his cheek, his wisdom. He gets a little help from old friends like Joe Walsh and Todd Rundgren — no Kanye or Rihanna on this track list — and builds the title tune out of Beat-les quips: “It’s like I said the night before/I’ll love you when I’m 64.” Best of all is “Rory and the Hurricanes,” celebrating his pre-Beatles band — the one that made Ringo a star in Liverpool when the other three Fabs were nobodies. ♦♦♦
And you can read an interview with Postcards From Paradise recording engineer Bruce Sugar at Beatles Examiner.
The Rutles are a legend. A living legend. A legend that will live long after other living legends have died. This is the semi-legendary story of the Prefab Four who made the sixties what they are today!
For such a huge cultural phenomenon the Beatles have attracted surprisingly few parodies and send-ups over the years. That is until The Rutles came along…..
We’ve just scored a nice vinyl copy of their 1978 LP The Rutles:
Created by Eric Idle and Neil Innes for British television, The Rutles first appeared in 1975 as a sketch on the BBC TV comedy series called Rutland Weekend Television. The sketch presented a mini-documentary about the 1960s band “The Rutles”, and featured Innes singing “I Must Be In Love”, a pastiche of a 1964 Lennon-McCartney tune.
The Rutles gained more fame after their 1978 mockumentary television film, All You Need Is Cash(in whichGeorge Harrison actually appears). The RutlesLP is the soundtrack album from that film and it contains 14 of the film’s 20 songs.
The Rutles comes with a gatefold cover and pasted inside is a lavish 16-page, full colour book containing text and images detailing the history and (imaginary) releases of the band. Here’s a selection:
And there’s an inner sleeve containing more band parodies, too:
What we have here is the US pressing. Released on the Warner Brothers label in 1978.
If you’d like a taste of what The Rutles are about:
Stumbled across a blog site that takes an interesting approach to Beatle history.
The Beatles in the News is just that – a site where multiple, random articles from across the decades and from all over the world are aggregated and re-published daily.
There are newspaper and magazine articles, concert reviews, TV news, and advertisements. It’s not only about the Beatles as a group but also as solo artists. Around 500 items from the past are uploaded every month.
One of the posts from January 23 this year caught our attention. It features – in full – a special colour supplement produced by the iconic Australian Women’s Weekly magazine in March, 1964 at the very height of Beatlemania:Of course, being a “women’s magazine” from the day meant you had to have a section dedicated to what to cook for that special Beatles party:
Just love those mop-top muffins with the chocolate hairdo’s! And also how to dress in Beatle fashion:
Fantastic stuff.
With this site you never know from day-to-day just what gems might pop up.
For anyone interested in the BeatlesThe Beatles in the News is well worth visiting regularly. You never know what you might find.
Beatles Blog 